Murder as a Fine Art (2 page)

“Correct me if I'm wrong, Ms. Janeway, but I get the impression that you're not as convinced as Mr. Lavoie that we're dealing with an accidental death.”

Laura looked at her thoughtfully before replying. With her blond hair neatly tucked under her cap, ice blue eyes, and clear skin glowing with good health, Corporal Lindstrom looked as though she could pose for a recruiting poster. “What troubles me,” Laura said finally,” is what Alan was doing out here in the stairwell at this time of night. Or at any time, for that matter. He never used the stairs. You've seen how overweight he was. And where was he going in his pyjamas and dressing gown?”

“Anything else?” The corporal was looking at Laura keenly. “For instance, how did the deceased get along with the other members of the colony?”

Laura hesitated before saying, “You'll find out about this sooner or later. Alan Montrose was suing Jeremy Switzer, a New York playwright, for libel. There was a nasty scene between them at dinner tonight.”

“Libel? That's pretty serious. Is your room on this floor? We can talk there if you like.”

Laura nodded, thinking to herself that the police-woman seemed to have more than a passing knowledge of the Banff Centre. Corporal Lindstrom told the constable to let them know when the medical examiner arrived.

Laura's room, like all the others on campus, was spartan in its simplicity, but she had added little touches — a vase of freshly cut flowers, a few photographs, and stacks of illustrated art books — that gave it a homey, lived-in look. With Laura's permission, Corporal Lindstrom switched on her tape recorder and placed it on the narrow built-in desk.

“Everybody in the colony knows the story,” Laura began, “but it really came to a head tonight. Montrose fancies — fancied — himself a gourmet and, as usual, he had fortified himself against the Banff Centre cuisine with several stiff drinks in his room and brought a bottle of red wine to the table. In many ways, he was a pompous ass and the drinks didn't make him any better. Or any more tactful. Montrose is — was, rather — a professor of English at Mount Hedley, a small college in Illinois. He wrote marginally successful plays on the side. Jeremy also writes plays. Appallingly bad plays. Jeremy is a dilettante, a professional art colonist who flits from one art colony to another. I have often thought that his plays are just an excuse to go on living the colony life. But Montrose took
his
plays very seriously, just like he took himself. About a year ago, poor Jeremy wrote an article for a literary magazine accusing Montrose of plagiarism, claiming that the plot of his latest play,
The Hostile Act
, had been lifted
holus-bolus
from the doctoral thesis of one of Montrose's graduate students. It caused quite a sensation. Montrose issued a furious denial, and Jeremy unwisely pressured the student
into launching a court action against Montrose for plagiarizing his work. The case fell apart in the courtroom when Montrose was able to prove that he had been working on the play long before the student enrolled in his class.”

“And the shit hit the fan.”

“I couldn't have put it better myself,” said Laura after a startled pause. “And then it turned out the student's claim had been motivated largely by revenge because Montrose had intervened and prevented him from obtaining an academic post. Ever since he arrived here last month, Montrose has been taunting Jeremy, and tonight he announced that his attorneys had commenced an action against Jeremy in California, where he lives when he's not at an artist colony. The magazine and the student are also being sued, but Jeremy knows he's the real target. The student is judgment proof because he's broke, and the magazine limps along from one financial crisis to another. You know how it is with those literary magazines.”

“No, I don't. But you will tell me.”

“They couldn't even afford the premium for libel insurance. Poor old Jeremy is out there all by himself, twisting in the wind. He basically lives on a family inheritance, that's what enables him to live the colony life. The lawsuit could wipe him out. His attorneys are trying to settle, but Jeremy knows Montrose would never settle. He wanted vindication and revenge in the full glare of a public trial.”

“Jeremy Switzer seems to have confided a great deal to you.”

Laura shrugged. “We've known each other for years. We both like to come here to Banff whenever we can. Besides,” she added somewhat ruefully, “I seem to be the kind of person that people like to tell their troubles to.”

“I think it would be useful to have a talk with this Mr. Switzer. Is he on this floor?”

