Letters (130 page)

Places, everybody? But wait: I have not mentioned that our signal is to come, not from A. B. Cook, IV or VI, or any other of us, no, but from the United States Navy itself. Bloodsworth Island—as everyone seems to know except me—is mainly an aerial gunnery target, uninhabited below Barataria except by
very
intrepid herons and muskrats. At 2200 hours there is to commence a night-firing exercise in the Prohibited Zone, just south of us; there will be helicopters and patrol boats to insure that the area is clear before the fighters roar in from Patuxent Air Station, across the Bay. It is half after nine already; there they are now, the choppers, blinking and flashing and raising a frightful racket, obviously interested in our floodlights and smoking scenery. Cook waves at their searchlights. The hippies raise clenched fists and shout obscenities. The cameras roll. We take our places.

Am I mistaken in remembering our last sight of Jerome Bray (not counting the
sound
of him at the Ft Erie Magazine Explosion) to have been his departure by Newswatch helicopter, early in August, from Delaware Park in Buffalo?
Well,
sir: as if reinvoked by these awesome, clattering navy machines (we do not know how in fact he arrived; Cook alone seemed surprised to see him), just as Fame and I take our rain-soaked places, and Reggie and Ambrose toe the mark some metres off, and Cook makes ready to flag the start, a Union Jack in one hand and the Stars & Bars in t’other—it is 2155; it is 2156; we await the roar of jets—

Yup. Jerome Bonaparte Bray, on
top
of our
trompe-l’oeil
monument. Had anyone doubted the man is mad? Then picture him now, as Brice’s cameras do, in archetypal madman’s garb: his alleged ancestor’s tricorn hat; the cutaway coat with turned-up collar and epaulets; the waistcoat under; and, yes, the wearer’s right hand tucked in above the third button. He has escaped from Elba, Bray declaims, to aid the U. States against G. Britain: also from St Helena, to establish his Second Empire in America! He claims for himself both palm and pen, in token of his “conquest of letters by numbers.”
Able was I,
he concludes, and I swear I quote him exactly:
Able was I… er…

Here the chopper drowns him out; the fighter planes blast in at heart-stopping low altitude to fire tracer shells and heaven knows what else into the marsh below us; the storm has paused but not passed, and contributes its own apocalyptic sound-and-light background. Taken aback by Bray’s appearance (in both senses) and by the racket, we are spellbound—all save Merope, who at first sight of him shrieks, flings away the palm, and runs. Reg Prinz jumps the gun and dashes for her trophy. Bray comes down at me, loony-eyed; it is the pen he wants (thank God), and I find myself, despite my alarm, in a proper tug-o’-war: plain limey stubbornness, I suppose.
Wham!
Here come the planes again, taking all our breaths. Ambrose rushes to my assistance: everyone is shouting over the din, myself included; Bruce and Brice impede my lover with lights and dollies; Prinz trips him up, swings at him with that palm. But like Perseus at the wedding feast, Ambrose wades through all obstacles to my side and snatches up the pen. Bray flees at once, behind or over the Tripoli flat, whither lately flew Fame.

Had we thought this subplot done? Reggie regroups and reassaults, catching A. a stiff clout on the shoulder: these symbols are no tokens, but heroic-scale bronzes weighing half a stone each! Perfectly furious, Abmrose deals him in reply a pen-stroke that might have split his directorial head, but happily only smashes once again his spectacles. Prinz gives a cry and comes down with the palm on Ambrose’s wrist. The pen falls (I grab it); Author tackles Director; they thrash like schoolboys in the mud; the planes roar out as the storm moves back in—and at this appropriate moment the electrical generator fails.

Enough, A. B. Cook and History agree. Brice and Bruce are with us. We separate the soiled combatants: Reggie’s cheek is cut and bruised; Ambrose’s wrist (we shall learn) is fractured. Both are mucky and disabled; neither is in terrible pain. There is a general move toward shelter, but Cook and I—and Ambrose, when he gets his breath—are concerned for Merope, who is not to be found with the others back in the lodge. Nor, ominously, is the Emperor of the French. A search must be mounted: if the storm re-retreats, Cook informs us, the navy might well resume their firing exercise.

