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Authors: Ariana Franklin

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Mistress of the Art of Death (37 page)

BOOK: Mistress of the Art of Death
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Adelia looked up from sniffing them. "No poisoner here, you say? Your cooks should be arrested."

"Nonsense," the prioress said. "A bit of dirt never hurt anybody." But she pulled at the collar of her pet gazehound to stop him from licking an unidentified mess sticking to a platter on the floor. Rallying, she said, "I am paying Dr. Mansur that my nuns be made well, not for his subordinate to spy on the premises."

"Dr. Mansur says that to treat the premises is to treat the patient."

Adelia would not give way on this. She had fed a pill of opium to the worst cases in the cells in order to relieve their cramps, and now, apart from washing the rest and giving them sips of boiled water--which Gyltha and Matilda W. were already about--little could be done for the invalids until the kitchen was fit to use on their behalf.

Adelia turned to Matilda B., whose Herculean task this was to be. "Can you do it, little one? Cleanse these Augean stables?"

"Kept horses in here as well, did they?" Rolling up her sleeves, Matilda B. looked around her.

"Quite probably."

Followed resentfully by the prioress, Adelia went on a tour of inspection. An aumbry in the refectory contained labeled jars that spoke well of Sister Odilia's knowledge of herbology, though it also held a plentiful supply of opium--
too
plentiful, in the opinion of Adelia, who, knowing the drug's power, kept her own cache to a minimum in case of theft.

The convent's water proved healthy. A peat-colored but pure ground spring had been enclosed in a conduit that ran through the buildings, first to serve the kitchen before supplying the fish in the convent's stew outside, then on to the nuns' laundry, lavatorium, and, finally, to course along a helpful slope under the long, many-holed bench in the outhouse that was the privy. The bench was clean enough, though nobody had brushed out the runnel beneath it for many a long month--a job that Adelia reserved for the prioress, seeing no reason why Gyltha or the Matildas should have to do it.

But that was for later. Having done her best to ensure that the condition of her patients was not made worse, Adelia turned her energy to saving their lives.

 

P
RIOR
G
EOFFREY CAME
to save their souls. It was generous of him, considering the feud between him and the prioress. It was also brave; the priest who usually heard the sisters' confession had refused to risk the plague and instead sent a letter containing a generalized absolution for any sins that might come up.

It was raining. Gargoyles spouted water from the roof of the cloister walk into the unkempt garden at its center. Prioress Joan received the prior, thanking him with stiff politeness. Adelia took his wet cloak to the kitchen to dry.

By the time she returned, Prior Geoffrey was alone. "Bless the woman," he said. "I believe her to suspect me of trying to steal Little Saint Peter's bones while she is yet at this disadvantage."

Adelia was happy to see him. "Are you well, Prior?"

"Well enough." He winked at her. "Functioning nicely so far."

He was leaner than he had been and looked fitter. She was relieved for that, and also by his mission. "Their sins seem so little, except to them," she said of the nuns. In their more terrible moments, when they thought themselves near death, she had heard most of her patients' reasons for dreading hellfire. "Sister Walburga ate some of the sausage she was taking upriver for the anchorites, but you'd think from her distress that she was a Horseman of the Apocalypse and the Whore of Babylon rolled into one."

Indeed, Adelia had already discounted the accusations made by Brother Gilbert against the nuns' behavior. A doctor learned many secrets from an acutely ill patient, and Adelia found these women to be slapdash perhaps, undisciplined, mostly illiterate--all failings that she put down to the negligence of their prioress--but not immoral.

"She shall be reconciled through Christ for the sausage," Prior Geoffrey said solemnly.

By the time he had finished confessing the sisters on the ground floor, it was dark. Adelia waited for him outside Sister Veronica's cell at the end of the row, to light him to the upper cells.

He paused. "I have given Sister Odilia the last rites."

"Prior, I hope to save her yet."

He patted her shoulder. "Not even you can perform miracles, my child." He looked back to the cell he had just left. "I worry for Sister Veronica."

"So do I." The young nun was ill beyond what she should be.

"Confession has not eased that child's sense of sin," Prior Geoffrey said. "It can be the cross of those who are holy-minded, like her, that they fear God too much. For Veronica, the blood of our Lord is still moist."

