Locomotion

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Authors: Jacqueline Woodson

BOOK: Locomotion
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Table of Contents
 
 
MAMA
Some days, like today
and yesterday and probably
tomorrow—all my missing gets jumbled up inside of me.
 
You know honeysuckle talc powder?
Mama used to smell like that. She told me
honeysuckle's really a flower but all I know
is the powder that smells like Mama.
Sometimes when the missing gets real bad
I go to the drugstore and before the guard starts
following me around like I'm gonna steal something
I go to the cosmetics lady and ask her if she has it....
BOOKS BY JACQUELINE WOODSON
THE MAIZON BOOKS
Last Summer with Maizon
Maizon at Blue Hill
Between Madison and Palmetto
 
FOR OLDER READERS
Behind You
The Dear One
The House You Pass On the Way
Hush
If You Come Softly
Locomotion
Miracle's Boys
 
PICTURE BOOKS
The Other Side
SPEAK
 
Published by the Penguin Group
Penguin Group (USA) Inc., 345 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2
(a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland
(a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124,
Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park,
New Delhi - 110 017, India
Penguin Group (NZ), Cnr Airborne and Rosedale Roads, Albany, Auckland,
New Zealand (a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank,
Johannesburg 2196, South Africa
 
Registered Offices: Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
 
First published in the United States of America by G. P. Putnam's Sons,
a division of Penguin Putnam Books for Young Readers, 2003
Published by Speak, an imprint of Penguin Group (USA) Inc., 2004
 
Copyright © Jacqueline Woodson, 2003
All rights reserved
 
THE LIBRARY OF CONGRESS HAS CATALOGED THE PUTNAM EDITION AS FOLLOWS:
Woodson, Jacqueline.
Locomotion / Jacqueline Woodson.
p. cm.
Summary: In a series of poems, eleven-year-old Lonnie writes about his
life after the death of his parents, separated from his younger sister,
living in a foster home, and finding his poetic voice at school.
eISBN : 978-1-440-69588-9
1. African American boys—Juvenile poetry. 2. Brothers and sisters—Juvenile poetry.
3. Foster home care—Juvenile poetry. 4. Orphans—Juvenile poetry. 5. Schools—Juvenile
poetry. 6. Children's poetry, American. [1. Brothers and sisters—Poetry.
2. African Americans—Poetry. 3. Foster home care—Poetry. 4. Orphans—Poetry.
5. Schools—Poetry. 6. American Poetry.] I. Title.
PS3573.O64524 L'.54—dc21 2002069779
 
 
 

http://us.penguingroup.com

FOR TOSHI GEORGIANNA AND JUNA FRANKLIN
Name all the people
You're always thinking about
People are poems.
—Lonnie C. Motion
POEM BOOK
This whole book's a poem 'cause every time I try to
tell the whole story my mind goes
Be quiet!
Only it's not my mind's voice,
it's Miss Edna's over and over and over
Be quiet!
 
I'm not a really loud kid, I swear. I'm just me and
sometimes I maybe make a little bit of noise.
If I was a grown-up maybe Miss Edna
wouldn't always be telling me to be quiet
but I'm eleven and maybe eleven's just noisy.
 
Maybe twelve's quieter.
 
But when Miss Edna's voice comes on, the ideas in my
head go out like a candle and all you see left is this little
string of smoke that disappears real quick
before I even have a chance to find out
what it's trying to say.
 
So this whole book's a poem because poetry's short and
 
this whole book's a poem 'cause Ms. Marcus says
write it down before it leaves your brain.
I tell her about the smoke and she says
Good, Lonnie, write that.
Not a whole lot of people be saying
Good, Lonnie
to me
so I write the string-of-smoke thing down real fast.
Ms. Marcus says
We'll worry about line breaks later.
 
