Lonesome Dove (105 page)

“Yes, a hell of a vision,” Call said. He was forced to put spurs to the dun to get away from the boy, who stood scribbling on a pad.

It was a dry year, the grass of the
llano
brown, the long plain shimmering with mirages. Call followed the Pecos, down through Bosque Redondo and south through New Mexico. He knew it was dangerous—in such a year, Indians might follow the river too. But he feared the drought worse. At night lightning flickered high above the plains; thunder rumbled but no rain fell. The days were dull and hot, and he saw no one—just an occasional antelope. His animals were tiring, and so was he. He tried driving at night but had to give it up—too often he would nod off, and once came within an ace of smashing a buggy wheel. The coffin was sprung from so much bouncing and began to leak a fine trail of salt.

A day above Horsehead Crossing, as he was plodding along half asleep in the still afternoon, he felt something hit him and immediately put his hand to his side. It came away bloody, although he had not seen an Indian or even heard a gunshot. As he turned to race for the river he glimpsed a short brown man rising from behind a large yucca plant. Call didn’t know how badly he was shot, or how many Indians he was up against. He went off the bank too fast and the buggy crashed against a big rock at the water’s edge. It splintered and turned over, the coffin underneath it. Call glanced back and saw only four Indians. He dismounted, snuck north along the river for a hundred yards, and was able to shoot one of the four. He crossed the river and waited all day and all night, but never saw the other three again. His wound felt minor, though the bullet was somewhere in him, and would have to stay until he made Austin, he knew.

The narrow-channeled Pecos was running and the coffin was underwater. Call finally cut it loose, and with the help of Greasy dragged it from the mud. He knew he was in a fine fix, for it was still five hundred miles to the south Guadalupe and the buggy was ruined. For all he knew, more Indians might arrive at any moment, which meant that he had to work looking over his shoulder. He managed to drag the coffin over, but it was a sorry, muddy affair by the time he was done. Also, the Pecos water scalded his innards and drained his strength.

Call knew he could never drag the coffin all the way to Austin—he himself would be lucky to get across the bleached, waterless land to the Colorado or the San Saba. On the other hand he had no intention of leaving Gus, now that he had brought him so far. He broke open the coffin and rewrapped his friend’s remains in the tarp he had been using for a bed cover on wet nights—there were few of those to worry about. Then he lashed the bundle to Gus’s sign, itself well weathered, with most of the lettering worn off. He cut down a small salt-cedar and made a crude axle, fixing the sign between the two buggy wheels. It was more travois than buggy, but it moved. He felt his wound a trifle less every day, though he knew it had been a small-bore bullet that hit him. A larger bore and he would be down and probably dead.

Several times he thought he glimpsed Indians slipping over a ridge or behind distant yucca, but could never be sure. Soon he felt feverish and began to distrust his own eyesight. In the shining mirages ahead he thought he saw horsemen, who never appeared. Once he thought he saw Deets, and another time Blue Duck. He decided his reason must be going and began to blame Gus for it all. Gus had spent a lifetime trying to get him into situations that confused him, and had finally succeeded.

“You done this,” he said aloud several times. “Jake started me off, but you was the one sent me back across here.”

His water ran out the third day. The mule and the dun chewed on the greasewood bushes or what sage there was, but both were weakening. Call longed for the Kiowa mare. He wished he had given the boy his name and kept the mare.

Then Greasy, the mule, stopped—he had decided to die. Call had to use the dun to pull the travois. Greasy didn’t bother following them.

Call supposed the dun would die too, but the horse walked on to the Colorado. After that, there was little more to fear, although his wound festered somewhat, and leaked. It reminded him of Lippy—often his eyes would fill when he thought of the boys left up north.

By the time he finally rode onto the little hill with the live oaks above the Guadalupe, the sign was about gone. The Latin motto, of which Augustus had been so proud, being at the bottom, had long since been broken off. The part about the pigs was gone, and the part about what they rented and sold, and Deets’s name as well. Most of Pea Eye’s name had flaked off, and his own also. Call hoped to save the plank where Gus had written his own name, but the rope he had tied the body with had rubbed out most of the lettering. In fact, the sign was not much more than a collection of splinters, two of which Call got in his hand as he was untying Gus. Only the top of the sign, the part that said “Hat Creek Cattle Company and Livery Emporium” was still readable.

