Lifeless - 5 (38 page)

actual y. Women go for that sort of thing...'

'Please, God...'

'I should look on the bright side,' Hol and said. 'Fact is, with al due respect, sir, you were quite an ugly fucker before.'

No picking, no sneezing. The pain told Thorne that they definitely needed to add laughing to the list.

Thorne waited until the office was quiet before making the cal .

His heart was pounding as he dial ed, as it had each time he'd tried the number from home. A dozen times or more since getting back from the hospital. A dozen times or more, he'd got the answering machine.

He waited for the connection.

He should have told them about this, there were things they could have done - traces - but he felt instinctively that their efforts would be fruitless, that this was the right thing to do.

The phone rang.

This was the way he might make up for his mistake...

Ten, twelve rings as usual, then the familiar message. 'Shit...' 'This is Tom Thorne. Leave a message or try my home number, which Then suddenly Thorne remembered the cal he'd seen Steve Norman take earlier. He pictured the press officer as his phone was ringing. Looking at the screen before answering.

Cal er ID...

This number, the office number, was withheld, as was his own at home. Both would show up on the screen as private numbers. The cal s would go unanswered. He needed a number which was registered, which would show up and give the man who had .his phone a good idea who was cal ing.

Thorne opened the door, scanned the incident room, hoping that Dave Hol and hadn't left yet.

Minutes later he was dial ing the number again on Hol and's borrowed mobile. The name would show up on his phone. He had programmed it in himself.

The phone began to ring...

Whoever was holding it would be seeing HOLLAND MOB come up on the smal screen and would surely be able to guess who was cal ing.

Would perhaps risk taking the cal . The phone was answered. 'Palmer. This is Thorne.'

Fifteen seconds. Thorne was starting to wonder if maybe it wasn't Palmer on the other end. Then that voice, the nasal tones even more pronounced over the phone. 'I'm real y sorry, Mr Thorne...' 'You broke my fucking nose...' 'I'm sorry, I didn't mean to.'

Thorne moved across to the window, stared out at the lights of Hendon, the cars speeding north on the M1. 'Why did you take my phone?'

'I won't be on long enough for you to trace this. I presume you're tracing this...'

'Did you take it to give yourself more time to get away, or because you knew I'd cal ?'

Thorne could hear Palmer breathing, considering the question. 'A little of both, probably.'

'This is so stupid you know. We'l find you. You've given yourself up once, you should do it again.'

Palmer laughed, but it sounded desperate. 'Why? Is it going to make a difference to my sentence?'

'Why should you care about that? You wanted to be locked up for

life anyway. What's changed, Martin? Why are you doing this?'

'I should go...'

'Is it because of what I said about what might happen to you in prison?'

'Not real y. Yes, sort of...' ,

Thorne looked at himself reflected in the blackness of the window, the bruises dark shadows across his face. For half a second he forgot that he was chatting to a murderer. He felt like a character in some noirish pop video, his mouth miming these disconnected sentences strange snippets of conversation dropped into a dark bal ad about loss or the impossibility of forgiveness.

'What did you mean in the car? What did you mean about Nicklin being a policeman?'

'I didn't mean anything. I was just saying it. I needed to distract you...

'That's bol ocks, Martin. You could have done anything, said anything. Why did you say that?'

'I had a feeling, that's al . It was just an impression, like he was

used to people doing what he told them...'

'Wasn't he always like that?'

'I told you, it was just a feeling. Something about him that day in the restaurant. It's nothing I could put into words. I have to go now...'

'Wait. I want you to think about stopping this. Wherever you are, we'l find you. What's the point of it?'

'I real y can't talk to you any more...'

'Wait a minute. I'l cal again. I'l let it ring three times first, and then hang up, so you'l know it's me. Three times, Palmer. OK?'

The line was dead.

McEvoy lay on her back, holding her breath, staring up at the mirrors.

Her heart was going bonkers in her chest. Her face was tingling, the gorgeous numbness spreading across her mouth and teeth, the buzz dancing its way up into her skul .