Write fast, Lonnie,
Ms. Marcus says.
And I'm thinking Yeah, I better write fast before Miss
Edna's voice comes on and blows my candle idea out.
ROOF
At night sometimes after Miss Edna goes to bed I go
up on the roof
Sometimes I sit counting the stars
Maybe one is my mama and
another one is my daddy And maybe that's why
sometimes they flicker a bit
I mean
the stars
flicker
LINE BREAK POEM
Ms. Marcus
says
line breaks help
us figure out
what matters
to the poet
Don't jumble your ideas
Ms. Marcus says
Every line
should count.
MEMORY
Once when we was real
little
I was sitting at the window holding my baby sister, Lili
on my lap.
Mama was in the kitchen and Daddy must've
been at work.
Mama kept saying
Honey, don't you drop my baby.
 
A pigeon came flying over to the ledge
and was looking at us.
Lili put her hand on the glass and the pigeon tried
to peck at it.
Lili snatched her hand away and screamed.
Not a scared scream,
just one of those laughing screams
that babies who can't talk yet like to do.
 
Mama came running out the kitchen
drying her hands on her jeans.
When she saw us just sitting there, she let out a breath.
Oh, my Lord,
she said,
I thought you'd dropped my baby.
I asked
Was I ever your baby, Mama?
and Mama looked at me all warm and smiley.
 
You still are,
she said.
Then she went back in the kitchen.
 
I felt safe then.
I held Lili tighter.
Maybe if I was eleven then
and if one of my friends had been around,
I would have been embarrassed, I guess.
But I was just a little kid
and nobody else was around.
Just me and Lili and Mama and the pigeons.
And outside the sun
getting bright and warm suddenly
like it'd been listening in.
MAMA
Some days, like today
and yesterday and probably
tomorrow—all my missing gets jumbled up inside of me.
 
You know honeysuckle talc powder?
Mama used to smell like that. She told me
honeysuckle's really a flower but all I know
is the powder that smells like Mama.
Sometimes when the missing gets real bad
I go to the drugstore and before the guard starts
following me around like I'm gonna steal something
I go to the cosmetics lady and ask her if she has it.
When she says yeah, I say
Can I smell it to see if it's the right one?
Even though the cosmetics ladies roll their eyes at me
they let me smell it.
And for those few seconds, Mama's alive
again.
And I'm remembering
all kinds of good things about her like
the way she laughed at my jokes
even when they were dumb
and the way she sometimes just grabbed me
and hugged me before
I had a chance to get away.
And the way her voice always sounded good
and bad at the same time when she was singing
in the shower.
And her red pocketbook that always had some
tangerine Life Savers inside it for me and Lili
 
No,
I say to the cosmetics lady.
It's not the right one.
And then I leave fast.
Before somebody asks to check my pockets
which are always empty 'cause I don't steal.
LILI
And sometimes I combed Lili's hair
braids mostly but sometimes a ponytail.
Lili would cry sometimes
the kind of crying where no tears came out.
Big faker.
I wouldn't've hurt her head for a million dollars.
 
Some days
like today and yesterday and probably tomorrow
that's all that's on my mind
Mama and Lili.
 
Hair and honeysuckle talc powder.
FIRST
First Miss Edna turned the key and
opened her door for me
and said
This ain't much, but it's all I have.
A living room, a kitchen with a table and three chairs,
a room with just a bed in it and a poster of Dr. J
when he still played for the Sixers and had an Afro.
You'll sleep in here,
she said.
Another room down the hall.
No need for you to ever go in there,
she said.
I never did.
 
All along the living room walls there's pictures
of her sons. Grown-up and gone now.
 
I used to fill up Miss Edna's house with noise.
 
I used to talk all the time.
I used to laugh real loud and holler especially
when the Knicks won a game 'cause
that don't happen too much.
 
Be quiet!
Miss Edna said.
Hush, Lonnie,
Miss Edna said.
Shhhh, Lonnie,
Miss Edna said.
Children should be seen but not heard,
Miss Edna said.
 
And my voice got quieter
and quieter
and quiet.
 
Now some days Miss Edna looks at me and says
You need to smile more, Lonnie.
You need to laugh sometimes
maybe make a little noise.
Where's that boy I used to know,
the one who couldn't be quiet?

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