Martin Pippin in the Apple Orchard (11 page)

"What is it, you little thing?" said he.

"I got lost," said the child shyly through her tears.

"Well, now you're found," said Young Gerard, "so don't cry any more."

"Yes, but I'm hungry," sobbed the child.

"Then come with me. Will you?"

"Where to?"

"To a feast in a palace."

"Oh, yes!" she said.

Young Gerard set her on his shoulder, and went back the way he had come, till the dark shape of his wretched shed stood big between them and the sky.

"Is this your palace?" said the child.

"That's it," said Young Gerard.

"I didn't know palaces had cracks in the walls," said she.

"This one has," explained Young Gerard, "because it's so old." And she was satisfied.

Then she asked, "What is that funny tree by the door?"

"It's a cherry-tree."

"My father's cherry-trees have flowers on them," said she.

"This one hasn't," said Young Gerard, "because it's not old enough."

"One day will it be?" she asked.

"One day," he said. And that contented her.

He then carried her into the shed, and she looked around eagerly to see what a palace might be like inside; and it was full of flickering lights and shadows and the scent of burning wood, and she did not see how poor and dirty the room was; for the firelight gleamed upon a mass of golden fruit and silver bloom embroidered on the covering of the settle by the hearth, and sparkled against a silver and crystal lantern hanging in the chimney. And between the cracks on the walls Young Gerard had stuck wands of gold and silver palm and branches of snowy blackthorn, and on the floor was a dish full of celandine and daisies, and a broken jar of small wild daffodils. And the child knew that all these things were the treasures of queens and kings.

"Why don't you have that?" she asked, pointing to the crystal lantern as Young Gerard set down his horn one.

"Because I can't light it," said he.

"Let ME light it!" she begged; so he fetched it from its nail, and thrust a pine twig in the fire and gave her the sweet-smoking torch. But in vain she tried to light the wick, which always spluttered and went out again. So seeing her disappointment Young Gerard hung the lantern up, saying, "Firelight is prettier." And he set her by the fire and filled her lap with cones and dry leaves and dead bracken to burn and make crackle and turn into fiery ferns. And she was pleased.

Then he looked about and found his own wooden cup, and went away and came back with the cup full of milk, set on a platter heaped with primroses, and when he brought it to her she looked at it with shining eyes and asked:

"Is this the feast?"

"That's it," said Young Gerard.

And she drank it eagerly. And while she drank Young Gerard fetched a pipe and began to whistle tunes on it as mad as any thrush, and the child began to laugh, and jumped up, spilling her leaves and primroses, and danced between the fitful lights and shadows as though she were, now a shadow taken shape, and now a flame. Whenever he paused she cried, "Oh, let me dance! Don't stop! Let me go on dancing!" until at the same moment she dropped panting on the hearth and he flung his pipe behind him and fell on his back with his heels in the air, crying, "Pouf! d'you think I've the four quarters of heaven in my lungs, or what?" But as though to prove he had yet a capful of wind under his ribs, he suddenly began to sing a song she'd never heard before, and it went like this:

I looked before me and behind, I looked beyond the sun and wind, Beyond the rainbow and the snow, And saw a land I used to know. The floods rolled up to keep me still A captive on my heavenly hill, And on their bright and dangerous glass Was written, Boy, you shall not pass! I laughed aloud, You shining seas, I'll run away the day I please! I am not winged like any plover Yet I've a way shall take me over, I am not finned like any bream Yet I can cross you, lake and stream. And I my hidden land shall find That lies beyond the sun and wind-- Past drowned grass and drowning trees I'll run away the day I please, I'll run like one whom nothing harms With my bonny in my arms.

"What does that mean?" asked the child.

"I'm sure I don't know," said Young Gerard. He kicked at the dying log on the hearth, and sent a fountain of sparks up the chimney. The child threw a dry leaf and saw it shrivel, and Young Gerard stirred the white ash and blew up the embers, and held a fan of bracken to them, till the fire ran up its veins like life in the veins of a man, and the frond that had already lived and died became a gleaming spirit, and then it too fell in ashes among the ash. Then Young Gerard took a handful of twigs and branches, and began to build upon the ash a castle of many sorts of wood, and the child helped him, laying hazel on his beech and fir upon his oak; and often before their turret was quite reared a spark would catch at the dry fringes of the fir, or the brown oakleaves, and one twig or another would vanish from the castle.

