Letters (54 page)

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Authors: John Barth

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Dear Father: Flustered as I was, I heard her correctly. She did not say Floating Theatre; she said
Floating Opera.
And thus ends this long recitative and begins the wondrous aria, the miraculous duet.

But you are wondering about Polly. Polly Lake is no martyr, Dad: no long-adoring, self-effacing secretary. Polly’s her own woman, ten years a widow and no yen to remarry, having nursed a husband she was fond of through a long and ugly terminal illness. Polly has grown-up children and grandchildren who love her, plenty of friends of both sexes, good health and a good job, more hobbies and interests than she can find time for, and at least one other casual lover besides me, who’d love her less casually if she’d permit him to. Polly Lake is mildly abashed that her romantic life is more various and agreeable since menopause and widowhood than it was before. Sex itself she neither over- nor underrates: male companionship without it she finds a bit of a bore. Even when she’s not feeling particularly horny herself, she prefers her male friends to feel a bit that way. The only woman I ever met who finds cigar smoke erotically arousing. So don’t worry about her. Good night, Poll.

As for your son. Still wondering what on earth is up with Ms. Oblivious, he motors the
O.J.
from its slip and out of the basin, Jane having neatly cast off the dock lines. She then takes the wheel and heads for the channel buoys, nattering on about bare-boat chartering in the Aegean, while he goes forward to winch up sails. There is a tiny southerly breeze in midriver, just enough to move old
Osborn
on a beam reach down from the bridge toward Hambrooks Bar Light. Gorgeous as such sailing is, though, Jane declares—the spanking
meltemia
of the Cyclades; the crystal-clear Caribbean, through which you can see your anchor plainly in five fathoms; salty Maine, where you can’t see your bow-pulpit in the fog—give her the snug and easy, memory-drenched Eastern Shore: cattails and mallards, loblolly pines and white oaks, oysters and blue crabs, shoal-draft sailing, the whole tidewater scene.

Except in July and August, I amended, when I would happily swap it for Salty Maine etc.; also January through March, when give me that crystalline Caribbean instead of the—
memory-drenched,
I believe she’d called it? With the motor off, sails (just barely) filled, and water rustling lightly now along the hull, my spirit calmed: I was able to begin to savor my unexpected good fortune, while still wondering what accounted for it. Jane, Jane.

She turned the wheel over to me, took her ease on the cockpit seat, and named off in order the points between us and Chesapeake Bay—Horn, Castle Haven, Todds, and Cook on the south shore going out; Blackwalnut, Nelson, Benoni, Bachelor, Chlora, Martin, and Howell on the north shore coming back. She guessed she and Harrison had anchored in every one of the creeks and coves between those points, and run aground on every shoal, when they’d first cruised the Choptank back in the early thirties. And before
that,
before she’d even met Harrison, back in her “Scott Fitzgerald” days, she’d done the regatta circuit from Gibson Island right around the Bay, bringing in the silverware with her Thistle at a time when few women raced sailboats. Let her son think what he pleased, she was
glad
the rich had bought up all the waterfront property in large holdings before the general prosperity after World War II; otherwise it would be subdivided by now into tacky little hundred-foot frontages, each with its dock and its outboard runabout—her own master plan for Dorset Heights! As it was, she could see on the aerial photos made by her real estate people that many of those coves were as unspoiled now as they’d been when she and Harrison first anchored in them in 1932—indeed, as when the
Ark
and the
Dove
reached Maryland in 1632.

She
was
being memorious, I affirmed; even historical. That she didn’t choose to live in the past didn’t mean she’d forgotten it, she replied. Her tone was neutral. I was impressed. The little breeze evaporated: the sails hung slack; we began to set gently astern on the incoming tide. Out in the Bay the sunset promised to be spectacular. In a different voice she asked: Can’t we keep right on, Toddy? Let’s motor clear out to Sharps Island again.

Toddy,
Dad. And Sharps Island! Be informed, sir, that Sharps Island is where Jane and I made love for the second time together, on the beach, in the afternoon of 13 August 1932, a Saturday.

Sharps Island wasn’t
there
anymore, I reminded her. All washed away: nothing but a lighthouse and buoys to mark the shoal where it used to be. Imagine people outlasting their geography, I added: just the opposite of your unspoiled coves.

