Mortal Memory (12 page)

I didn't know exactly what part of the room my father had used as his small space. The beds had been removed years before, leaving only a bare floor and a scattering of loose boards. A great many names had been carved on the wooden walls and supporting beams, and for a while I looked for my father's name among them. I found J. C. Paxton and Monty Cochran and Leo Krantz and a host of other solitary males, but there was no sign of William P. Farris, or Bill Farris, or even W.P.F.

He'd lived there for nearly a year. Each night, from his small window, he'd seen the men in the street below, brooding by their open fires, tossing wooden slats into the flames while they grumbled about the state of things.

Dutifully he'd written home once a week, the letters preserved by his parents, then passed down to him, and finally, because of Mrs. Fields's second phone call, the one that made him quickly pull on his coat and hat and head for the waiting station wagon, also passed on to me.

They weren't chatty letters, and they suggested that my father hadn't felt much excitement about being in New York. They were informative, but little else. In them he mentioned the attic on Great Jones Street, but not that he shared it with a crowd of other itinerants. He talked about the weather, but only in the most general terms, days described as cold or hot, rainy or clear. The word “pleasant” recurred, as did the word “nasty,” but all the more detailed descriptions were left out.

Left out too was the sense of limited horizons that must surely have overwhelmed him from time to time. He'd been a boy of only nineteen, alone in an enormous city, living in a dreary attic with nearly a dozen other people, men probably older than he, broken and displaced men, fleeing shattered homes. At night, he must have listened to their tales of bad luck and betrayal, perhaps from his own dark bunk, too young and inexperienced to join in the talk or to be treated as an equal.

Since Rebecca, I've often imagined him in such a posture, lying faceup on his grimy mattress, his pale-blue eyes fixed on the ceiling, the murmur of voices curling around him while he tried to calculate his next move, a man locked in a grim and airless solitude.

But that day months before, as I stared quietly at the photograph Rebecca had placed before me, I saw only an empty-faced young man, a face without a past, almost a fictional character, one whom murder had created.

“I never heard my father talk about New York,” I said. “I never heard him talk very much about Highfield, either.”

Rebecca didn't press me for more. Instead, she drew the photograph away and revealed the one beneath it, a picture of my mother as she stood beside a low stone wall. She was dressed in a light-colored skirt and blouse, her hair shining in a bright summer light.

“She looks about eighteen,” I said.

“Do you know anything about her youth?” Rebecca asked.

“I can't even imagine her as young,” I said. “She always seemed so old to me.” I thought a moment, then added, “I think she was probably a very depressed person. Clinically depressed.”

“Why do you think that?”

“She never seemed to have any energy. There was something faded in her, like she needed someone to brush the dust off her shoulders.”

Rebecca nodded toward the photograph. “She seems to have a lot of energy in this picture,” she said. “She looks quite vivid.”

I looked at the photograph again. My mother was smiling very cheerfully at the camera. She seemed not only young, but free, lighthearted, happy. There was a flirtatiousness in the way she leaned back against the stone wall, in the girlish tilt of her head, in the “come hither” look she offered to the camera.

“Who took this picture?” I asked.

“I don't know,” Rebecca answered. “They were among the pictures the police took from your house on McDonald Drive. No one ever claimed them, and so Swenson let me go through them. Most of them had dates and locations written on the back, but this one didn't.” She shrugged. “I don't know why.”

My mother's face appeared to beam toward me, her joy sweeping out like a wave. “I think I know why,” I said quietly. “It was because she knew exactly where and when it had been taken, and knew that she'd never forget that particular moment.”

Rebecca said nothing. Instead she waited for me to continue, to call up some other memory of my mother.

“I don't have anything else to say about her,” I said after a while. “She never talked about her youth. She never seemed to want to talk about it.”

“Why not?”

“Well, maybe she didn't want to be reminded of it,” I said, though without much certainty, mere conjecture. “Maybe she didn't like to compare it to what her life became.”

“Which was?”

“Drudgery,” I said without hesitation, returning now to the woman of my most recent memories, the one in the red house-dress, who piddled in the flower garden and lost herself in romance novels.

Rebecca nodded quickly, then slid the photograph to the side, revealing the one just under it.

It had been taken the day my father married my mother and it showed the two of them outside a small church. My mother stood beneath his arm, smiling brightly. My father seemed to be drawing her closely to his side, smiling, too.

Rebecca tapped my mother's face gently. “Did he talk about her?” she asked.

I shrugged. “Not to me.”

I was still looking vacantly at the same picture when Rebecca slid another one up beside it, the one taken years later, which showed my mother on the bed, her face and body neatly scrubbed, hands folded, dead.

I realized, of course, that it was the contrast Rebecca wanted, perhaps for the initial shock of it, or perhaps for something deeper, the sense that for “these men” and their murdered families, life had been a long descent from some initial happiness to a murderous despair.

I looked at both pictures for a long time, shifting my concentration from one to the other before finally glancing up at Rebecca.

“What do you expect me to say?” I asked.

She didn't answer.

I tapped the picture of my father and mother on their wedding day. “They seem happy together, don't they?”

Rebecca nodded, then looked at me significantly. “Did you know that your mother was pregnant the day she got married?”

My eyes shot over to Rebecca. I was astonished. “She was?” I asked, unbelievingly.

“According to the records, Jamie was born on October 7, 1942, only seven months after your parents were married,” Rebecca told me. “He weighed nearly nine pounds, so he couldn't have been premature.”

I looked at the wedding photograph again, my eyes concentrating on my mother, the “poor Dottie” of Aunt Edna's vision, and yet a woman who, in her youth, had done at least this one daring thing. She had slept with a man who was not yet her husband, an act that had seemed beyond the reach of the woman I remembered.

