Little Fires Everywhere (25 page)

BOOK: Little Fires Everywhere
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The next morning, she'd thought it was a bizarre dream until she saw that creased note still lying on her dresser. Insane, she thought. Her womb was not an apartment for rent. She could barely imagine having a baby, let
alone giving one away. In the gray and steely morning light, the evening before now looked like a childish fantasy. She shook her head, dropped the note into her dresser drawer, pulled out her uniform for work.

And then, a few weeks later, Mia learned her scholarship would not be renewed. Pauline and Mal opened the door and without speaking she handed them a letter, slit jaggedly open by a finger.

Dear Miss Wright: We trust that you have been benefiting from your first year at the New York School of Fine Arts. However, we are sorry to inform you that due to funding restrictions, we are unable to continue your financial aid for the 1981–1982 academic year. We of course hope that you will nevertheless continue your studies with us next year and—

“They're idiots,” Pauline said, tossing the letter onto the coffee table. “They have no idea what they're losing out on.”

“It's the state,” Mal said. She retrieved the letter and slid it back into its envelope. “They cut funding so the school has to cover more, and scholarships suffer.”

“It's no big deal,” Mia said. “I'll get another job. I'll save up over the summer.”

As she rode the elevator back downstairs that evening, however, she rested her head against the mirrored wall and bit back tears. She could not take on more hours than she was already working or she would have no time for her classes, and as it was she was barely making ends meet. If she worked full time all summer . . . She ran her mental calculations again. Unless she found a job that paid twice as much, she could not afford to stay.

“Are you all right, miss?” The elevator doors had opened and there she was, back in the lobby, the kindly doorman peering down at her through his glasses. Behind him a wine-colored carpet rolled all the way to the thick glass doors that sealed out Fifth Avenue. The lobby was
hushed as a library, but beyond those doors, she knew, were the cracked concrete sidewalks and the rush and clamor and ruthlessness of the city.

“Fine,” she said. They knew each other a bit now, as people in New York often do: his name was Martin and he grew up in Queens and rooted for the Mets—not the Yankees, he'd told her,
never
the Yankees—and had a dachshund at home named Rosie. For his part, Martin knew Mia's name and that she was the protégée of the Lady Artists upstairs—as he fondly referred to Pauline and Mal—and though Mia had told him little else about her life, his seasoned eye could divine quite a bit from the secondhand camera slung around her neck, the black-and-white uniform she sometimes still wore when she arrived, the containers of food she often carried home at Mal's insistence. He resisted the urge to pat her on the shoulder and pushed the front door open with one gloved hand.

“Have a good night,” he said, and Mia stepped out onto Fifth Avenue and let the city swallow her up.

14

M
ia did not consult her parents, or her roommates, or even Pauline and Mal. Looking back, she would realize this was proof that she had already made up her mind. The day after receiving the letter from the college, Mia broached the prospect of a raise with the manager of the diner. “Wish I could, honey,” he told her, “but I can't pay you girls more without raising prices and losing customers.” The manager of the Dick Blick said the same, and after that she didn't even bother to ask the bar owner. For a week, she dodged Pauline's repeated invitations to come for dinner; Mal, and probably Pauline as well, would sense her preoccupation right away. She sent a note to their apartment in lieu of her usual Sunday visit, claiming she had the stomach flu and had to stay home. For a week she thought only about her tuition—and the Ryans. She ruined an entire roll of film by pulling it out of the canister with the light on, something she'd never done before. She dropped a plate of eggs at the diner, sliced her finger on the jagged edge, watched a trickle of blood ooze onto the white china. Over and over during the day she passed her hand across the flat plain of her belly, as if inside she might feel something that could give her clarity.

One afternoon, on a break from work, she pulled Joseph Ryan's
business card—the one he'd given her that first day—from her pocket and headed to the subway. Perhaps he was a con man. How did she know these Ryans would pay what they promised, that they were even named Ryan? But indeed, the address on the card brought her to the gleaming glass building of Dykman, Strauss & Tanner on Wall Street. Mia hesitated outside the glass lobby for a few minutes, watching the reflections of the people on the sidewalk glide over, and past, the shadows of the people within. Then she pushed through the revolving door and to the row of phone booths that lined the lobby. She fed a dime into the slot and dialed the phone number on the card. In a moment a female voice came on the line.

“Dykman, Strauss, and Tanner,” the woman said. “Joseph Ryan's office. May I help you?”

