Mother (28 page)

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Authors: Maxim Gorky

Tags: #Drama, #Revolutionaries - Russia, #Political fiction, #Revolutionaries, #Russian & Former Soviet Union, #Fiction, #Literary, #Literary Criticism, #Russia, #Continental European

BOOK: Mother
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"Children go in the world," she thought as she listened to the unfamiliar nocturnal sounds of the city. They crept through the open window like a sigh from afar, stirring the leaves in the garden and faintly expiring in the room.

Early in the morning she polished up the samovar, made a fire in it, and filled it with water, and noiselessly placed the dishes on the table. Then she sat down in the kitchen and waited for Nikolay to rise. Presently she heard him cough. He appeared at the door, holding his glasses in one hand, the other hand at his throat. She responded to his greeting, and brought the samovar into the room. He began to wash himself, splashing the water on the floor, dropping the soap and his toothbrush, and grumbling in dissatisfaction at himself.

When they sat down to drink tea, he said to the mother:

"I am employed in the Zemstvo board--a very sad occupation. I see the way our peasants are going to ruin."

And smiling he repeated guiltily: "It's literally so--I see! People go hungry, they lie down in their graves prematurely, starved to death, children are born feeble and sick, and drop like flies in autumn--we know all this, we know the causes of this wretchedness, and for observing it we receive a good salary. But that's all we do, really; truly all we do."

"And what are you, a student?"

"No. I'm a village teacher. My father was superintendent in a mill in Vyatka, and I became a teacher. But I began to give books to the peasants in the village, and was put in prison for it. When I came out of prison I became clerk in a bookstore, but not behaving carefully enough I got myself into prison again, and was then exiled to Archangel. There I also got into trouble with the governor, and they sent me to the White Sea coast, where I lived for five years."

His talk sounded calm and even in the bright room flooded with sunlight. The mother had already heard many such stories; but she could never understand why they were related with such composure, why no blame was laid on anybody for the suffering the people had gone through, why these sufferings were regarded as so inevitable.

"My sister is coming to-day," he announced.

"Is she married?"

"She's a widow. Her husband was exiled to Siberia; but he escaped, caught a severe cold on the way, and died abroad two years ago."

"Is she younger than you?"

"Six years older. I owe a great deal to her. Wait, and you'll hear how she plays. That's her piano. There are a whole lot of her things here, my books----"

"Where does she live?"

"Everywhere," he answered with a smile. "Wherever a brave soul is needed, there's where you'll find her."

"Also in this movement?"

"Yes, of course."

He soon left to go to work, and the mother fell to thinking of "that movement" for which the people worked, day in, day out, calmly and resolutely. When confronting them she seemed to stand before a mountain looming in the dark.

About noon a tall, well-built lady came. When the mother opened the door for her she threw a little yellow valise on the floor, and quickly seizing Vlasova's hand, asked:

"Are you the mother of Pavel Mikhaylovich?"

"Yes, I am," the mother replied, embarrassed by the lady's rich appearance.

"That's the way I imagined you," said the lady, removing her hat in front of the mirror. "We have been friends of Pavel Mikhaylovich a long time. He spoke about you often."

Her voice was somewhat dull, and she spoke slowly; but her movements were quick and vigorous. Her large, limpid gray eyes smiled youthfully; on her temples, however, thin radiate wrinkles were already limned, and silver hairs glistened over her ears.

"I'm hungry; can I have a cup of coffee?"

"I'll make it for you at once." The mother took down the coffee apparatus from the shelf and quietly asked:

"DID Pasha speak about me?"

"Yes, indeed, a great deal." The lady took out a little leather cigarette case, lighted a cigarette, and inquired: "You're extremely uneasy about him, aren't you?"

The mother smiled, watching the blue, quivering flame of the spirit lamp. Her embarrassment at the presence of the lady vanished in the depths of her joy.

"So he talks about me, my dear son!" she thought.

"You asked me whether I'm uneasy? Of course, it's not easy for me. But it would have been worse some time ago; now I know that he's not alone, and that even I am not alone." Looking into the lady's face, she asked: "What is your name?"

