Lockwood & Co: The Screaming Staircase (4 page)

BOOK: Lockwood & Co: The Screaming Staircase
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I froze; for a tightly packed string of heartbeats I couldn’t stir a muscle. In part, of course, this was down to simple shock, but there was a lot more to it than that. A cold weight pressed like a headstone on my chest; my limbs felt entombed in mud. An icy torpor crept through the roots of my brain. My mind was numbed, the workings of my body dulled; I felt I should never have the strength to move again. A mood stole over me that might have been despair, had I the energy to truly care about it one way or the other. Nothing mattered, least of all me. Silence and stillness and utter paralysis of movement were all I could aspire to, all that I deserved.

In other words I was experiencing
ghost-lock
, which is the
effect Type Twos have when they choose to direct their power on you.

An ordinary person might have stood there, helpless, and let the Visitor work its will upon them. But I’m an agent. I’d dealt with this before. So I wrested savage, painful breaths from the frigid air, shook the mist clear of my brain. I forced myself to live. And my hands moved slowly towards the weapons at my belt.

The girl stood halfway across the floor of the study-bedroom, directly ahead of me. I could see her framed by the open door. She was fairly faint, but I saw she stood barefoot on the rolled-up rug – or, more precisely,
in
it, for her ankles were sunk inside the fabric as if she were paddling in the sea. She wore a pretty summer print dress, knee-length, decorated with large, rather garish orange sunflowers. It was not a modern design. The dress and her limbs and her long fair hair all shone with dim, pale other-light, as if lit by something far away. As for her face . . .

Her face was a solid wedge of darkness. No light reached it at all.

It was hard to tell, but I guessed she’d been eighteen or so. Older than me, but not by too many years. I stood there for a time wondering about this, with my eyes locked on the faceless girl and my hands inching to my belt.

Then I remembered I was not alone in the house.

‘Lockwood,’ I called. ‘Oh, Lockwood . . .’ I said it as
lightly as I could. Showing signs of fear is best avoided where Visitors are concerned – fear, anger, and other strong emotions. They feed on it too easily; it makes them faster and more aggressive. No answer came, so I cleared my throat and tried again. ‘Oh,
Lock
wood . . .!’ I was using a merry singsong intonation here, as if I were speaking to a little babe or a cuddly pet or something. As I might as well have been, in fact, because he didn’t bloody respond.

I turned my head and called a little louder. ‘Oh, Lockwood,
please
come here . . .’

His voice sounded muffled back along the landing. ‘Hold on, Luce. I’ve got something . . .’

‘Jolly good! So have I . . .’

When I looked back, the girl was closer, almost out on the landing. The face was still in shadow, but the drifts of other-light that spun about her body shone brighter than before. Her bony wrists were tight against her side, the fingers bent like fishhooks. Her bare legs were very thin.

‘What do you want?’ I said.

I listened. Words brushed soft as spiders’ touch against my ear. ‘
I’m cold
.’

Fragments. You seldom get more than fragments. The little voice was a whisper uttered at great distance, but also uncomfortably near at hand. It seemed an awful lot nearer to me than Lockwood’s reply had done.

‘Oh, Lockwood!’ I cooed again. ‘It’s
urgent
. . .’

Can you credit it? I detected a hint of annoyance in his answer. ‘Just wait a sec, Lucy. There’s something interesting here. I’ve picked up a death-glow – a really,
really
faint one. Something nasty happened in this front bedroom too! It’s so hazy I almost missed it, so it must’ve been a long while back. But, you know, I think it was traumatic . . . Which means – it’s only a theory, I’m just playing with ideas here – there might possibly have been
two
violent deaths in this house . . . What do you say to that?’

I chuckled hollowly. ‘I say that it’s a theory I can maybe
help
you with,’ I sang, ‘if you’ll only come out here.’

‘The thing is,’ he went on, ‘I don’t see how the first death’s got anything to do with the Hopes. They were only here two years, weren’t they? So perhaps the disturbances we’re experiencing aren’t—’

‘– actually caused by the husband?’ I cried. ‘Yes, well done! They’re not!’

A brief pause.
Finally
he was paying attention. ‘What?’


I said, it’s not the husband
, Lockwood! Now get out here!’ You might notice I’d slightly abandoned my attempts at keeping it light-hearted. That was because the thing in the study had already picked up on my agitation, and was now drifting through the door. The toenails on the thin, pale feet were long and curled.