Ah, now she remembered: where the three of us used to tie up the boat and picnic on the beach, the last edition she’d seen of good old Chart 1225 showed only
Subm piles.
Let’s go to Todds Point then, okay? She’d like to see what I’d done to the cottage.

#8 L, Dad.

Not much to see, I said. I’d made a few changes, not many: new kitchen, new plumbing and fixtures. Something between unspoiled coves and Sharps Island, I supposed. I went ahead and said it: Our bedroom’s the same.

She didn’t respond; seemed truly lost in thought, looking out to westward toward Redmans Neck, where already we could see lights on the steelwork of Schott’s tower. What are we doing here? she wondered presently. I could just hear her; couldn’t judge whether she meant the Choptank or the River of Life.

Drifting, mainly, Jane, I said. Making a bit of sternway. I’ll kick in the motor if you want.

She roused herself, smiled, touched my hand, shook her head, stood up quickly. Okay, then, she said, let’s drift. But let’s don’t
just
drift. Shall I switch on the running lights? Down the companionway went the white suit; from the wheel I could just see it moving about the darkened cabin. She found the switch panel and cut in the running and masthead lights, then went over the AM band on the ship-to-shore till she picked up a D.C. station doing something baroque as their signal faded with the light. Smartly she located their wavelength on the FM band and set the automatic frequency control. I had come up to the companionway to watch her; no need to steer. The white jacket came off. Then the red scarf.

Then the blue blouse. Was there a hanging locker? she asked with a smile. Fine flash of white teeth, white eyes; white jacket held out by the collar in one hand, the other on the placket of her white slacks. White bra against her dark tan. I came down the ladder and kissed her.

Goodness gracious me. The main cabin settee of the
Osborn Jones
makes into a snug double, Dad, but Jane thought it unseamanlike for no one to be on deck. Anyhow it was balmy and beautiful up there, more like late June than mid-May. We took our time undressing; hung and folded everything. I lit a cabin lamp to see her better. She liked that: let me look and touch all I wanted; did a bit herself. Sixty-three: it was not to be believed. She was the cove, I told her, proof against time. I feared I was Sharps Island. She’d settle for Todds Point, she laughed, and went back up the ladder—calling pleasantly that I needn’t take precautions, as she’d ceased her monthlies some years ago. Jane, Jane! Above the masthead a planet gleamed: Jupiter, I believe. An osprey rose from and returned to her pile on a nearby day-beacon (19A, off Howell Point); a great blue heron glided past us and landed with a squawk somewhere out of sight. Albinoni was followed by Bach on the FM, after a commercial for Mercedes-Benz. Sedately, patiently, but ardently, Jane Mack and I made love. Traffic streamed across the New Bridge toward Ocean City for the weekend, an unbroken string of headlights. Stars came out: Arcturus, Regulus, Pollux, Capella, Procyon, Betelgeuse. Our combined ages are 132 years. Dew formed on the lifelines, gunwales, cockpit cushions.

Polly Lake goes at it like a trouper, Dad: lots of humping and bumping and chuckles and whoops. Jane Mack does it like an angel: lithely, gracefully, daintily, above all sweetly. Suddenly she clutched my shoulders and whispered a long
O.
For an instant I feared something was wrong. Heart attack? Coronary? Then I understood, and wondered why Bach didn’t pause, the bridge traffic, all the constellations, to hear that
O.

Sweet surprise. Afterwards she lay for a minute with her eyes closed (registering with a small smile my own orgasm); then she slipped dextrously out from under and into the head compartment to clean up. The air was chill now; there were patches of mist on the river. I wiped off with a paper towel, dressed, broke out a couple of Windbreakers from a hanging locker, spread bath towels on the cockpit cushions against the dew, started the engine, and went forward to lower and furl the sails. When I came back Jane was sitting with her legs curled under—dressed, jacketed, hair in place—smoking a cigarette and sipping a brandy. Another was set out for me. When I bent to kiss her, she gave me her cheek.

I asked what we should drink to. She smiled brightly and shrugged, the old Jane. I was disappointed; the question had been serious. To the letter
O
then, I proposed. She didn’t know what I meant. Look at that traffic, she said: In a few years they’ll have to build another bridge and a bypass; Route 50 really bottlenecks at Cambridge. Her first words since the “Todds Point” wisecrack, not counting that
O.
She thought it just as well that Mack Enterprises had stayed out of the high-rise condominium boom in North Ocean City; they were way overextended; some people were going to lose their shirts.