"How quickly wood burns," said the child.

"That's the lovely part of it," said Young Gerard, "the fire is always changing and doing different things with it."

And they watched the fire together, and smelled its smoke, that had as many smells as there were sorts of wood. Sometimes it was like roast coffee, and sometimes like roast chestnuts, and sometimes like incense. And they saw the lichen on old stumps crinkle into golden ferns, or fire run up a dead tail of creeper in a red S, and vanish in mid-air like an Indian boy climbing a rope, or crawl right through the middle of a birch-twig, making hieroglyphics that glowed and faded between the gray scales of the bark. And then suddenly it caught the whole scaffolding of their castle, and blazed up through the fir and oak and spiny thorns and dead leaves, and the bits of old bark all over blue-gray-green rot, and the young sprigs almost budding, and hissing with sap. And for one moment they saw all the skeleton and soul of the castle without its body, before it fell in.

The child sighed a little and yawned a little and said:

"How nice it is to live in a palace. Who lives here with you?"

"My friends," said Young Gerard, poking at the log with a bit of stick.

"What are your friends like?" she asked him, rubbing her knuckles in her eyes.

He was silent for a little, stirring up sparks and smoke. Then he answered, "They are gay in their hearts, and they're dressed in bright clothes, and they come with singing and dancing."

"Who else lives in your palace with you?" she asked drowsily.

"You do," said Young Gerard.

The child's head dropped against his shoulder and she said, "My name's Dorothea, but my father calls me Thea, and he is the Lord of Combe Ivy." And she fell fast asleep.

For a little while Young Gerard held and watched her in the firelight, and then he rose and wrapped her in the old embroidered mantle on the settle, and went out. And sure-foot as a goat he carried her over the dark hills by the tracks he knew, for roads there were none, and his arms ached with his burden, but he would not wake her till they stood at her father's gates. Then he shook her gently and set her down, and she clung to him a little dazed, trying to remember.

"This is Combe Ivy," he whispered. "You must go in alone. Will you come again?"

"One day," said Thea.

"One day there'll be flowers on my cherry-tree," said Young Gerard. "Don't forget."

"No, I won't," she said.

He returned through the night up hill and down dale, but did not go back to the shed until he had recovered his lamb. By then it was almost dawn, and he found his master awake and cursing. He had feared the boy had made off, and he had had curt treatment at Combe Ivy, which was in a stir about the loss of the little daughter. Young Gerard showed the lamb as his excuse, nevertheless the old shepherd leathered the young one soundly, as he did six days in seven.

After this when Young Gerard sat dreaming on the hills, he dreamed not only of his happy land and laughing friends, but of the next coming of little Thea. But Combe Ivy was far away, and the months passed and the years, and she did not come again. Meanwhile Young Gerard and his tree grew apace, and the limbs of the boy became longer and stronger, and the branches of the tree spread up to the roof and even began to thrust their way through the holes in the wall; but the boy's life, save for his dreaming, was as friendless as the tree's was flowerless. And of a tree's dreaming who shall speak? Meanwhile Old Gerard thrashed and rated him, and reckoned his gold pieces, and counted the years that still lay between him and his freedom. At last came another April bringing its hour.

For as he sat on the Mount in the early morning, when he was in his seventeenth year, Young Gerard saw a slender girl running over the turf and laughing in the sunlight, sometimes stopping to watch a bird flying, or stooping to pluck one of the tiny Down-flowers at her feet. So she came with a dancing step to the top of the Mount, and then she saw him, and her glee left her and shyness took its place. But a little pride in her prevented her from turning away, and she still came forward until she stood beside him, and said:

"Good morning, Shepherd. Is it true that in April the country north of the hills is filled with lakes?"

"Yes, sometimes, Mistress Thea," said Young Gerard.

