Much Fall of Blood-ARC (69 page)

Read Much Fall of Blood-ARC Online

Authors: Mercedes Lackey,Eric Flint,Dave Freer

Tags: #Fantasy

BOOK: Much Fall of Blood-ARC
10.03Mb size Format: txt, pdf, ePub

Then the woman had excused herself, saying she had work to do. What work? Those hands had never as much as pushed a needle. She had just wanted to get away from them. Bortai had not found it possible to talk to Erik. He'd kept away at the only time they could have mingled, when their hostess was talking to her.

And now . . . her unease was terrible. She took Magdun, one of her accompanying chaperones, and went to find the shaman Kaltegg. She found the old man laying small stones on the floor in a complex pattern by the door. He kept tapping his little quodba drum.

"Some bad things out there," he said. "But this is a strong country if you reach deep enough. The bad is new."

* * *

"Let us try our swords as crosses against it."

Erik nodded. "And maybe . . . I think a psalm?"

Vlad had a deep, clear tuneful baritone. Erik was not very musical, but he had a strong voice to follow . . .

And there was a sound from inside.

* * *

They both heard the singing. The shaman smiled. "Ah. He reaches for the deep bones of the land. And it gives him strength.

"That is Erik's voice too," said Bortai and tried to open the door. It would not open. She called to him.

The shaman came and tried it as well.

Then his eyes narrowed and he reached into his pouch. He pulled out a small doe-skin bag, opened the drawstring and took out a pinch of something. He blew it at the door. And the door slammed open to reveal two startled looking men, Vlad and Erik.

Without thinking about it Bortai ran out and hugged Erik. And then backed off, hastily.

"My magic is stronger than her magic," said the shaman grinning like a rather mischievous boy. "Really, I think it is just different. She draws on demons. I draw on the land and the tengeri of it."

The noise had roused the entire Mongol contingent, and, armed and half dressed, they had come out into the passage.

"We have a problem," said Erik, simply, with no further ado. "We have found some terrible magic, vile and black, and somehow there is a wall shutting the knights in. Can you help us?"

The Mongols only waited long enough to arm up completely and get boots on—which was wise, because a man that stepped on something sharp in a fight was a cripple and useless. They followed Erik and Vlad through the hallways. It was dark, all the candles in the sconces having gone out, and the moonlight being limited by the paucity of windows. The shaman muttered. He reached into his pouch. Felt about . . . and came out with something that looked like a little fluffy ball of light. He teased some strands off it. Handed each of them some of the threads. "Moonlight," he said. "I catch it in the fine lambs-wool and keep it. Tie it to your helmets." It helped.

Thus lit, they came to where the door to the wing that the knights were in should be . . . and now a very solid wall stood, keyed in to the arch.

The shaman nodded thoughtfully. "Very clever. Real stones," he said, tapping them. Erik was not tapping. He was pounding. It did make a noise, but not much. If there was any sound from inside, they could not hear it.

Vlad and Erik tried singing at the door.

"Real stones," said the shaman. "Magic on inside. Maybe they'll hear you, but I don't know."

Vlad stopped. "I think we need to find Elizabeth," he said. "She has to be involved in this."

So they went along to the countess's rooms. The confusion spell of earlier seemed to have dissipated, and they found it with no trouble. Erik had given up on finesse and politeness. He tried the handle, it opened, and he barged in to the room.

It was a very opulent chamber. It led into an even more opulent bed chamber. No one was in either. They found three other rooms—a walk in wardrobe full of clothes—more than a princess would own. Then a dressing room, all with more mirrors—even one over the bed—-than any person would want . . . and another room. A place of magical paraphernalia, some rather unpleasant in nature. There were bones . . . black ones. There were things in bottles. Some of them were alive or at least moving . . . The place stank. And she was not in it.

But the shaman had teased a single blond hair from the inlaid ivory brush in front of the mirror in the bed-chamber. He held it up. Tapped his drum. The golden blond hair fluttered as if in a strong breeze. "Follow," he said.

They did.

It led them downstairs, and downstairs again . . . to a blank wall.

"Walled off again?"

The shaman walked closer. Touched it. "Is not real."

