Nebula Awards Showcase 2012 (3 page)

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Authors: James Patrick Kelly,John Kessel

Tags: #Science Fiction, #General, #Fiction, #Short Stories, #Science Fiction; American, #Anthologies (Multiple Authors), #made by MadMaxAU

BOOK: Nebula Awards Showcase 2012
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TopGirl meets Barbara at the fence. “That’s your Pony?” she says without greeting. “She’s not as pretty as Starblossom.”

 

Barbara is defensive. “She’s beautiful!” This is a misstep so she adds, “Yours is so pretty!” And TopGirl’s Pony
is
pretty: her tail is every shade of purple and glitters with stars. But Sunny’s tail is creamy white and shines with honey-colored light, and Barbara knows that Sunny’s the most beautiful Pony ever.

 

TopGirl walks away, saying over her shoulder, “There’s RockBand in the family room and a bunch of TheOtherGirls are hanging out on the deck and Mom bought some cookies and there’s CokeZero and DietRedBull and diet lemonade.”

 

“Where are you?” Barbara asks.

 


I

m
outside,” TopGirl says, so Barbara gets a CrystalLight and three frosted raisin-oatmeal cookies and follows her. TheOtherGirls outside are listening to an iPod plugged into speakers and playing Wii tennis and watching the Ponies play HideAndSeek and Who’sPrettiest and ThisIsTheBestGame. They are all there, SecondGirl and SuckUpGirl and EveryoneLikesHerGirl and the rest. Barbara only speaks when she thinks she’ll get it right.

 

And then it’s time. TheOtherGirls and their silent Ponies collect in a ring around Barbara and Sunny. Barbara feels sick.

 

TopGirl says to Barbara, “What did she pick?”

 

Sunny looks scared but answers her directly. “I would rather talk than fly or stab things with my horn.”

 

TopGirl says to Barbara, “That’s what Ponies always say.” She gives Barbara a curved knife with a blade as long as a woman’s hand.

 


Me?

Barbara says. “I thought someone else did it. A grownup.”

 

TopGirl says, “Everyone does it for their own Pony. I did it for Star-blossom.”

 

In silence Sunny stretches out a wing.

 

It’s not the way it would be, cutting a real pony. The wing comes off easily, smooth as plastic, and the blood smells like cotton candy at the fair. There’s a shiny trembling oval where the wing was, as if Barbara is cutting rose-flavored Turkish Delight in half and sees the pink under the powdered sugar. She thinks,
It

s sort of pretty,
and throws up.

 

Sunny shivers, her eyes shut tight. Barbara cuts off the second wing and lays it beside the first.

 

The horn is harder, like paring a real pony’s hooves. Barbara’s hand slips and she cuts Sunny, and there’s more cotton-candy blood. And then the horn lies in the grass beside the wings.

 

Sunny drops to her knees. Barbara throws the knife down and falls beside her, sobbing and hiccuping. She scrubs her face with the back of her hand and looks up at the circle.

 

Starblossom touches the knife with her nose, pushes it toward Barbara with one lilac hoof. TopGirl says, “Now the voice. You have to take away her voice.”

 

“But I already cut off her wings and her horn!” Barbara throws her arms around Sunny’s neck, protecting it. “Two of the three, you said!”

 

“That’s the cutting-out, yeah,” TopGirl says. “That’s what
you
do to be OneOfUs. But the Ponies pick their
own
friends. And that costs, too.” Starblossom tosses her violet mane. For the first time, Barbara sees that there is a scar shaped like a smile on her throat. All the Ponies have one.

 

“I won’t!” Barbara tells them all, but even as she cries until her face is caked with snot and tears, she knows she will, and when she’s done crying, she picks up the knife and pulls herself upright.

 

Sunny stands up beside her on trembling legs. She looks very small without her horn, her wings. Barbara’s hands are slippery but she tightens her grip.

 

“No,” Sunny says suddenly. “Not even for this.”

 

Sunny spins and runs, runs for the fence in a gallop as fast and beautiful as a real pony’s; but there are more of the others, and they are bigger, and Sunny doesn’t have her wings to fly or her horn to fight. They pull her down before she can jump the fence into the woods beyond. Sunny cries out and then there is nothing, only the sound of pounding hooves from the tight circle of Ponies.