I am forbidden to join the party. Not male chauvinism, Ambrose explains (holding his right wrist), but reasonable concern for my condition. I yield; it is
awfully
messy out there. Prinze declines the invitation: true, he can scarcely see without his glasses, but he seems to us not much to care. Indeed, he appears if anything disgusted with his protégée for having thrown in the palm and bolted (our host has retrieved both emblems, tisking his tongue at their misuse). In the end it is Cook, Ambrose, and three of the hippies—comrades of Merope’s from the Marshyhope commencement bust—who sally out into the swamp with ponchos and pocket torches.

They find no trace of the abdicated emperor. There is some concern that he may have strayed into the Prohibited Zone, since at its perimeter (marked with large warnings of unexploded ordnance) they discover poor bedraggled Fame. She is intact, not apparently injured, but quite dazed, sitting in a puddle in the marshy path, propped against the warning sign. They wonder whether she has been raped: Her jeans are open, and there is a fresh bruise on her bum. Nope, she says, dopily; she “took a leak” and then “sort of zonked out.” I shall wonder later, as I tend to her back in the lodge, whether she did in fact take some sort of drug, voluntarily or otherwise: one of her comrades, a black girl named Thelma, intimates surprisingly that Bray is involved in the narcotics trade! In any case, our starlet is most certainly woozy. We put her to bed.

I am obliged to speak well of Mr Cook’s management of this wacky emergency. Despite his incongruous and now mud-spoiled costume, he is all authority and good sense in his organisation of the search and his solicitude for Ms. Bernstein. He now insists that Author and Director declare, if not a truce, at least a cease-fire for the duration of their visit to Barataria. He will telephone the navy at once concerning Bray; given the weather, he does not believe that firing will be resumed; on the other hand, he thinks it useless to pursue the search for Bray before morning. We should all go to bed. The filmists as usual will bunk about the floors and porches of the lodge; we lovebirds are to do him the honour of using the guest apartment in the caretaker’s cottage. The man even bandages, and expertly, my lover’s wrist, which is now sore and swelling, accompanying his first aid with ribald innuendo. Tweedledee remarks that we did not really “do” the accidental explosion of the navy yard, per Andrew IV’s letter. Andrew VI opines that we have enough big-bang footage to serve, and bids us good night.

But A. and I are too amused, aroused, and exhausted to sleep. Showered and pajama’d, we praise each other’s scrappiness; we shake our heads at the rueful irony of his injured writing hand and wonder about Merope and Bray and A. B. Cook.
(I
wonder too whether we are sharing the same bed in which—but never mind.) We decide that the Word-versus-Image subplot really has gone far enough, at least in its hostile aspect. Presently we sleep, only to be waked well after midnight by a single final mighty
bang
out in the marshes. It seems to have come from the direction of the firing zone; but there is no sound of planes, and the storm has passed to occasional silent lightning flickers in the east. Has Bruce, we wonder, slipped out after all to do the navy yard? Or has luckless Napoleon stumbled upon a bit of unexploded ordnance and blown himself to kingdom come? In any case, I sleepily observe, it is indeed past midnight:
i.e.,
it is Monday, 25 August, 1st day of Week 4 etc. We may put by our programmatic abstinence. We do.

Next morning all hands compare notes on that last explosion. B. & B. disclaim responsibility, but wish they’d “caught” it. Merope is still stoned, Prinz is still fed up, with her and all of us. A. B. Cook has been up betimes: navy search-craft are on their way, he reports, and adds that inasmuch as he has been being pressured to yield title to Barataria Lodge to the federal government, we may expect some interrogatory harassment from navy intelligence and security people concerning trespass into the Prohibited Area. We are to cooperate respectfully (There are cries of “Off the pigs!”)—but if anyone happens to possess marijuana or other illegal material, it were well to dispose of it. Laughter, hoots, further obscenities, and much busy disposal.

Ambrose’s wrist is sorer and sorer, and our business is done. Even so, we dally till nearly noon out of curiosity to watch the search and speak to sober-faced but polite military people. Ambrose uses Cook’s typewriter to peck out his left-handed letter to you, and remarks afterward that he can now sympathise with his late father’s one-armed attempt at memorial sculpture. No trace of Jerry Bray. Still bluff and cheerful, Cook nonetheless expresses concern that the Department of Defense may use this unfortunate accident to justify condemnation proceedings against him.

There is one final small crisis. On the first available boat after breakfast, Reg Prinz leaves for the mainland, for his rented car (how can he drive without his glasses?), and for Manhattan, with not even a good-bye to Merry B. She is not too “zonked” to get the message, with suitable abandoned outcry. I do my best and then leave her to her friends, who agree that the fellow is a fink, maybe even a nark. Cook urges us to stay for lunch, thanks us for our assistance as if he were the film’s producer (who knows?), and heartily hopes we’ll “see things through to the final frame.”

