Moloch: Or, This Gentile World (16 page)

He remembered once buying her a ticket to hear Omstein. She came home raving like a Shakespeare of the madhouse. Fragments of conversation recurred to memory.

“What’s the matter, was he too original?”

“
Original?
I call it cheap.”

“You didn’t like him, then?”

“He ought to be prohibited from playing anything but his own compositions.”

“Yes, and I daresay you’d get the censors after him for that.”

“He’s just a flashy Jew, that’s all. A vaudeville kike.”

“All right, call him a Jew. He doesn’t mind. But he made you sit up, didn’t he?”

“He made me furious, if that’s what you mean.”

“Well, that’s something. Your playing wouldn’t cause a commotion in an igloo.”

Perhaps that was unkind, but it was coming to her … and to her god-damned Sister Dorothea!

Moloch rambled along leisurely, keeping a weather eye open for a clean lunch place, growing more and more intoxicated by his introspections as he penetrated further into the old neighborhood. Whatever became of Eddie Carney and Tom Fowler? And sober-faced Gus Mills? The names evoked recollections: a strip of cobblestoned street (the old cup-shaped cobbles that the trucks rattled over) with a narrow asphalt band along the curb for cyclists. Bob Ramsay in front on a dizzy high-wheeler and Tom Buckley right behind on a classy low “Columbia” leading the pack on their way to the Island of a bright Sunday morning. In the name of the Holy Catholic Church he’d like to know what had become of them all? Sing Sing, or the Supreme Court bench?

The past rose up warm and misty. How bright and promising the world seemed then! Nothing to do but go out in the street and play; when it grew dark, run upstairs and tackle Hans Christian Andersen. And what a wonderful day Saturday could be! In the morning bustling about, cleaning the silverware and washing the windows for mother. At one o’clock he and Stanley (it was Stasu then) standing on line outside the Novelty, waiting to nab a seat in the gallery for a dime. He could never forget those vaudeville shows, nor that big Hunky, Bob Maloney, the special officer in a Confederate uniform, who stood outside the theater and kept the gang in line. Big square shoulders he had, and cauliflower ears. To look at him, hard as nails; but when he smiled it was all golden. And that heavy rattan he carried! When they went upstairs and waited in the gloom and stench for the orchestra to appear it always seemed an age. There was such a pitch to the gallery; it made him breathless at first. Suddenly Bob Maloney would rap on the gallery rail with that wicked rattan. “Hats off!” he’d bellow … wouldn’t he put the fear of Christ in them!

He halted in front of a vacant store, arrested by a blatant sign whose ugly letters proclaimed it a rescue mission. He chuckled as he peered through the dirty windowpane and scanned the huge letters on a banner over the altar that had been erected in the rear of the shop:

He gazed fondly at the walls and puzzled over the familiar texts and warnings posted conspicuously for the sinners to heed. He seemed to be searching for one in particular. Yes, there it was, that peaceful admonition: “Don’t spit on the floor.”

