Leonardo's Lost Princess (27 page)

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Authors: Peter Silverman

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Leonardo attribution of

multispectral digital imaging used for

proportional system used for

provenance of

Royal Castle Museum (Warsaw) exhibition

lampblack

Landesman, Peter

Landis, Augustis

Landscape with a Rainbow
(Turner)

lapis lazuli

Lardoux, Andrée (Hahn)

Last Supper, The
(Leonardo da Vinci)

commission for

condition of

fame of

latent fingerprints

lawsuits

Biro’s suit against Grann

Marchig v. Christie’s

Lefranc of Paris

left-handedness

detecting

restoration and

Vezzosi on left-handed shading

Leonardo da Vinci

Adoration of the Magi

anatomical drawings by

The Baptism of Christ
(Verrocchio) and

The Battle of Anghiari

biographical information

Codex

forgery attempt

Ginevra de’Benci

Hahn painting and

ideals of beauty

Lady with an Ermine

The Last Supper

left-handedness of

“Ligny Memorandum,”

The Lives of the Artists
(Vasari) (
See also
Vasari, Giorgio)

lyre created by

Mona Lisa

Musician

Notebooks

parachute design of

patrons of

portrayal of women by

sexual orientation of

St. Jerome in the Wilderness

Treatise on Painting

use of fingertips by

Vitruvian Man

See also
art authentication;
Bella Principessa, La
(Leonardo da Vinci); media (used for fine art); technique

Leonardo da Vinci Society

Leonardo Infinito
(Vezzosi)

Leonardo
(Kemp)

Leonardo Project

“Ligny Memorandum” (Leonardo da Vinci)

Lives of the Artists, The
(Vasari).
See also
Vasari, Giorgio

Longhi Institute (Florence)

Los Alamos National Laboratory

Louis XII (King of France)

Louvre (Paris)

Boltraffio work in

Mona Lisa
stolen from (
See also Mona Lisa
(Leonardo da Vinci))

Portrait of Isabella

Lumiere Technology

Cappuzzo on

Clifford and

Cobden on

Cotte’s biographical information

media publicity

multispectral digital imaging, defined

multispectral digital imaging used for
La Bella Principessa
(Leonardo da Vinci)

multispectral digital imaging used for
Mona Lisa

“Report on
Portrait of a Young Woman in Profile
” (Turner)

lyre, created by Leonardo da Vinci

macrophotography

Marchig, Giannino

Marchig, Jeanne

Christie’s lawsuit by

La Bella Principessa
(Leonardo da Vinci) ownership by

La Bella Principessa
(Leonardo da Vinci) sale by

Marchig Animal Welfare Trust

Marchig v. Christie’s

Marianeschi, Massimo

Matter, Alex

media (used for fine art)

chalk

Leonardo da Vinci on

multispectral digital imaging used for examination

oil paints and fingerprints

pastels

pen and ink

See also
color; restoration

Medici, Lorenzo de’

Metropolitan Museum of Art (New York)

Hoving and

Virgin and Child
(Gossaert)

Michelangelo

Albertina (Vienna) exhibition

left-handedness of

Leonardo da Vinci and

misattribution

Milan

Leonardo da Vinci in

portrait costume and iconography

Milan, Duke of (Ludovico il Moro Sforza)

Crivelli and (
See also Belle Ferronnière, La
(Leonardo da Vinci))

fashion and

Galeazzo Sanseverino and

Gallerani and (
See also Lady with an Ermine
(Leonardo da Vinci))

on
The Last Supper
(Leonardo da Vinci)

as patron of Leonardo di Vinci

relationship to Bianca Sforza

Miller, S. Lawrence

“Mind of Leonardo da Vinci, The” (Uffizi Gallery, Florence)

Mona Lisa

Lisa del Giocondo as subject of

multispectral digital imaging used for

Mona Lisa
(Leonardo da Vinci)

authenticity of

fame of

fingerprint evidence and

La Bella Principessa
(Leonardo da Vinci) compared to

multispectral digital imaging used for

proportional system used for

theft of/forgery attempt

Morelli, Giovanni

Morelli Method

Moses, Harry

multispectral digital imaging

accessibility of

defined

fingerprint evidence and

protective material identified by

used for
La Bella Principessa
(Leonardo da Vinci)

used for
Lady with an Ermine
(Leonardo da Vinci)

used for
Mona Lisa

See also
Lumiere Technology

Murdock, David

Museo Ideale Leonardo da Vinci (Vinci, Italy)

Museum Boijmans Van Beuningen (Rotterdam)

museum curators, authenticity assessed by.
See also
art authentication

Musician
(Leonardo da Vinci)

“Mystery of Leonardo da Vinci’s 13th Portrait Elucidated, The”
(Le Figaro)

National Gallery (London)

Boy Bitten by a Lizard
(Caravaggio)

La Bella Principessa
(Leonardo da Vinci) lecture (Kemp)

Leonardo da Vinci exhibition (2011, 2012)

museum laboratory exhibition (2010)

Penny and

Virgin and Child
(Gossaert)

National Gallery of Art (Washington, D.C.)