“Two doors down the hall. I'll show you.”

The Mountie knocked on Jeremy's door, softly at first so as not to disturb the other residents, then more forcefully. But there was no answer.

“He could be in his studio.”

“At this hour?”

Laura grinned. “This place operates on a twenty-four hour basis.”

The young constable came down the hall to tell them the medical examiner had arrived. The corporal turned to Laura. “Look, I hate to impose any further on you, but could I ask you to go down to the colony with Constable Peplinski,” she paused to introduce them, the Mountie touching the peak of his cap in an informal salute, “and see if Mr. Switzer is in his studio?”

As they stepped outside into the cold night air and began walking down the cinder path that led to the artist colony's studios, Laura learned that her intuitive guess had been correct — he was a farm boy. Constable Peplinski had grown up on a farm a few miles north of Moose Jaw, Saskatchewan. Banff was his first posting since graduating from the RCMP Depot in Regina, he informed Laura as they walked past the deserted music huts toward the little footbridge that separated the colony from the rest of the Centre.

The Banff Centre for the Arts was a large, university-type institution, which offered post-graduate courses and instruction in music, painting, writing, dance, and drama. The famous “campus in the clouds” was located on Tunnel Mountain in the Canadian Rockies, overlooking the resort town of Banff, and attracted students from all over the world. The Leighton Artist Colony was an exciting offshoot of the Centre. It consisted of
eight individual studios deep in a pine forest on the eastern edge of the campus. It was designed to be a working retreat for professional artists with a proven track record — a chance for them to escape the demands of everyday life and concentrate on their art, whether it be writing, painting, or composing music. Each artist was assigned one of the studios for the duration of his or her stay, which could be up to three months. The artists lived in the Centre's residence, and took their meals with the students and staff, but did not take courses or attend lectures. They were there to
create
.

“That's the Hemingway Studio,” said Laura after they had crested the footbridge and approached the first building, a round hut with shingled sides.

“I've read some of Ernest Hemingway.”

Laura smiled in the shadows cast by the single light burning outside the round, shingled studio. “I know why you would think that. But it's not the case here. The studios, there are eight of them out here in the woods, are named after the architects who designed them. Peter Hemingway was an Edmonton architect.”

Laura wasn't surprised to see that the lights were on in the boat studio. Erika was putting in brutally long hours in her determination to finish her book before her time in the colony was up.

“That boat looks kinda out of place way up here in the mountains.”

“Parks Canada thought so too,” Laura replied. “They claimed it was out of keeping with the mountain setting and fought like mad to keep it out. But they were overruled. The Centre has a lot of clout in this town.”

“How did they get it in here with all the trees?”

“Lowered it in by helicopter.” Laura pointed out a wooden frame building at the edge of the path. It was barely visible in the darkness. “That's my studio.”

“Were you there tonight?”

“Yes. I painted until eleven or so, then relaxed in the whirlpool and took a swim. And then... well, you know what happened after that.”

“Do you always use the stairs instead of the elevators?”

“Most of the time. I do it for the exercise.”

Jeremy's studio, a round tepee-like structure, built of logs and designed by the celebrated Canadian architect Douglas Cardinal was at the far end of the cinder path that circled the colony. It was dark, as Laura expected it to be. It wasn't Jeremy's style to toil late into the night. However, there were times when he would sit in his studio at night, sipping wine and listening to classical music.

Now that they knew Switzer wasn't in his studio, Peplinski was in a hurry to get back to the scene of the crime. He picked up the pace and they soon left the colony behind them. As they rounded the music huts and stepped onto the parking lot, they saw an ambulance parked by the side entrance of Lloyd Hall. Because of the slope in the ground, the parking lot was level with the third floor. Out of consideration for the sleeping residents, the ambulance's lights were turned off.

Peplinski left Laura at the door of her room, thanked her for her help, and disappeared through the stairwell door. Laura stood for a moment looking up and down the hallway. All the doors on the floor remained shut. The fire door that led to the stairwell effectively sealed off all sound from that direction, and if any of the artists happened to hear footsteps in the hallway, they would have ignored them. They were experts at minding their own business.

