Martin Pippin in the Apple Orchard (29 page)

BOOK: Martin Pippin in the Apple Orchard
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Supper done, they clustered as usual about the story-telling tree, and Martin looked inquiringly from Jane to Joscelyn and from Joscelyn to Jane. And Joscelyn's expression was one of uncontrolled indifference, and Jane's expression was one of bridled excitement. So Martin ignored Joscelyn and asked Jane what she was thinking about.

"A great number of things, Master Pippin," said she. "There is always so much to think about."

"Is there?" said Martin.

"Oh, surely you know there is. How could you tell stories else?"

"I never think when I tell stories," said Martin. "I give them a push and let them swing."

"Oh but," said Jane, "it is very dangerous to speak without thinking. One might say anything."

"One does," agreed Martin, "and then anything happens. But people who think before speaking often end by saying nothing. And so nothing happens."

"Perhaps it's as well," said Joyce slyly.

"Yet the world must go round, Mistress Joyce. And swings were made to swing. Do you think, Mistress Jane, if you sat in the swing I should think twice, or even once, before giving it a push?"

Jane considered this, and then said gravely, "I think, Master Pippin, you would have to think at least once before pushing the swing to-night; because it isn't there."

"What a wise little milkmaid you are," said Martin, looking about for the skipping-ropes.

"Yes," said Jessica, "Jane is wiser than any of us. She is extremely wise. I wonder you hadn't noticed it."

"Oh, but I had," said Martin earnestly, fixing the swinging ropes to their places. "There, Mistress Jane, let me help you in, and I will give you a push."

He offered her his hand respectfully, and Jane took it saying, "I don't like swinging very high."

"I will think before I push," said Martin. And when she was settled, with her skirts in order and her little feet tucked back, he rocked the swing so gently that not an apple fell nor a milkmaid slipped, clambering to her place. And Martin leaned back in his and shut his eyes.

"We are waiting," observed Joscelyn overhead.

"So am I," sighed Martin.

"For what?"

"For a push."

"But you're not swinging."

"Neither's my story. And it will take seven pair of arms to set it going." And he fixed his eyes on Gillian in her sorrow, but she did not lift her face.

"Here's six to start the motion of themselves," said Joscelyn, "and it only remains to you to attract the seventh willy-nilly."

"It were easier," said Martin, "to unlock Saint Peter's Gates with cowslips."

"I was not talking of impossibilities, Master Pippin," said Joscelyn.

"Why, neither was I," said Martin; "for did you never hear that cowslips, among all the golden flowers of spring, are the Keys of Heaven?"

And sending a little chime from his lute across the Well-House he sang--

She lost the keys of heaven Walking in a shadow, Sighing for her lad O She lost her keys of heaven. She saw the boys and girls who flocked Beyond the gates all barred and locked-- And oh! sighed she, the locks are seven Betwixt me and my lad O, And I have lost my keys of heaven Walking in a shadow. She found the keys of heaven All in a May meadow, Singing for her lad O She found her keys of heaven. She found them made of cowslip gold Springing seven-thousandfold-- And oh! sang she, ere fall of even Shall I not be wed O? For I have found my keys of heaven All in a May meadow.

By the end of the song Gillian was kneeling upright among the mallows, and with her hands clasped under her chin was gazing across the duckpond.

"Well, well!" exclaimed Joscelyn, "cowslips may, or may not, have the power to unlock the heavenly gates. But there's no denying that a very silly song has unlocked our Mistress's lethargy. So I advise you to seize the occasion to swing your tale on its way."

"Then here goes," said Martin, "and I only pray you to set your sympathies also in motion while I endeavor to keep them going with the story of Proud Rosalind and the Hart-Royal."

