Lockwood & Co (5 page)

‘Yes, he was really quite nimble for his size,’ Lockwood said. ‘Still, the chase will have kept us fit. Sense anything?’

‘Not yet. But I’m hardly likely to, out here. You?’

He let go of the bell-pull and made some minor adjustment to the collar of his coat. ‘Oddly enough, I have. There was a death in the garden sometime in the last few hours. Under that laurel halfway up the path.’

‘I assume you’re going to tell me it’s only a smallish glow.’ My head was tilted on one side, my eyes half closed; I was listening to the silence of the house.

‘Yes, about mouse-sized,’ Lockwood admitted. ‘Suppose it might have been a vole. I expect a cat got it or something.’

‘So . . . possibly not part of our case, then, if it was a mouse?’

‘Probably not.’

Beyond the frosted panes, in the interior of the house, I spied a movement: something shifting in the hall’s black depths. ‘OK, here we go,’ I said. ‘She’s coming. Remember what I said.’

Lockwood bent his knees and picked up the duffel bag beside his feet. We both moved back a little, preparing pleasant, respectful smiles.

We waited. Nothing happened. The door stayed shut.

There was no one there.

As Lockwood opened his mouth to speak, we heard footsteps behind us on the path.

‘I’m so sorry!’ The woman emerging from the mists had been walking slowly, but as we turned she accelerated into a token little trot. ‘So sorry!’ she repeated. ‘I was delayed. I didn’t think you’d be so prompt.’

She climbed the steps, a short, well-padded individual with a round face expanding into middle age. Her straight, ash-blonde hair was fixed back in a no-nonsense manner by clips above her ears. She wore a long black skirt, a crisp white shirt, and an enormous woollen cardigan with sagging pockets at the sides. She carried a thin folder in one hand.

‘Mrs Hope?’ I said. ‘Good evening, madam. My name is Lucy Carlyle and this is Anthony Lockwood, of Lockwood and Co. We’ve come about your call.’

The woman halted on the topmost step but one, and regarded us with wide grey eyes in which all the usual emotions featured. Distrust, resentment, uncertainty and dread – they were all there. They come as standard in our profession, so we didn’t take it personally.

Her gaze darted back and forth between us, taking in our neat clothes and carefully brushed hair, the polished rapiers glittering at our belts, the heavy bags we carried. It lingered long on our faces. She made no move to go past us to the door of the house. Her free hand was thrust deep into the pocket of her cardigan, forcing the fabric down.

‘Just the two of you?’ she said at last.

‘Just us,’ I said.

‘You’re very young.’

Lockwood ignited his smile; its warmth lit up the evening. ‘That’s the idea, Mrs Hope. You know that’s the way it has to be.’

‘Actually, I’m
not
Mrs Hope.’ Her own wan smile, summoned in involuntary response to Lockwood’s, flickered across her face and vanished, leaving anxiety behind. ‘I’m her daughter, Suzie Martin. I’m afraid Mother isn’t coming.’

‘But we arranged to meet her,’ I said. ‘She was going to show us round the house.’

‘I know.’ The woman looked down at her smart black shoes. ‘I’m afraid she’s no longer willing to set foot here. The circumstances of Father’s death were horrible enough, but recently the nightly . . .
disturbances
have been too persistent. Last night was very bad, and Mother decided she’d had enough. She’s staying with me now. We’ll have to sell up, but obviously we can’t do that until the house is made safe . . .’ Her eyes narrowed slightly. ‘Which is why you’re here . . . Excuse me, but shouldn’t you have a supervisor? I thought an adult always had to be present at an investigation. Exactly how old
are
you?’

‘Old enough and young enough,’ Lockwood said, smiling. ‘The perfect age.’

‘Strictly speaking, madam,’ I added, ‘the law states that an adult is only required if the operatives are undergoing training. It’s true that some of the bigger agencies
always
use
supervisors, but that’s their private policy. We’re fully qualified and independent, and we don’t find it necessary.’

‘In our experience,’ Lockwood said sweetly, ‘adults just get in the way. But of course we
do
have our licences here, if you’d like to see them.’