Mia hung up and hoisted the phone book onto her lap. There were six Joseph Ryans listed in Manhattan, but none on Riverside Drive. She let the phone book swing back on its chain and fished in her pocket for another dime. This time she called directory assistance, which provided her with an address. It was almost time for her shift at the bar to begin, but she took the train uptown anyway, and found herself outside a redbrick prewar building with a black awning and a doorman. Whoever lived here could certainly pay ten thousand dollars for a child.

The next afternoon, when Madeline Ryan came out of the building, Mia followed her. For an hour she trailed her: all the way down 86th Street and around the neighborhood and back home. She saw how on the way out of the building, Madeline Ryan nodded to the doorman as he swept the door open for her, how she paused on the sidewalk, turning back to say something that made the doorman smile, patting him gently on the forearm before heading on her way. How Madeline slowed when she passed women pushing strollers, how she smiled at the babies in those strollers, whether they were cheerful or fretful or sleeping, how she smiled
and said hello to the women, asked how they were, commented on the weather, even though—Mia could see it—there was a deep hunger in her eyes. She rushed to open doors for these women, even the nannies pushing fair-skinned children obviously not their own, holding the door open until woman and child were well into the bodega or the café or the bakery before letting it swing slowly shut after them with a wistful, almost mournful look. When a mother—harried, in heels—clip-clopped past her, Madeline Ryan scooped up a pacifier thrown out of the stroller and raced after them to hand it over. Mia had never noticed before how many babies there were: they were everywhere, the city was simply crawling with them, the streets swarming with unabashed fecundity, and she felt a deep pang of pity for Madeline Ryan. Madeline Ryan stopped at a flower stall, bought a bundle of peonies wrapped in green tissue, the buds still balled in tight hard fists. She headed toward home, and Mia let her go.

In the end, she told herself it was the math that decided her. The Ryans' offer was enough to pay for three more terms of school. It would buy her time to earn enough money to pay for the rest. If she did this, she could continue. If she did not, she could not. Put that way, the choice seemed obvious. And she would be doing them a good turn. They were kind, sincere people; she could see that. How badly, she thought, they must want to have a child. She could help them. She would help them. She repeated this to herself, over and over, then lifted the receiver to dial their number.

Three weeks later, she was leaving an obstetrician with a letter certifying her good health, her freedom from contagious diseases, and her properly configured anatomy. “Perfect baby-birthing hips,” he had joked as she'd pulled her feet from the stirrups. “Everything in there looks fine. If you want to get pregnant, you shouldn't have any trouble.” A week after that, she
was applying for a one-year leave of absence from school. And then, just as April began and classes were winding down, she found herself in the guest room at the Ryans' elegant apartment. Madeline had purchased a beautiful pink terry robe for her. “Turkish cotton,” she'd said, setting it on the bed with a pair of slippers. “We want to make sure you're comfortable.” The bed had been made up with crisp white sheets, as if she were a cherished houseguest. Outside she could see the sun glint on the Hudson. Down the hall, she knew, Joseph would be busy in the Ryans' own bedroom, preparing.

There was a soft knock at the door, and Mia pulled the robe more tightly around herself. Her clothes sat folded neatly on the armchair in the corner. Madeline knocked again, then opened the door.

“Are you ready?” she asked. In her hands was a wooden breakfast tray with a covered teacup and a turkey baster with a bright yellow bulb. She set it down on the bedside table, then—awkwardly—knelt and put her arms around Mia. “Thank you,” she whispered.

When Madeline had gone, Mia took a deep breath. Was she sure? She lifted the turkey baster from the tray: it was warm. Madeline must have rinsed it in hot water to take away the chill, she realized, and this small generous gesture made her eyes fill. She lifted the lid from the cup, loosened the belt on the bathrobe, and lay back on the bed.

A half an hour later—“You must keep your legs elevated for at least twenty minutes,” Madeline had explained to her, “to increase the chances of conception”—Mia emerged from the guest room to find Madeline and Joseph in the living room, holding hands. She had put her own clothes back on, but as they looked up at her in unison—eyes wide, like nervous children—she had the sudden feeling of being naked.

“It's done,” she said, and patted the waist of her jeans.

Madeline rose from the sofa in one fluid motion and clasped Mia's hand in hers. “We can't thank you enough,” she said. “Here's hoping it
takes.” She set both of her palms on Mia's belly, as if offering a benediction, and Mia's muscles tensed and hardened.