PROUD ROSALIND AND THE HART-ROYAL

There was once, dear maidens, a man-of-all-trades who lived by the Ferry at Bury. And nobody knew where he came from. For the chief of his trades he was an armorer, for it was in the far-away times when men thought danger could only be faced and honor won in a case of steel; not having learned that either against danger or for honor the naked heart is the fittest wear. So this man, whose name was Harding, kept his fires going for men's needs, and women's too; for besides making and mending swords and knives and greaves for the one, he would also make brooches and buckles and chains for the other; and tools for the peasants. They sometimes called him the Red Smith. In person Harding was ruddy, though his fairness differed from the fairness of the natives, and his speech was not wholly their speech. He was a man of mighty brawn and stature, his eyes gleamed like blue ice seen under a fierce sun, the hair of his head and his beard glittered like red gold, and the finer hair on his great arms and breast overlaid with an amber sheen the red-bronze of his skin. He seemed a man made to move the mountains of the world; yet truth to tell, he was a most indifferent smith.

(Martin: Are you not quite comfortable, Mistress Jane?

Jane: I am perfectly comfortable, thank you, Master Pippin.

Martin: I fancied you were a trifle unsettled.

Jane: No, indeed. What would unsettle me?

Martin: I haven't the ghost of a notion.)

I have heard gossips tell, but it has since been forgotten or discredited, that this part of the river was then known as Wayland's Ferry; for this, it was said, was one of the several places in England where the spirit lurked of Wayland the Smith, who was the cunningest worker in metal ever told of in song or story, and he had come overseas from the North where men worshiped him as a god. No one in Bury had ever seen the shape of Wayland, but all believed in him devoutly, for this was told of him, and truly: that any one coming to the ferry with an unshod steed had only to lay a penny on the ground and cry aloud, "Wayland Smith, shoe me my horse!" and so withdraw. And on coming again he would find his horse shod with a craft unknown to human hands, and his penny gone. And nobody thought of attributing to Harding the work of Wayland, partly because no human smith would have worked for so mean a fee as was accepted by the god, and chiefly because the quality of the workmanship of the man and the god was as dissimilar as that of clay and gold.

Besides his trade in metal, Harding also plied the ferry; and then men would speak of him as the Red Boatman. But he could not be depended on, for he was often absent. His boat was of a curious shape, not like any other boat seen on the Arun. Its prow was curved like a bird's beak. And when folk wished to go across to the Amberley flats that lie under the splendid shell which was once a castle, Harding would carry them, if he was there and neither too busy nor too surly. And when they asked the fee he always said, "When I work in metal I take metal. But for that which flows I take only that which flows. So give me whatever you have heart to give, as long as it is not coin." And they gave him willingly anything they had: a flower, or an egg, or a bird's feather. A child once gave him her curl, and a man his hand.

And when he was neither in his workshop or his boat, he hunted on the hills. But this was a trade he put to no man's service. Harding hunted only for himself. And because he served his own pleasure more passionately than he served others', and was oftener seen with his bow than with hammer or oar, he was chiefly known as the Red Hunter. Often in the late of the year he would be away on the great hills of Bury and Bignor and Houghton and Rewell, with their beech-woods burning on their sides and in their hollows, and their rolling shoulders lifted out of those autumn fires to meet in freedom the freedom of the clouds.

It was on one of his huntings he came on the Wishing-Pool. This pool had for long been a legend in the neighborhood, and it was said that whoever had courage to seek it in the hour before midnight on Midsummer Eve, and thrice utter her wish aloud, would surely have that wish granted within the year. But with time it had become a lost secret, perhaps because its ancient reputation as the haunt of goblin things had long since sapped the courage of the maidens of those parts; and only great-grandmothers remembered how that once their grandmothers had tried their fortunes there. And its whereabouts had been forgotten.

But one September Harding saw a calf-stag on Great Down. There were wild deer on the hills then, but such a calf he had never seen before. So he stalked it over Madehurst and Rewell, and followed it into the thick of Rewell Wood. And when it led him to its drinking- place, he knew that he had discovered one more secret of the hills, and that this somber mere wherein strange waters bubbled in whispers could be no other than the lost Wishing-Pool. The young calf might have been its magic guard. To Harding it was a discovery more precious than the mere. For all that it was of the first year, with its prickets only showing where its antlers would branch in time, it was of a breed so fine and a build so noble that its matchless noon could already be foretold from its matchless dawn; and added to all its strength and grace and beauty was this last marvel, that though it was of the tribe of the Red Deer, its skin was as white and speckless as falling snow. Watching it, the Red Smith said to himself, "Not yet my quarry. You are of king's stock, and if after the sixth year you show twelve points, you shall be for me. But first, my hart-royal, you shall get your growth." And he came away and told no man of the calf or of the pool.

