Kell's Legend (6 page)
You took part, Kell. You killed them all, Kell.
Visions echoed. Slashes of flashback. Crimson and shimmering. Diagonal slices, echoes of a time of horror. Screams. Writhing. Slaughter. Whimpering. Steel sawing methodically through flesh and bone. Worms eating skin. Eating eyes. Blood running in streams down stone gutters. Running in rivers. And soldiers, faces twisted with bloodlust, insanity, naked and smeared with blood, with piss and shit, with vomit, capering down streets with swords and knives, adorning their bodies with trophies from victims…hands, eyes, ears, genitalia…
Kell swooned, felt sick. He forced away the terrible visions and rubbed a gloved hand through his thick beard. “Damn you all to hell,” he muttered, a terrible heaviness sinking through him, from brain to stomach, a heavy metal weight dragging his soul down to his boots and leaking out with the piss and the blood.
“You look ill.” Kat placed a hand on his broad, bear-clad shoulder.
“No, girl, I am fine,” he breathed, shuddering. And added, under his breath, “on the day that I die.” Then louder, “Come. I can see a tunnel under the tannery.”
“That’s an evil place,” said Kat, pulling back. “My little brother used to collect the piss-pots used in the tannery; he caught a terrible disease from there; he died. I swore I would never go inside such a place.”
“It’s that, or die yourself,” said Kell, not unkindly.
Kat nodded, and followed Kell and Nienna down the street, all three crouching low, moving slowly, weapons at the ready and eyes alert. As they approached the tunnel, an incredible stench eased out to meet them: a mixture of gore and fat, dog-shit, piss, and the slop-solution of animal brains used in the bating process. Kell forced his way inside, treading through a thick sludge and coming up grooved and worn brick steps into a room hung with hides still to be stripped of hair, gore and fat. They swung, eerily, on blood-dried hooks. There were perhaps a hundred skins waiting for the treatment that would eventually lead to water-skins, armour, scabbards and boots. Kell stepped over channels running thick with disgorged brains.
“What is that?” gagged Nienna.
“When the skins arrive, they need to be scraped free of dried fat and flesh. The tanners then soak skins in vats mixed with animal brains, and knead it with dogshit to make it soft.” He grinned at Nienna, face demonic in the gloomy light where shadows from gently swinging skins cast eerie shapes over his
bearded features. “Now you can see why you were so lucky to be accepted into the university, girl. This is not a place for children.”
“Yet a place where children work,” said Kat, voice icy.
“As you say.”
They moved warily between swinging skins, the two women flinching at the brush of hairy hides still strung with black flesh and long flaps of thick yellow fat. At one point Kat slipped, and Nienna grabbed her, hoisting her away from a channel filled with oozing mashed animal brains and coagulated blood.
“This is purgatory,” said Nienna, voice soft.
Kat turned away, and was sick.
As Kell emerged from the wall of hung skins, so he froze, eyes narrowing, head turning left and right. Before him stood perhaps twenty large vats, four with fires still burning beneath their copper bases. This was where excess flesh and hide strips were left to rot for months on end in water, before being boiled to make hide glue. If nothing else, this place stunk the worst of all and Kell was glad of the cloth he held over his mouth.
Then Kell turned, frowning, and strode towards a vat containing the foul-smelling broth and hoisted his axe. “Are you coming out, or do I come in axe-first?”
“Whoa, hold yourself there, old fellow,” came an educated voice, and from the shadows slipped a tall, athletic man. Nienna watched him, and found herself immediately attracted; something the dandy was no-doubt used to. His face was very finely chiselled, his hair black, curled, oiled back, neat above a trimmed moustache and long sideburns that were currently the
height of fashion amongst nobles. He wore a rich blue shirt, dark trews, high cavalry boots and a short, expensive, fur-lined leather cloak. He had expensive rings on his fingers, a clash of diamonds and rubies. His eyes were a dazzling blue, even in this gloomy, murky, hellish place. He had what Nienna liked to call a smiling face.
Kat snorted. Nienna was about to laugh as well, so ridiculous did the nobleman look in this evil-smelling tannery from hell; until she saw his sword. This, too, had a faint air of the ridiculous, until she married it to his posture. Only then did she consider the broad shoulders, the narrow hips, the subtle stance of an experienced warrior. Nienna chided herself. This man, she realised, had been underestimated many times.