She looked at him with surprise and said, "You must be one of my father's shepherds, but I do not remember seeing you at Combe Ivy."

"I was only once near Combe Ivy," said Young Gerard, "when I took you there five years ago the night you were lost on these hills."

"Oh, I remember," she said with a faint smile. "How they did scold me. Is your cherry-tree in flower yet, Shepherd?"

"No, mistress," said Young Gerard.

"I want to see it," she said suddenly.

Young Gerard left his flock to the dog, and walked with her along the hillbrow.

"I have run away," she told him as they went. "I had to get up very early while they were asleep. I shall be scolded again. But travelers come who talk of the lakes, and I wanted to see them, and to swim in them."

"I wouldn't do that," said Young Gerard, hiding a smile. "It's dangerous to swim in the April floods. And it would be rather cold."

"What lies beyond?" she asked.

"I'm not able to know," said Young Gerard.

"Some day I mean to know, shepherd."

"Yes, mistress," he said, "you'll be free to."

She looked at him quickly and reddened a little, it might have been from shame or pity, Young Gerard did not know which. And her shyness once more enveloped her; it always came over her unexpectedly, taking her breath away like a breaking wave. So she said no more, and they walked together, she looking at the ground, he at the soft brown hair blowing over the curve of her young cheek. She was fine and delicate in every line, and in her color, and in the touch of her too, Young Gerard knew. He wanted to touch her cheek with his finger as he would have touched the petal of a flower. Her neck, the back of it especially, was one of the loveliest bits of her, like a primrose stalk. He fell a step behind so that he could look at it. They did not speak as they went. He did not want to, and she did not know what to say.

When they reached the shed she lingered a moment by the tree, tracing a bare branch with her finger, and he waited, content, till she should speak or act, to watch her. At last she said with her faint smile, "I am very thirsty." Then he went into the shed and came out with his wooden cup filled with milk. She drank and said, "Thank you, shepherd. How pretty the violets are in your copse."

"Would you like some?" he asked.

"Not now," she said. "Perhaps another day. I must go now." She gave him back his cup and went away, slowly at first, but when she was at some distance he saw her begin to run like a fawn.

She did not come again that spring. And so the stark lives of the boy and the tree went forward for another year. But one evening in the following April, when the green was quivering on wood and hedgerow, he came to the door of the shed and saw her bending like a flower at the edge of the copse, filling her little basket and singing to herself. She looked up soon and said:

"Good evening, shepherd. How does your cherry-tree?"

"As usual, Mistress Thea."

"So I see. What a lazy tree it is. Have you some milk for me?"

He brought her his cup and she drank of it for the third time, and left him before he had had time to realize that she had come and gone, but only how greatly her delicate beauty had increased in the last year.

However, before the summer was over she came again--to swim in the river, she told him, as she passed him on the hills, without lingering. And in the autumn she came to gather blackberries, and he showed her the best place to find them. Any of these things she might have done as easily nearer Combe Ivy, but it seemed she must always offer him some reason for her small truancies--whether to gather berries or flowers, or to swim in the river. He knew that her chief delight lay in escaping from her father's manor.

Winter closed her visits; but Young Gerard was as patient as the earth, and did not begin to look for her till April. As surely as it brought leaves to the trees and flowers to the grass, it would, he knew, bring his little mistress's question, half shy, half smiling, "Is your cherry-tree in blossom, shepherd?" And later her request, smiling and shy, for milk.

They seldom exchanged more than a few words at any time. Sometimes they did not speak at all. For he, who was her father's servant, never spoke first; and she, growing in years and loveliness, grew also in timidity, so that it seemed to cost her more and more to address her greeting or her question even to her father's servant. The sweet quick reddening of her cheek was one of Young Gerard's chief remembrances of her.

But after a while, when they met by those sly chances which she could control and he could not; and when she did not speak, but glanced and hesitated and passed on; or glanced and passed without hesitation; or passed without a glance; he came to know that she would not mind if he arose and walked with her, if he could control the pretext, which she could not. And he did so quietly, having always something to show her.