It all came back clearly—the night he and Matt Reardon sailed in for a lark and almost got converted. Almost! If it hadn’t been for an attack of hysterics. He’d say to Matt furtively: “Read that one over there.” And Matt would repeat the words under his breath, adding something vile and nasty. Then Matt: “Look at that one over yonder,” whereupon he (Moloch) would invent some abracadabra to go with the sign…. Suddenly a big bass voice booms out: “Miss Powell, you make ready a song!” (“Make ready to leave,” whispers Matt, bending down and hiding his snoot in his cap.)… “Come now, who’ll testify?” roars the big bass voice again. The voice of a sea lion, the effrontery of a labor leader; great big hairy paws (like a blacksmith’s), a funeral parlor suit and a forehead like Herbert Spencer’s…. “Let us all go down after the meeting and call on our bereaved sister, Mrs. Blatchford. Let us go down together, in a body, after this beautiful hymn number 73—and all take a look at that beautiful face. Come, brothers, let us stand while we sing hymn number 73: ‘Lord, plant my feet on the higher ground.’ As I was saying a moment ago, when I saw that steeplejack climbing up there like a huge spider, painting our new steeple bright and pure for us,
the words of this dear old hymn rushed to my lips: ‘Lord, plant my feet on the higher ground.’” The hymn over, a thin squeaky voice from the back pipes up: “I praise God for his savin’ and keepin’ power!” An antiphonal chorus from the four quarters of the room hurls back “Amen! amen! hallelujah!” The walking delegate in the funereal suit booms again: “He purchased you with a price, brother… the price of his own precious blood shed
on Calvary Someone else now… someone come. Plunge in! 
Someone else!
"
Another voice, timid, quaky: “You know, folks, I’m not much for testifying. You know I generally keep my mouth shut. But there’s one verse very dear to me, very comforting. I believe it’s Colossians Three: ‘Stand still and see the salvation of the Lord.’… Just stand still. Just keep quiet. Brothers, sisters—that’s the hardest thing I’ve ever tried. And I never
have
succeeded. Try it sometime. Get down on your knees, and just try to stay there for ten minutes thinking of him. Try to listen to Him. Let him speak. Don’t
you
be making suggestions. Listen for that still small voice … just see how hard it is. and try to keep your mouth shut. Let God talk! Give
HIM
a chance to say something!” (Matt nudges him and points to something directly overhead: “Jesus Loves You.”) He stuffs a handkerchief in his mouth to muffle the convulsive mirth. Again that stentorian appeal: “Sister Powell, you get ready another hymn.” (Matt whispering: “You get ready to be crowned!”)… “Before we take a last look at the face of Sister Blatchford’s dear son, let us sing one more beautiful song, my favorite: ‘What a friend we have in Jesus.’ I guess we all know that by heart, don’t we?” (Matt muttering amiably: “I’ll tell the cock-eyed world we do!”) … “Oh, men, men—if you’re not washed in the blood of the Lamb it won’t matter how many books your name is registered in down here. Don’t put him off. Tomorrow it may be too late. Come to
HIM
tonight. … All together now: ‘What a friend we have. …’ ” Thus the song and dance continued for an hour or so, until it got time to “go down and take a last look at that beautiful face.” The two of them were in convulsions. The entire congregation—sinners, repentants, Colossians, snot-nosed Pharisees, gay cats and cracked sopranos—stared. Such stares as are worn by the statues of Egypt’s “Petrified City.” But there came an end at last, even as Pontifical Dick exhausted his store of mealy objurgations. The final exhortation came: “Yes, Brother Pritchard, you put out the lights.” …

“Yes,” thought Moloch, “Brother Pritchard, put them out, please. And put out the sight of these hideous rows of human derelicts testifying to a greasy hat-passer for the sake of a slim handout and a flop for the night. Put out the lights that we may forget the corrugated-metal ceiling and the bughouse walls screaming “Jesus Loves You” but “Don’t Spit on the Floor.” Yes, Brother Pritchard, you put out the lights, and Sister Powell, you make ready a song!”

Turning away from the Rescue Mission, he plunged into a side street and before long found himself standing before a dignified, time-bitten edifice separated by a well-trimmed lawn from an ivy-covered rectory. It was out of the gaunt, massive doors of this old Presbyterian Church that he emerged one June day in a velvet Eton jacket, his curly head capped by a creamy tam-o-shanter with a pompon attached and a snow-white feather peeping out of the band. Down the broad stone stoop they trooped, a flock of noisy boys and girls decked in Sunday finery, ready for the first leg of their grueling march up Bedford Avenue. It was that Anniversary Day that put the spell of Bedford Avenue upon him. That day its broad thoroughfare was thronged with cheering, smiling crowds; flags fluttered riantly, bands played, and the somnolent, staid brown fronts played their grave, sedate role. Afterwards came the ice cream and soda water, and the award of a calfskin Testament with name engraved in letters of gold.

What a funny little youngster he must have been! A little sissy, no doubt, with his Eton jacket and a white feather in his hat. But then, it was not altogether his fault; he was not responsible for the ensemble.

What happened that day, after he left the church and started walking home with the New Testament under his arm? What was that Jew-boy’s name that he had the argument with? Funny, it completely escaped him. Anyhow, he could recall that he knocked him down, and left him curled up under the fruit stand on the comer of Grand Street and Driggs Avenue. Later that day Eddie Carney bumped into him. He thought a heap of Eddie Carney then. And Eddie had said: “Didn’t think it was in you, kiddo,” and shook him heartily by the hand…. After that little episode he was one of the boys; he could go anywhere with them—cook chippies in the lots, help the gang in a stone fight, break windows in the tin factory at night, or knock down showcases in front of the clothing stores on Grand Street.

