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Authors: Georges Simenon

Maigret's Holiday

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Georges Simenon
MAIGRET'S HOLIDAY
Translated by
R
OS
S
CHWARTZ

PENGUIN BOOKS

An imprint of Penguin Random House LLC

375 Hudson Street

New York, New York 10014

penguin.com

First published in French as
Les Vacances de Maigret
by Presses de la Cité 1948

This translation first published 2016

Copyright © 1948 by Georges Simenon Limited

Translation copyright © 2016 by Ros Schwartz

GEORGES SIMENON ® Simenon.tm

MAIGRET ® Georges Simenon Limited

All rights reserved.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

The moral rights of the author and translator have been asserted.

eISBN: 9781101991923

Cover photograph © Harry Gruyaert/Magnum Photos

Version_1

ABOUT THE AUTHOR

Georges Simenon was born on 12 February
1903 in Liège, Belgium, and died in 1989 in Lausanne, Switzerland, where he had
lived for the latter part of his life. Between 1931 and 1972 he published seventy-five
novels and twenty-eight short stories featuring Inspector Maigret.

Simenon always resisted identifying himself
with his famous literary character, but acknowledged that they shared an important
characteristic:

My motto, to the extent that I have one,
has been noted often enough, and I've always conformed to it. It's the
one I've given to old Maigret, who resembles me in certain points …
‘understand and judge not'.

Penguin is publishing the entire series of
Maigret novels.

PENGUIN CLASSICS
Maigret's Holiday

‘I love reading Simenon. He makes me
think of Chekhov'

– William Faulkner

‘A truly wonderful writer …
marvellously readable – lucid, simple, absolutely in tune with the world he
creates'

– Muriel Spark

‘Few writers have ever conveyed with
such a sure touch, the bleakness of human life'

– A. N. Wilson

‘One of the greatest writers of the
twentieth century … Simenon was unequalled at making us look inside, though the
ability was masked by his brilliance at absorbing us obsessively in his
stories'

–
Guardian

‘A novelist who entered his fictional
world as if he were part of it'

– Peter Ackroyd

‘The greatest of all, the most
genuine novelist we have had in literature'

– André Gide

‘Superb … The most addictive of
writers … A unique teller of tales'

–
Observer

‘The mysteries of the human
personality are revealed in all their disconcerting complexity'

– Anita Brookner

‘A writer who, more than any other
crime novelist, combined a high literary reputation with popular appeal'

– P. D. James

‘A supreme writer …
Unforgettable vividness'

–
Independent

‘Compelling, remorseless,
brilliant'

– John Gray

‘Extraordinary masterpieces of the
twentieth century'

– John Banville

Contents

Title Page

Copyright

About the Author

Praise for Georges Simenon

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

EXTRA: Chapter 1 from
Maigret's Dead Man

1.

The street was narrow, like all the streets
in the old quarter of Les Sables d'Olonne, with uneven cobblestones and pavements
so narrow that you had to step off to let another person pass. The entrance to the
corner building was a magnificent double door, painted a dark, rich, pristine green,
with two highly polished brass knockers of the kind found only on the houses of
provincial lawyers or convents.

Opposite were parked two long, gleaming cars
which exuded the same aura of spotlessness and comfort. Maigret recognized them, they
both belonged to surgeons.

‘I could have been a surgeon
too,' he thought to himself. And owned a car like that. Probably not a surgeon,
but it was a fact that he had almost become a doctor. He had set out to study medicine
and sometimes felt a hankering for the medical profession. If his father hadn't
died three years too soon …

Before mounting the step, he drew his watch
out of his pocket. It showed three o'clock. The same instant, the chapel's
slightly shrill peal rang out, and then came the deeper chimes of Notre-Dame over the
rooftops of the town's little houses.

He sighed and pressed the electric bell. He
sighed because it was absurd to take his watch out of his pocket
at the
same time every day. He sighed because it was no less absurd to arrive on the dot of
three, as if the fate of the world depended on it. He sighed because, in the time it
took to wait for the click of the door, which opened automatically, soundlessly,
smoothly, thanks to a well-oiled mechanism, he would, as on the previous days, become a
different man.

Not even a man. His shoulders were still the
broad shoulders of Detective Chief Inspector Maigret, his burly form did not
diminish.

From the minute he set foot in the wide,
bright corridor, however, he felt like a little boy, the young Maigret who, long ago, in
his village in the Allier, used to walk on tiptoe and hold his breath when, at dawn, his
hands frozen and his nose red, he entered the sacristy to don his choirboy's
cassock.