“Why are you skulking back there, fool?”
“Skulking?
Skulking
? Old horse, my name is Saark, and Saark does not skulk. And as for fool, I take such a jibe as I presume you intend; in utter good humour and jest at such a sorry situation and predicament in which we find ourselves cursed.”
“Pretty words,” snorted Kell, turning back to Nienna and Kat. He turned back, and realised Saark was close. Too close. The rapier touched Kell’s throat and there was a long, frozen moment of tension.
“Pretty enough to get me inside your guard,” said Saark, voice soft, containing a hint of menace.
“I think we fight the same enemy,” said Kell, eyes locked to Saark.
“Me also!” Saark stepped back and sheathed his blade. He held out his hand. “I am Saark.”
“You already said.”
“I believe it’s such a fine name, it deserves saying twice.”
Kell grunted. “I am Kell. This is Nienna, my granddaughter, and her friend Kat. We were thinking of stealing a boat. Getting the hell away from this invaded charnel house of a city.”
Saark nodded, moving close to Nienna and Kat. “Well, hello there, ladies.” Both young women blushed, and Saark laughed, a tinkling of music, his eyes roving up and down their young frames.
“Saark!” snapped Kell. “There are more important things at play, here. Like the impending threat on our lives, for one.”
Saark made a tutting sound in the back of his throat, and surveyed his surroundings. And yet, despite his smile, his fine clothes, his finer words, Nienna could see the tension in this man; like an actor on the stage, playing a part he’d rehearsed a thousand times before, Saark was enjoying his performance. But he was hampered, by an emotion which chipped away at the edges of his mask.
Fear.
It lurked in his eyes, in his stance, in a delicate trembling of his hand. Nienna noticed. She enjoyed people-watching. She was good at it.
Saark took a deep breath. “How did you know I was here?”
“I could smell you.”
“
Smell me
?” Saark grinned then, shaking his head. His face was pained. “I cannot believe you could smell me amidst this stench. I like to think I have better grooming habits.”
Kell had moved to a window, was standing back from the wooden shutters and watching soldiers down by the river. He turned and eyed Saark warily. “It was your perfume.”
“Aaah! Eau du Petale. The very finest, the most excitingly exquisite…”
“Save it. We’re moving. We can escape via the pipe which dumps tannin and slop out into the river. If we head down into the cellars, I’m sure…”
“Wait.” Saark brushed past Kell and stood, one manicured hand on the shutters, the other on the hilt of his rapier. Suddenly, Saark’s foppish appearance didn’t seem quite so ridiculous.
“What is it?”
“The carriage. I know it.”
Kell gazed out. A carriage had drawn alongside a cage full of weeping prisoners; all women. The carriage was black, glossy, and had an intricate crest painted on the door. The horses stomped and chewed at their bits, disturbed either by the stench of the tanneries or the moans of the women. The driver fought to keep the four beasts under control and their hooves clattered on ice-rimed cobbles.
“Well, I know him,” snarled Kell, as General Graal stalked towards the carriage and folded his arms. His armour gleamed. He ran a hand through his long white hair, an animal preening. “He’s the bastard in charge of this army. He called it the Army of Iron.”
“You know him?” Saark met Kell’s gaze.
“The bastard sent a couple of his soldiers to kill me and the girls.”
“He was far from successful, I see.”
“I don’t die easy,” said Kell.
“I’m sure you don’t, old horse.” Saark smiled, and turned back to the distant performance. The carriage door was opened by a lackey, and a man stepped down. He was dressed in furs, and held a cloth over his face against the chill of ice-smoke, which was dissipating even as they watched—its job now done. The man had shoulder length black hair, which gleamed.
“Who is he?” said Kell.
“That,” said Saark, staring hard at Kell, “is Dagon Trelltongue.”
“The king’s advisor?”
Saark nodded. “King Leanoric’s most trusted man. He is, shall we say, the king’s regent when the king is away on business.”
“What about Alloria?”
“The queen?” Saark smiled. “I see, Kell, you have little schooling in nobility, or in royalty. It would be unseemly for a woman to rule in the king’s absence; you would have her meeting with common-folk? Doing business with captains and generals? I think not.”
“Why,” said Kell, ruffled, “would Trelltongue be here? Now?”
