Mechanica
Authors: Betsy Cornwell
Clarion Books
215 Park Avenue South
New York, New York 10003
Copyright © 2015 by Betsy Cornwell
Jacket illustration © 2015 by Manuel Sumberac
All rights reserved. For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003.
Clarion Books is an imprint of Houghton Mifflin Harcourt Publishing Company.
Hand-lettering by Leah Palmer Press
The Library of Congress has cataloged the print edition as follows:
Cornwell, Betsy.
Mechanica / Betsy Cornwell. pages cm
Summary: “A retelling of Cinderella about an indomitable inventor-mechanic who finds her prince but realizes she doesn’t want a fairy tale happy ending after all”—Provided by publisher.
ISBN 978-0-547-92771-8 (hardback)
[1. Fairy tales. 2. Magic—Fiction. 3. Inventions—Fiction.] I. Title.
PZ8.C8155Me 2015
[Fic]—dc23
2015001336
eISBN 978-0-547-92774-9
v1.0815
For Elizabeth Wanning Harries:
my teacher, Betsey
“Go and seek your fortune, darling.”
—Angela Carter, “Ashputtle
or
The Mother’s Ghost:
Three Versions of One Story”
Take the key from behind your grandmother’s portrait. I am certain your father still keeps it in the foyer—no one will have touched it in years, I hope. But you, darling, will be able to find the key.
Walk to the end of the hall and open the cellar door. It has no lock; do not fear closing it behind you. Go inside.
Be careful when you walk down the stairs; the wood is weak and treacherous. Bring a candle. The cellar is very dark.
At the bottom of the stairs, turn left. An old writing desk lurks there in the shadows. Push it aside. No doubt you’ve grown up a good strong girl and won’t need help.
Look: there is a door in the wall.
You won’t see a keyhole, but run a finger over the place where one would be. I know no daughter of mine will mind the dust.
Twist the key into the keyhole. You might need to worry it a little.
There, darling. You’ve found it. Use it well.
My mother was wrong about one thing: the cellar door did have a lock. Stepmother had locked me inside enough times for me to know.
She was right about everything else. I was plenty strong enough to push aside the writing desk; I only cursed myself for never having done so before.
Of course, I’d thought Mother’s workshop was long since destroyed. I’d seen the fire myself.
Besides, that desk had been my dearest friend. The first time Stepmother locked me in the cellar, a forgotten stack of brown and brittle paper in its top drawer and a cracked quill and green ink bottle underneath provided me with hours of amusement. I drew improbable flying machines and mechanized carriages; I drew scandalous, shoulder-baring gowns with so many flounces and so much lace that their creation would have exhausted a dozen of the Steps’ best seamstresses.
Not that Stepmother hired seamstresses anymore. I provided her with much cheaper, if less cheerful, labor. I sewed all of their dresses, though my fingers were not small or nimble enough for the microscopic stitching she and my stepsisters required. I took care not to show how much I preferred fetching water and chopping wood to sewing. Stepmother considered “hard labor” the most punishing of my chores, so she assigned it often.
I never told her how those chores offered me precious, rare glimpses into my memories of Mother. I could see her face, covered in a subtle powdering of soot, laughing at my disapproving father as she carried an armload of wood or a sloshing pail of water down to the cellar. Until recently, those memories, and a few of her smallest inventions, were all I had of her.
I needed to hide her machines from Stepmother, of course: the whirling contraption that dusted cupboards for me, the suction seals that kept mice out of the drawers, the turn-crank in one closet that polished shoes. Mother had taught me enough to keep her machines in repair. When she was alive, she’d dreamed of my going to Esting City for a real apprenticeship, as she herself had always longed to do. But Father would never hear of it.
Anyway, neither of them was able to help decide my future anymore. Now that they were gone, all I knew was that I could not abandon their house to the Steps.
I digress. Father always told me not to worry over things that can’t be helped, but I never took his instructions to heart.
He died on New Year’s Eve, the year I was ten. I wept noisily over the dispatch letter that announced his death, smearing tears onto the sleeves of what I didn’t know would be my last new dress for years. Stepmother stood silent behind me.
He had taken his new wife, with her two mewling, puny daughters, only a few months earlier. I’d tried to befriend Piety and Chastity at first, to beguile them into joining me for a horseback ride, a walk, or even a simple game of boules on the lawn.
I tried talking about books with them too. They responded with glazed expressions and derisive giggles, and when I finally had the chance to look at the beautiful collection of leather-bound books Stepmother had bought them, I found the pages ripped out, and replaced with magazines and catalogs.
Then I knew for sure we’d never understand each other.
After Father died, the Steps grew so much worse. Within a day of his death, they ousted me from my lifelong bedroom, and I was too stunned with grief to argue. My room was next to my stepsisters’, and Stepmother said they needed the additional boudoir space. She liked everyone to think that she would never grant her daughters any excess, but in private she spoiled them as if they were the Heir’s famously beloved horses.
