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Lipstick Traces (77 page)

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Revolution of Everyday Life, The
(Vaneigem),
62
,
156
,
223
,
321

Révolution surréaliste, La
(review),
288

Rhodes, Bernard,
11–12

Richelieu, Cardinal,
383

Richie, Lionel,
104

Richman, Jonathan,
37
,
56–61

Richter, Hans,
180
,
188

Ridgway, General Matthew,
164

“Right to Work” (Chelsea),
12

Rimbaud, Arthur,
178
,
191
,
231
,
249
,
381

Rio Grande
(Ford),
310

Ripley’s Believe It or Not!
(TV show),
175

“Road Runner” (Richman/Modern Lovers),
56–58
,
60–61

Robespierre, Maximillien,
266

Robey, Don,
124

“Rock and Roll Is Here to Stay” (Danny and the Juniors),
77

Rock ’n’ Roll
(Lennon),
352

Rogers, Ginger,
369

Rohmer, Eric,
301

Rolland, Romain,
141

Rolling Stones,
38
,
61
,
83

Rosenberg, Harold,
39–40
,
122–123
,
158

Rosenblum, David,
89

Rosenstock, Sami.
See
Tzara
,
Tristan

Rosenthal, Barbara,
309

Rotten, Johnny (John Lydon),
1–2
,
6–12
,
21
,
31
,
54
,
91
,
99
,
145
,
187
,
199
,
204
,
384
,
408–409
; as antichrist,
1
,
5
,
6
,
90
; blasphemies of,
87
,
88
; coining of name of,
74
; in final performance with Sex Pistols,
30
,
33
,
79
,
83
,
85
,
105
,
106
,
108
,
113–115
; in Germany,
13
,
15
,
70
; McLaren and,
2
,
25–26
,
30
,
56
; post–Sex Pistols music career of,
68
,
413
; rock ’n’ roll songs recorded by,
57
,
60
; situationists and,
16
,
171
,
284
,
407
; Wolcott’s review of,
285

Routine Pleasures
(Gorin),
78

Roux, Jacques,
395

Roxy (London),
6
,
35
,
64–65
,
68
,
185
,
190
,
191

Roxy London WC 2 (Jan-Apr
77
), The,
5
,
188

Roxy Music,
77

Rozanov, Vasily,
62

Ruge, Arnold,
174

Rullier, Jean,
260
,
287

Ruins: The Complete Works of God and the
State
(God and the State),
78

Ryan, Jim,
318

Sadat, Anwar,
97

Sagan, Françoise,
238

Saint ghetto de prêts
(Pomerand),
236
,
237

Saint-Just, Louis-Antoine de,
19
,
152
,
170
,
266
,
288
,
289
,
310
,
313
,
321
,
333–334
,
372
; execution of,
323
,
325

“St. Lazare” (Bruant),
191

Salinger, J. D.,
238

Salmon, Joseph,
277

“San Francisco (Be Sure to Wear Flowers in Your Hair)” (McKenzie),
83

San Francisco Chronicle,
100
,
272
,
354

San Francisco Examiner,
69

Sartre, Jean-Paul,
235
,
281
,
387

Savage, Jon,
34

Savio, Mario,
ix
,
411

Schelling, Friedrich Wilhelm Joseph,
178

Schérer, Maurice,
301

Schneider, Peter,
70

Schwitters, Kurt,
186

Seven Beauties
(Wertmuller),
43

“Seven Day Weekend” (Bonds),
30

7
manifestes dada
(Tzara),
178

“Seventeen” (Sex Pistols),
171

Sex Pistols,
1–21
,
30–31
,
40
,
54
,
74
,
75
,
87
,
88
,
102
,
109
,
173
,
199
,
214
,
265
,
326
,
409
,
410
,
413
; absolute demands of,
2–3
,
99
,
412
; Adorno and,
68
; banning of,
9–10
,
138
; Costello on,
3–4
; final concert of,
30
,
32–33
,
79
,
83–85
,
105
,
106
,
108
,
110–115
; flyer for,
30
,
32
;
McLaren’s promotion and exploitation of,
25–27
,
30
,
45
,
56
,
65
,
77
,
404–405
; as negationists versus nihilists,
8–10
,
16
; punk bands sparked by,
30
,
34–35
,
62
,
64
,
67
,
70–71
,
103
,
403
,
404
; situationists and,
139–140
,
171
; sound of,
7
,
60–61
; televised “fuck” of,
3
,
9
,
185
; Townshend on,
1–2
; Wolcott’s review of,
285