“We never know them, do we?” I said. “Our parents.”

“It depends on what they're willing to reveal,” Rebecca answered.

I glanced at the photograph, this time settling on the tall, commanding figure of my father. He was dressed in his army uniform, the green garrison cap cocked raffishly to the right. “He must have been on leave,” I said, unable to think of any other comment.

“Do you have his army records?”

“I don't know,” I answered. “Are they important?”

“Well, I like to have a basic chronology of each man's life,” Rebecca answered.

“I'll look for it,” I told her, though unemphatically, my eyes still set firmly on my father's beaming face, on how happy he seemed. “He doesn't seem to mind the idea that he's about to be a father,” I said.

“No, he probably didn't mind that at all,” Rebecca said. “These men rarely do.”

I could see “these men” more fully now. I could see them in their game rooms and their basements, in their trucks and station wagons, standing in their driveways and out beside their glittering blue swimming pools, men with baseball bats and rifles, who later killed their families in inconceivable acts of annihilating violence. Step by step, they were becoming less abstract to me, less headlines glimpsed in newspapers than faces emerging slowly from a pale white cloud.

I shook my head as I studied my father's smiling face on his wedding day. “I would never have guessed that my father would have ended up as one of ‘these men,' as you always call them,” I said.

For a moment I stared at the two pictures together, the wedding photo, and next to it my mother's motionless body, imagining the slow crawl of time that divided them, the invisible span of days and months and years that stretched from the smiling bride to the immobile corpse so neatly laid out behind the closed bedroom curtains. Suddenly, I saw my mother alive again, squatting by the little flower garden in the early evening, digging at the ground with her rusty spade as my father's brown van pulled into the driveway.

Often during those last weeks, he had not gotten out of the van immediately, but had remained inside, sitting behind the wheel, watching my mother silently while he smoked a cigarette, his light blue eyes piercing through the curling fog as they settled frozenly on my mother like the cross hairs of a telescopic sight.

“I can't imagine why he did it, Rebecca,” I said.

She looked at me pointedly, but said nothing.

“But I think he knew why,” I added.

I told about the time I'd gone down into the basement not long before the murders and found my father at work on the bicycle. I described his body clothed in gray flannel, his hands working steadily at the bicycle until they'd stopped abruptly, and he'd looked up at me, his eyes eerily motionless and sad, but utterly clear at the same time. I told her about standing on the third step, watching my father silently until he'd finally noticed me, lifted his eyes and held me in his gaze for a long moment before telling me cryptically that “this” was all he wanted.

Rebecca did not write any of it down in the little pad she'd placed at her right hand. She merely listened attentively until I repeated my inevitable conclusion.

“I think my father was very conscious that there was something missing in his life,” I told her. I recalled his face again, the way he'd looked that night, the unreadable sadness I'd glimpsed in his eyes.

Once again my eyes swept down to the photograph, my father's face shining toward me from the picture taken on his wedding day. There was no doubt of his happiness on that day, of the delight he'd felt. He had the look of a man who believed that he'd accomplished something.

“Something missing,” I repeated as I glanced back up at her again. “Which made him want to kill us all.”

Rebecca's next question surprised me. “Why do you think he didn't kill you, Steve?”

“I think he intended to,” I told her, “but that he got scared off by the phone calls.”

“The ones Mrs. Fields made,” Rebecca said. She took a pen out of her briefcase and held it over the blank page of her notebook. “So you don't think he spared you because he had some special feeling for you?” she asked. “Or maybe even because you were his youngest son.”

“Well, he killed his oldest son,” I said, “so why wouldn't he have killed me?” I shook my head. “No, I don't think he intentionally spared me. I think that if I'd come home on time that afternoon, he'd have killed me just like he killed the others.”

She paused a moment before asking her next question. “What's your most vivid memory of your father?”

I hesitated before answering, though not in an attempt to keep her in suspense, but only because, at first, I wasn't sure. Finally, I said, “I remember how much my sister loved him.”

Rebecca's eyes softened, as if this gentle answer had reached her unexpectedly.

“I don't know what she saw in my father,” I added. “He always seemed so ordinary to me.”

The word “ordinary” appeared to surprise her.

“I mean, he didn't have any special skills,” I explained. “He wasn't a great talker, or anything like that. The only thing that ever really interested him was those bicycles of his.”

Rebecca looked at me curiously. “Bicycles?”

I nodded. “He imported very expensive racing bikes from England. Special ones. Rodger and Windsor. They were always red, he sold them in that little hardware store he owned. It was like some kind of obsession. He would assemble them himself, and he was always down in the basement doing that.”

“Down in the basement? Would your sister sometimes go down there?”

I'd never thought of it before, but Rebecca's question brought it all back.

“Yes, she would,” I said. “I'd sometimes hear them talking together.”

Even at that moment, with Rebecca sitting across from me as evening fell outside the glass windows, I could hear those voices as if they were still lifting toward me, rising like smoke through the floor. They were soft voices, almost in whispers, secretive, intimate.

“Do you have any idea what they talked about?” Rebecca asked.

“I don't think Laura ever told me.”

I let my mind drift back. I could see Laura moving across the living room, her bare feet padding across the beige carpet, her long dark hair flowing down her back as she headed for the door that led down the stairs to the basement. I could hear my father's hammer tapping just below me, then the sound of Laura's feet as she walked down the stairs. It was at that point, as I remembered, that the tapping had always stopped. Stopped entirely, and never started again until Laura had come back up the stairs. The memory produced a faintly alarming realization.

“She was the only one in the family who could draw him away from that obsession he had with bicycles,” I said. “I guess you could say she was the only person who had any real power over him.”

“What kind of power?”