National Geographic
(magazine)

National Geographic-Nova

National Library (Warsaw, Poland)

Nazarenes

“New Evidence Strengthens Leonardo Claim for Portrait”
(ATG)

Newhouse, Sy

New Yorker

New York Times

on art authentication, generally

on
La Bella Principessa
(Leonardo da Vinci) authenticity

New York University

Nicholas, Adrian

Notebooks
(Leonardo da Vinci)

Nuland, Sherwin

oil paints

Opus Dei

Oxford University

parachute design

Pater, Walter

Pedretti, Carlo

pen and ink

restoration of

used by Leonardo da Vinci

Penicaut, Jean

Cappuzzo and

fingerprint evidence and

on
Lady with an Ermine
(Leonardo da Vinci)

Lumiere Technology established by

on media publicity

Penny, Nicholas

pentimenti

Perréal, Jean

Peruggia, Vincenzo

Pforr, Franz

Picasso, Pablo

Albertina (Vienna) exhibition

high price commanded by art of

Mona Lisa
(Leonardo da Vinci) theft and

Pinacoteca Ambrosiana (Milan)

plastic fingerprint impressions

poems

about Bianca Sforza

about Gallerani

by Shakespeare

Pollock, Jackson

Biro and

high price commanded by art of

Horton painting and

Porte de Clignancourt (Paris)

Portrait of a Woman Called La Bella Ferronnière

Portrait of a Young Gentleman
(Bugiardini)

Portrait of a Young Woman in Profile to the Left. See Bella Principessa, La
(Leonardo da Vinci)

Portrait of Isabella d’Este

Portrait of Piero
(Gherardo di Giovanni del Fora)

Poussin, Nicholas

Priory of Sion

proof.
See
art authentication

provenance

defined

documenting

fingerprint evidence and

of
La Bella Principessa
(Leonardo da Vinci)

Turner on

publicity

Ames-Lewis on

Burlington
article

Cotte and

Daily Telegram
article

Ganz and

Gothenberg exhibition and

Hewitt
(ATG)
and

La Bella Principessa: The Story of the New Masterpiece by Leonardo
(Kemp, Cotte)

New Yorker
article

perception of art and

See also individual names of media outlets

Queen’s College (London)

Raimondi, Marcantonio

Rape of La Belle, The
(Benton)

Raphael

forgeries

high price commanded by art of

left-handedness of

misattribution

use of fingertips by

Rashomon
(film)

Rembrandt

authorship of

Dutch Rembrandt Society

Kemp on

“Report on
Portrait of a Young Woman in Profile
” (Turner)

restoration

Corrigan on
La Bella Principessa
(Leonardo da Vinci)

by Giannino Marchig

hatching and

tracked by spectral digital imaging

ritratto nuziale

Rogers, Raymond N.

Royal Castle Museum (Warsaw)

Royal Library, Windsor Castle

San Donato a Scopeto (Florence)

Sanseverino, Galeazzo

marriage to Bianca Sforza

Sforziada
owned by

Santa Maria delle Grazie (Milan)

Secrest, Meryle

Seracini, Maurizio

Ser Piero (father of Leonardo da Vinci)

Sforza, Bianca

La Bella Principessa
(Leonardo da Vinci) as legacy of

Sforziada
and

as subject of portrait

Vezzosi on

Sforza, Bona

Sforza, Francesco

as Sforza family patriarch

Sforziada

as subject of Leonardo da Vinci monument

Sforziada

sfumato

Shakespeare, William

Shroud of Turin

Sigismund I (King of Poland)

Silverman, Kathy

on authentication

La Bella Principessa
(Leonardo da Vinci) purchase

on naming

60 Minutes

Smithsonian Institute

Soderini, Piero

sonnets.
See
poems

Sortais, Georges

Sotheby’s

January art auctions

Portrait of a Woman Called La Bella Ferronnière

Spiegel, Der
(German)

St. Jerome in the Wilderness
(Leonardo da Vinci)

stamped fingerprint impressions

Strinati, Claudio

on authenticity

foreword to
La Bella Principessa: The Story of the New Masterpiece by Leonardo
(Kemp, Cotte)

Study of a Winged Figure; Allegory with Fortune

Supreme Court of New York

Swiss Federal Institute of Technology (Zurich)

Tate Gallery (London)

technique

“Leonardesque” knots

sfumato

Turner on (
See also
hatching; left-handedness; media (used for fine art))

“Thrift Shop Jackson Pollock Masterpiece, The”
(60 Minutes)

Time
(magazine)

Times
(London)

titanium oxide

Treatise on Painting
(Leonardo da Vinci)

trifurcation

trois crayons
technique

Turcotte, Andre

Turner, J. M. W.

Turner, Nicholas

on art forgery

on authenticity

on connoisseurship

on
La Bella Principessa
(Leonardo da Vinci) authorship

preface to
La Bella Principessa: The Story of the New Masterpiece by Leonardo
(Kemp, Cotte)

Report on
Portrait of a Young Woman in Profile

Tuscany, style of
La Bella Principessa
(Leonardo da Vinci) and

Uffizi Gallery (Florence)

The Baptism of Christ
(Verrochio)

“Mind of Leonardo da Vinci, The,”

Mona Lisa
(Leonardo da Vinci) theft and

Sforziada

University of London

University of Pavia

University of South Florida

USA Today

Valfierno, Eduardo de

Van Dyck

van Gogh, Vincent

van Meegeren, Hans

Vasari, Giorgio

art of

on death of Leonardo da Vinci

on
The Last Supper
(Leonardo da Vinci)

Leonardo da Vinci biography of

Vatican

The Da Vinci Code
(Brown) portrayal of

St. Jerome in the Wilderness
(Leonardo da Vinci)

vellum

carbon dating of

Kemp on

multispectral digital imaging used for examination

Turner on

visual age detection of

Vermeer, Jan.
See also
van Meegeren, Hans

Verrocchio, Andrea del

Leonardo da Vinci as apprentice to

Turner on

Vezzosi, Alessandro

Gothenberg exhibition

on “Leonardesque knot,”

Leonardo Infinito

mock trial of
The Da Vinci Code
(Brown)

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