Killing Monica (18 page)

At the time, Pandy didn’t know if what she was writing was literary or historical. It might have been YA. All she knew was that trying to tell Lady Wallis’s story was what had given her courage.

What she’d never imagined was that it could fail.

Now, Pandy looked out the window of the town car Henry had arranged to drive her from the Pool Club and saw that she was nearly
back
in Wallis. Where she’d been only once since that long, awful day when she had told Jonny she wanted a divorce.

Through the endless dealings with Jonny’s lawyers and demands for money, Pandy had assumed that Lady Wallis would make it all okay in the end.

Except she hadn’t.

The driver hit the brakes. “Which way?”

“That way,” Pandy said, pointing to the narrow rutted track that was Wallis Road.

And right there, at the last outpost of cell phone service, her phone began fluttering those happy notes from Monica’s theme song.

Pandy picked it up.

H
ENRY
?”

Her voice came out thickly, like she was speaking through clotted cream. She had to take a sip of water before she could continue. “Please tell me what I think happened two hours ago back at the Pool Club didn’t happen?”

“I wish I could, my dear,” Henry said with firm sympathy.

“You mean, it
did
happen?”

“Yes.”

“Are you sure?” Pandy began to protest as she became aware of a terrible poisoned feeling. Her body felt stuck between a blackout and a terrific hangover, in a sort of alcoholic purgatory.

It was all that champagne she’d drunk. At the Pool Club. With her friends.

She shook her head, trying not to remember too much. If she did, she might very well become sick. In fact, she probably
would
be sick.

And yet, there was something in Pandy that still wanted to resist reality, especially when it was this bad. She took another gulp of water. “Are you absolutely and completely sure about the book?” she asked.

“Yes. They rejected it,” Henry said.

“Lady Wallis?” Pandy sat back in her seat, still reluctant to embrace the truth. “Are you sure you sent them the right manuscript?” she asked desperately.

“Was there another one?” Henry asked drily.

“But why?” Pandy moaned softly, like an animal in pain.

“They didn’t like it,” Henry said simply. “They said the book didn’t
sound
like you. They said it wasn’t a, quote, ‘PJ Wallis book.’”

“And what did
you
say?”

“I said, ‘Of course it’s a PJ Wallis book. How can a book written by PJ Wallis not be?’ And then they said, ‘But PJ Wallis doesn’t write
historical
fiction. So people who are looking for a PJ Wallis book will be angry.
Disappointed
.’ I said that begged the question as to their publishing it under another name. Which they’d likely do, but not with your current advance. So if you want to
keep
the advance, you’ll have to give them their PJ Wallis book. And they want it to be about Monica. They suggested that Monica get divorced. Try
online dating
. The thought, I agree, is terrifying. I told them, ‘We’ll see.’”

He paused. He must have realized that Pandy hadn’t interrupted him. “Pandy?” he asked. “Are you there?”

Pandy looked out the window. They were just starting up the driveway.

“What happens if I refuse to write another Monica book?” she asked.

“Let’s not worry about that now,” Henry said firmly. “Right now, I want you to take a deep breath and relax. Go for a walk through the pine forest. Take a swim in the pool. Or better yet, canoe around the lake. And then have a nice hot bath. Get a good night’s sleep, and call me in the morning.”

“So this means I won’t get the money.”

“You
will
get the money. When you deliver the next Monica book. If you work really hard, I’m sure you can knock one off in six months. After all, you do know all about ugly divorces now.”

“Thanks, Henry,” she sniped.

Henry sighed. “I
did
warn you about historical fiction. Most editors won’t go near it these days. It’s not
popular
.”

She lost Henry when the driver slammed on the brake and her phone dropped to the floor. They had reached the final switchback to the house, and the driver turned around to gape at her. Then he slowly turned his head and looked back at the house, as if trying to put two and two together.

“You
live
here?” he asked.

Pandy sighed, gathering her things. “It’s not what it seems.”

She got out of the car and started briskly up the path to the house, pausing for a moment to admire the rose garden. The
S. Pandemonia
and
S. Hellenor
, the two roses for which she and Hellenor were named, were in full bloom.

This situation—the looming divorce settlement and the book’s being rejected—was going to be a huge problem, she realized as she went hurriedly up the stairs and into the house. Without pausing to wind the clock, she went right into the kitchen.