She froze as she heard a car pul up outside. Every muscle tensed, waiting for the footfal outside the door. She could get to the mains switch in ten seconds...

She was flat on the floor beneath the window ledge in the living room, out of sight. She'd moved the free-standing mirror in from the bedroom, positioned it to the inch, tilted it until it gave the optimum view. Now she could lie here safely and watch the back garden. She would see any of them coming immediately.

There was another mirror halfway down the garden - a big one she'd hung from a fence post. From this position, she could see around the side as wel .

When she'd first bought the flat, the garden had been great. She'd enjoyed sitting out there on summer nights, with a man sometimes, sharing a bottle of wine before bed. These days it was a bloody liability. It would be the way they would come. It was the place they watched her from most of the time, though the officer in the cherry picker pretending to fix the lamp post on the street outside was a clever idea. But she was cleverer. She knew al the tricks, didn't she? The surveil ance game. She knew the car that was fol owing her was probably the one in front. She knew al the tricks because she was one of them.

Hol and must have been talking. Everybody knew, she was certain of it. She'd caught two people at it in the space of five minutes, earlier in the day. Talking about her, clamming up when she came into the room. Watching her and judging. Wel she was watching, them as wel . As she re-applied make-up using the smal mirror she kept in her bag. She could see what they were thinking. Same as Hol and. Same as everybody. Al of them thinking that she couldn't do the job.

She froze. A shadow moved across the garden. She could be at the mains switch in less thanfive seconds at a push, plunge the place into darkness, turn everything off. She'd done it before when she'd heard them coming. It was a pain to spend the time re-programming the video and re-setting clocks, but she'd had no choice.

They were out there, listening. The bastards weren't going to hear or see anything tonight. She .slid across the floor until she was away from the window before standing up and inching her way around the wal . She dropped into the chair by her desk, woke up

her computer. ,

There were those she could talk to who knew how good an officer she was. Who thought she was probably better at the job than anybody else. Who chal enged her to prove it.

She had email.

The ringing phone punched its way into Thorne's dream where it became the bark of a hungry animal, scrabbling at a door, digging its way beneath it. Behind the door stood a smal boy, rooted to the spot, terrified, until a girl arrived and took him by the hand. Thorne woke

then and leaned across, fumbling for the phone.

'Palmer?'

'Thorne? It's Colin Maxwel . You in bed?'

Thorne blinked hard and looked at the clock. It was just after eleven. He'd been asleep less than half an hour. 'I was reading. Trying to get an early night...'

Maxwel . The hotel kil ings. More bodies...

'Which hotel is it?'

Maxwel sounded surprised. 'The Palace, in South Kensington. How the hel did you know?'

Thorne was wide awake now. He needed some more painkil ers. 'Why else would you be cal ing? How many dead?'

'Nobody's dead. Listen, I think we've got our wires crossed here, mate. This is good news, and I reckon you could do with cheering up. Our man isn't as bright as we thought he was.'

The painkil ers could wait. 'You've got him?'

'He delivers bar supplies. Drives a fucking beer wagon. Delivery once a month, gets friendly with the catering managers, chats up a few waitresses. Who've you got staying? Who's throwing their money

about? Bungs them a few quid for the right bit of information...' 'What's the Palace hotel got to do with it?'

'A witness comes forward, a cleaner, gave the suspect information last year when she was working at the Regency, back when our murderer was stil just a thief. The suspect approaches this girl again last

week, only now our cleaner's read the papers hasn't she? She knows al about him. We've told her she's in the clear if she plays along.'

Thorne was growing irritated. They could go over it al in detail later. 'Colin, just tel me about the Palace hotel...'

'That's the best bit, mate. What are you doing next Tuesday night?'

TWENTY-FOUR

Thorne looked down at his new phone. It was smal er than the one it was replacing and flashier. He'd spent most of the day making sure that everyone who mattered had the new number. He hadn't discontinued the account on his old phone. He wanted that number active for the time being.