The former invitation we decline. The latter, in its cinematographic aspect, involves two more scenes: Fort McHenry and Barataria. We shall see. Between ourselves, I happily report, Ambrose and I are indeed inclined to See Things Through et cetera—though there has arisen, since the Burning of Washington, a certain question about the number of frames to go.

Of that question I shall not speak here: see his, our, letter to “A. M. King,” attached. We were ferried back in style to Bishops Head aboard one of the small navy craft (Ambrose pointed out a skipjack entering the strait under sail from seaward and wondered whether it was Mr Andrews’s), retrieved our car, and drove home—History at the wheel, perforce—to the sinking Menschhaus.

A bittersweet interval, the next few days: see that same letter. Our original 4th Stage, you may remember (
I
surely do), was something sorry, as was our 5th: that degrading latter May and June and July. A good side of the bad coin of Peter’s crisis is that—along with our growing love—it set aside all but the tenderest echoes of those reenactments of, respectively, Ambrose’s marriage to Marsha Blank and the
ménage à trois
with Peter and Magda which immediately preceded our own affair. I can therefore summarise. Even as we got Ambrose’s wrist fracture set and cast in the hospital emergency room, Peter was discharged into our care to await his radical surgery: the last ten days, as it turned out, of his life. On 27 August the full Sturgeon Moon rose out of the upper Choptank, sailed over Mensch’s Castle, and set in Chesapeake Bay without the aid of Germaine Gordon Pitt’s menstruation. Magda wept and kissed me. Peter called for champagne. Ambrose hugged his daughter, his sister-in-law, and his fiancée, and soberly toasted the health of… the
six
of us. On the Saturday (30 August) a letter arrived from Marsha, meant to shock us: Peter, she declared, not Ambrose, was Angela’s father. It did not. More champagne. See A.‘s letter.

The which he taped, and I transcribed, on the Monday, 1 September, Labour Day. In and by it Ambrose proposed to marry me on Saturday 13th (the date of this, though we are not there yet); and I accepted despite certain apprehensions therein registered. We did not know, as we played with our sixes and sevens and scheduled climaxes within climaxes, that Joe Morgan up in Fort Erie was shooting himself through the head, and that Marsha Blank Mensch had (reluctantly, I’m sure) relieved Ambrose of further alimony payments by
marrying Jacob Horner!
And that dear Peter had but four more days to live.

Those days—the first four of our 5th week of Mutuality—are too near and dear and painful to recount. I am not a weak woman. I have myself watched a husband die (and lost a previous lover, and a son). But I do not fathom the strength and serenity, or the capaciousness of heart, of Magda Giulianova. I quite love that woman! We four (five, six) quite loved one another. I can say no more. See etc.

On the 4th, a Thursday, Peter reentered hospital for amputation of both legs, one to the hip, the other to the knee, with every likelihood even so of surviving less than five years. A confusion of schedules kept the orthopedic surgeon, a weekly visitor from Baltimore, up in the city a day longer than expected; the operation was postponed till next afternoon. That Thursday night someone broke into the closed office of Mensch Masonry, rifled the files (sealed by court-appointed receivers), and stole copies of the design specifications and foundation blueprints of the Marshyhope Tower of Truth. No clues yet; suspicion falls heavily and kindlessly upon Ambrose, who was in fact with me and/or Magda uninterruptedly. On the Friday morning, sometime before dawn, Peter took a massive dose of Tylenol and ended his life. Suspicion there, too, falls upon the Menschhaus, more mildly but in this case accurately. Though there will be no investigation beyond the routine enquiry required to clear the hospital of liability, the fact is that Magda and Ambrose supplied Peter with pills, at his request, on the Wednesday or Thursday, precisely in case he should change his mind about seeing things through to the final frame.

Why Tylenol? Because, Ambrose explained, aspirin, barbiturates, Seconal, and the like can be promptly pumped out, especially when their taker is already in hospital, without fatal results. But Tylenol, in large doses, besides being easier to lay hands on than prescription chemicals, quickly does irreversible and lethal liver damage. Peter thus became, along with his sculpting Uncle Wilhelm, the only member of the family known not to have died of cancer. We buried him last Saturday beside that uncle and the others, all his limbs attached.