“Have you gotten over me, Serena?” he asked, his voice soft and smoky.
Serena tried to turn her head away, but he caught her chin with one hand and tilted it up so she had no choice but to look at him.
“No,” she whispered, trembling inside. A lone tear teetered on the barrier of her lashes, then spilled over, washing away her last hope of keeping her pride intact. “No.”
“Then what the hell are you doin' here with another man?”
The jealousy in his tone was unmistakable. Serena's eyes widened. “David? He's just a friend. We work together.”
“You're not lovers?”
“No!” she snapped in annoyance. “Not that it's any of your business.”
Lucky took a step back from her, jamming his hands at the waist of his trousers. His scowl darkened from black to bottomless. “It damn well is my business,
chère
.”
“Oh, is that right?” Serena said sarcastically, one brow rising in mocking inquiry. “And why is that?”
“Because I love you!” Lucky roared.
The night seemed to go perfectly still. Serena stared up at him, unable to speak, unable to move a muscle. Lucky stared back, his chest heaving.
“I love you,” he said again softly, without the anger.
Slowly Serena rose from the bench, never taking her eyes off Lucky. “I'd given up hope on you,” she murmured. “I waited and waited for you to come back.” She shook her head as tears flooded her eyes and blurred her vision. “Say it again,” she whispered as she went into his arms. “Please say it again.”
“I love you.” Each word was a kiss against her temple as Lucky held her close and gloried in the feel of her against him. “
Je t'aime, ma chérie. Je t'aime
.”
He crushed her to him, finding her mouth with his and kissing her deeply, roughly, with all the hunger pent up over the long months without her. His tongue rubbed against hers, drinking in the sweet taste of her, then he pulled back a fraction of an inch and kissed the tears from her cheeks and lashes.
“Don' cry,
chère
. Don' cry,” he said. “It's all right now.”
Serena couldn't help herself. The rush of emotion was too strong, her control too fragile. She pressed her face into Lucky's broad shoulder and cried as the flood of feelings swept through her. She clung to Lucky, welcoming his strength, thanking God for the pleasure of having his arms around her again.
“Marry me, Serena,” he said, his voice tight and smoky with emotion. “I need you so. I can turn my life around a hundred eighty degrees and it still won't be worth a damn without you in it. Marry me.”
Serena lifted her head from his shoulder and managed a tremulous smile as she looked up at him. He was a hard man, stubborn, proud; life with him would never be easy or dull, but life without him hardly seemed worth the effort. She loved him beyond all reason, but then, reason had nothing to do with love. Her heart had looked beneath the surface and seen a man worth reaching out to. Now he was reaching out to her.
“Marry me, Serena,” he said again.
“Yes,” she whispered.
“Have my children.”
“Yes.” Her smile widened as she took his hand and drew it around to the slight swell of her stomach.
She didn't have to say a word. Lucky read the message in her eyes. Warmth flowed through him as he pictured her holding their child, nursing a dark-haired baby at her pretty breast. Suddenly the life he had nearly thrown away seemed worth living. He pulled Serena close and held her for a long moment as the power of the love he felt swept through him like a cleansing wind, blowing away the last traces of darkness from his heart.
When he leaned back from her, Lucky brushed the last of Serena's tears away with his thumbs. His expression was a mask of concern. “I don' know what kind of a husband I'll make for you,
chère
,” he admitted. “I've been alone a long, long time. Longer than you know.”
“It's all right,” Serena said, lifting a hand to touch the smooth, hard plane of his cheek. “You won't be alone anymore.”
“I'll have my lady with me.”
“Always.”
Author's Note
I HOPE YOU ENJOYED THE SETTING OF
LUCKY
'
S LADY
AS
much as I enjoyed painting a picture of it for you with words. South Louisiana is a unique environment with a unique history and a unique and rich mix of cultural backgrounds. I have tried to portray some of this cultural diversity to the reader through the use of local dialects—in particular, through the use of a number of Cajun French words and phrases.
Cajun French differs from standard French much as Elizabethan English differs from the English we speak today. The language evolved separately from its mother tongue and has retained many antiquated words and phrases as well as incorporating new ones from other languages. There are many subdialects because this language was passed on for generations only orally. About sixty percent of the words in the Cajun vocabulary can be found in a standard French dictionary. The rest are unique to the patois.
