Moonshot: The Inside Story of Mankind's Greatest Adventure (37 page)

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Authors: Dan Parry

Tags: #Technology & Engineering, #Science, #General, #United States, #Astrophysics & Space Science, #Astronomy, #Aeronautics & Astronautics, #History

BOOK: Moonshot: The Inside Story of Mankind's Greatest Adventure
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Collins: 'Houston,
Columbia
. Over.'
Mission Control: 'Go ahead,
Columbia
.'
Collins: 'Roger. I finally got you back on [antenna] Omni D. I've been unsuccessfully trying to get you on the high gain, and I've gone command reset to process. How do you read me now?'
Mission Control: 'Roger. Reading you loud with background noise.'
Collins: 'Houston,
Columbia
. Could you enable the S-band relay at least one-way from
Eagle
to
Columbia
so I can hear what's going on?'
Mission Control: 'Roger. There's not much going on at the present time,
Columbia
. I'll see what I can do about the relay ... are you aware that
Eagle
plans the EVA about 4 hours early? Over.'
Collins: 'Affirmative ... I haven't heard a word from those guys, and I thought I'd be hearing them through your S-band relay.'
Mission Control: 'Roger. They're on about page Surface 27 in the checklist, proceeding in good time.'
Collins: 'Glad to hear it. You got a crowd there in MCC [Mission Control Center]?'
Mission Control: 'Roger your last [message],
Columbia
.'
Collins: 'Roger. I'd expect you probably have about nine CapComs and eleven flight directors with no place to plug in.'
Mission Control: 'Roger.'
Collins: 'That ratio might even be reversed ... glycol evaporator outlet temperature is 50 degrees and the comfort in here is just fine.'
Mission Control: 'Roger. We copy 50 degrees on the glycol – and comfort index fine.'
Collins: 'And, if you'll excuse me a minute, I'm going to have a cup of coffee.'
Neil and Buzz were struggling to keep abreast of their highly detailed EVA checklist. Since leaving Earth they had been relying on the life-support systems aboard
Columbia
and
Eagle
to supply them with oxygen, regulate the temperature and remove the threat of contaminants. Soon they would be dependent on their pressure-suits, and in making sure these were functioning properly they took all the time they needed.
The suits were made of layers of a range of materials, and after the Apollo 1 fire they were designed to be fireproof.
24
Closest to the body was a layer of Nomex material, designed for comfort, then came the rubber-coated nylon pressure bladder, followed by a nylon restraint layer. The pressure-suits used by all three crewmen were broadly similar, but those worn by Neil and Buzz had an integrated exterior cover protecting them from heat and micrometeoroids. This cover was made of two layers of rubber-coated nylon, followed by five layers of heat-resistant Mylar film, separated by four layers of Dacron spacer netting. These were covered by two layers of fireproof beta-cloth incorporating Kapton film, similar to the gold foil used on the LM's descent stage. The suit was then sealed in an outer shield of Teflon-coated beta-cloth. Worn outside the suit was a backpack which in NASA-speak was known as the portable life support system, or PLSS (pronounced 'pliss'). Secured to the suit by straps and clips, the PLSS pumped water through the thin tubes embedded in the astronaut's liquid-cooled underwear. It also supplied oxygen, which was released through a choice of vents at the neck and torso (Buzz preferred the former).
25
The PLSS removed carbon dioxide and other contaminants from inside the pressure helmet, and sent and received communications and telemetry to Earth (via the LM). Protected by a thermal insulation jacket, the Apollo 11 PLSS was able to support an astronaut for four hours. Coolant, oxygen and communications were supplied by tubes (their blue and red attachments becoming a characteristic of the suit), and all three could be adjusted using a remote control unit worn on the chest.
