Read Nebula Awards Showcase 2013 Online

Authors: Catherine Asaro

Nebula Awards Showcase 2013 (28 page)

BOOK: Nebula Awards Showcase 2013
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When it came to shoes, there was a problem. I let them buy hockey shoes and running shoes and daps, for gym, because either I can use them or not. But when it comes to the uniform shoes, for every day, I had to stop them. “I have a special shoe,” I said, not looking at them. “It has a special sole. They have to be made, at the orthopaedic. I can't just buy them.”

The shop assistant confirmed that we can't just buy them in the school pattern. She held up a school shoe. It was ugly, and not very different from the clumpy shoes I have. “Couldn't you walk in these?” one of the aunts asked.

I took the school shoe in my hands and looked at it. “No,” I said, turning it over. “There's a heel, look.” It was inarguable, though the school probably thinks the heel is the minimum any self respecting teenage girl will wear.

They didn't mean to totally humiliate me as they clucked over the shoes and me and my built up sole. I had to remind myself of that as I stood there like a rock, a little painful half-smile on my face. They wanted to ask what's wrong with my leg, but I outfaced them and they didn't quite dare. This, and seeing it, cheered me up a little. They gave in on the shoes, and say the school will just have to understand. “It's not as if my shoes were red and glamorous,” I said.

That was a mistake, because then they all stared at my shoes. They are cripple shoes. I had a choice of one pattern of ladies' cripple shoes, black or brown, and they are black. My cane's wooden. It used to belong to Grampar, who is still alive, who is in hospital, who is trying to get better. If he gets better, I might be able to go home. It's not likely, considering everything, but it's all the hope I have. I have my wooden keyring dangling from the zip of my cardigan. It's a slice of tree, with bark, it came from Pembrokeshire. I've had it since before. I touched it, to touch wood, and I saw them looking. I saw what they saw, a funny little spiky crippled teenager with a piece of tatty wood. But what they ought to see is two glowing confident children. I know what happened, but they don't, and they'd never understand it.

“You're very English,” I said.

They smiled. Where I come from, “Saes” is an insult, a terrible fighting word, the worst thing you can possibly call someone. It means “English.” But I am in England now.

We ate dinner around a table that would have been small for sixteen, but with a fifth place laid awkwardly for me. Everything matched, the tablemats, the napkins, the plates. It couldn't be more different from home. The food was, as I'd expected, terrible, leathery meat and watery potatoes and some kind of green spear-shaped vegetable that tastes of grass. People have told me all my life than English food is awful, and it's reassuring that they were right. They talked about boarding schools, which they all went to. I know all about them. Not for nothing have I read Greyfriars and Mallory Towers and the complete works of Angela Brazil.

After dinner,
he
asked me into his study. The aunts didn't look happy about it, but they didn't say anything. The study was a complete surprise, because it's full of books. From the rest of the house, I'd have expected neat old leatherbound editions of Dickens and Trollope and Hardy (Gramma loved Hardy) but instead the shelves are chock-a-block with paperbacks, and masses of them are SF. I actually relaxed for the first time in this house, for the first time in his presence, because if there are books perhaps it won't be all that bad. There were other things in the room, chairs, a fireplace, a drinks tray, a record player, but I ignored or avoided them and walked as fast as I clumsily could to the SF shelf.

There was a whole load of Poul Anderson I haven't read. Stuffed on the top of the As there was Anne McCaffrey's
Dragonquest
, which looks as if it's the sequel to “Weyrsearch” which I read in an anthology. On the shelf below there was a John Brunner I haven't read. Better than that, two John Brunners, no, three John Brunners I haven't read. I felt my eyes start to swim.

I spent the summer practically bookless, with only what I took with me when I ran away from my mother—the three volume paperback
Lord of the Rings
, of course, Ursula Le Guin's
The Wind's Twelve Quarters, Volume 2
, which I will defend against all comers as the best single author short story collection of all time, ever, and John Boyd's
The Last Starship From Earth
, which I'd been in the middle of at the time and which hadn't stood up to re-reading as much as one might hope. I have read, though I didn't bring it with me, Judith Kerr's
When Hitler Stole Pink Rabbit
and the comparison between the child in that bringing a new toy instead of the loved Pink Rabbit when they left the Third Reich have been uncomfortably with me whenever I've looked at the Boyd recently.