The atmosphere here was reminiscent of those
days. A faint pharmaceutical smell replaced the fragrance of incense, but it was not the
sickening smell of hospitals, it was more complex, more refined, more
exquisite
. Underfoot was a soft linoleum the equivalent of which he had never
seen anywhere. The walls too, covered with oil paint, were smoother, of a creamier white
than elsewhere. Even the moistness in the air and the purity of the silence had a
quality that cannot be found anywhere other than in a convent.

He instinctively turned to the right and
bowed, like the choirboy walking past the altar, murmuring:

‘Good afternoon, Sister
…'

In a neat, light-filled glazed office with a
window on to
the corridor, a nun wearing a cornette sat in front of a
register. She smiled at him and said:

‘Good afternoon, Monsieur 6 … I
telephoned to ask if you may go up … Our dear patient is improving every
day.'

This one was Sister Aurélie. In
ordinary life, she would probably have been a woman in her fifties, but beneath her
white headdress, her caramel-smooth face was ageless.

‘Hello!' she said in a hushed
voice. ‘Is that you, Sister Marie des Anges? … Monsieur 6 is downstairs
…'

Maigret did not take offence, did not even
grow impatient. Goodness, how futile this daily ritual was. They were expecting him
upstairs. They knew he arrived on the dot of three. He was capable of going up to the
first floor all by himself.

But no! They were sticklers for routine.
Sister Aurélie smiled at him, and he looked at the red-carpeted stairs where Sister
Marie des Anges would appear.

She too smiled, her hands lost in the
voluminous sleeves of her grey habit.

‘Would you like to come up, Monsieur
6?'

He knew very well that she would whisper, as
if it were a secret or a sensational piece of news:

‘Our dear patient is improving every
day …'

He walked on tiptoe. He might have blushed
if, by chance, his weight had caused a stair to creak. He even turned away slightly when
he spoke, to disguise the smell of Calvados which he drank every day after his
lunch.

The sunlight streamed into the corridor in
slanting rays, as in paintings of saints. He occasionally passed a trolley
on which lay a patient being wheeled to the operating theatre and whose
fixed stare was the only thing he remembered.

Sister Aldegonde invariably came to the
doorway of the vast, twenty-bed ward, as if by chance, as if she had some business
there, purely to say to him in passing, with a pious smile:

‘Good afternoon, Monsieur 6
…'

Then, a little further on, Sister Marie des
Anges pushed open door number 6, and stood aside.

Sitting up in bed with a strange expression
on her pallid face, a woman watched him come in. It was Madame Maigret, with a look that
seemed to be saying to him:

‘My poor Maigret, how you have changed
…'

Why was he still walking on tiptoe, talking
in a quiet voice that wasn't his, moving cautiously as if in a china shop? He
kissed her on the forehead, spotted the oranges and biscuits on the bedside table and,
on the blanket, a piece of knitting that infuriated him.

‘Again?'

‘Sister Marie des Anges allowed me to
do a little bit.'

There were other rituals, like greeting the
old lady in the other bed. For they had not been able to get a single room.

‘Good afternoon, Mademoiselle Rinquet
…'

She looked at him with her darting, beady
little eyes. His visits enraged her. All the time he was there, her worn-looking face
maintained a surly expression.

‘Sit down, my poor Maigret
…'

She was the one who was ill. She was the one
who had needed emergency surgery three days after their arrival in
Les
Sables d'Olonne, where they had come to spend their holiday. But she was calling
him ‘my poor Maigret'.

It was much too hot, but nothing on earth
would make him take off his jacket. Sister Marie des Anges popped in from time to time,
goodness knows why, to move a glass of water, bring in a thermometer or some other item.
Each time she would mutter, glancing at Maigret:

‘Excuse me …'

As for Madame Maigret, every day she
asked:

‘What have you had to eat?'

But actually, she wasn't so far off
the mark. What else was there for him to do, other than eat and drink? The fact was that
he had never drunk so much in his life.

The day after the operation, the surgeon had
advised:

‘Don't stay longer than half an
hour.'

Now it had become a routine, a ritual. He
stayed for half an hour. He had nothing to say. The presence of the bad-tempered
spinster inhibited him. In any case, in normal times, what did he talk about to his wife
when he was with her? He was beginning to ask himself this question. Nothing, in short,
was the answer. So why was he missing her so much all the time?

BOOK: Maigret's Holiday
4.23Mb size Format: txt, pdf, ePub
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