Call dug the grave with a little hand shovel. In his condition it took most of a day; at one point he grew so weak that he sat down in the grave to rest, sweat pouring off him—if there had been anyone else to shovel he would have been inclined to be buried there himself. But he pulled himself up and finished the work and lowered Augustus in.

“There,” he said. “This will teach me to be more careful about what I promise.”

He used the plank with “Hat Creek Cattle Company and Livery Emporium” on it as a crossbar, tying it to a long mesquite stick, which he drove into the ground with a big rock. While he was tying the crossbar tight with two saddle strings, a wagon with settlers in it came along the ridge. They were a young couple, with two or three children peeking shyly around them, narrow-faced as young possums. The young man was fair and the sun had blistered him beet-red; his young wife had a bonnet pulled close about her face. It was clear that the grave marker puzzled them. The young man stopped the wagon and stared at it. Not having seen him put Augustus under, they were not sure whether they were looking at a grave, or just a sign.

“Where is this Hat Creek outfit, mister?” the young man asked.

“Buried, what ain’t in Montana,” Call said. He knew it wasn’t helpful, but he was in no mood for conversation.

“Dern, I was hoping to come to a place with a blacksmith,” the young man said. Then he noticed that Call walked stiffly, and saw that he was wounded.

“Can we help you, mister?” the young man asked.

“Much obliged,” Call said. “I’ve only a short way to go.”

The young settlers moved down the ridge toward San Antonio. Call walked down to the little pool, meaning to rest a few minutes. He fell into a heavy sleep and didn’t wake until dawn. The business of the sign worried him, one more evidence of Augustus’s ability to vex well beyond the grave. If one young man supposed it meant there was a livery stable nearby, others would do the same. People might be inconvenienced for days, wandering through the limestone hills, trying to find a company who were mostly ghosts.

Besides, Augustus’s name wasn’t on the sign, though it was his grave. No one might ever realize that it
was
his grave. Call walked back up the hill and got out his knife, thinking he might carve the name on the other side of the board, but the old board was so dry and splintery that he felt he might destroy it altogether if he worked on it much. Finally he just scratched A.M. on the other side of the board. It wasn’t much, and it wouldn’t last, he knew. Somebody would just get irritated at not finding the livery stable and bust the sign up anyway. In any case, Gus was where he had decided he wanted to be, and they had both known many fine men who lay in unmarked graves.

Call remembered he had told the young couple that he only had a short way to travel. It showed that his mind was probably going, for he had no place in particular to travel at all. Worn out, and with a festering wound, he was in no shape to turn back for Montana, and Jerry, the dun, could never have made the trip, even if he himself could have. He didn’t know that he wanted to go back, for that matter. He had never felt that he had any home on the earth anyway. He remembered riding to Texas in a wagon when just a boy—his parents were already dead. Since then it had been mostly roaming, the years in Lonesome Dove apart.

Call turned south toward San Antonio, thinking he might find a doctor. But when he came to the town he turned and went around it, spooked at the thought of all the people. He didn’t want to go among such a lot of people with his mind so shaky. He rode the weary dun on south, feeling that he might just as well go to Lonesome Dove as anywhere.

Crossing the green Nueces, he remembered the snakes and the Irish boy. He knew he ought to go by and find the widow Spettle to tell her she had one less son, but decided the bad news could wait. It had already waited a year, unless she had gotten it from one of the returning cowhands.

He rode the dun into Lonesome Dove late on a day in August, only to be startled by the harsh clanging of the dinner bell, the one Bolivar had loved to beat with the broken crowbar. The sound made him feel that he rode through a land of ghosts. He felt lost in his mind and wondered if all the boys would be there when he got home.

But when he trotted through the chaparral toward the Hat Creek barn, he saw that it was old Bolivar himself, beating the same bell with the same piece of crowbar. The old man’s hair was white and his serape filthier than ever.