Above the PLSS was a second supply of oxygen that would last 30 minutes in an emergency, and on top of this was a communications antenna. Fitting over the bubble helmet (which Neil and Buzz treated with an anti-fog spray) was a protective polycarbonate shell, covered with layers of fabric. Held in place by straps, this was known as the lunar extra-vehicular visor assembly, or LEVA, and was equipped with two main visors. One protected the bubble helmet, while the other was gold-tinted and shielded the astronaut from sunlight (which could be further restricted using smaller side visors). The LEVA's gold visor was immediately distinctive, becoming the hallmark of pictures of men on the Moon.
Boots and gloves were already incorporated into the pressure-suits, but were supplemented by bulkier items designed to stand up to the harsh conditions of the surface. The over-gloves consisted of layers of thermal insulation, and included fingertips made of silicone rubber to provide a degree of sensitivity. Both Neil and Buzz had simple checklists sewn on to the gauntlet of their left glove. The exterior boots incorporated deep treads cut into a thick blue rubber sole, while the upper surfaces were made of Chromel-R woven steel. They rounded off the outfit, which in its entirety was known as the A7L extra-vehicular mobility unit (EMU).Weighing 183lb (on Earth), each EMU cost close to $1.5 million. Zips and hose connectors were locked in position, and these locks were then secured with additional 'snap locks', so that vital connections were doubly locked tight. 'I was pleasantly surprised by the quality of the environment inside the suit,' Armstrong later said.
26
While preparing the two backpacks, Neil and Buzz discovered each had a control button that in all their simulations they had never encountered before. Worse, the remote control unit on the front of Neil's suit could not be secured to his PLSS. The 50- pin connecting cable had always proved tricky in training. Now that he was doing it for real, to Neil 'it began to look like we would never get those connectors made'.
27
On Earth the backpacks were worn with protective shoulder pads – but even without these, in reduced gravity they were still comfortable.
Eagle
's small cabin had been tricky to operate in at the best of times. Now that Armstrong and Aldrin were wearing their PLSSs on top of their bulky suits, there was barely room to move. To Buzz, it felt like they were 'two fullbacks trying to change positions in a tent'.
28
They couldn't afford to damage anything in the fragile spacecraft so every move had to be made with great care.
Collins: 'Houston,
Columbia
on the high gain. How do you read?'
Mission Control: 'Roger,
Columbia
. Reading you loud and clear on the high gain. We have enabled the one-way MSFN relay that you requested. The crew of Tranquility Base is currently donning PLSSs. The LMP [lunar module pilot] has his PLSS on, comm checks out, and the CDR [commander] is checking his comm out now. Over.'
Collins: 'Sounds good. Thank you kindly.'
Eventually the men were ready to disconnect their suits from
Eagle
's oxygen and water supplies. While preparing to switch over to their backpacks, they found that the PLSS cooling units were taking longer to start working than they had estimated. Depressurising the LM also took longer than expected. By the time they finished their preparations it was 9.36pm and they were more than an hour and a half over the time they had estimated for the beginning of their EVA. TV networks around the world were forced to wait for the sensational pictures they had promised their viewers. Without knowing what was holding things up it was hard to know when the moonwalk would actually start. Janet Armstrong suggested the delay was caused by Neil thinking of something suitable to say. Joan passed the time listening to music. Pat Collins found the process frustrating and compared the uncertainty to labour pains. When someone pointed out that Michael would be behind the Moon when the door finally opened, Rusty Schweickart said he'd be back around again, then added, 'It's going to be a long night for these guys if he isn't.'
29
Finally, Buzz was ready to open the hatch, down to the left of his knees. Given its narrow width it would have been impossible for the men to carry the TV camera, tools, flag and package of experiments with them, so these had been stored in compartments on the outside of the LM. Moving about in the awkward, stiff suit, Buzz was surrounded by scores of switches and circuit breakers, each set in a deliberate position. With a great deal of effort he bent down but found the hatch wouldn't open. Having not completely vented the oxygen from the cabin they found that pressure of just a tenth of a pound per square inch was still pushing the hatch shut against the vacuum outside.
