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Authors: Lydia Millet

Tags: #Fiction, #Short Stories (Single Author)

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In the wake of the media frenzy Komo became a highly popular attraction for zoo visitors. His noble brown head with its dignified throat wattle, his homely yet graceful body and his sleepy eyes endeared him to zoogoers, who fondly recalled his spirited nipping of
the rich, assumedly virile Bronstein. In their native islands Komodos are top predators, fast-moving and heavy with a mouthful of deadly bacteria for killing prey. But as an individual, Komo was described by his keepers as “tractable” and “good with people,” in an internal zoo memo. He had been seized as evidence in a U.S. Customs case against an endangered species smuggler named Wong, and was residing at the zoo while Wong awaited trial.
Komo seems to have basked in the light of his newfound popularity. Keepers say he had previously lurked in the shadows of a fake log in his cage but now took up a position on a prominent rock, where he remained for hours a day in full view of the crowds, flicking his forked yellow tongue and posing.
There were no further incidents of aggression.
 
When after several months Komo's popularity finally subsided, he was sent on short-term breeding loan to a zoo in Singapore. There for a while he fell ill and was moved to the zoo infirmary. Once he recovered and his stud duties were done—females with whom he mated produced more than 120 eggs—he was again moved, this time to a facility in Kuala Lumpur, where he was
purchased for a private zoo by a flamboyant Indonesian billionaire named Tunku Rajaputra. This is where I entered the story, since I was fresh from Texas A&M and employed, at the time, as a large-animal veterinarian for Rajaputra, whose inherited fortune was based on clove cigarettes and natural rubber. He knew of the lizard's checkered past and was, not incidentally, a diehard fan of Sharon Stone.
By this time Stone and Bronstein were divorced; the fortysomething movie star had suffered a brain hemorrhage and was appearing in the box-office and critical bomb
Catwoman
. Rajaputra, a short but handsome bisexual who exhibited many of the diagnostic characteristics of narcissistic personality disorder, apparently believed he stood a good chance with the actress—if only he could arrange for a meeting. He brought the lizard to a luxury habitat in his vacation home near Sekongkang, on the island of Sumbawa. Other denizens of the private bestiary included two orangutans, a land tortoise and a tiger shark in a half-million-gallon tank. All the animals were tended by qualified caretakers—I had several colleagues on the estate—and Rajaputra spared no expense.
Komo had been captured by Wong's poachers around
the age of five, when he was still a young lizard prancing around in circles and covered in fecal matter. (This was a ritual dance of appeasement aimed at older dragons, who might otherwise eat their offspring.) In captivity Komo had quickly become accustomed to his zoo diet of rodents, chicks and rabbits and now only rarely rolled in feces, with a halfhearted shrugging motion. But under Rajaputra's regime he was fed live baby goats, which he was encouraged to hunt in a special outdoor yard connected to his indoor enclosure by means of an underground tunnel. He hunted in full view of Rajaputra and guests, who were delighted by the spectacle.
It took him some time to fell a kid, which he would typically not kill directly but mortally injure and leave to die. Businessmen standing at the fence would clap and smile when the bite was delivered and the baby goat sank to its knees, its long-lashed, dark eyes blinking closed tenderly as if for an endless dream. As the applause faded and the businessmen turned back to their cocktails and teenage prostitutes, Komo would retire to a corner to shore up his own strength. Goats could run well, even young ones, and he could summon only short bursts of speed. He was no longer in the first flush of youth, and clearly the goats exhausted him.
Finally he would go back to the moribund goat, tear a chunk of flesh from its exposed belly and feast.
There were pyroclastic rocks in his new enclosure and a shallow pond for swimming. Without knowing it, except by a reassuring familiar feeling, he may have recognized the vegetation of his home island of Flores. There were tamarinds, lontar palms and jujubi trees; in the dry dirt he was able to dig himself a burrow, where he slept during the high heat of the day after basking throughout the morning. He was not lonely, for Komodos are solitary by nature, coming together in groups only to eat carrion. Mating is a brief penetration of the female cloaca by the male hemipenis; couples do not stay close. After laying her eggs, the female usually forgets them.