The woman ran a hand across the smooth surface of her neat blonde hair. ‘No, no . . . That won’t be necessary. Since Mother clearly wanted you, I’m sure it will be fine . . .’ Her voice was neutral and uncertain. There was a brief silence.

‘Thank you, madam.’ I glanced back towards the quiet, waiting door. ‘There’s just one other thing. Is there someone else at home? When we rang the bell, I thought—’

Her eyes rose rapidly, met mine. ‘No. That’s quite impossible. I have the only key.’

‘I see. I must’ve been mistaken.’

‘Well, I won’t delay you,’ Mrs Martin said. ‘Mother’s completed the form you sent her.’ She held out the buff folder. ‘She hopes it will be useful.’

‘I’m sure it will.’ Lockwood tucked it somewhere inside his coat. ‘Thank you very much. Well, we’d better get started. Tell your mother we’ll be in touch in the morning.’

The woman handed him a ring of keys. Somewhere along the road a car horn blared, to be answered by another. There was plenty of time till curfew, but night was falling and people were growing antsy. They wanted to get home. Soon there’d be nothing moving in the London streets but trails of
mist and twisting moonbeams. Or nothing, at least, any adult there could clearly
see
.

Suzie Martin was conscious of this too. She raised her shoulders, pulled her cardigan tight. ‘Well, I’d better be going. I suppose I should wish you luck . . .’ She looked away. ‘So very young! How terrible that the world should have come to this.’

‘Goodnight, Mrs Martin,’ Lockwood said.

Without reply, she pattered down the steps. In a few seconds she had vanished among the mists and laurels in the direction of the road.

‘She’s not happy,’ I said. ‘I think we’ll be off the case tomorrow morning.’

‘Better get it solved tonight, then,’ Lockwood said. ‘Ready?’

I patted the hilt of my rapier. ‘Ready.’

He grinned at me, stepped up to the door and, with a magician’s flourish, turned the key in the lock.

When entering a house occupied by a Visitor, it’s always best to get in quick. That’s one of the first rules you learn. Never hesitate, never linger on the threshold. Why? Because, for those few seconds, it’s not too late. You stand there in the doorway with the fresh air on your back and the darkness up ahead, and you’d be an idiot if you didn’t want to turn and run. And as soon as you acknowledge
that
, your willpower
starts draining away through your boots, and the terror starts building in your chest, and
bang
, that’s it – you’re compromised before you begin. Lockwood and I both knew this, so we didn’t hang around. We slipped straight through, put down our bags, and shut the door softly behind us. Then we stood quite still with our backs against it, watching and listening side by side.

The hall of the house lately occupied by Mr and Mrs Hope was long and relatively narrow, though the high ceiling made it seem quite large. It was floored with black and white marble tiles, set diagonally, and flanked by palely papered walls. Halfway along, a steep staircase rose into shadows. The hall kinked round this to the left and continued into a void of black. Doorways opened on either side: gaping, choked in darkness.

All of which could have been nicely illuminated if we’d put on the lights, of course. And there was a switch on the wall right there. But we didn’t attempt to use it. You see, a second rule you learn is this: electricity interferes. It dulls the senses and makes you weak and stupid. It’s much better to watch and listen in the dark. It’s good to have that fear.

We stood in silence, doing what we do. I listened. Lockwood watched. It was cold in the house. The air had that musty, slightly sour smell you get in every unloved place.

I leaned in close to Lockwood. ‘No heating,’ I whispered.

‘Mm-hm.’

‘Something else too, you think?’

‘Mm-hm.’

As my eyes grew used to the dark, I saw more details. Beneath the curl of the banister was a little polished table, on which sat a china bowl of potpourri. There were pictures on the wall, mostly faded posters of old-time musicals, and photographs of rolling hills and gentle seas. All pretty innocuous. In fact it wasn’t at all an ugly hallway; in bright sunlight it might have looked quite pleasant. But not so much now, with the last light from the door panes stretching out like skewed coffins on the floor in front of us; with our shadows neatly framed inside them; and with the manner of old Mr Hope’s death in this very place hanging heavy in our minds.