Saark transferred his gaze back to the two men beside the carriage. “A good question, my new and aged and ragged friend. However, much as I would love to make his acquaintance at this moment in time, I fear your escape plan to be sound—and immediately necessary. Would you like to lead the way, Kell, to this pipe of disgorging effluence?”
Kell hoisted his axe, looked at Nienna and Kat, then tensed, crouching a little, at what appeared behind the two women.
“What is it?” hissed Nienna, and turned…
From the hanging wall of skins, moving leisurely, gracefully, came a Harvester. Its flat oval face seemed emotionless, but the small black eyes, coals in a snowman’s face, searched across the room. Vertical slits hissed with air, and the creature seemed to be…sniffing. The Harvester gave a grimace that may have been a smile.
“I followed you. Across the city.” The voice was a dawdling, lazy roll, like big ocean waves on a fused beach.
Saark drew his rapier, and gestured to the two women to move. He took a deep breath, and watched as the Harvester lifted a hand. The embroidered robe fell away leaving five long, pointed fingers of bone…
“I thought I explained, sweetie. You’re just not my type.” But terror lay beyond Saark’s words, and as he and Kell separated, Kell loosening his shoulders, axe swinging gently, Saark muttered from the corner of his mouth, “Watch the fingers. That’s how they suck the life from your body.”
Kell nodded, as the blast of terror hit him. He stood, stunned by the ferocity of fear which wormed through his mind. He saw himself, lying in a hole in the ground, worms eating his eyes, his skin, his lungs, his heart.
Come to me,
came the words in his head. A song. A lullaby. A call stronger than life itself.
Come to me, little one.
I will make the pain go away.
The Harvester drifted forward, and with a scream Saark attacked, rapier moving with incredible speed; a lazy backward gesture slapped Saark a full twenty feet across the tannery, where he landed, rolling fast, to slam against a vat with a groan.
Five bone fingers lifted.
Moved, towards Kell’s heart.
And with tears on his cheeks, the old soldier seemed to welcome them…
Anukis awoke feeling drowsy; but then, the ever-present tiredness, like a lead-weight in her heart, in her soul, was something she had grown to endure over the years, something which she knew would never leave her because…because of what she was. She stretched languorously under thick goose-down covers, her long, curled, yellow hair cascading across plump pillows, her slender white limbs reaching out as if calling silently across the centuries for forgiveness.
Anukis glanced at the clock on the far wall. It was long, smooth, black like granite. Through a glass pane she could see tiny intricate cogs and wheels, spinning, turning, teeth mating neatly as micro-gears clicked into place. A pendulum swung, and a soft
tick tick tick
echoed through the room. Anukis’s eyes stared at the clock, loving it and hating it at the same time. She loved it because her father, Kradek-ka, had made the clock; and just like his father before him, he had been one of the finest Watchmakers in Silva Valley, his hands steady, precise, incredibly accurate with
machining and assembly; his eye had been keen, not just with the precision of his trade, but with the delicate understanding of materials and what was perfect for any machine job. But it had been his mind that set him apart, indeed, highlighted him as a genius. Anu’s grandfather had accelerated and pioneered the art of watch-making, turning what had once been a relatively simple art of mechanical timekeeping into something more…advanced. This way, Kradek-ka had upheld the family traditions, and helped to save, to prolong, and to advance their race. The vachine.
Anukis rubbed at her eyes, then stood, gasping a little at the cool air in the room. Naked, goose-bumps ran up and down her arms and she hurried into a thick silk gown which fell to her ankles. She moved to a porcelain bowl and washed, her long, dainty fingers, easing water into her eyes, then carefully, into her mouth. She rubbed at her teeth, cold water stinging, then moved to the window of her high tower, gazing out over Silva Valley, eyes scanning the high mountain ridges which enclosed the huge tiered city like predator wings around a victim.
Anukis smiled. A victim. How apt.
Maybe they’ll come for me today, she thought. Maybe not.
A prisoner of the High Engineer Episcopate since her father had died (had been murdered, she thought hollowly), she was not allowed out from a small collection of rooms in this high tower suite. However, what the high-ranking religious Engineers and Major Cardinals did not realise, was that Anukis was not a
pure
oil-blood
like the majority of the city population lying under a fresh fall of snow below, pretty and crystalline, a pastel portrait from her high window.