She placed her sack of groceries on the counter, opened the refrigerator, took out the container of milk, and threw it in the trash.

The milk was from the one and only time she’d been back to Wallis House since that terrible scene with Jonny. It had been nearly a year since the night when she’d secretly moved all her papers to Wallis House.

All the files and contracts; the tax returns, the old phone bills, drafts of manuscripts and
Monica
scripts; a copy of the will she’d just signed that left everything to Hellenor—including the rights to Monica—on the off chance she might have something to leave behind when Jonny’s lawyers got through with her. In short, anything and everything that Jonny might get his hands on and could then use against her.

He’d already tried to claim that Pandy had attempted to murder him when she’d pushed him into the pool.

Pandy sighed and began unpacking the groceries Henry had shoved into the back of the car at the last second. If she’d known then what she knew now about Jonny, would she have let him slide under the water, watching those last air bubbles rise to the surface—a series of small ones, then a pause, and at last that final balloon-shaped burst of air as the water rushed in and forced out the last molecules of oxygen?

She would have only had to wait fifteen minutes for Jonny to be brain-dead and dead-dead. And then, for the sake of authenticity, she would have retraced her steps, hurrying down the path as if she’d just discovered he wasn’t in the house. When she spotted him floating in the pool, she would have splashed in, lifting him under the arms and laying him flat in the grass. She would have pulled back his head and pinched his nose.

She would then have performed textbook-perfect CPR. After ten minutes, she would have given up. She would have run back to the house, called 911, and waited the thirty minutes it would have taken for the volunteer fire department to arrive.

And by then, it would have been far too late.

Jonny would be dead—an accident! He had taken a nap in Old Jay’s bed, been attacked by chiggers, and had run into the pool to escape them, where, unfortunately, he had drowned.

And what a happy widow she would have been! Free of Jonny without the bummer of becoming another middle-aged divorcée in New York. Instead, her reputation would have grown as that of a tragic figure.

She would have had what her English friends called “the black wedding.” The black wedding was what you wished for ten years after you’d had the white wedding. After you’d produced a couple of children and had had enough time to realize that yes, indeed, your husband
was
totally useless. You wished for the black wedding—your husband’s funeral. You’d get the money and the lifestyle and the children, without the hassle of the man.

Of course, when it came to marriage, the English had always been far more practical than the Americans.

Fuck
, she thought, extracting a package of Cheddar cheese.

The pathetic fact was, Jonny had managed to get so much money out of her during their marriage that when it came time to talk about a settlement, she’d had no cash left.

Neither, unsurprisingly, did Jonny. In fact, it turned out that technically, Jonny didn’t own anything at all.

As a matter of fact, Jonny
owed
money. And that meant
she
owed money, too. This, at least, was the gist of it. This, and the fact that Jonny did, indeed, own something, after all: half of everything
she
owned.

She’d had to promise to pay him her entire advance—the very same advance she’d been expecting her publishers to pay her when she delivered the book.

And now, because her publishers had rejected her book, she would have no money to pay Jonny after all.

She wandered into the library, looked up at the portrait of Lady Wallis Wallis, and cringed.

On the other hand, it would be easy enough to pay Jonny off. All she had to do was sell the portrait. It was probably worth millions.

Pandy emitted a harsh laugh. Forced to sell a painting that had been in her family for three hundred years to pay off Jonny Balaga? Never. What would Lady Wallis say?

Disgusted with herself, Pandy went upstairs to her room. There, she sat down at her desk and looked at her pile of old Monica notebooks. Of course she didn’t have to sell Lady Wallis Wallis. Not when she still had Monica.

And people still
wanted
Monica.

Which meant there was absolutely no excuse for her
not
to write another Monica book. She would agree to it, and her lawyers would make some kind of arrangement with Jonny’s lawyers as to a payment schedule. Nevertheless, Jonny’s settlement would be delayed; to compensate, Jonny’s lawyers would attempt to up the amount. And then, it wouldn’t be just one more Monica book that she needed to write, but two or three.

If, indeed, Monica even lasted that long. Eventually, people would grow tired of Monica. And then Monica and PJ Wallis would end up back here. Back where they started. And eventually the cats would come…

Pandy picked up one of the notebooks.