Sgt. Pepper’s Lonely Hearts Club Band
(Beatles),
38

Shadows of Knight,
37

“Shake, Rattle and Roll” (Turner),
402

Shattuck, Roger,
239
,
283

Shelley, Mary,
203

Shelley, Percy Bysshe,
132

Shoah
(Lanzmann),
114

Siberian Diary
(Dwinger),
43

Sinan, Rashid al-Din,
409

Sister Carrie
(Dreiser),
120

Situationist International (SI),
ix
,
19
,
22
,
45–48
,
85
,
110
,
126
,
140
,
167–171
,
236
,
249
,
327–331
,
377–380
; Adorno and,
363–364
; Bernstein in,
348–350
,
378
,
392–394
; Clark and,
139
; dada and,
21
,
170
,
196
,
222–224
,
321
,
406
,
407
; disciples refused by,
286
; exclusion of members from,
151
,
385
,
405
; fathers of,
17
,
170
,
288
; formal dissolution of,
377
; founding of,
16
,
48
,
53
,
122–123
,
154
,
164
,
171
,
327
,
346
; leaflet inspired by,
49
;
Lefebvre and,
132
,
134
,
136–137
,
385
; and May ’68,
16–17
,
28–30
,
139
,
223
,
327
,
328
,
394–395
,
398–400
,
404
; myths of,
327–328
; on Paris Commune,
117
,
118
,
130–132
; punk and,
408
,
409
; reversible connecting factor of,
222
,
223
,
205
,
357–358
; on revolution in the service of poetry,
287–288
; slogans of,
45–46
,
377
; and Strasbourg students,
328
,
384–392
; Trocchi in,
358–359
; urban vision of,
25
,
129–130
; on Watts riot,
165–168
.
See also
dérive
;
détournement
;
Internationale situationniste

Siurlai, Ravien,
199
,
203
,
220

Slash
(magazine),
28
,
30

Slaughter and the Dogs,
71

Slits,
5
,
34–35
,
36
,
37
,
69

Sly and the Family Stone,
38–39
,
90

Smith, Joseph,
291

Sniffin’ Glue
(fanzine),
186

Society for the Rehabilitation of Karl Marx and Ravachol,
389

Society of the Spectacle, The
(Debord),
92
,
119–120
,
130
,
154
,
290
,
338
,
340
,
393

Solidarity,
95–96
,
118
,
388

Songs for Swinging Lovers
(Radio Stars),
74

Sonic Youth,
45
,
89

Sorbonne,
204
,
349
,
383
,
397
; Occupations Committee of,
398

Sottsass, Ettore, Jr.,
342

Spanish Civil War,
270
,
289
,
354
,
387
,
389

Sparticists,
105–108
,
141

Spenser, Brenda,
7–8

Spielberg, Steven,
286

Spinoza, Baruch,
178

Spiritualists,
99–100

“Split” (Liliput),
5

Springsteen, Bruce,
246

Spungen, Nancy,
27
,
30

“Stairway to Heaven” (Led Zeppelin),
44
,
54
,
61

Stalin, Joseph,
267

Stalinism,
158
,
192
,
267
,
282
,
289
,
377
,
388

Stark Fist of Removal
(fanzine),
242

Starkweather, Charley,
8
,
244
,
245
,
247–248
,
250
,
301

Stax Records,
38

Stendhal,
249

“Stepping Stone” (Monkees/Sex Pistols),
56

Stewart, Rod,
44
,
58
,
61

Stirner, Max,
178

Stooges,
37
,
61
,
77

Strasbourg, University of,
328
,
384
,
386–387
,
389–391
,
395

Strategies Against Architecture
(Eisenstürzende Neubauten),
88

Strauss, Steve,
177

Streets
(punk singles collection),
62

Strummer, Joe,
ix
,
33
,
34

Students for a Democratic Society (SDS),
166

Sturges, Preston,
78

Styrene, Poly,
75
,
137
,
187

“Substitute” (Who/Sex Pistols),
56

Suburban Press
(journal),
406

Suburbia
(Spheeris),
84

Suicidal Tendencies,
89

Sumner, Bernard,
6

Sun Records,
58
,
124

Sun Yat-sen,
204

Sur le passage de quelques personnes à travers une assez courte unite de temps.
See
On the Passage of a Few People Through a Rather Brief Moment in Time

surrealism,
8
,
17
,
20
,
83
,
156
,
170
,
184
,
185
,
192
,
239
,
266
,
268
,
320–321
,
330
,
381
; dada and,
187
,
188
; Debord’s references to, in
Hurlements,
306–307
,
310
; Lefebvre and,
178
; lettrist denunciation of,
233
,
234
; Notre-Dame invasion and,
262
,
288–289

Survival Research Laboratories,
89

Survivor, The
(Des Pres),
43

Suso, Heinrich,
274–275
,
279–280
,
406

Tacky World
(fanzine),
242

“Tale in Hard Time” (Fairport Convention),
78

Talking Heads,
186

Tanner, Alain,
224

Taylor, Elizabeth,
99
Taylor, James,
44
,
61

Taylorism,
100
,
101

Teddy Boys,
110
,
251
,
252

Temptations,
34

Ten Days that Shook the University
(Situationist International),
389–390
,
394

Tessa,
35

Thatcher, Margaret,
109–110
,
125–126
,
272

“Theory of the Dérive” (Debord),
360
,
361

BOOK: Lipstick Traces
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ads

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