He had to try several things, before a pattern of gray stones laid before the wall made it suddenly flicker and become a heavy, studded door, re-inforced with iron, with a solid bar, and large lock. Only the bar was slid open, and the key was in the lock. Erik turned the key and pushed. It opened into a dark passage, leading down. And the sound of screaming came out of it.

Vlad led the way into the maw. Erik was just on his heels.

* * *

Dana bit her lip savagely. She would not scream again. It gave the countess too much pleasure. The countess had shed her clothes too. Somehow that was less obscene than the other women who had held her, in their parody of nuns robes, even with wimples on their heads . . . with cut-aways on their breasts, between which upside-down broken crosses swayed.

The countess leaned over. Dana could feel her nails on the whip-cuts. She stepped around those who held Dana. Licked her fingers. A little blood trickled down from the corner of her mouth. "I can feel my skin refresh," she said, her voice thick and throaty.

Dana said nothing. It was all she could do not to whimper. But while she could, she would not. She'd screamed the first time . . . not the second or the third.

"Let us see how she does with the pain of others," said the woman.

More of her vile pack held the peasant girl. They simply pulled up her thin dress and the countess brought her whip down. She screamed. So did Dana.

"My brother will come. And he will hang you or burn you, you witch."

The countess laughed mockingly. "He is here already, you poor little fool. How do you think I caught you? Who brought you to me? His man."

Dana closed her eyes. And began to sing. Her voice felt small and weak. "Áve María, grátia pléna . . ."

Those holding her nearly let go. Dana struggled with every ounce of her strength. And somehow it was enough. She was free. They snatched at her. And she ran, pushing aside the little dwarf.

And somewhere down the passage, the singing of strong men's voices answered her—clean and wholesome and stong. She ran frantically towards it, as Elizabeth and her obscene nuns followed behind her, like a pack of slavering beasts.

* * *

Erik wondered if they had entered hell. Or at least the earthly version of it. The first room they came to was plainly a torture chamber. It had a rack, a "bed of no rest," a grate with shackles suspended over a fire-pit, and a wheel. Various instruments for cutting, burning, and tearing flesh were hanging from the walls. And there was a large bath with meat-hooks above it.

The entire small group stayed very close together, swords and knives at the ready.

They moved deeper into this place of horrors and came to the cells, and some had children in them. Vlad pulled angrily at the locked door, and those within cowered away and screamed.

Just then another quavering scream came down the passage. And then moments later, a girl's voice, singing. The same voice, and the same song, that he and Vlad had heard on the battlements. Vlad answered . . . and they ran towards it.

A naked, pale, dark-haired girl came sprinting desperately toward them, pursued by the harpies of hell. Leading the harpies was a equally naked woman.

The countess Elizabeth. And with her came the terrible stench of decay.

Erik raised his sword. "That which cannot abide the name of Christ, begone." He shouted.

The pack halted . . . and the girl flung herself towards them. "Dear God. Help me!" She panted.

Vlad and Erik stepped forward, and pulled her between them, to shelter behind them. They stood, swords out and ready

"Elizabeth?" said Vlad, incredulously.

The countess smiled. She might have perfect features, but it was smile of pure evil. "Vlad," she purred. "Come to me. I crave your body. I need to couple with you now."

Vlad stared at her, his pale aristocratic face expressionless. And then he said: "You foul, unhallowed bitch. I should treat you as my grandfather treated all his enemies. Get away from me!"

If he had kicked her in the stomach he could hardly have had more of an effect on her. Her face was anything but beautiful just then. It took on an expression that could not be described as anything other than fiendish. She raised a hand covered in streaks of dried blood and pointed a talon-like finger at Vlad. "By Ashteroth, Baal'zebub and all the lesser names. I commanded you to come to me. I command your lusts! Come and rape me!" she screamed.

By the cold fury on Vlad's face, it looked as if he would very much like to impale her—but not in the way she wanted.

"Let's get the hell out of here," said Erik quietly. "There are more of them behind her. And they have weapons.

Vlad nodded.

They began to back away, slowly, swords at the ready.

"You cannot resist!" screeched Elizabeth her voice cutting across the shadows like a poisoned knife "No man can resist me! My magics command you!"

"Not anymore," whispered the shaman behind them. "I washed the spell away. "

All Erik could do was to thank heaven for that.