He sauntered along South Third Street, staring at the fire escapes alive with bedding, iceboxes, geraniums, whatnot. Sea cows distributed their flowing buttocks over cane seats at the curb; some held laborious conversation with their neighbors across the street; some found stimulating amusement in dandling their brats. Most of them appeared to have contracted elephantiasis, or suffered from prolapsis of the womb. All of them had big udders oozing with contented milk…. One creature in a fur coat (a specimen of the porpoise family) fumbled with her little boy’s trousers as he waited impatiently to relieve his bladder. He stood brazenly watching the performance as the fond parent placidly shook the urine out of her coat sleeve. He was not afraid of embarrassing her. That was impossible. For a moment he was inclined to admire this imperviousness. Should he go up to her, tap her on the shoulder, and say: “Madam, have you no toilet in your house?” He would like to say just that, in a suave, offish manner, as though he were inviting her to join him in a plate of wheat cakes at the Ritz-Carlton. What made them foster this gutter etiquette? No use asking them, of course. No matter what neighborhood they overran, this gutter life opened up, flourished and burgeoned. If it was summer, they floundered about in fish-eyed ataraxia with nightgown and carpet slippers, wading through swill like ducks slipping through lily pads. As soon as the brats were able to toddle they were trained to piddle at the curb and discharge their mucus with two nimble Angers. Milk bottles were thrown from second-story windows and smashed to bits in the middle of the street. With nightfall evil-looking felines took possession of the street and nibbled at the putrid refuse that clogged the arteries of traffic. In spite of the foul, nauseating 
vomit of the streets, babes were brought down and suckled at the breast. And marvel of marvels, they blossomed like the rose!
Those contented udders most likely…!
How does one explain it? Is it possible that the stench of offal revives tender memories of a distant land?

The Children of Israel. God’s chosen people! Is it these Disraeli referred to when he said: “The Jew cannot be absorbed; it is not possible for a superior race to be absorbed by an inferior”? Moloch reminded himself (to use an idiomatic expression of the ghetto) of the Jewish prophets: Isaiah walking naked through the streets of Jerusalem to show the inhabitants that the Lord would strip her bare; Ezekiel eating dung and wearing a rotten girdle as a sign that their city would decay. All of them uncouth in appearance, unclean in garb, existing on roots and wild honey, sometimes browsing on grass and flowers; skipping about in the mountains from rock to rock like goats.... And Moses, the animated Kosher sign of Israel, peeping at the hind parts of the Lord!

Down Havemeyer Street that was broadened to make an approach for the Williamsburg Bridge. Crowded now with pushcarts creaking with nondescript freight. Here one can purchase anything from coffeepots and bedchambers to Ford parts. He walked gingerly beneath the awnings, fearful lest a bucket of swill be emptied on his head or some stray lice drop off the gray feather bedding flaunted like bunting everywhere. “An industrious people, verily. A thriving people: harmless, law-abiding, gregarious. Give their children all....”
Bah!
He spat in disgust. “Take them away. Take them back to Zion City, O Lord. Lead
them out of this wilderness of pushcarts and catamarans And
give every circumcised son a clean linen handkerchief for keeps!” He strode brusquely through the pushing swarms, elbowing his way clear, thrusting his nose toward the fleece-lined clouds to get a whiff, if possible, of unpolluted air.

Depressed by the melancholy transformation of the old neighborhood, and furious with God’s vermin whose coprophilous tendencies he regarded as the cause, he returned to Bedford Avenue and boarded a crosstown car.

The ride was somewhat of a relief. Immediately as they swung into Kent Avenue, and passed in review the old Broadway Ferry (which was running again), his mood changed. Peering eagerly through the old wooden gates at the fresh river life, his mind surged with glittering memories. Once again he saw the sturdy brewery wagons clattering through the open gates, and a teeming pedestrian life marching in through the swinging doors of the cafes that gilded the corners. Visions of silken mustaches dripping with cool foam, of an old-fashioned slate scoreboard over the free lunch counter, telling where the “Brooklyn” stood. Animated discussions by men in straw hats, perspiring under loud plaid suits, weighed down with heavy watch chains that were draped like Armenian letters across the solar plexus. And the horsecars at the other end of the ferry line—how they swayed and bobbed when you jumped aboard! A big coal stove in the center of the car fending off the cold with its ruddy glow. Those were the days when blizzards came and smote the city hard.