30
Only by tugging on it could Buzz break its seal and allow the remaining oxygen to escape. Glittering ice crystals were instantly formed, vanishing through the broken seal as quickly as they were created.
31
Having successfully turned the handle, Buzz pulled the hatch in towards him – and there, outside, lay the surface of the Moon, now theirs to explore.
Chapter 14
A WALK ON THE MOON
By the time Apollo 11 was ready to launch, few people still believed that heavy objects settling on the Moon would sink into the dust. Yet in preparing to step on to the unfamiliar surface, Neil took the precaution of securing himself to the LM.
1
Before sliding through the hatch, he set up the lunar equipment conveyor (LEC), a strap and pulley system that would allow a camera, and other awkward items, to be hoisted to and from the cabin. With one end of the LEC secured to the cockpit and the other to his suit, Neil faced the rear of the cabin. Kneeling down, he pushed his feet out through the hatch until he found the porch at the top of the ladder. After testing his ability to pull himself back inside, Armstrong got down again and began to slide out backwards. Guided by comments from Aldrin, he moved slowly to avoid snagging his PLSS.
Aldrin: 'OK. You're not quite squared away. Roll right a little. Now you're even.'
Armstrong: 'OK, that's OK.'
Aldrin: 'That's good. You've got plenty of room to your left.'
Armstrong: 'How am I doing?'
Aldrin: 'You're doing fine.'
Aldrin: 'OK. You want this bag?'
Once outside on the porch, the first thing Neil did was throw out the bag, containing empty food trays and other equipment which couldn't be used again. After this he pulled a handle on the left of the porch which opened a compartment built into the hull of the LM beneath Buzz's window. Known as the MESA (modular equipment stowage assembly), it contained the crew's sampling tools and rock-boxes. As its door hinged down it exposed a TV camera fastened to its inside surface and aimed at the foot of the ladder. By closing a circuit breaker on the instrument panel Buzz sent power to the camera, allowing a snowy picture of Neil to be transmitted back to Earth.
( )
The decision to include television cameras on the mission had been controversial from the start. Transmitting and receiving live pictures from the Moon created complications on the ground and required equipment to be added to a spacecraft that was already severely restricted in the weight it could carry. In early 1969 George Low asked Chris Kraft to look into the subject. Kraft was anxious to see 'those first steps live' and tried to do what he could to build the necessary support.
2
Gene Kranz's unpredictable communications officer Ed Fendell was given the task of looking at the question in detail, with a view to producing a favourable report. 'I should have given them better direction,' Kraft later fumed.
3
At a meeting attended by almost everybody with an interest in the subject, Fendell finished his report with the thought that there was no reason to have television on the Moon. Kraft erupted. 'I can't believe what I'm hearing,' he shouted above a clamour of raised voices. 'We've been looking forward to this flight – not just us, but the American taxpayers and in fact the whole world – since Kennedy put the challenge to us.'
4
With the old hands leading the way, the pro-TV camp quickly gathered force and the room soon came round to their way of thinking. Once Armstrong and the crew gave them their support the matter was officially settled. But privately, reservations remained. Referring to it as 'a bloody nuisance of an afterthought', Michael Collins wrote that 'we simply didn't have time to fool around with it'.
5
There wasn't time to develop a colour camera for use on the lunar surface; instead, the LM was equipped with a Westinghouse slow-scan model that shot ten frames a second in black and white. It was fitted with a bayonet mount, designed to allow the lens to be changed by an astronaut wearing a pressure- suit. Television pictures, transmitted via the LM, would be received by the Manned Space Flight Network tracking stations at Honeysuckle Creek in eastern Australia and Goldstone Lake, California. Due to the crew's four-hour rest, as scheduled in the flight-plan, the EVA would begin twenty minutes after the Moon had set at Goldstone. This meant NASA would be principally relying on the facilities in Australia. Honeysuckle was supported by the Parkes Radio Telescope in central New South Wales, which, like Goldstone, was equipped with a giant 210-foot antenna.

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