Only recently have any attempts been made to preserve the language by writing it down, and those attempts have been embroiled in controversy. Arguments abound over how to go about saving the language, which dialect is the most correct, and whether or not the language should be saved at all. There are those who look upon it with disdain and call it simply “bad French.” Personally, I look upon it as a unique part of a unique heritage, something that deserves to be preserved.
My sources for the Cajun words and phrases used in
Lucky's Lady
include
Conversational Cajun French
by Harry Jannise and Randall P. Whatley as well as translations of various Cajun folksongs performed by the group Beausoleil (translations by Sharon Arms Doucet, Barry Ancelet, and Ann Savoy). My thanks to these people for their work in keeping Cajun French alive.
Glossary of Words and Phrases
Used in This Book
allée | avenue, path |
allons | let's go |
américaine | american |
baire | mosquito netting |
bien, ma chère, casse | now, my dear, don't |
bon Dieu | good God |
bonsoir | good night |
bourré | a Cajun card game |
c'est assez | that's enough |
c'est bien | that's all right |
c'est ein affaire à pus | it's a thing that has no end |
c'est pas de ton affaire | that's none of your |
c'est toi que j'aime | it's you I love |
Chanson du Terre | song of the earth |
cher/chère/chère catin/chérie | dear/darling/etc. |
coonass | a generally derogatory |
Dieu | God |
espèsces de tête dure | you hardheaded thing |
foute ton quant d'ici | get away from here |
grenier | attic |
il n'a pas rien il va pas faire | there's nothing he won't do |
j'aime te faire l'amour avec toi | I'd love to make love with you |
je t'aime | I love you |
je te blâme pas | I don't blame you |
ma douce amie | my sweet love |
mais non | but no |
mais yeah | but yes |
ma jolie fille | my pretty girl |
maman | mama |
ma petite | my little one |
merci Dieu | thank God |
mon ami | my friend |
mon ange | my angel |
mon coeur | my heart |
mon 'tite coeur | my little heart |
m'sieu | shortened form of |
non | no |
oui | yes |
pas de bétises | no joking |
pichouette | little girl |
rien | nothing |
sa c'est de la couyonade | that's foolishness |
vien | come |
viens ici | come here |
Bantam Books by TAMI HOAG
Dark Horse
Dust to Dust
Ashes to Ashes
A Thin Dark Line
Guilty as Sin
Night Sins
Dark Paradise
Cry Wolf
Still Waters
Lucky's Lady
Sarah's Sin
Magic
And coming soon in hardcover
Kill the Messenger
Praise for the bestsellers of
TAMI HOAG
DARK HORSE
“A thriller as tightly wound as its heroine . . . Hoag has created a winning central figure
in Elena. . . . Bottom line: Great ride.” —
People
“This is her best to date . . . [a] tautly told thriller.”
—MINNEAPOLIS STAR TRIBUNE
“Hoag proves once again why she is considered
a queen of the crime thriller.”
—
Charleston Post & Courier
“A tangled web of deceit and double-dealing makes
for a fascinating look into the wealthy world of horses
juxtaposed with the realistic introspection of one very troubled ex-cop. A definite winner.” —
Booklist
“Anyone who reads suspense novels regularly is
acquainted with Hoag's work—or certainly should be. She's one of the most consistently superior suspense and romantic suspense writers on today's bestseller lists. A word of warning to readers: don't think you know
whodunit 'til the very end.” —
The Facts
(Clute, TX)
“Suspense, shocking violence, and a rip-roaring
conclusion—this novel has all the pulse-racing touches that put Tami Hoag books on bestseller lists and
crime fans' reading lists.”
—
The Advocate Magazine
(Baton Rouge, LA)
“Full of intrigue, glitter, and skullduggery . . . [Hoag]
is a master of suspense.” —
Publishers Weekly
“Her best to date, an enjoyable read, and a portent of even better things to come.” —
The Grand Rapids Press
“A complex cerebral puzzle that will keep readers
on the edge until all the answers are revealed.”
—
The Midwest Book Review
“To say that Tami Hoag is the absolute best at what
she does is a bit easy since she is really the only person who does what she does. . . . It is testament to Hoag's
skill that she is able to go beyond being skillful and find the battered hearts in her characters, and capture their beating on the page. . . . A superb read.”