While it was quiet, while they were waiting, Thorne messed around with some of the new phone's features. This one had a predictive text function. He had never been one for sending text messages, it always seemed easier and quicker to make the cal . This might be fun, though. He typed the message. There were probably al manner of symbols and shortcuts he could be using - he knew this stuff was hugely trendy with kids - but he just kept it straightforward. He pressed the send button and looked up, smiled at a couple of the others. Nobody was saying a great deal.

Thorne was pretty sure that what he'd sent would be read. There was no risk in opening it, even if the number that sent-it wasn't familiar. It was a simple enough message.

GIVE UP . . .

A stomach rumbled, breaking the silence, dispersing the tension.

They al had a good laugh. Somebody suggested cal ing room service, ordering up a bit of dinner on expenses.

Hol and and McEvoy pushed through the revolving door and made their way across the lobby towards reception. Hol and was wearing a blue suit. McEvoy wore a soft leather jacket over a black dress.

They were hand in hand.

'Room 133, please,' Hol and said.

McEvoy took a smal hand mirror from her bag and checked her makeup.

The woman behind the reception desk plastered on a fake smile that

was almost, but not quite, the same fake smile she plastered on the rest of the time. The tremble in her hand was almost imperceptible as she handed over the key.

'Do you need a cal in the morning?' she asked. McEvoy shook her head. 'Would you like a newspaper?'

Hol and smiled. She was very good. 'No thanks. Goodnight.. ? They waited for the lift. McEvoy stared at her reflection in the metal doors. Hol and turned round casual y, had a quick look.

A man smoking a cigar on the armchair by the main entrance, fifty-ish, waiting for someone. A party of noisy business types spil ing out of the bar. A younger man on the phone.

The lift arrived, bringing with it half a dozen more jabbering businessmen. Hol and and McEvoy stepped inside. Hol and pressed the button for the first floor.

It was only when the doors had closed ful y that they stopped holding hands.

Jason Alderton moved quickly along the corridor, his feet in soft black training shoes that made no noise on the deep carpet. A woman came around the corner. He grinned as they passed each other, got a smile

in return. ,

He stopped outside the door and readied himself. He placed the bag soundlessly at his feet, looking left and right every few seconds, pul ing on the gloves. It was important to step up close to the door, to get your face right up against the spyhole. The clothes were utilitarian enough anyway, but up close al anyone could see was the smiling face that looked away unconcerned, whistling.

Jason breathed in and out very fast a dozen times, then knocked. It gave him a little kick that inside the gloves, his palms were perfectly dry. He was getting very good at this.

Footsteps from inside the room. He tensed up, ready for it. It was the surprise that gave him the edge. They were always so completely stunned. He saw that expression on every face. They'd felt safe. 'Who is it?'

'Hotel maintenance, sir. Problem with one of your radiators...'

When the door was opened, in the half a second before he struck, Jason took in every detail necessary.

Fucker in a suit, about thirty, here for the conference like the girl had told him.., average size, not big.., fit-looking, but that wouldn't matter... ful of himself most probably, but he would cry like a baby when it came to it... the look on his face, the shock, starting to sense much too late that something isn't right.., a woman, the wife or girlfriend, behind him, sitting on the edge of the bed...

He raised both hands and pushed the man in the suit hard in the chest, shoved him back down on to the floor. He was moving in then, picking up the bag and shutting the door in one clean, quick movement, and the man in the suit was on his hands and knees moaning, and as Jason stepped forward to kick the fucker in the stomach, he saw the woman on the bed jump up, real y jump up in the air, just like the old Dutch woman had done.

She jumped up in the air and screamed...

McEvoy screamed.

The scream of the terrified wife. The scream of the good copper giving the signal for everyone to move.

Thorne stepped quickly out from his hiding place behind the right angle formed by a line of built-in wardrobes. He saw the look of sudden panic on the suspect's face, watched it grow as he turned, looking for a way out, only to see two more men bursting out of the bathroom behind him.

It would be five seconds, no more, from the moment Thorne stepped out into plain view, to the moment he would find himself staring down at the man on the floor, amazed at the fact that he wasn't punching him into unconsciousness.