“Can I—” I started to ask.

“You can borrow any books you want, just take care of them and bring them back,” he said. I snatched the Anderson, the McCaffrey, the Brunners. “What have you got?” he asked. I turned and showed him. We both looked at the books, not at each other.

“Have you read the first of these?” he asked, tapping the McCaffrey.

“Out of the library,” I said. I have read the entire science fiction and fantasy collection of Aberdare library, from Anderson's
Ensign Flandry
to Roger Zelazny's
Creatures of Light and Darkness
, an odd thing to end on, and one I'm still not certain about.

“Have you read any Delany?” he asked. He poured himself a whisky and sipped it. It smelled weird, horrible.

I shook my head. He handed me an Ace double, one half of it “Empire Star” by Samuel R. Delany Jr. I turned it over to look at the other half, but he tutted impatiently, and I actually looked at him for a moment.

“The other half's just rubbish,” he says, dismissively, stubbing out a cigarette with unnecessary force. “How about Vonnegut?”

I have read the complete works of Kurt Vonnegut, Jr, up to date. Some of it I have read standing up in Lears bookshop in Cardiff.
God Bless You Mr. Rosewater
is very strange, but
Cat's Cradle
is one of the best things I've ever read. “Oh yes,” I said.

“What Vonnegut?”

“All of it,” I said, confidently.


Cat's Cradle
?”


Breakfast of Champions
,
Welcome to the Monkey House
 . . .” I reeled off the titles. He was smiling. He looked pleased. My reading has been solace and addiction but nobody has been pleased with me for it before.

“How about
The Sirens of Titan
?” he asked, as I wound down.

I shook my head. “I've never heard of it!”

He set down his drink, bent down and got the book, hardly looking at the shelves, and added it to my pile. “How about Zenna Henderson?”


Pilgrimage
,” I breathed. It is a book that speaks to me. I love it. Nobody else I've met has ever read it. I didn't read it from the library. My mother had it, an American edition with a hole punched in the cover. I don't even think there is a British edition. Henderson wasn't in the library catalogue. For the first time, I realised that if he is my father, which in some sense he is, then long ago he
knew
her. He married her. He had the sequel to
Pilgrimage
and two collections. I took them, very uncertain of him. I could hardly hold my book pile one handed. I put them all in my bag, which was on my shoulder, where it always is.

“I think I'll go to bed and read now,” I said.

He smiled. He has a nice smile, nothing like our smiles. I've been told all my life that we looked like him, but I can't see it. If he's Lazarus Long to our Laz and Lor, I'd expect to have some sense of recognition. We never looked anything like anyone in our family, but apart from the eye and hair colour I don't see anything. It doesn't matter. I have books, new books, and I can bear anything as long as there are books.

Thursday, September 6
TH
, 1979

My father drove me to school. In the back seat was a neat suitcase I never saw before, in which one of the aunts assured me is all the uniform, neatly laid out. There was also a leather satchel, which she said is school supplies. Neither of them were scuffed at all, and I think they must be new. They must have cost the earth. My own bag held what it had held since I ran away, plus the books I have borrowed. I clutched it tightly and resisted their attempts to take it from me and put it with the luggage. I nodded at them, my tongue frozen in my mouth. It's funny how impossible it would be to cry, or show any strong emotion, with these people. They are not my people. They are not like my people. That sounded like the first lines of a poem, and I itched to write them down in my notebook. I got into the car, awkwardly. It was painful. At least there was room to straighten my leg once I was in. Front seats are better than back seats, I've noticed that before.

I managed to say thank you as well as goodbye. The Aunts each kissed me on the cheek.