So Komo was at first, I believe, fairly satisfied with his lodgings on Sumbawa. They were superior to those at the Los Angeles Zoo. The mansion and its gardens were on a hill near the sea; the lizard had a decent view of the western horizon and could even, when the time of year was right, see the sun set in the distance with a green flash.
The situation changed with the arrival of Sharon Stone.
In a fit of drug-enhanced megalomania following cosmetic surgery for the removal of a small wart on his back, Rajaputra had become convinced that the procurement of Stone as a concubine was the merest of formalities. Confident that the movie star would be pleased to become his chattel, he charged one of his junior secretaries with her summoning and transportation to the compound. This secretary, Suandi, spoke only rudimentary English and was terrified by the prospect of trying to talk to important Hollywood persons over the transpacific telephone lines. Thus, instead of calling, he sent various awkwardly worded emails to Stone's agent, manager and accountant, whose contact details were several weeks in the finding.
As the senior secretary Yang later learned, the agent's assistant deleted Suandi's messages immediately, mistaking them for spam. The manager's assistant moved the messages to a folder marked “Potential Stalkers.” The accountant's assistant was admitted to rehab before reading the email. Suandi checked his inbox faithfully each morning in eager hopes of a response from Stone's handlers, but was invariably disappointed; and under constant pressure from Rajaputra, who kept expecting the actress to show up for dinner, he finally broke down and asked for Yang's help.
The Sharon Stone who arrived by small plane shortly before the onset of the monsoon season was, admittedly, a few pounds heavier than Rajaputra would have guessed from her movie appearances. On the other hand, her hair was even blonder; she looked refreshingly young and smooth, as though her very skin were made of freshly molded latex; and she responded with a white, toothy smile to his overtures from the first night onward, joining him in his curiously outdated water-bed after minimal cajoling. She admired his mahogany headboard carved with intertwined pythons.
And she assured him that the discrepancy between her real-life and film physiques was entirely normal and a matter of clever special effects, for no actress, she said—speaking upside down through her outstretched legs in a downward-facing-dog pose—could actually be as thin as the tricks of cinematography made her seem.
She practiced yoga every morning. Rajaputra admired her thigh muscles.
The billionaire's English, learned at a British school in Hong Kong, had an Oxbridge flavor. Despite this he was far from fluent and there were many words he did not know; much American slang went right over his head, and to compound the problem Sharon Stone often spoke
far too fast. But it was pleasant to immerse himself in the cascade of words, and what he did not understand in her utterances he glossed over, unwilling to admit there were gaping holes in his vocabulary. For this reason he and Sharon Stone did not always comprehend each other perfectly, but acted as though they did.
And while his assumption was that Sharon Stone had come to stay—and a date for their sumptuous wedding should be set sooner rather than later—the look-alike had in fact been hired by Yang for a period of not more than three weeks while the Las Vegas show she danced in was on hiatus. She was always glad to moonlight as Stone, for playing the part entertained her and the money was often good; in this instance the money had been excellent, the seats first-class, the location exotic, and—an unexpected perk—the guy for once halfway good-looking.
He took her to meet Komo on the second morning but offered no introduction as they walked through the gardens, for he wished it to be a complete surprise.
She had been only vaguely aware of the incident at the Los Angeles Zoo. A strip club and two bachelor parties had engaged her services in the weeks thereafter to do stage send-ups of it. On one memorable occasion
she had played a nude Stone in high heels, talking and laughing on her cell phone as her husband (also nude) thrashed back and forth in the background in the grips of what looked like an alligator. All of this was juvenile and none of it made much sense; but then, she had not been hired as a drama critic.
