Narcoland: The Mexican Drug Lords and Their Godfathers
Read Narcoland: The Mexican Drug Lords and Their Godfathers Online
Authors: Roberto Saviano
This English-language edition published by Verso 2013
Translation © Iain Bruce 2013
First published as Los
señores del narco
© Grijalbo 2010
Foreword © Roberto Saviano 2013
Foreword translation © Paolo Mossetti 2013
All rights reserved
The moral rights of the authors have been asserted
Verso
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Verso is the imprint of New Left Books
eISBN: 978-1-78168-248-7
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Hernández, Anabel.
[Señores del narco. English]
Narcoland : the Mexican drug lords and their godfathers / Anabel Hernandez;
foreword by Roberto Saviano; translated by Iain Bruce.
pages cm
1. Drug traffic—Mexico. 2. Organized crime—Mexico. 3. Drug control—Mexico. 4.
Corruption—Mexico. I. Title.
HV5840.M4H4713 2013
363.450972—dc23
2013011559
v3.1
To all the sources who shared with me
a wealth of knowledge, testimonies and documents
,
despite the risks involved. Today some of their
names feature in the appalling catalog of
the executed and the disappeared of Mexico
.
To Héctor, my children, my family
,
and my friends, for their boundless understanding
while I carried out this investigation
.
Contents
1. A Poor Devil
2. Life or Death
3. A Perverse Pact
4. Raising Crows
5. El Chapo’s Protectors
6. The Lord of Puente Grande
7. The Great Escape
Photo Insert
8. Blood Ties
9. Narco Wars
10. Freedom Is Priceless
11. The President of Death
Epilogue: La Barbie Strikes Back
Foreword
by Roberto Saviano
A
nabel Hernández’s Narco
land
is essential for understanding the power dynamics inside the Mexican economy—the economy’s deep, often concealed, links with politics. This is a book that exposes how everything in Mexico is implicated in the “narco system.” And yet, Anabel’s work is hard to describe. She doesn’t just write about drug trafficking or drugs or Mexico. Her storytelling becomes a method of revealing an entire world.
Anabel’s writing has a scientific, clear, rigorous, almost martial rhythm. She does not give in to lazy descriptions, nor does she give in to anger or disgust. She is a journalist who never loses focus on the mechanisms of power. Her method makes her a rarity in Mexico, and because of this, her voice is a precious resource. She wants to know how it was possible that one of the great democracies of America became a narco-democracy. With her investigation of the “first government of change” of Vicente Fox (which brought an end to seventy years of one-party rule under the Partido Revolucionario Institucional), she showed how that “change” was fictitious. She was one of the first reporters to talk about economic corruption, long before the crisis exploded, and she did that by tracking seemingly endless political expenditures. She could already see the system becoming a black hole of bribes and payoffs. Hernández was one of the first to talk openly about El Chapo Guzmán, and one of the first reporters to talk about El Chapo’s connections to politics. Because of this, she became a target of organized crime and now lives a life filled with danger.
Anabel was threatened in a way that might seem bizarre to those unfamiliar with political intimidation. The secretary of public security in Mexico, Genaro García Luna, declared that Anabel had refused protection. Actually, she had never received any protection offers from the state, nor had she refused them. So the message was ominous and clear. What they were saying was: We
could
protect you, we
could
grant you this protection, but not to defend your words: rather, only if you stop writing. And this invitation won’t come again. Anabel, when put in this corner, demonstrated her courage by saying she didn’t want to die.
The role of the journalist is often a difficult one. Journalists often hate each other, or envy each other. This is perhaps one of the jobs in which these feelings are most common, and it can lead to isolation. It happened to Anna Politkovskaya after she said she was poisoned while on a flight. Many journalists accused Anna of having made it up, saying that she had become a sort of delirious writer who believed in 007-style poisonings. The honesty of her words became apparent when she was murdered. Anabel said: “I want to live. I do not want to be murdered. I don’t want my name to be added to the list of reporters killed every year in Mexico.” And this is courage. The strong, profound courage that I have always admired.
Narco
land
is not only an essential book for anyone willing to look squarely at organized crime today. Narco
land
also shows how contemporary capitalism is in no position to renounce the mafia. Because it is not the mafia that has transformed itself into a modern capitalist enterprise—it is capitalism that has transformed itself into a mafia. The rules of drug trafficking that Anabel Hernández describes are also the rules of capitalism. What I appreciate in Anabel is not only her courage—it is this comprehensive view of society that is so rare to find.
The value of Anabel’s work is also, perhaps above all, scientific. She managed to get information that had been held by the CIA. She was the first to collate police investigations in several different countries, and she did that by making use of her inheritance: the stories of journalists who came before her. One example is the case of journalist Manuel Buendía Tellezgirón, who had collected information on the relationship between the CIA and the narco
s
of Veracruz. He
got this information from the Mexican secret service and paid for it with his life.