—
Detroit News & Free Press
DUST TO DUST
“Compelling and expertly told. Plot lines smolder
and ignite as the suspense builds. The result leaves . . .
the reader scorched.” —
USA Today
“[This] wintry tale of crime and punishment
packs a powerful thrill. Bottom line: Good cops +
bad cops = killer suspense.”
—
People
(Page-turner of the week, starred review)
“
Dust to Dust
breathes new life into the old good cop vs. bad cop genre. . . . A roller-coaster ride of a thriller that will leave fans awaiting the next installment.”
—
New York Post
“Sharp dialogue and an unusual plot make this a
highly engaging outing for Hoag.”
—
Chicago Tribune
“Practice must make perfect after all because
Tami Hoag . . . just keeps getting better. . . . Hoag not
only develops her characters, she also thickens the
plot with every chapter, until there is no alternative
but to keep turning those pages.”
—
The Orlando Sentinel
“As a master of complex plots, Hoag is adept
at faking readers into thinking they've figured out
what's happened, only to shatter their theories.
Dust to Dust
continues the tradition.”
—
Fort Worth Star-Telegram
“In this well-crafted thriller, Hoag sets a complex plot in motion and gives it a powerful, emotional center.”
—
Minneapolis Star Tribune
ASHES TO ASHES
“Hoag has more or less taken over the serial killer
genre all by herself.” —
Chicago Tribune
“You'll want to lock the doors while you're
reading. . . . Hoag does her homework and gets the
details right in this creepy story. . . . Powerful.”
—
Minneapolis Star Tribune
“An up-all-night read.”
—
The Detroit News
“[A] detail-packed thriller . . .
The Silence of the
Lambs
comes to mind more than once.”
—
Entertainment Weekly
“[A] compelling . . . startling story.”
—
Chicago Sun-Times
“Hoag has a way of sneaking up on the reader
in superior thriller tradition. . . . She neatly side-
steps the graphic crudeness of some of her competitors, while still providing enough surprise twists and
stomach-turning carnage to satisfy any
heebie-jeebie enthusiast.”
—
Publishers Weekly
(starred review)
“Absorbing . . . always interesting . . . Once again,
Hoag doesn't disappoint.”
—
New York Post
“Promises to keep readers up reading into the night. . . .
A lot of bang for the buck.”
—
Alfred Hitchcock Mystery Magazine
“Chilling . . . Patricia Cornwell wrote thrillers that
had readers turning the pages until 3 a.m. Now Hoag
is keeping readers up all hours.”
—
Sun-Sentinel
(Fort Lauderdale, FL)
“If ‘page turner' is a term too easily used, Ms. Hoag
has restored its legitimacy. Her stories shock us, shake us, take us to the darkest edges of criminal conduct.”
—
The Cincinnati Enquirer
“We who know a little about Tami Hoag's
novels lock the doors, grab a bowl of popcorn, and
settle down for an often unsettling read. With
Ashes,
we need to look over our shoulders every chapter
or so because the evil therein gathers momentum
with every move a serial killer makes.”
—
The Detroit News
“This is a winning psychological thriller that will
attract fans of Thomas Harris.” —
Booklist
A THIN DARK LINE
“
A Thin Dark Line
is chilling, it's atmospheric,
it's even romantic; but the novel's best achievement
is its making readers constantly interrogate their
ideas about justice and revenge, their own
presumptions of guilt and innocence.”
—
US
magazine
“This mystery defies you to put it down, and when you're done you're damn glad you didn't.”
—
Detroit News & Free Press
“Hoag deftly demonstrates that the search for
truth is rarely straightforward. Important clues are
cunningly buried, and the book's tension is as
sustained as it is palpable.” —
Chicago Tribune
“With a flair for dialect and regional atmosphere,
Hoag captures the essence of the Cajun family
and working relationships while injecting suspense
and heart-pounding terror into a violent tangle
of justice, innocence, treachery, and public opinion.
A thoroughly engrossing read.” —
Booklist
“Hoag has evolved into a fine thriller writer.
[She] displays a firm grasp on locale [and] there's
plenty of suspense in waiting to see how it will all
resolve. Psychopathic villains are common enough,
but Hoag has managed to endow hers with a
scarred entourage that provides a tragic note.”
—
Publishers Weekly
“Hoag is always a good gritty read.”
—
Kirkus Reviews
“Hoag writes big, full stories with complex
characters and situations. She doesn't shrink from the
raw side of crime and the dark side of human nature.”
—
The Cincinnati Post