I breathed hard to calm myself and shut out morbid thoughts. Then I closed my eyes against the taunting darkness and
listened
.

Listened . . .

Halls, landings and staircases are the arteries and airways of any building. It’s here that everything is channelled. You get echoes of things currently going on in all the connecting rooms. Sometimes you also get
other
noises that, strictly speaking, ought not to be there at all. Echoes of the past, echoes of hidden things . . .

This was one such time.

I opened my eyes, picked up my bag and walked slowly
down the hall towards the stairs. Lockwood was already standing by the little polished table beneath the banister. His face shone dimly in the light from the door. ‘Heard something?’ he said.

‘Yep.’

‘What?’

‘A little knocking sound. Comes and goes. It’s very faint, and I can’t tell where it’s coming from. But it’ll get stronger – it’s scarcely dark yet. What about you?’

He pointed at the bottom of the steps. ‘You remember what happened to Mr Hope, of course?’

‘Fell down the stairs and broke his neck.’

‘Exactly. Well, there’s a tremendous residual death-glow right here, still lingering three months after he died. I should’ve brought my sunglasses, it’s so bright. So what Mrs Hope told George on the phone stacks up. Her husband tripped and tumbled down and hit the ground hard.’ He glanced up the shadowy stairwell. ‘Long steep flight . . . Nasty way to go.’

I bent low, squinting at the floor in the half-dark. ‘Yeah, look how the tiles have cracked. He must’ve fallen with tremendous f—’

Two sharp crashes sounded on the stairs. Air moved violently against my face. Before I could react, something large, soft and horribly heavy landed precisely where I stood. The impact of it jarred my teeth.

I jumped back, ripping my rapier from my belt. I stood against the wall, weapon raised and shaking, heart clawing at my chest, eyes staring wildly side to side.

Nothing. The stairs were empty. No broken body sprawled lifeless on the floor.

Lockwood leaned casually against the banister. It was too dark to be certain, but I swear he’d raised an eyebrow. He hadn’t heard a thing.

‘You all right, Lucy?’

I breathed hard. ‘No. I just got the echo of Mr Hope’s last fall. It was very loud and very real. It was like he’d landed right on top of me. Don’t laugh. It’s not funny.’

‘Sorry. Well,
something’s
stirring early tonight. It’s going to get interesting later. What time d’you make it?’

Having a watch with a luminous dial is my third recommended rule. It’s best if it can also withstand sudden drops in temperature and strong ectoplasmic shock. ‘Not yet five,’ I said.

‘Fine.’ Lockwood’s teeth aren’t quite as luminous as my watch, but when he grins it’s a close-run thing. ‘Plenty of time for a cup of tea. Then we find ourselves a ghost.’

Jonathan Stroud was born in Bedford in 1970. After studying English Literature at York University, he moved to London, where he worked as an editor in a publishing firm. He is the author of the best-selling BARTIMAEUS sequence, which is published in 35 languages and has sold 6 million copies worldwide, as well as four other novels: HEROES OF THE VALLEY, THE LAST SIEGE, THE LEAP and BURIED FIRE. Jonathan’s latest series is the chilling LOCKWOOD & CO. He lives in Hertfordshire with his family.

Also by Jonathan Stroud

Buried Fire

The Leap

The Last Siege

Heroes of the Valley

The Bartimaeus series

The Amulet of Samarkand

The Golem’s Eye

Ptolemy’s Gate

The Ring of Solomon

Lockwood & Co.

The Screaming Staircase

The Whispering Skull

www.
lockwoodbooks
.co.uk

www.
jonathanstroud
.com

LOCKWOOD & CO.: THE DAGGER IN THE DESK
AN RHCP DIGITAL EBOOK 978 1 448 19694 4

First published in Great Britain by RHCP Digital,
an imprint of Random House Children’s Publishers UK
A Penguin Random House Company

This ebook edition published 2015

Copyright © Jonathan Stroud, 2015

The right of Jonathan Stroud to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.