My father didn't look at me as he drove, which meant I could look at him, sideways. He was smoking, lighting each cigarette with the butt of the last, just like her. I wound down my window to have some air. I still don't think he looks the least bit like us. It isn't just the beard. I wondered what Mor would have made of him, and pushed the thought away hard. After a little while he said, puffing, “I've put you down as Markova.”

It's his name. Daniel Markova. I've always known that. It's the name on my birth certificate. He was married to my mother. It's her name. But I've never used it. My family name is Phelps, and that's how I've gone to school. Phelps means something, at least in Aberdare, it means my grandparents, my family. Mrs. Markova means that madwoman my mother. Still, it will mean nothing to Arlinghurst.

“Morwenna Markova is a bit of a mouthful,” I said, after rather too long.

He laughed. “I said that when you were born. Morwenna and Morganna.”

“She said you chose the names,” I said, not very loudly, staring out of the open window at the moving patchwork of flat fields full of growing things. Some of them are stubble and some of them have been ploughed.

“I suppose I did,” he said. “She had all those lists and she made me choose. They were all very long, and very Welsh. I said it would be a mouthful, but she said people would soon shorten it. Did they?”

“Yes,” I said, still staring out. “Mo, or Mor. Or Mori.” Mori Phelps is the name I will use when I am a famous poet. It's what I write inside my books now. Ex libris Mori Phelps. And what has Mori Phelps to do with Morwenna Markova and what's likely to happen to her in a new school? I will laugh about this one day, I told myself. I will laugh about it with people so clever and sophisticated I can't imagine them properly now.

“And did they call your sister Mog?” he asked.

He hadn't asked me about her before. I shook my head, then realised he was driving and not looking at me. “No,” I said. “Mo, or Mor, both of us.”

“But how could they tell you apart?” He wasn't looking at all, he was lighting another cigarette.

“They couldn't.” I smiled to myself.

“You won't mind being Markova at school?”

“I don't care. And anyway, you're paying for it,” I said.

He turned his head and looked at me for a second, then back to the road. “My sisters are paying for it,” he said. “I don't have any money except what they allow me. Do you know my family situation?”

What is there to know? I knew nothing about him apart from the fact that he was English, which has caused me no end of playground fights, that he married my mother when he was nineteen and then ran off two years later when she was in hospital having another baby, a baby that died because of the shock. “No,” I said.

“My mother was married to a man named Charles Bartleby. He was quite wealthy. They had three daughters. Then the war came. He went off to fight in France in 1940 and was captured there and put in a prisoner of war camp. My mother left my three little sisters with their grandmother Bartleby, in the Old Hall, the house we've just left. She went to work in an RAF canteen, to do what she could for the war effort. There she met and fell in love with a Polish flying officer called Samuel Markova. He was a Jew. I was born in March 1944. In September 1944 Bartleby was liberated from the camp and came home to England, where he and my mother obtained a divorce. She married my father, who had just learned that his entire family in Poland had been killed.”

Had he had a wife and children too? I felt sure he had. A Polish Jew! I am part Polish. Part Jewish? All that I know about Judaism comes from
A Canticle for Leibovitz
and
Dying Inside
. Well, and the bible, I suppose.

“My mother had some money of her own, but not very much. My father left the RAF after the war and worked in a factory in Ironbridge. Bartleby left his money, and his house, to my sisters. When I was thirteen my mother died in an accident. My sisters, who were grown up by then, came to her funeral. Anthea offered to pay to send me to school, and my father accepted. They've been subsidising me ever since. As you know, I married part way through university.”

“What happened to Bartleby?” I asked. He couldn't have been much older than my grandfather.

“He shot himself when the girls turned twenty-one,” he said, in a tone of voice that closed off further questions.

“What do you . . . do?” I asked.

“They hold the purse-strings, but I manage the estate,” he said. He dropped the butt of a cigarette into the ash tray, which was overflowing. “They pay me a salary, and I live at the house. Very Victorian really.”

“Have you lived there ever since you ran off?” I asked.

“Yes.”

“But they said they didn't know where you were. My grandfather went there and talked to them, all this way.” I was indignant.

BOOK: Nebula Awards Showcase 2013
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