Both my hands were at my belt. One gripped the rapier hilt; the other had closed on a canister of Greek Fire. You
shouldn’t really use magnesium flares in a domestic environment, of course, but I wasn’t taking any chances. My fingertips were icy, but sweaty too; they slipped against the metal.

A movement on my left. From the corner of my eye, I saw Lockwood emerge onto the landing. He too stopped dead. ‘Ah,’ he said.

I nodded grimly. ‘Yes, and next time I call you while in an operative situation, do me a favour, and get your butt out here double-quick.’

‘Sorry. But I see you’ve got it well in hand. Has she spoken?’

‘Yes.’

‘What did she say?’

‘She says she’s cold.’

‘Tell her we can sort that for her. No, don’t fiddle-faddle with your weapon – that’ll only make it worse.’ The girl had drifted a little closer across the landing; in response, I’d begun to draw my blade. ‘Tell her we can sort it,’ Lockwood said again. ‘Tell her we can find whatever she’s lost.’

I did so, in as steady a voice as I could manage. It didn’t have much effect. The shape neither shrank nor changed, nor became vaporous, nor departed, nor did any of the other things the
Fittes Manual
claims they’ll do when you give them hope of release.


I’m cold
,’ the little voice said; and then again, much louder, ‘
Lost and cold
.’

‘What was that?’ Lockwood had sensed the contact, but couldn’t hear the sound.

‘Same words, but I’ve got to tell you, Lockwood, this time it wasn’t much like a girl talking. It sounded really deep and hollow, and echoed like a tomb.’

‘That’s never good, is it?’

‘No. I think we should take it as a sign.’ I drew my rapier. Lockwood did likewise. We stood facing the shape in silence. Never attack first. Always wait, draw out its intentions. Watch what it does, where it goes; learn its patterns of behaviour. It was so close now that I could make out the texture of the long fair hairs sweeping down around the neck; see individual moles and blemishes on the skin. It always surprised me that the visual echo could be this strong. George called it ‘the will to exist’, the refusal to lose what once had been. Of course, not all of them appear this way. It’s all down to their personality in life, and what precisely happened when that life came to an end.

We waited. ‘Can you see her face?’ I asked. Lockwood’s Sight is better than mine.

‘No. It’s veiled. But the rest is
really
bright. I think it’s—’

He stopped; I’d lifted up my hand. This time the voice I heard was the barest tremor in the air. ‘
I’m cold
,’ it whispered. ‘
Lost and cold. Lost and cold . . . and DEAD!

The wisps of light that hung about the girl flared bright and desolate, and for an instant the dark veil was lifted from
the face. I screamed. The light went out. A shadow swept towards me, bony arms outstretched. Icy air drove into me, forcing me towards the stairs. I stumbled on the lip and toppled backwards over the edge. Dropping my rapier, I threw out a desperate arm, grasped the corner of the wall. I hung above the void, buffeted by the raging wind, fingertips slipping on the smooth, cold wallpaper. The shape drew close. I was about to fall.

Then Lockwood sprang between us, his blade cutting a complex pattern in the air. The shadow reared up, arm raised across its face. Lockwood cut another pattern, hemming it in on several sides with walls of flashing iron. The shape shrank back. It darted away into the study with Lockwood in pursuit.

The landing was empty. The wind had died. I scrabbled at the wall, pulled myself upright at the top of the stairs and sank to my knees. My hair was over my eyes; one foot dangled over the topmost step.

Slowly, grimly, I reached out for my rapier. There was a dull ache in my shoulder where I’d jarred my arm.

Lockwood was back. He bent close to me, his calm eyes scanning the darkness of the landing. ‘Did she touch you?’

‘No. Where did she go?’

‘I’ll show you.’ He helped me up. ‘You’re sure you’re all right, Lucy?’

‘Of course.’ I brushed my hair away, forcing the rapier
viciously back into its belt-loop. The shoulder twinged a bit, but it was OK. ‘So,’ I said, starting towards the study. ‘Let’s get on with it.’

‘In a sec.’ He held out a hand, stalling my movement forward. ‘You need to relax.’

‘I’m fine.’

‘You’re angry. There’s no need to be. That assault would have caught anyone out. I was surprised too.’