Anabel also had the courage to ask questions about politicians. And to pose these questions does not mean to defame. Her strength was in questioning how it could have been possible for politics to become so powerless or corrupt, justice so incompetent or reluctant. In a situation like this, asking questions becomes an instrument of freedom. A hypothesis can give us insight into the meaning of clues and force politicians to give answers. When those answers are not given, when politicians do not deny allegations by providing evidence, one can justly suspect their complicity. In the case, for example, of the escape of El Chapo Guzmán, Anabel proved the official version to be false while giving a political interpretation of it: politicians may have released El Chapo because it was convenient for them to do so. In a country like Mexico, which has a deeply compromised democracy, reporters proposing interpretations like these are acting to save their democracy. It is an attempt to bring responsibility back into politics. While nailing politicians to their responsibilities, Anabel transforms her pages into an instrument for readers—an instrument of democracy.
Narco
land
describes a disastrous “war on drugs” that has led to more than 80,000 deaths since its inception in 2006. A war that has been nothing more than a blood battle between feuding fiefdoms. A war between one, often corrupt, part of the state against another corrupt part of the state. Hence the war on drugs has not been a war on criminal cartels, nor did it weaken the strength of the cartels. On the contrary, it boosted it. The war redistributed money, weapons, and repression—and eventually provoked counterattacks. Counterattacks by a government itself infiltrated by criminal organizations. Add to this the disastrous policies of the United States, which for years has claimed to be challenging drug trafficking in Mexico, with no positive results.
Anabel recounts all of this with the detachment of an analyst, but the pages themselves exude tragedy and drama. The drama of those who know that if things keep going this way, democracy itself will be destroyed, crushed. Anabel Hernández sketches a map for her readers, so they can navigate the state of things today. This is a map for all
those who understand that the current economic crisis is not only the result of financial speculation without regulations, but also a total impunity for limitless greed. Anabel describes the geography of a world in which political economy has become criminal economy.
Introduction
M
y introduction to the life of Joaquín Guzmán Loera began at 6:30 in the morning of June 11, 2005. That is when I boarded a bus that would take me and photographer Ernesto Ramírez to Guadalupe y Calvo, a small, storm-prone municipality in the northern Mexican state of Chihuahua, deep in the “golden triangle” spanned by the towering Sierra Madre Occidental. It was the start of a five-day voyage to the land of drug kingpins: Ismael El Mayo Zambada, Eduardo Quintero Payán, Ernesto Fonseca Carrillo, Rafael Caro Quintero, Juan José Esparragoza Moreno, a.k.a. El Azul—and Joaquín El Chapo (Shorty) Guzmán, the man
Forbes
magazine has called “the biggest drug lord of all time” (and in their latest ranking, the fifty-fifth most powerful person in the world). I still have the notebook in which I recorded the journey. It was one that was to change forever my view of the drug trade, which is today the backbone of organized crime in Mexico.
Most of the road to Guadalupe y Calvo runs through a dreamlike landscape of serried pinewoods. The sky was that intense blue you can sense in a black-and-white photograph by Manuel Álvarez Bravo. At 10:50 in the morning we arrived at the town of Rio Verde, where they hang meat on the line like washed socks. Unfortunately it’s no longer just beef, but also the bodies of victims from the “war on drugs.”
The winding road began to climb as steeply as a big dipper. The driver was an old hand. He threw the bus round the bends entrusting our fates to Pope John Paul II, the Virgin of Guadalupe, and St. Juan Diego, whose pictures were stuck on the windscreen. At one stop a
newspaper vendor called Federico Chávez got on. The youngster exchanged greetings with almost all of the passengers; we were the only outsiders. Before we left Mexico City, Iván Noé Licón, a Chihuahua education official, had warned me on the phone to be discreet about our identity. “People are cagey with strangers, because they think they’re police,” he told me. So when some of the travelers took Ernesto for a priest, we didn’t say anything. It seems teachers and priests are the only outsiders who are greeted without suspicion in those parts.
After eight hours, we finally reached our destination: the municipal capital of Guadalupe y Calvo. From there we planned to tour the surrounding villages—although that is a manner of speaking, because on the bumpy tracks that link these hamlets it takes five or six hours to get anywhere. We met up with Chava, a local official who would be our guide and friend in this world we knew so little of. It was impossible not to be moved by the majestic beauty of the place, and the tragedy of its inhabitants. They were five unforgettable days.
As a journalist I had come to investigate the story of child exploitation in the area, where minors are put often to work by their parents on the poppy and marijuana harvests. These are kids who become criminals without even realizing it. Many, from the age of seven upwards, die of poisoning by the pesticides used on the plantations. Those who survive into adolescence are already carrying AK-47s, or “goat’s horns” as these weapons are popularly known.