It was the first Monica story, entitled “Monica: A Girl’s Guide to Being a Girl.” She’d created the perfect imaginary little girl—
Monica
—who knew everything about being a girl, for the instruction of Hellenor. By seven, Hellenor was becoming what her teachers deemed “a problem child.” She refused her mother’s and then Pandy’s entreaties to dress like a girl, act like a girl,
be
a girl, and so Pandy had created Monica and the Girl’s Guide to help her. She had used the
Girl Scout Handbook
as her inspiration.

Pandy picked up another notebook. Dated 198–, it was the last installment of Monica. She flipped to the back page. It was blank, save for the small lettering written in Hellenor’s hand. Pandy held the page away to read the tiny block letters painstakingly formed in red ink:

And for a brief moment, Pandy laughed. Hellenor had always hated Monica.

Until she hadn’t. Once Monica started making money…

She snapped the book shut and replaced it on the pile.

She should have put her foot down after the second Monica book. She should have said, “No more.” But how was she to know what the future would hold? When she’d reinvented Monica ten years ago, she’d made her a more perfect version of herself. Bad things might happen to PJ Wallis, but only good things happened to Monica. In Monica’s world, everything always worked out.

And then, some of Monica’s stardust rubbed off on Pandy herself, because suddenly good things were happening to Pandy as well. And for a while there, it seemed she really
was
Monica…

Until she wasn’t. Because the bad things that were now happening to PJ Wallis were not the kinds of things that were supposed to happen to Monica.

The audience wouldn’t like Monica if she were the way Pandy was now: destitute, on the verge of a breakdown; a pathetic woman who’d dared to believe in herself and had lost everything.

And it wasn’t just about the money! Indeed, it wasn’t really about the money at all, but the fact that in taking her money, Jonny had robbed her of her creative freedom. He’d stolen her opportunity to take a chance on herself, and in doing so, had enslaved a piece of her soul.

Collapsing onto the typewriter, she sobbed and sobbed. What was the point? She might as well destroy Monica, and she would start by burning the original notebooks. Wiping her cheeks with the backs of her hands, she picked up the last notebook and once again examined the page where Hellenor had written
KILL MONICA
.

And then, like a drunk who instantly feels sober when faced with a crisis, Pandy felt her tears dry up. Without the advance, Jonny would certainly take her loft, but it wouldn’t be enough. And then he’d try to go after something else: either Monica or Wallis House—most likely both. He probably couldn’t get them, but he was nevertheless free to make her life miserable by trying. He could file suit after suit. Because, as her lawyers had explained again and again, she’d never signed a prenup, and was therefore “vulnerable.”

Which meant that in order to prevent Jonny from attempting to take Wallis House, she might have to produce the one person who stood in his way: Hellenor.

And that would not be good.

Once they started looking, who knew what they might find out?

Fucking Hellenor
, Pandy thought with a start. Now she had to tell Henry how she had foolishly managed to put everything at risk.

She pushed back from her desk with a grunt. The call to Henry was inevitable. She might as well get it over with. Her cell phone didn’t work here, so she would have to use the landline.

She walked to the end of the hallway, past the e
ighteen
th-c
entury
French wallpaper that Jonny would undoubtedly rip out, to a small door set into the paneling. She yanked it open and, feeling for the light switch, went down a set of steep, enclosed stairs. When she got to the bottom, she kicked the door. As always, it was stuck.

She kicked it again and it opened. The stench of something slightly rotten rose up into the air. Pandy coughed. Dead mice. She leaned across the couch and unwound the two windows. They opened smoothly, but brought in a handful of dead leaves. Pandy brushed the leaves away and looked around.

The den, as usual, was in its gloomy half-light. The windows in this room were small and high, meant to save on heating. She went to the wall and flipped on the light. The gloom could be explained by the dark plastic paneling that someone had stuck on the walls in an attempt at renovation.

She opened another door and went into the mudroom. Unlike the den, no one had ever attempted to renovate the mudroom, but the appliances, at least, were recognizable. There was a washer and dryer, a big farmhouse sink, a toilet, and most important of all, heat, generated by a potb
ellied
stove in the center of the room.