Having seen him, complaining, up steps that were slippery from the rain, Adelia went back down the row to Odilia's cell. The infirmaress lay as she had for days, her twiggy, soil-engrained hands plucking at her blanket in an effort to throw it off.

Adelia covered her, wiped away some of the unction trickling down her forehead, and tried to feed her Gyltha's calf's-foot jelly. The old woman compressed her lips. "It will give you strength," Adelia pleaded. It was no good; Odilia's soul wanted free of the empty, exhausted body.

It felt like desertion to leave her, but Gyltha and the Matildas had gone for the night, though reluctantly, and with only the prioress and herself to do it, Adelia had to see the other sisters fed.

Walburga, she who had been Ulf's "Sister Fatty" and was now much thinner, said, "The Lord has forgiven me; the Lord be praised."

"I thought he might. Here, open your mouth."

But after a few spoonfuls, the nun again showed concern. "Who'll be a-feeding our anchorites now? 'Tis wicked to eat if they be starving."

"I'll speak to Prior Geoffrey. Open up. One for the Father. Good girl. One for the Holy Ghost..."

Sister Agatha, next door, had another bout of sickness after taking three spoonfuls. "Don't you worry," she said, wiping her mouth, "I'll be better tomorrow. How's the others doing? I want the truth now."

Adelia liked Agatha, the nun who had been brave enough, or drunk enough, to provoke Brother Gilbert at the Grantchester feast. "Most are better," she said, and then, in response to Agatha's quizzical look, "but Sister Odilia and Sister Veronica are still not as well as I'd like."

"Oh, not Odilia." Agatha said, urgently, "Good old stick, she is. Mary, Mother of God, intercede for her."

And Veronica? No intercession for her?
The omission was strange; it had been evident when other nuns asked after their sisters in Christ; only Walburga, who was about the same age, had inquired for her.

Perhaps the girl's beauty and youth were resented, as was the fact that she was the prioress's obvious favorite.

Favorite, indeed,
Adelia thought. There had been agony in Joan's face that spoke of great love when she looked on Veronica's suffering. Being sensitive to the existence of love in all its forms now, Adelia found herself sincerely pitying the woman and wondered if the energy she put into her hunting was a way of redirecting a passion for which, as a nun, and especially one in authority, she must be clawed by guilt.

Had Sister Veronica been aware of being an object of desire? Probably not. As Prior Geoffrey said, there was an otherworldliness to the girl that spoke of a spiritual life the rest of the convent lacked.

The other nuns must know of it, though. The young nun didn't complain, but the bruises on her skin suggested she'd been physically bullied.

When he'd finished in the upper cells, Adelia made the prior wash his hands in the brandy. The procedure bemused him. "Usually, I take it internally. However, I no longer question anything you would have me do."

She lit him to the gate, where a groom waited for him with their two horses. "A heathenish place, this," he said, lingering. "Perhaps it is the architecture or the barbarous monks who built it, but I am always more conscious of the Horned One than of sanctity when I am in it, and for once I am not referring to Prioress Joan. The arrangement of those cells alone..." He grimaced. "I am reluctant to leave you here--and with so little help."

"I have Gyltha and the Matildas," Adelia told him, "and the Safeguard, of course."

"Gyltha is with you? Why did I not see her? Then there's no need for worry; that woman can dispel the forces of darkness single handed."

He gave her his blessing. The groom took the chrismatory box from him, put it in a saddlebag, heaved him up on his horse, and they were gone.

It had stopped raining, but the moon, which should have been full, was heavily clouded. Adelia stood for a minute or two after they had disappeared, listening to the sound of hooves diminishing into the blackness.

She hadn't told the prior that Gyltha did not stay at night and that it was at night when she became afraid.

"Heathenish," she said out loud. "Even the prior feels it." She went back into the cloister but left the gates open; it was nothing outside the convent that frightened her, it was the convent itself; there was no air to it, nothing of God's light, no windows even in the chapel, just arrow slits set into walls of heavy, unadorned stone that reflected the savagery they had been built to withstand.