Elizabeth did not seem to understand that her power over Vlad had been broken. She continued to call on demons, and scream at Vlad to come and violate her . . . Perhaps it had been a long time since anyone had escaped her. But it eventually did sink in. "Seize them!" she screamed.

The passage between the cells was full of her minions. They surged forward in a suicidal rush, literally running themselves onto the blades

It wasn't killing them that was the problem. It was their sheer numbers. In the end Erik and Vlad and their companions won back to the torture chamber. Two of the Mongol men had maneuvered the bath, the grate, and the "bed of little ease" onto the stair. As soon as the last of the rearguard were past they managed to upend both pushing them against the ceiling, until they jammed—partly on the body of one of the 'nuns'.

They gained the top of the stairs.

The waiting Mongol general slammed the door when they were up. Slid the bar. Turned the key.

"There may be another way up. There seem to be hundreds of them," said Vlad, still pointing his sword at the doorway, breathing heavily.

"The woman will use her demons to open the door," said the shaman, tracing a pattern on the floor with a small bundle of feathers.

"Stables," panted Erik. "And some clothes for the girl."

Vlad had already unbuckled his cloak. Turned to offer it to her. She shied away from his face, horror on hers. "What is wrong? he asked.

"You're Vlad! You betrayed me to her!"

"No. I . . . I don't even know who you are."

"Looking at her, I would say she's a relative of yours, Vlad" said Erik, trying not to look at anything but the face.

"Dana?" said Vlad, incredulously.

"Yes," she spat. "Traitor."

Bortai handed the girl her cloak instead. Dana wrapped it around herself eagerly. "He is a good man," Bortai said. "Not a traitor. Would he be here if he was? Now we must go."

Vlad nodded. "We'll be back with an army and a battering ram."

"And a rope. That woman is rope-ripe," said Erik, grimly.

They hurried down the corridor. Vlad was plainly hurt, confused and shocked. Erik fell back so that he was next to the young girl. Bortai had an arm around her. "Lady Dana? Why do you think Vlad betrayed you?"

She was sobbing a little, and holding onto Bortai.

"She told me. I said Vlad would come. She told me he was here. And he was. And his man took me away from the g . . .gypsies." She started to cry in earnest now.

Erik understood now. "I swear this by all that is holy." He touched the cross on his surcoat. "Your brother has been with us, and us with him, for the better part of the last week. We have only just arrived in this place of devil-worshipers ourselves, yesterday. I believe Vlad was as entrapped as you were. And I swear on the cross that we will protect you and see that no harm comes to you."

"Who are you?" she asked.

"Ritter Erik Hakkonsen of the knights of the Holy Trinity, at your service, milady," he said, making a small bow, as they walked.

That got a tremulous smile, despite the tears. "You have to free the others down there, she's . . . she's
EVIL
."

Erik nodded. "Incarnate, I think. Look, this is plainly a Satanist cabal. And I'm no theologist, young lady. But my friend Eneko is. And he once described Satanism as not pagan, although it sometimes steals pieces from it. It's a parody, a deliberate perversion of Christianity, not a religion itself. And one of its core tenets is deceit. Betrayal and deciet. That is why Satan is called the father of lies. So: anything she said to you was probably not true. That's how she works."

The girl was plainly made of the same tough steel as her brother. "But Emil. He did come from Vlad. Miu said so. And Miu does not tell lies," she said, fiercely.

Vlad had plainly been listening. "Emil? As God is in heaven, I sent him to guard you. He was my trusted sergeant, and I certainly never ordered him to bring you here! You and mother . . . ." he paused mid-step. "Mother? Is she down there? I must go back."

Dana shook her head quickly, before he could run back down the way they had come. "She's safe with the gypsies."

Vlad wiped his brow. "I don't really remember you, you know. You were just a tiny thing, in your first dress . . . But mother. Dear God . . . I miss her."

That plainly broke through her distrust. Dana took a step forward and hugged him, fiercely. He, after brief moment, responded. She winced. "Ow."

"What is wrong?" he asked pulling away.

"She beat me."

"Her back is bleeding," said Bortai observed dispassionately.

Other books

Cooking Up Trouble by Joanne Pence
Soulbreaker by Terry C. Simpson
Hustle by Pitts, Tom
Deadly Assets by W.E.B. Griffin
The Red Blazer Girls by Michael D. Beil
The People Traders by Keith Hoare