Back at the slip her chauffeur was waiting; Jane had him toss her the forward dock lines and made fast, then gave me a hand with the aft and spring lines. Then she said, Dad, and I quote: “That was just
delightful,
Todd. We
must
do it again. Soon. Nighty-night now.”

No irony, no double entendre. Yet she had shown, out there in the channel, that she was capable of both, and of sentimental recollection too. Indeed, as we’d shucked our duds out by Red Nun 20, I’d set about amending my whole conception of Jane’s historical amnesia; now I was obliged to revise the amendment. More than that pants suit had been doffed and redonned; even when the only white left on her was what had been under her bikini in Tobago, I realized now she’d never acknowledged unambiguously our old affair; Todds Point was where she’d lived as well as where she’d 8-L’d me. A fresh
frisson:
had this been, for Jane, no sweet replay at all? Was she still and forever in that left-hand column, doing everything for the first time?

Well, Dad: here I sit aboard the
Osborn Jones
like Keats’s knight at arms by the sedgeless lake: alone, palely loitering, enthralled. And baffled to the balls, sir! Could #8 & #10 R, my reseduction, whether or not Jane was conscious of the echoes, be simply another Mack Enterprise? A bribe? A retainer? It doesn’t seem impossible; with Jane, not even quite cynical. I think of the chap in Musil’s
Man without Qualities
who only
seems
a hypocrite because of his spontaneous, genuine feeling for those who happen to be in a position to further his interests. I think of Aristotle’s sensible observation in the
Ethics,
that the emotion of love among the young is typically based upon pleasure, among the elderly upon utility. Then I think of that
O,
and cease to care.

O my heart. Whatever Jane felt out there at the dewpoint, among the blue herons, black cans, red giants, and white dwarfs, your ancient son felt, more than passion, an ardent sweetness: a grateful astonishment that life can take, even so late, so sweet and surprising a turn. Or, if after all no turn was taken, I feel at least a grateful indulgence of that Sentimental Formalist, our Author, for so sweetly, neatly—albeit improbably—tying up the loose ends of His plot.

The earth has spun nearly around again since; the world with it. Many a one has been begotten, born, laid, or laid to rest since I began this letter. Apollo-10 is counting down; #11’s to land us on the moon before summer’s done. It’s been years, Dad, since I gave a fart why you hanged yourself in the basement on Saturday 2/2/30. You frightened me then about myself, whom I’ve ceased to fear, and turned into a monologue the dialogue we’d never begun. Only the young trouble their heads about such things.

10.
Mar. 28-May 16, 1969: Another
Mack
v.
Mack
shapes up,
and Jane reresumes our affair, at least to the extent of reseducing me.

Where will my #11 land me, this second time around? That’s all
I’m
really curious about, now I’ve seen the pattern. Yesterday I took an interest in (and the Tragic View of) the careers of Charles de Gaulle and Abe Fortas, the campus riots, my government’s war against the Vietnamese, even the enlargement of our knowledge of the universe, not to mention the disposition of Harrison Mack’s estate and the threatened blackmailing of Jane Mack. But I seem to have lost something overboard last night: today nothing much interests me except that
O,
which fills my head, this cabin, all space. I can hear nothing else; don’t want to hear anything else. I’ve written these pages, imagined that pattern, just to hear it again.

O that
O.

If I try to sleep now (it’s getting on to cocktail time again), will my dreams rerun that episode? Never mind history, this letter, the rest of the alphabet. Bugger off, Dad. Author of us all:
encore!
Back to #10 R, Red Nun 20, Jane’s
O!

I:
Jacob Horner to the Author.
Declining to rewalk to the end of the road.

5/15/69

T
O
:

Professor John Barth, Department of English, SUNY/ Buffalo, Buffalo, New York 14214, U.S.A.

F
ROM
:

Jacob Horner, Fort Erie, Ontario, Canada

Sir:

In a sense, I Am Indeed the Jacob Horner of your
End of the Road
novel, for which you apologize in your letter to me of May 11, Mother’s Day, Rogation Sunday, birthday of Irving Berlin and Salvador Dali. Never mind in what sense.

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