And that was long ago now. She had never seen a Komodo dragon in person—in fact, she had never even seen a picture of one—and while Suandi and Yang had warned her solemnly that she must always remain in character, the sight of Komo came as such a shock that she forgot. He was gobbling a fresh kill; his mouth and jaw were covered in blood. The fawn eviscerated beside him bore a striking resemblance to Bambi. And just as Sharon Stone and Rajaputra loomed over his wall, Komo pulled from Bambi a long string of intestines, holding them in his mouth and shaking them vigorously back and forth to expel the inedible matter within. Blood and feculence spattered onto the dirt.
Rajaputra could hardly have known that a seminal incident of Sharon Stone's childhood, which she later revealed to Yang and me, had involved her father, a methaddicted salesman who split his time between Reno and Twentynine Palms, disemboweling her mother's yappy
Pomeranian with a broken bread knife. The sight of the fawn and the dragon struck a terrible blow.
“Oh my God!” screamed Sharon Stone, and turned away. “Jesus Christ! Jesus Christ!”
As she collapsed against a pillar sobbing, Rajaputra stood by uselessly, wearing a frozen grimace. Having almost zero capacity for empathy, he was not a born nurturer. Finally a young maid who had been working a few feet away came to lead Sharon Stone to a lawn chair, where she patted and stroked the showgirl's shoulder softly to calm her down.
Komo himself, whose hearing and vision were both poor but whose sense of smell could pick out a dead bird five miles away, went on eating mechanically in a state of some befuddlement, possibly disoriented by the heady scent of Sharon Stone's midpriced perfume.
Rajaputra had believed the lizard would please Sharon Stone, indicating a commitment on his part to her personal heritage. Watching her cry on the lawn chair, however, pretty face in her hands, shoulders and breasts heaving, he was unsure. She was a woman, after all, and women were famously weak in the face of gore and violence. She was divorced now from the Jewish media tycoon whom Komo had so righteously wounded three
years before; Rajaputra had thought this would distance her, perhaps even allow her to see in the lizard a kind of cheerful ally against all the Jews; but clearly she was still petrified of the monster.
For her part, Sharon Stone was recovering rapidly. As she hiccupped on the chair she reminded herself this had nothing to do with the deceased Widdle Puff. Her father was also long dead, run over by a tweaking preteen at an off-road vehicle rally in the Imperial Dunes. As for the poor little deer, she reflected, well, it was sad. It just was. But she'd tried to be a vegetarian once and it was super boring; plus she'd had venison for the first time this past Thanksgiving. Pretty good. So she wasn't one to talk, as far as eating deers went. And her own dog, a Boston terrier, was safe in the care of an elderly neighbor.
No one was trying to hurt her. She was going to be fine. She had to get back into character and scrub her face of its streaky makeup.
She smiled tearfully at the maid, took a deep breath, rose from the chair and nodded at Rajaputra.
“I'll be fine. Gimme a couple of minutes,” she promised.
She sat down on the ground in sukhanasa, folded her fingers into ling mudra and closed her mascara-clotted
eyes to prepare for healing. It crossed her mind, before she began clearing it, to wonder if the real Sharon Stone would have yelled out “Jesus Christ! Jesus Christ!” But probably it was OK; the star was rumored to be a Buddhist these days.
The maid curtseyed and retreated.
Meanwhile, Rajaputra came to a decision.
He left Sharon Stone where she was and came looking for me. He would tell me to kill the lizard, kill it immediately, shoot it point-blank through the head. He would have liked to do the deed himself, in full view of his assembled servants, but he suspected Sharon Stone would not appreciate that. If he were a woman, he thought, he would find it highly erotic, but he was not a woman and he was certainly not Sharon Stone. She had already refused a leopard coat he had offered her, on the grounds that it was not nice to flay dead creatures and steal their furry coverings. This was what he had gathered, at least. He did not quite fathom her religion, but no doubt in time he would learn to predict its irrational prohibitions.
BOOK: Love in Infant Monkeys
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