"Sofya," the lady answered, and began to speak in a businesslike way. "The most important thing is that they should not stay in prison long, but that the trial should come off very soon. The moment they are exiled, we'll arrange an escape for Pavel Mikhaylovich. There's nothing for him to do in Siberia, and he's indispensable here."

The mother incredulously regarded Sofya, who was searching about for a place into which to drop her cigarette stump, and finally threw it in a flowerpot.

"That'll spoil the flowers," the mother remarked mechanically.

"Excuse me," said Sofya simply. "Nikolay always tells me the same thing." She picked up the stump and threw it out of the window. The mother looked at her in embarrassment, and said guiltily:

"You must excuse me. I said it without thinking. Is it in my place
to teach you?"

"Why not? Why not teach me, if I'm a sloven?" Sofya calmly queried with a shrug. "I know it; but I always forget--the worse for me. It's an ugly habit--to throw cigarette stumps any and everywhere, and to litter up places with ashes--particularly in a woman. Cleanliness in a room is the result of work, and all work ought to be respected. Is the coffee ready? Thank you! Why one cup? Won't you have any?" Suddenly seizing the mother by the shoulder, she drew her to herself, and looking into her eyes asked in surprise: "Why, are you embarrassed?"

The mother answered with a smile:

"I just blamed you for throwing the cigarette stump away--does that look as if I were embarrassed?" Her surprise was unconcealed. "I came to your house only yesterday, but I behave as if I were at home, and as if I had known you a long time. I'm afraid of nothing; I say anything. I even find fault."

"That's the way it ought to be."

"My head's in a whirl. I seem to be a stranger to myself. Formerly I didn't dare speak out from my heart until I'd been with a person a long, long time. And now my heart is always open, and I at once say things I wouldn't have dreamed of before, and a lot of things, too." Sofya lit another cigarette, turning the kind glance of her gray eyes on the mother. "Yes, you speak of arranging an escape. But how will he be able to live as a fugitive?" The mother finally gave expression to the thought that was agitating her.

"That's a trifle," Sofya remarked, pouring out a cup of coffee for herself. "He'll live as scores of other fugitives live. I just met one, and saw him off. Another very valuable man, who worked for the movement in the south. He was exiled for five years, but remained only three and a half months. That's why I look such a grande dame. Do you think I always dress this way? I can't bear this fine toggery, this sumptuous rustle. A human being is simple by nature, and should dress simply--beautifully but simply."

The mother looked at her fixedly, smiled, and shaking her head
meditatively said:

"No, it seems that day, the first of May, has changed me. I feel awkward somehow or other, as if I were walking on two roads at the same time. At one moment I understand everything; the next moment I am plunged into a mist. Here are you! I see you a lady; you occupy yourself with this movement, you know Pasha, and you esteem him. Thank you!"

"Why, you ought to be thanked!" Sofya laughed.

"I? I didn't teach him about the movement," the mother said with a sigh. "As I speak now," she continued stubbornly, "everything seems simple and near. Then, all of a sudden, I cannot understand this simplicity. Again, I'm calm. In a second I grow fearful, because I AM calm. I always used to be afraid, my whole life long; but now that there's a great deal to be afraid of, I have very little fear. Why is it? I cannot understand." She stopped, at a loss for words. Sofya looked at her seriously, and waited; but seeing that the mother was agitated, unable to find the expression she wanted, she herself took up the conversation.

"A time will come when you'll understand everything. The chief thing that gives a person power and faith in himself is when he begins to love a certain cause with all his heart, and knows it is a good cause of use to everybody. There IS such a love. There's everything. There's no human being too mean to love. But it's time for me to be getting out of all this magnificence."

Putting the stump of her cigarette in the saucer, she shook her head. Her golden hair fell back in thick waves. She walked away smiling. The mother followed her with her eyes, sighed, and looked around. Her thoughts came to a halt, and in a half-drowsy, oppressive condition of quiet, she began to get the dishes together.

At four o'clock Nikolay appeared. Then they dined. Sofya, laughing at times, told how she met and concealed the fugitive, how she feared the spies, and saw one in every person she met, and how comically the fugitive conducted himself. Something in her tone reminded the mother of the boasting of a workingman who had completed a difficult piece of work to his own satisfaction. She was now dressed in a flowing, dove-colored robe, which fell from her shoulders to her feet in warm waves. The effect was soft and noiseless. She appeared to be taller in this dress; her eyes seemed darker, and her movements less nervous.