On the night after she dismissed our housekeeper, she told me to wash the supper dishes. Then—the only time I’ve done it—I did rebel. I screamed at her like a child, like the child I still was. My position in the family was all I had left to tie me to my parents’ love. Though I’d felt it slipping away, until that moment I had chosen denial.
Clearing my eyes of tears, I stared my stepmother down. She looked back at me. Though I had only seen coldness and distance in her face before, I saw something else then. I saw challenge. We both knew what she was doing: she was making me a servant. But I began to think she might be testing me, preparing me for some sacred rite of entrance into her true family. Making sure I was a good daughter.
So I nodded, and I looked down, and I retreated to the kitchen. When your heart is broken, it’s easier to follow rules.
I kept waiting, too, hoping I might pass her test. I carried that hope with me like a rosary, counting the worn beads each time she assigned me some yet more menial chore.
If it was ever a test, I must have failed.
Despite what she had reduced me to since Father’s death, though, I still could not believe Stepmother was entirely evil. Do not mistake me: she was cruel and sharp, and she spoiled her own children to a fault while denying me any scrap of affection. She took a hypocrite’s great pleasure in her own abstinence. She enjoyed denying herself more than she ever relished an indulgence. I could list her flaws for days.
But she gave me my mother’s letter. I didn’t know why she did, or why she didn’t read it first. Perhaps, I thought, it was because she loved her own daughters too much to disrespect another mother’s wishes; perhaps I would never know the reason.
It must have been Stepmother,
I thought when I found the envelope slipped under my door one autumn morning.
for Nicolette
on her sixteenth birthday
She even gave it to me on the correct day.
Late that night, I crept through the hall to the portrait of Grandmother. She cut an imposing figure atop her huge black stallion, Jules. Mother’s family had long been famous for their hunt horses, and Jules was the greatest stallion they ever produced. There were even rumors that the blood of Fey horses ran in Jules’s veins—but if that was true, any records of it would have been destroyed after King Corsin’s quarantine on Faerie. No one would admit to the least association with the Fey anymore, not after a Fey assassin had killed the previous Heir.
Our country had to learn how to live without magic after that. We were still learning.
Still, with his long, powerful legs, streaming mane, and brightly gleaming coat, Jules looked as beautiful as Fey horses were said to be. Mother used to tell me that together, he and Grandmother could put the men to shame at the fox hunt—I always loved hearing that story.
No key hung on the wall when I took down the picture. Annoyed, I squinted at the letter again.
Take the key from behind your grandmother’s portrait.
I puzzled for a moment—then had to laugh at my own stupidity.
I dug a ragged fingernail into the paper at the back of the frame. It exploded in tiny brown fibers that blanketed my hand to the wrist and suffused the air with feathery antique dust. I grinned, feeling rough metal against my finger. I hooked my fingertip around the key and pulled it from the frame.
It was a skeleton key, quite large. The prongs on its shaft were many and complex.
I pocketed it quickly and rehung the portrait, feeling like the heroine in a twopenny storybook. Grandmother watched me from her gilded frame.
I kept near the wall as I walked to the cellar door. I could hear Piety’s snores and Chastity gibbering in her sleep. Stepmother slept even more deeply than they did. Still, I stayed silent as a huntress, creeping toward the secret I could sense just ahead of me. Any false move might wake the Steps and pull it out of my reach.
I double-checked the lock on the door and crept down the stairs. I held my candle high. I had chosen a plain kitchen candlestick—Stepmother would miss the scented beeswax. So it was by a crude and greasy light that I found my mother’s gift.
It was easy enough to push the desk aside; finding the door was harder. The flickering candlelight revealed nothing until I practically had my nose to the seam. I was covered in spider silk before I saw it.
But there it was, obscured behind seven years of grime . . . and something else. Something not quite a shadow—something I might have thought, before the quarantine, was magic. Dark, with a darker shine. But it vanished as I put out my finger to touch it, and I thought I must not have seen it at all.
I stepped back, relishing this last moment of mystery. I put a fair amount of force behind the key, expecting rust to have diminished its fit.
But it slipped in like a foot into a slipper, and I stumbled against the opening door.
A rattling overhead drew my attention. There were round, spiked shadows in the darkness of the ceiling, rotating at the same rate that the door was pulling open—
being
pulled. Inside the room, a hissing sound stopped and started in a heartbeat pattern.
I picked up my candle and entered.
The door swung shut behind me, as smoothly and quickly as it had opened. I didn’t feel trapped; I felt welcomed, wrapped in my mother’s love. I surveyed my inheritance with awe.
There were charts on the walls, mapping the inner mechanisms of a thousand wonders. There was a coal-powered loom, a sewing machine—
thank goodness,
I thought, my finger still stinging from the last time my needle had slipped—and an automated rocking chair and cradle. This last made my heart ache with loneliness for her and for my own childhood, but I could not stop to examine it further; I was too curious about her other designs. I was particularly drawn to an acidic rainbow of dyes painted into a line of circles, next to long notations of their formulas. I could smell the oil lubricating the gears that had swung open the door.