Or they would have simply assumed it was Marek Dabrowski on his nightly treks to Isabelle Ross's room.

L
aura's sleep was interrupted by vivid and frightening dreams. She would wake up and then drift back to sleep again, only to fall into another mini-nightmare. In the morning the only one she could remember was a bulging eye spouting blood while its owner leered malevolently at her. In the bizarre way of dreams, the leering head was crowned with a top hat.

Soaping herself in the shower, Laura felt the incurve of her waist and smiled. Thanks to the Centre's bland cuisine, she had lost five pounds since her arrival. She had weighed herself yesterday at the pool, and 135 pounds at five-foot-eight was just where she liked to be. Stepping out of the shower, she scrubbed herself vigorously as if trying to cleanse herself of last night's gruesome discovery. Montrose had not endeared himself to her or to anyone else in the three weeks he had spent at the colony. She hated the way he had tormented Jeremy over the impending lawsuit, but in his own unpleasant
way he had been enjoying life and didn't deserve to have it snatched away. No one did. Life was too precious and fragile a gift.

After towelling herself dry, she slipped into a terrycloth bathrobe, picked up the hair dryer and walked over to the window that overlooked the woods where the studios were located against the background of a snow-clad Mount Rundle. Richard Madrin was returning from his morning run. In his early forties, Madrin was fit and very good-looking. His handsome features were saved from being too preppie by the quizzical gleam of intelligent good humour in his grey-green eyes. And, so far as Laura knew, he was unattached. The break-up of his long-term relationship with a famous female television newscaster had been widely written up in entertainment and television guide magazines a few months ago. Laura was attracted to him, there was no denying that. But she had no intention of letting another man control her life. Her ex-husband was also an attractive man, but he had turned into a control freak as soon as they came back from their Caribbean honeymoon. He insisted on managing the household finances himself, refused to let her have a bank account, let alone a credit card, discouraged her from driving a car, and alienated her friends. In retrospect, Laura wondered why she had put up with it for five frustrating years. But she had been young — only nineteen — and unsure of how to assert herself against his self-confident and domineering personality.

It had been art that finally freed her. Driven by an irresistible urge to paint, she had found the courage to defy him and enrol in an art college. When her paintings began to sell, she left him and later filed for divorce. Laura smiled at the memory of the scandalized look on the judge's face when she said she wasn't asking
for any of the marital property or any financial support. All she wanted was to be
free
.

Although it was pretty clear that Richard Madrin was interested, he had not made any advances. He would have heard the rumour — a rumour she had planted herself — that she had a lover back home in the Denver. There was no such person, but being taken for a “monogamous single” left her gloriously free to pursue her art without the distraction of dealing with would-be lovers.

Turning away from the window, she began to dress, her firm resolve to remain unattached and independent somewhat shaken by the fact that Richard Madrin was an attractive and intelligent man who did-n't come across as someone who was into control. On the contrary, he was easygoing and laid back. He could well afford to be laid back, since he had made himself independently wealthy by flipping office buildings. And his books, which he wrote as a sideline, were beginning to sell extremely well. Sideline or not, he took his writing seriously and was rumoured to have retained a public relations firm to keep his name and his books in the public eye. He couldn't control the book reviewers though, and some of the “serious” critics took delight in putting down his thrillers. But none of them were a patch on Henry Norrington, Laura thought as she let herself out of her room.

With her usual interest in people she liked and in what they were doing, Laura, after getting to know Richard, had gone to some trouble to familiarize herself with his books. The Centre's library didn't carry fiction, but she had bought the two that were still in print at The Banff Book & Art Den on Banff Avenue, and by phoning several second-hand bookstores in Calgary, located one which had three of his out-of-print books. The bookseller was cooperative and agreed to
package the books and put them on the Banff shuttle bus. He also promised to look for
Mission to Mykonos
, the only one she was missing, and send it to her.