"Now, Sofya," said Nikolay after dinner, "here's another job for you. You know we undertook to publish a newspaper for the village. But our connection with the people there was broken, thanks to the latest arrests. No one but Pelagueya Nilovna can show us the man who will undertake the distribution of the newspapers. You go with her. Do it as soon as possible."

"Very well," said Sofya. "We'll go, Pelagueya Nilovna."

"Yes, we'll go."

"Is it far?"

"About fifty miles."

"Splendid! And now I'm going to play a little. Do you mind listening to music, Pelagueya Nilovna?"

"Don't bother about me. Act as if I weren't here," said the mother, seating herself in the corner of the sofa. She saw that the brother and the sister went on with their affairs without giving heed to her; yet, at the same time, she seemed involuntarily to mix in their conversation, imperceptibly drawn into it by them.

"Listen to this, Nikolay. It's by Grieg. I brought it to-day.
Shut the window."

She opened the piano, and struck the keys lightly with her left hand. The strings sang out a thick, juicy melody. Another note, breathing a deep, full breath, joined itself to the first, and together they formed a vast fullness of sound that trembled beneath its own weight. Strange, limpid notes rang out from under the fingers of her right hand, and darted off in an alarming flight, swaying and rocking and beating against one another like a swarm of frightened birds. And in the dark background the low notes sang in measured, harmonious cadence like the waves of the sea exhausted by the storm. Some one cried out, a loud, agitated, woeful cry of rebellion, questioned and appealed in impotent anguish, and, losing hope, grew silent; and then again sang his rueful plaints, now resonant and clear, now subdued and dejected. In response to this song came the thick waves of dark sound, broad and resonant, indifferent and hopeless. They drowned by their depth and force the swarm of ringing wails; questions, appeals, groans blended in the alarming song. At times the music seemed to take a desperate upward flight, sobbing and lamenting, and again precipitated itself, crept low, swung hither and thither on the dense, vibratory current of bass notes, foundered, and disappeared in them; and once more breaking through to an even cadence, in a hopeless, calm rumble, it grew in volume, pealed forth, and melted and dissolved in the broad flourish of humid notes--which continued to sigh with equal force and calmness, never wearying.

At first the sounds failed to touch the mother. They were incomprehensible to her, nothing but a ringing chaos. Her ear could not gather a melody from the intricate mass of notes. Half asleep she looked at Nikolay sitting with his feet crossed under him at the other end of the long sofa, and at the severe profile of Sofya with her head enveloped in a mass of golden hair. The sun shone into the room. A single ray, trembling pensively, at first lighted up her hair and shoulder, then settled upon the keys of the piano, and quivered under the pressure of her fingers. The branches of the acacia rocked to and fro outside the window. The room became music-filled, and unawares to her, the mother's heart was stirred. Three notes of nearly the same pitch, resonant as the voice of Fedya Mazin, sparkled in the stream of sounds, like three silvery fish in a brook. At times another note united with these in a simple song, which enfolded the heart in a kind yet sad caress. She began to watch for them, to await their warble, and she heard only their music, distinguished from the tumultuous chaos of sound, to which her ears gradually became deaf.

And for some reason there rose before her out of the obscure depths of her past, wrongs long forgotten.

Once her husband came home late, extremely intoxicated. He grasped her hand, threw her from the bed to the floor, kicked her in the side with his foot, and said:

"Get out! I'm sick of you! Get out!"

In order to protect herself from his blows, she quickly gathered her two-year-old son into her arms, and kneeling covered herself with his body as with a shield. He cried, struggled in her arms, frightened, naked, and warm.

"Get out!" bellowed her husband.

She jumped to her feet, rushed into the kitchen, threw a jacket over her shoulders, wrapped the baby in a shawl, and silently, without outcries or complaints, barefoot, in nothing but a shirt under her jacket, walked out into the street. It was in the month of May, and the night was fresh. The cold, damp dust of the street stuck to her feet, and got between her toes. The child wept and struggled. She opened her breast, pressed her son to her body, and pursued by fear walked down the street, quietly lulling the baby.

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