My Michael

Translated from the Hebrew by Nicholas de Lange
in collaboration with the author

A Harvest Book • Harcourt, Inc.
O
RLANDO
A
USTIN
N
EW
Y
ORK
S
AN
D
IEGO
T
ORONTO
L
ONDON

Copyright © 1968 by Am Oved Publishers Ltd.
English translation copyright © 1972 by Chatto & Windus Ltd.
and Alfred A. Knopf, Inc.

All rights reserved. No part of this publication may be reproduced or
transmitted in any form or by any means, electronic or mechanical, including
photocopy, recording, or any information storage and retrieval system,
without permission in writing from the publisher.

Requests for permission to make copies of any part of the work should
be mailed to the following address: Permissions Department,
Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.

www.HarcourtBooks.com

This is a translation of
Mikha'el Sheli,
originally published
in Israel by Am Oved Publishers Ltd. 1968

First published in English by Chatto & Windus Ltd.
and Alfred A. Knopf, Inc. 1972

Library of Congress Cataloging-in-Publication Data
Oz, Amos.
My Michael/Amos Oz; translated from the Hebrew by Nicholas de Lange
in collaboration with the author.
[Mikha'el sheli. English]
p. cm.—1st Harvest edition.
(A Harvest Book.)
Originally published: London: Chatto & Windus, 1972.
I. De Lange, N. R. M. (Nicholas Robert Michael), 1944–. II. Title.
PJ5054.O9M513 2005
892.4'36—dc22 2005040354
ISBN-13: 978-0156-03160-8 ISBN-10: 0-15-603160-4

Text set in Minion
Designed by Cathy Riggs

Printed in the United States of America

First Harvest edition 2005
A C E G I K J H F D B

The translator's task is not simply impossible, it is also extremely difficult, and especially so in a book, such as
My Michael,
whose essence consists, to a large extent, in the texture of the language. A further complication is that Israeli Hebrew naturally reflects the varied linguistic backgrounds of the people who speak it, and the reader may amuse himself by spotting among the characters in this book examples of almost all the national and linguistic groups who go to make up the population of Israel. Among the older generation Polish and Yiddish predominate; Hannah's mother speaks both these but is more at home in Russian and speaks Hebrew with difficulty; then there are Germans, Arabs, Persians, Yemenites, and even Bokharians. Each of the characters, including native Hebrew-speakers like Michael and Hannah and their contemporaries, speaks his own distinctive brand of Hebrew; I have done my best to convey this variety in the translation, but I should like to draw attention to it here because it is an integral feature of the book, which might confuse or elude a reader who has never experienced it.

The Israeli background is unfamiliar, but not, I hope, unintelligible. The calendar is, of course, the Jewish calendar, dominated by the Sabbath, which begins and ends at sunset. As for the urban landscape of Jerusalem, which is so prominent in the story, and the interplay of the various factions of the population, Jews and Arabs, Europeans and Orientals, religious and "enlightened" Jews, I cannot hope to add anything to Hannah's own vivid and penetrating commentary.

A few specific points which may be helpful or interesting: It was pointed out by Israeli critics that Michael's surname, Gonen, means "protector," and it is only fair to offer this information, for what it is worth, to the English reader. I have kept several non-Hebrew words and phrases in their original languages; where they are not self-explanatory I have occasionally inserted the translation. ("
Cholera,
" on p. 227, is not a diagnosis, but a common Polish curse.) One or two of the names have affectionate diminutive forms—"Hannah," for example, becomes "Hannele" (in Yiddish) or "Hanka" (in Russian). The
Palmach
was the striking-force of the
Haganah,
the Jewish defense organization set up in Palestine during the British Mandate. In transliterating the Hebrew and Arabic names I have aimed at a certain consistency, basing myself on the current pronunciation, but I have sometimes surrendered to the claims of familiar usage.
Ch, kh,
and frequently
h
are to be pronounced like the
ch
in
loch.

Finally, although I have enjoyed and benefited from the close collaboration of the author, any shortcomings in the translation are mine, not his, and I take full responsibility for them.

N. de L.

Cambridge
November 1971

I
AM WRITING
this because people I loved have died. I am writing this because when I was young I was full of the power of loving, and now that power of loving is dying. I do not want to die.

I am thirty years of age and a married woman. My husband is Dr. Michael Gonen, a geologist, a good-natured man. I loved him. We met in Terra Sancta College ten years ago. I was a first-year student at the Hebrew University, in the days when lectures were still given in Terra Sancta College.

This is how we met:

One winter's day at nine o'clock in the morning I slipped coming downstairs. A young stranger caught me by the elbow. His hand was strong and full of restraint. I saw short fingers with flat nails. Pale fingers with soft black down on the knuckles. He hurried to stop me falling, and I leaned on his arm until the pain passed. I felt at a loss, because it is disconcerting to slip suddenly in front of strangers: searching, inquisitive eyes and malicious smiles. And I was embarrassed because the young stranger's hand was broad and warm. As he held me I could feel the warmth of his fingers through the sleeve of the blue woolen dress my mother had knitted me. It was winter in Jerusalem.

He asked me whether I had hurt myself.

I said I thought I had twisted my ankle.

He said he had always liked the word "ankle." He smiled. His smile was embarrassed and embarrassing. I blushed. Nor did I refuse when he asked if he could take me to the cafeteria on the ground floor. My leg hurt. Terra Sancta College is a Christian convent which was loaned to the Hebrew University after the 1948 war when the buildings on Mount Scopus were cut off. It is a cold building; the corridors are tall and wide. I felt distracted as I followed this young stranger who was holding on to me. I was happy to respond to his voice. I was unable to look straight at him and examine his face. I sensed, rather than saw, that his face was long and lean and dark.