 

TheOtherGirls stand, frozen. Their blind faces are turned toward the Ponies.

 

The Ponies break their circle, trot away. There is no sign of Sunny, beyond a spray of cotton-candy blood and a coil of her glowing mane torn free and fading as it falls to the grass.

 

Into the silence TopGirl says, “Cookies?” She sounds fragile and false. TheOtherGirls crowd into the house, chattering in equally artificial voices. They start up a game, drink more DietCoke.

 

Barbara stumbles after them into the family room. “What are you playing?” she says, uncertainly.

 

“Why are
you
here?” FirstGirl says, as if noticing her for the first time. “You’re not OneOfUs.”

 

TheOtherGirls nod. “You don’t have a pony.”

 

~ * ~

 

ABOUT THE AUTHOR

 

Kij Johnson is a novelist and short-story writer who has also won the World Fantasy and Theodore Sturgeon Awards. Currently she lives in Raleigh, North Carolina, and is at work on a novel and a collection of short stories.

 

<
>

 

~ * ~

 

 

AUTHOR

S INTRODUCTION

 

Although I’m a science fiction writer in my spare time, in my “day job” I work on real science and spaceflight, including both working on existing missions (such as the Mars Rovers—still roving after all these years!) and developing concepts and technologies for future missions. Although much of my work is on Mars, I’ve long been interested in the planet Venus, very much the neglected planet in both science and science fiction. I’ve been struck by the fact that, although the surface of Venus is a good analogue of hell, when you get about 50 kilometers up on the atmosphere, the environment is in many ways the most Earthlike place in the solar system (other than Earth, of course), with temperature and pressure at values close to what humans like to live at. And in the carbon dioxide atmosphere of Venus, breathable air is a lifting gas. So I’ve been fascinated with the possibility of habitats that float in the atmosphere of Venus. Another fascination I’ve had is with terraforming, an idea that the late astronomer Carl Sagan proposed for Venus and Mars. It turns out that terraforming Venus would be incredibly difficult; a lot more difficult than Sagan thought it would be, back in 1962. In an earlier story (“Ecopoiesis”), my characters Leah Hamakawa and David Tinkerman looked at the (not very successful) attempt at partial terraforming of Mars. In “The Sultan of the Clouds,” I brought them to Venus.

 

THE SULTAN OF THE CLOUDS

Geoff Landis

 

 

When Leah Hamakawa and I arrived at Riemann orbital, there was a surprise waiting for Leah: a message. Not an electronic message on a link-pad, but an actual physical envelope, with Doctor Leah Hamakawa lettered on the outside in flowing handwriting.

 

Leah slid the note from the envelope. The message was etched on a stiff sheet of some hard crystal that gleamed a brilliant translucent crimson. She looked at it, flexed it, ran a fingernail over it, and then held it to the light, turning it slightly. The edges caught the light and scattered it across the room in droplets of fire. “Diamond,” she said. “Chromium impurities give it the red color; probably nitrogen for the blue. Charming.” She handed it to me. “Careful of the edges, Tinkerman; I don’t doubt it might cut.”

 

I ran a finger carefully over one edge, but found that Leah’s warning was unnecessary; some sort of passivation treatment had been done to blunt the edge to keep it from cutting. The letters were limned in blue, so sharply chiseled on the sheet that they seemed to rise from the card. The title read, “Invitation from Carlos Fernando Delacroix Ortega de la Jolla y Nordwald-Gruenbaum.” In smaller letters, it continued, “We find your researches on the ecology of Mars to be of some interest. We would like to invite you to visit our residences at Hypatia at your convenience and talk.”

 

I didn’t know the name Carlos Fernando, but the family Nordwald-Gruenbaum needed no introduction. The invitation had come from someone within the intimate family of the satrap of Venus.

 

Transportation, the letter continued, would be provided.

 

The satrap of Venus. One of the twenty old men, the lords and owners of the solar system. A man so rich that human standards of wealth no longer had any meaning. What could he want with Leah?

 

I tried to remember what I knew about the sultan of the clouds, satrap of the fabled floating cities. It seemed very far away from everything I knew. The society, I thought I remembered, was said to be decadent and perverse, but I knew little more. The inhabitants of Venus kept to themselves.