When Bolivar looked up and saw the Captain riding out of the sunset, he dropped the piece of crowbar, narrowly missing his foot. His return to Mexico had been a trial and a disappointment. His girls were married and gone, his wife unrelenting in her anger at his years of neglect. Her tongue was like a saw and the look in her eyes made him feel bad. So he had left her one day forever, and walked to Lonesome Dove, living in the house the gringos had abandoned. He sharpened knives to earn a living, which for himself was merely coffee and frijoles. He slept on the cookstove; rats had chewed up the old beds. He grew lonely, and could not remember who he had been. Still, every evening, he took the broken crowbar and beat the bell—the sound rang through the town and across the Rio Grande.

When Call dismounted and dropped his reins old Bolivar walked over, trembling, a look of disbelief on his face. “Oh,
Capitán, Capitán
,” he said, and began to blubber. Tears of relief rolled down his rough cheeks. He clutched at Call’s arms, as if he were worn out and might fall.

“That’s all right, Bol,” Call said. He lead the shaking man to the house, which was all shambles and filth, spiderwebs and rat shit everywhere. Bol shuffled around and heated coffee, and Call stood on the front porch and drank a cup. Looking down the street, he was surprised to see that the town didn’t look the same. Something wasn’t there that had been. At first he couldn’t place what, and he thought it might be the dust or his erratic vision, but then he remembered the Dry Bean. It was the saloon that seemed to be gone.

Call took the dun down to the roofless barn and unsaddled him. The stone watering trough was full of water, clear water, but there was not much to feed the horse. Call turned him out to graze and watched while he took a long roll.

Then, curious to know if the saloon was really gone, he walked across the dry bed of Hat Creek and into the main street.

He had no sooner turned into the street than he saw a one-legged man coming toward him through the dusk. Why, Gus? he thought, not knowing for a second if he were with the living or the dead. He remembered sitting in the grave on the Guadalupe, and for a moment could not remember climbing out.

But the one-legged man only turned out to be Dillard Brawley, the barber who had ruined his voice screeching the time he and Gus had had to take off his leg.

For his part, Dillard Brawley was so surprised to see Captain Call standing in the street that he almost dropped the few perch he had managed to catch in the river. In the growing dark he had to step close to see it was the Captain—there was only a little light left.

“Why, Captain,” Dillard said in his hoarse whisper, “did you and the boys finally get back?”

“Not the boys,” Call said. “Just me. What happened to the saloon?”

He could see that he had been right—the general store was still there, but the Dry Bean was gone.

“Burnt,” Dillard whispered. “Burnt near a year ago.”

“What started the fire?” Call asked.

“Wanz started it. Burnt up in it, too. Locked himself in that whore’s room and wouldn’t come out.”

“Well, I swear,” Call said.

“The pi-aner burnt up with him,” Dillard said. “Made the church folks mad. They thought if he was gonna roast himself he ought to have at least rolled the pi-aner out the door. They’ve had to sing hymns to a fiddle ever since.”

Call walked over and stood where the saloon had been. There was nothing left but pale ashes and a few charred boards.

“When she left, Wanz couldn’t stand it,” Dillard said. “He sat in her room a month and then he burnt it.”

“Who?” Call asked, looking at the ashes.

“The woman,” Dillard whispered. “The woman. They say he missed that whore.”

LARRY McMURTRY, winner of the Pulitzer Prize for fiction and many other awards, is the author of more than twenty-four novels, two collections of essays, three memoirs, and more than thirty screenplays, and is the editor of an anthology of modern Western fiction. His reputation as a critically acclaimed and bestselling author is unequaled.

BY
LARRY
MCMURTRY

By Sorrow’s River
The Wandering Hill
Sin Killer
Sacajawea’s Nickname: Essays on the American West
Paradise
Boone’s Lick
Roads
Still Wild: A Collection of Western Stories
Walter Benjamin at the Dairy Queen
Duane’s Depressed
Crazy Horse Comanche Moon Dead Man’s Walk The Late Child Streets of Laredo The Evening Star
Buffalo Girls
Some Can Whistle
Anything for Billy
Film Flam: Essays on Hollywood
Texasville
Lonesome Dove
The Desert Rose
Cadillac Jack
Somebody’s Darling
Terms of Endearment
All My Friends Are Going to Be Strangers
Moving On
The Last Picture Show
In a Narrow Grave: Essays on Texas
Leaving Cheyenne
Horseman, Pass By

BY LARRY MCMURTRY AND DIANA OSSANA
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