"Now let's sit down," he said.

We sat down, neither of us looking at the other. Without asking what I wanted he ordered two cups of coffee. I loved my late father more than any other man in the world. When my new acquaintance turned his head I saw that his hair was cropped short and that he was unevenly shaven. Dark bristles showed, especially under his chin. I do not know why this detail struck me as important, in fact as a point in his favor. I liked his smile and his fingers, which were playing with a teaspoon as if they had an independent life of their own. And the spoon enjoyed being held by them. My own finger felt a faint urge to touch his chin, on the spot where he had not shaved properly and where the bristles sprouted.

Michael Gonen was his name.

He was a third-year geology student. He had been born and brought up in Holon. "It's cold in this Jerusalem of yours."

"My Jerusalem? How do you know I'm from Jerusalem?"

He was sorry, he said, if he was wrong for once, but he did not think he was wrong. He had learned by now to spot a Jerusalemite at first sight. As he spoke he looked into my eyes for the first time. His eyes were gray. I noticed a flicker of amusement in them, but not a cheerful flicker. I told him that his guess was right. I was indeed a Jerusalemite.

"Guess? Oh, no."

He pretended to look offended, the corners of his mouth smiling: No, it was not a guess. He could see that I was a Jerusalemite. "See?" Was this part of his geology course? No, of course not. As a matter of fact, it was something he had learned from cats. From cats? Yes, he loved watching cats. A cat would never make friends with anyone who was not disposed to like him. Cats are never wrong about people.

"You seem to be a happy sort of person," I said happily. I laughed, and my laugh betrayed me.

Afterwards Michael Gonen invited me to accompany him to the third floor of Terra Sancta College, where some instructional films about the Dead Sea and the Arava were about to be shown.

On the way up, as we passed the place on the staircase where I had slipped earlier, Michael took hold of my sleeve once again. As if there were a danger of slipping again on that particular step. Through the blue wool I could feel every one of his five fingers. He coughed drily and I looked at him. He caught me looking at him, and his face reddened. Even his ears turned red. The rain beat at the windows.

"What a downpour," Michael said.

"Yes, a downpour," I agreed enthusiastically, as if I had suddenly discovered that we were related.

Michael hesitated. Then he added:

"I saw the mist early this morning and there was a strong wind blowing."

"In my Jerusalem, winter is winter," I replied gaily, stressing "my Jerusalem" because I wanted to remind him of his opening words. I wanted him to go on talking, but he could not think of a reply; he is not a witty man. So he smiled again. On a rainy day in Jerusalem in Terra Sancta College on the stairs between the first floor and the second floor. I have not forgotten.

In the film we saw how the water is evaporated until the pure salt appears: white crystals gleaming on gray mud. And the minerals in the crystals like delicate veins, very fine and brittle. The gray mud split open gradually before our very eyes, because in this educational film the natural processes had been speeded up. It was a silent film. Black blinds were drawn over the windows to shut out the light of day. The light outside, in any case, was faint and murky. There was an old lecturer who occasionally uttered comments and explanations which I could not understand. The scholar's voice was slow and resonant. I remembered the agreeable voice of Dr. Rosenthal, who had cured me of diphtheria when I was a child of nine. Now and then the lecturer indicated with the help of a pointer the significant features of the pictures, to prevent his students' minds from wandering from the point. I alone was free to notice details which had no instructional value, such as the miserable but determined desert plants which appeared on the screen again and again near the machinery which extracted the potash. By the dim light of the magic lantern I was free too to contemplate the features, the arm, and the pointer of the ancient lecturer, who looked like an illustration in one of the old books I loved. I remembered the dark woodcuts in
Moby Dick.

Outside, several heavy, hoarse rolls of thunder sounded. The rain beat furiously against the darkened window, as if demanding that we listen with rapt attention to some urgent message it had to deliver.

M
Y LATE FATHER
often used to say: Strong people can do almost anything they want to do, but even the strongest cannot choose what they want to do. I am not particularly strong.

Michael and I arranged to meet that same evening in Cafe Atara in Ben Yehuda Street. Outside an absolute storm was raging, beating down furiously on the stone walls of Jerusalem.

Austerity regulations were still in force. We were given ersatz coffee and tiny paper bags of sugar. Michael made a joke about this, but his joke was not funny. He is not a witty man—and perhaps he could not tell it in an amusing way. I enjoyed his efforts; I was glad that I was causing him some exertion. It was because of me that he was coming out of his cocoon and trying to be amused and amusing. When I was nine I still used to wish I could grow up as a man instead of a woman. As a child I always played with boys and I always read boys' books. I used to wrestle, kick, and climb. We lived in Kiryat Shmuel, on the edge of the suburb called Katamon. There was a derelict plot of land on a slope, covered with rocks and thistles and pieces of scrap iron, and at the foot of the slope stood the house of the twins. The twins were Arabs, Halil and Aziz, the sons of Rashid Shahada. I was a princess and they were my bodyguard, I was a conqueror and they my officers, I was an explorer and they my native bearers, a captain and they my crew, a master spy and they my henchmen. Together we would explore distant streets, prowl through the woods, hungry, panting,
teasing Orthodox children, stealing into the woods around St. Simeon's Convent, calling the British policemen names. Giving chase and running away, hiding and suddenly dashing out. I ruled over the twins. It was a cold pleasure, so remote. Michael said:

"You're a coy girl, aren't you?"

When we had finished drinking our coffee Michael took a pipe out of his overcoat pocket and put it on the table between us. I was wearing brown corduroy trousers and a chunky red sweater, such as girls at the University used to wear at that time to produce a casual effect. Michael remarked shyly that I had seemed more feminine that morning in the blue woolen dress. To him, at least.