And in the second year he watched for it by the mere, and saw it come to drink, no longer a calf, but a lovely brocket, with its brow antlers making its first two points. And in the third year he watched for it again, no brocket now but a splendid spayade, which to its brows had added its shooting bays; and in the fourth year the spayade had become a proud young staggarde, with its trays above its bays. And in the fifth year the staggarde was a full-named stag, crowned with the exquisite twin crowns of its crockets, surmounting tray and bay and brow. And Harding lying hidden gloried in it, thinking, "All your points now but two, my quarry. And next year you shall add the beam to the crown, and I will hunt my hart."

Now at the time when Harding first saw the calf, and the ruin of the castle across the ferry was only a ruin, not fit for habitation, it was nevertheless inhabited by the Proud Rosalind, who dwelt there without kith or kin. And if time had crumbled the castle to its last nobility, so that all that was strong and beautiful in it was preserved and, as it were, exposed in nakedness to the eyes of men: so in her, who was the ruins of her family, was preserved and exposed all that had been most noble, strong and beautiful in her race. She was as poor as she was friendless, but her pride outmatched both these things. So great was her pride that she learned to endure shame for the sake of it. She had a tall straight figure that was both strong and graceful, and she carried herself like a tree. Her hair was neither bronze nor gold nor copper, yet seemed to be an alloy of all the precious mines of the turning year-- the vigorous dusky gold of November elms, the rust of dead bracken made living by heavy rains, the color of beechmast drenched with sunlight after frost, and all the layers of glory on the boughs before it fell, when it needed neither sun nor dew to make it glow. All these could be seen in different lights upon her heavy hair, which when unbound hung as low as her knees. Her thick brows were dark gold, and her fearless eyes dark gray with gold gleams in them. They may have been reflections from her lashes, or even from her skin, which had upon it the bloom of a golden plum. Dim ages since her fathers had been kings in Sussex; gradually their estate had diminished, but with the lessening of their worldly possessions they burnished the brighter the possession of their honor, and bred the care of it in their children jealously. So it came to pass that Rosalind, who possessed less than any serf or yeoman in the countryside, trod among these as though she were a queen, dreaming of a degree which she had never known, ignored or shrugged at by those whom she accounted her equals, insulted or gibed at by those she thought her inferiors. For the dwellers in the neighboring hamlets, to whom the story of her fathers' fathers was only a legend, saw in her just a shabby girl, less worthy than themselves because much poorer, whose pride and very beauty aroused their mockery and wrath. They did not dispute her possession of the castle. For what to them were four vast roofless walls, enclosing a square of greensward underfoot and another of blue air overhead, and pierced with doorless doorways and windowless casements that let in all the lights of all the quarters of the sky? What to them were these traces of old chambers etched on the surface of the old gray stone, these fragments of lovely arches that were but channels for the winds? In the thick of the great towered gateway one little room remained above the arch, and here the maiden slept. And all her company was the ghosts of her race. She saw them feasting in the halls of the air, and moving on the courtyard of the grass. At night in the galleries of the stars she heard their singing; and often, looking through the empty windows over the flats to which the great west wall dropped down, she saw them ride in cavalcade out of the sunset, from battle or hunt or tourney. But the peasants, who did not know what she saw and heard, preferred their snug squalor to this shivering nobility, and despised the girl who, in a fallen fortress, defended her life from theirs.

At first she had kept her distance with a kind of graciousness, but one day in her sixteenth year a certain boor met her under the castle wall as she was returning with sticks for kindling, and was struck by her free and noble carriage; for though she was little more than a child, through all her rags she shone with the grace and splendor not only of her race, but of the wild life she lived on the hills when she was not in her ruins. She was as strong and fine as a young hind, and could run like any deer upon the Downs, and climb like any squirrel. And the dull-sighted peasant, seeing as though for the first time her untamed beauty, on an impulse offered to kiss her and make her his woman.

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