“I'll call for the car—Joey can take you home,” Madeline said, and then, “Of course we know it will take a few tries. This is going to take persistence, for all of us. We'll see you again day after tomorrow?”

Mia thought of the tray still sitting in the guest room, of Madeline rinsing the baster and the cup in the kitchen sink, readying them for their next use. “Of course,” she said. “Of course.” She was quiet all through the ride back to the Village, as Joseph Ryan chattered to her about how he and Madeline had met, where he'd grown up, the things they had planned for their child.

All summer this became the routine. The obstetrician had given her a chart to map out her most fertile periods, and during that week, she would visit the Ryans every other day. Then, the following week, she would wait, scanning her body for a sign. Each time she had backaches, headaches, cramps, and then—of course—no baby.

“It'll take a while,” Madeline said as July came to a close. For four months now, no luck. “We always knew this. It doesn't happen right away.” But Mia was worried. According to the contract they'd signed, the Ryans were free to call off the agreement after six months if no pregnancy resulted. She had kept her jobs at the diner and the bar and the art store—and had dodged questions from her fellow students, back from their summers off, buying supplies for the new term, wondering why she wasn't coming back. “I'm taking a year off to earn money,” she'd said, which was true, and what she had told Pauline and Mal when, tactfully, they'd hinted at offering her a loan she was too proud to accept. But she knew, too, that if no baby arrived, she would get nothing, and she would have dropped the entire year for nothing, and her leave of absence would likely become permanent.

And then, in September, she waited and waited and nothing happened.
No blood. No cramps. Just an intense feeling of fatigue, an overwhelming desire to crawl into bed and burrow beneath the comforter like a cat. Madeline nearly danced with delight when, two days later, Mia arrived at her apartment feeling the same way. She bundled Mia into her coat, as if Mia herself were a child, and herded her into the elevator, then into a taxi to a pharmacy on Broadway. From a bewildering array of boxes with confident names—Predictor, Fact, Accu-Test—she selected one and pressed it into Mia's hands.

The test, it turned out, was complicated. It involved a glass test tube in a special holder, suspended over an angled mirror. Mia was to add several drops of her urine and wait for an hour. If a dark ring formed, she was pregnant. She and Madeline sat in silence for forty-five minutes, side by side on the edge of the bathtub, and then Madeline suddenly took Mia's hand. “Look,” she whispered, leaning toward the vanity, and Mia saw, in the little mirror, an iron-colored bull's-eye slowly appearing.

From then on things changed quickly. Mia's roommates did not notice anything until she began throwing up in the bathroom. “Sweet gig,” one of them said. The other said, “I wouldn't go through all that, not for a million bucks.” Weeks passed. The Ryans moved her to a little studio apartment they owned, a quiet walk-up just off West End Avenue. “We rent it out but the tenants just left,” Madeline said to Mia. “Quieter for you. More space. Fewer people coming and going. And you'll be so much closer to us, for when things start happening.” Mia quit her job at the art store—her belly was starting to show—but kept her other jobs, though she allowed the Ryans to linger under the impression that she had stopped working. After every doctor's appointment, she came by to give them the latest updates, and as her clothes began to tighten the Ryans presented her
with new ones. “I saw this dress,” Madeline would say, handing Mia a tissue-lined shopping bag with a flowered maternity dress inside it. “I thought it would look perfect on you.” She was, Mia realized, buying Mia the maternity clothes she would have bought herself, and she smiled and accepted them, and wore the dress on her next visit.

She said nothing to her parents about any of this; she told them only, as Christmas approached, that she would not be coming home. Too expensive, she claimed, knowing they would never ask her about school if she didn't bring it up, and they didn't. But at the end of January, she finally told Warren the truth. “You never talk about class anymore,” he said on the phone one evening. She was five months along by then, and though she could have kept it from him—how would he ever know?—she didn't like the thought of hiding it from him any longer.

“Wren, promise you won't tell Mom and Dad,” she'd said, taking a deep breath. Afterward, there was a long silence on the phone.

“Mia,” he'd said, and she knew he was serious, because he never used her full name. “I can't believe you would do something like this.”

“I thought it through.” Mia set one hand on her belly, where she had recently begun to feel faint flutterings.
The quickening
, Madeline had called it, as she laid her hands on Mia's skin—such an old-fashioned euphemism, one that made her think of quicksilver, a lithe little fish whipping about within her. “They're such good people. Kind people. I'm helping them out, Wren. They want this baby so much. And they're helping me, too. They've done so much for me.”

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