You
didn’t drop your rapier.’ I pushed his hand away. ‘Listen, we’re wasting time. When she comes back—’

‘She wasn’t directing it at me. It was all at you, trying to pitch you over the stairs. I guess we know how Mr Hope came to take his tumble now. My point is, you need to calm down, Lucy. She’ll feed off your anger super-fast, and grow strong.’

‘Yeah, I know.’ I didn’t say it gracefully. I closed my eyes, took a deep breath, and then another, concentrating on doing what the
Manual
recommends: mastering myself, loosening the hold of my emotions. After a few moments I regained control. I withdrew from my anger, and let it drop to the floor like a discarded skin.

I listened again. The house was very silent, but it was the silence of the snowfall, heavy and oppressive. I could feel it watching me.

When I opened my eyes, Lockwood was standing with his hands in his greatcoat pockets, waiting quietly in the
blackness of the landing. His rapier was back in his belt. ‘Well?’ he said.

‘I’m feeling better.’

‘Anger gone?’

‘Not a trace left.’

‘OK, because if you don’t feel steady, we’re heading home right now.’

‘We’re not heading home,’ I said coolly, ‘and I’ll tell you why. Mrs Hope’s daughter won’t let us in here again. She thinks we’re too young. If we haven’t cracked the case by tomorrow, she’ll take us off it and put Fittes or Rotwell’s on the job. We need the money, Lockwood. We finish this now.’

He didn’t move. ‘Most nights,’ he said, ‘I’d agree with you. But the parameters have changed. It’s not some poor old boy bothering his widow; it’s almost certainly the ghost of a murder victim. And you know what
they’re
like. So if your head’s not in the right place, Luce . . .’

Calm and steady as I was, I found his condescension slightly irritating. ‘Yeah,’ I said, ‘but it’s not really me that’s the issue, is it?’

Lockwood frowned. ‘Meaning what?’

‘Meaning the iron chains.’

He rolled his eyes. ‘Oh, come on. That’s hardly the—’

‘Those iron chains are standard kit for every agent, Lockwood. They’re essential for protection when we’re up against a strong Type Two. And
you
forgot to put them in!’

‘Only because George insisted on oiling them! At
your
suggestion, if I remember.’

‘Oh, so it’s
my
fault now, is it?’ I cried. ‘Most agents would sooner forget their trousers than go out without their chains, but you somehow managed it. You were so keen on rushing out here, it’s a wonder we brought anything at all. George even advised us not to go. He wanted to do more research on the house. But no.
You
over-ruled him.’

‘Yes! Which is what I do, on account of being the leader. It’s my responsibility—’

‘– to make bad decisions? That’s right, I suppose it is.’

We stood there, arms folded, glowering at each other across the darkened landing of a haunted house. Then, like the sun coming out, Lockwood’s glare softened to a grin.

‘So . . .’ he said. ‘How’s your anger management going, Luce?’

I snorted. ‘I admit I’m annoyed, but now I’m annoyed with
you
. That’s different.’

‘I’m not sure it is, but I
do
take your original point about the money.’ He clapped his gloved hands together briskly. ‘All right, you win. George wouldn’t approve, but I think we can risk it. I’ve driven her away for the moment, and that gives us breathing space. If we’re quick, we can settle this in half an hour.’

I stooped and lifted up the duffel bags. ‘Just lead me to the place.’

The place proved to be on the far side of the study: a blank stretch of wall set between two recessed stretches of the chaotic bookshelf. In the harsh light of our torches, we saw it was still covered with ancient bedroom paper, drab and faded and peeling near the coving. Puffy, shapeless roses ran floor to ceiling in slanting lines.

In the middle of the space hung a coloured map showing the geology of the British Isles. The base of the wall was concealed by thigh-high piles of geology magazines, one or two of which were weighed down by dusty geological hammers. My keen investigative instinct told me that Mr Hope might possibly have been a geologist by trade.

I inspected the bookshelves on either side, saw how the wall protruded at that point. ‘Old chimney breast,’ I said. ‘So she went in there?’

‘She was fading out before she reached the wall, but yes – I think so. Would make sense if the Source was hidden in the chimney, wouldn’t it?’

I nodded. Yes, it made sense. A natural cavity, big enough for anything at all.

We began shifting the magazines away, carting them in cascading armfuls to the other side of the room. Space was an issue. Lockwood wanted to keep my original circle free, and have a good access route to it from the wall where we’d be working, so we dumped most of the magazines by the door
and even out on the landing. Every second armload or so I stopped and listened carefully, but the house remained still.

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