But it has gotten in,
Adelia thought. The hideously ancient, hogback tomb in the chapel was carved with wolves and dragons biting each other. Scrollwork on the altar circled a figure with arms upheld, Lazarus perhaps, though candlelight gave it a demonic quality. The foliage surrounding the arches of the cells imitated the encroaching forest that tangled buttresses in ivy and creepers.

At night, sitting by a nun's cot, she, who did not credit the devil, found herself listening for him and being answered by the shriek of an owl. For Adelia, as for Prior Geoffrey, the twenty gaping holes, ten below, ten above, in which the nuns were stacked, reinforced the barbarity. Called to another cell, she had to urge herself to brave the wicked, black steps and narrow ledge that led to it.

By day, when Gyltha and the Matildas returned, bringing with them noise and common sense, she allowed herself an hour or two's rest in the prioress's quarters, but even then the two rows of cells infiltrated her exhausted dozes with reproach, as if they were graves of troglodyte dead.

Tonight, when she walked the length of the cloister to look in on Sister Veronica, the light of her lantern flickered the ugly heads of the pillars' capitals into life. They grimaced at her. She was glad of the dog by her side.

Veronica lay tossing in her cot, apologizing to God for not dying. "Forgive me, Lord, that I am not with you. Suspend Thy wrath at my transgressions, Dear Master, for I would come to You if I could...."

"Nonsense," Adelia told her. "God is perfectly happy with you and wants you to live. Open your mouth and have some nice calf's-foot jelly."

But Veronica, like Odilia, would not eat. Eventually, Adelia gave her half an opium pill and sat with her until it took effect. It was the barest cell of the twenty, its only ornament a cross that, like all the nuns' wall crucifixes, was woven from withies.

Somewhere out in the marsh, a bittern boomed. Water dripped on the stones outside with a regularity that made Adelia's nerves twitch. She heard retching from Sister Agatha's cell farther along the cloister, and went to her.

Emptying the chamber pot meant leaving the cloister. A shift of cloud allowed some moonlight on her return, and Adelia saw the figure of a man by one of the walk's pillars.

She closed her eyes against it, then opened them and went forward.

It was a trick of shadow and the glistening of rain. There was nobody there. She put her hand on the pillar to lean against it for a moment, breathing hard; the figure had been wearing horns. Safeguard appeared to have noticed nothing, but then he rarely did.

I am very tired,
she thought.

Prioress Joan cried out sharply from Odilia's cell....

 

W
HEN THEY'D SAID THE PRAYERS
, Adelia and the prioress wrapped the infirmaress's body in a sheet and carried it between them to the chapel. They laid it on a makeshift catafalque of two tables covered by a cloth and lit candles to stand at the head and the foot.

The prioress stayed to chant a requiem. Adelia went back to the cells to sit with Agatha. All the nuns were asleep, for which she was thankful; they need not know of the death until the morning, when they would be stronger.

That is, if morning ever comes to this awful place,
she thought. "Heathenish," the prior had said. At this distance, the strong, single contralto echoing from the chapel sounded not so much a Christian requiem as a lament for a fallen warrior. Had it been Odilia's death or some element in the very stones that conjured the horned figure in the cloister?

Fatigue,
Adelia told herself again.
You are tired.

But the image persisted, and to rid herself of it, she used her imagination to transpose it with another figure, this one more rotund, more funny, infinitely beloved, until Rowley stood there in the horror's stead. With that comforting presence on guard outside, she fell asleep.

Sister Agatha died the next night. "Her heart seems to have just stopped beating," Adelia wrote in a message to Prior Geoffrey. "She was doing well. I did not expect it." And had cried for it.

With rest and Gyltha's good food, the remaining nuns recovered swiftly. Veronica and Walburga, being younger than the others, were up and about sooner than Adelia would have liked, though it was difficult to resist their high spirits. However, their insistence that they should go upriver to supply the neglected anchorites was not sensible, especially as, in order to take sufficient food and fuel, one nun would be poling one punt and her sister yet another.

Adelia went to Prioress Joan with an appeal that they be stopped from exhausting themselves.

Being worn out herself, she did so tactlessly: "They are still my patients. I cannot allow it."

"They are still my nuns. And the anchorites my responsibility. From time to time, Sister Veronica, especially, needs the freedom and solitude to be found among them; she has sought it, and I have always granted it."

BOOK: Mistress of the Art of Death
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