 

Riemann station was ugly and functional, the interior made of a dark anodized aluminum with a pebbled surface finish. There was a viewport in the lounge, and Leah had walked over to look out. She stood with her back to me, framed in darkness. Even in her rumpled ship’s suit, she was beautiful, and I wondered if I would ever find the clue to understanding her.

 

As the orbital station rotated, the blue bubble of Earth slowly rose in front of her, a fragile and intricate sculpture of snow and cobalt, outlining her in a sapphire light. “There’s nothing for me down there,” she said.

 

I stood in silence, not sure if she even remembered I was there.

 

In a voice barely louder than the silence, she said, “I have no past.”

 

The silence was uncomfortable. I knew I should say something, but I was not sure what. “I’ve never been to Venus,” I said at last.

 

“I don’t know anybody who has.” Leah turned. “I suppose the letter doesn’t specifically say that I should come alone.” Her tone was matter of fact, neither discouraging nor inviting.

 

It was hardly enthusiastic, but it was better than no. I wondered if she actually liked me, or just tolerated my presence. I decided it might be best not to ask. No use pressing my luck.

 

~ * ~

 

The transportation provided turned out to be the
Suleiman
, a fusion yacht.

 

Suleiman
was more than merely first-class, it was excessively extravagant. It was larger than many ore transports, huge enough that any ordinary yacht could have easily fit within the most capacious of its recreation spheres. Each of its private cabins—and it had seven—was larger than an ordinary habitat module. Big ships commonly were slow ships, but
Suleiman
was an exception, equipped with an impressive amount of delta-V, and the transfer orbit to Venus was scheduled for a transit time well under that of any commercial transport ship.

 

We were the only passengers.

 

Despite its size, the ship had a crew of just three: captain, and first and second pilot. The captain, with the shaven head and saffron robe of a Buddhist novice, greeted us on entry, and politely but firmly informed us that the crew was not answerable to orders of the passengers. We were to keep to the passenger section and we would be delivered to Venus. Crew accommodations were separate from the passenger accommodations and we should expect not to see or hear from the crew during the voyage.

 

“Fine,” was the only comment Leah had.

 

When the ship had received us and boosted into a fast Venus transfer orbit, Leah found the smallest of the private cabins and locked herself in it.

 

~ * ~

 

Leah Hamakawa had been with the Pleiades Institute for twenty years. She had joined young, when she was still a teenager—long before I’d ever met her—and I knew little of her life before then, other than that she had been an orphan. The institute was the only family that she had.

 

It seemed to me sometimes that there were two Leahs. One Leah was shy and childlike, begging to be loved. The other Leah was cool and professional, who could hardly bear being touched, who hated—or perhaps disdained—people.

 

Sometimes I wondered if she had been terribly hurt as a child. She never talked about growing up, never mentioned her parents. I had asked her, once, and the only thing she said was that that was all behind her, long ago and far away.

 

I never knew my position with her. Sometimes I almost thought that she must love me, but couldn’t bring herself to say anything. Other times she was so casually thoughtless that I believed she never thought of me as more than a technical assistant, indistinguishable from any other tech. Sometimes I wondered why she even bothered to allow me to hang around.

 

I damned myself silently for being too cowardly to ask.

 

While Leah had locked herself away, I explored the ship. Each cabin was spherical, with a single double-glassed octagonal viewport on the outer cabin wall. The cabins had every luxury imaginable, even hygiene facilities set in smaller adjoining spheres, with booths that sprayed actual water through nozzles onto the occupant’s body.

 

Ten hours after boost, Leah had still not come out. I found another cabin and went to sleep.

 

In two days I was bored. I had taken apart everything that could be taken apart, examined how it worked, and put it back together. Everything was in perfect condition; there was nothing for me to fix.

 

But, although I had not brought much with me, I’d brought a portable office. I called up a librarian agent and asked for history.

 

~ * ~

 

In the beginning of the human expansion outward, transport into space had been ruinously expensive, and only governments and obscenely rich corporations could afford to do business in space. When the governments dropped out, a handful of rich men bought their assets. Most of them sold out again, or went bankrupt. A few didn’t. Some stayed on due to sheer stubbornness, some with the fervor of an ideological belief in human expansion, and some out of a cold-hearted calculation that there would be uncountable wealth in space, if only it could be tapped. When the technology was finally ready, the twenty families owned it all.

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