Read Nebula Awards Showcase 2013 Online

Authors: Catherine Asaro

Nebula Awards Showcase 2013 (49 page)

BOOK: Nebula Awards Showcase 2013
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“Valo,” Rasali said, a warning tone in her voice. Flushing darker still, the youth turned and strode away. Rasali snorted but said only: “Boys. He likes Jenner and he has problems with the bridge, anyway.”

That was worth addressing.
Later.
“So what will it take to get you to carry me across the mist, Rasali Ferry of Farside? The project will pay anything reasonable.”

“I cannot,” she said. “Not today, not tomorrow. You'll have to wait.”

“Why?” Kit asked, reasonably enough, he thought; but she eyed him for a long moment as though deciding whether to be annoyed.

“Have you gone across mist before?” she said at last.

“Of course,” he said.

“But not the river,” she said.

“Not the river,” he agreed. “It's a quarter-mile across here, yes?”

“Yes.” She smiled suddenly, white even teeth and warmth like sunlight in her eyes. “Let's go down and perhaps I can explain things better there.” She jumped the fence with a single powerful motion, landing beside him to a chorus of cheers and shouts from the garden's patrons. She slapped hands with one, then gestured to Kit to follow her. She was well liked, clearly. Her opinion would matter.

The boat yard was heavily shaded by low-hanging oaks and chestnuts, and bounded on the east by an open-walled shelter filled with barrels and stacks of lumber. Rasali waved at the third boat maker, who was still putting her tools away. “Tilisk Boatwright of Nearside. My brother's wife,” she said to Kit. “She makes skiffs with us but she won't ferry. She's not born to it as Valo and I are.”

“Where's your brother?” Kit asked.

“Dead,” Rasali said and lengthened her stride.

They walked a few streets over and then climbed a long even ridge perhaps eighty feet high, too regular to be natural.
A levee,
Kit thought, and distracted himself from the steep path by estimating the volume of earth and the labor that had been required to build it. Decades, perhaps, but how long ago? How many miles did it stretch? Which department had overseen it, or had it been the locals? The levee was treeless. The only feature was a slender wood tower hung with flags on the ridge, probably for signaling across the mist to Farside since it appeared too fragile for anything else. They had storms out here, Kit knew; there'd been one the night before. How often was the tower struck by lightning?

Rasali stopped. “There.”

Kit had been watching his feet. He looked up and nearly cried out as light lanced his suddenly tearing eyes. He fell back a step and shielded his face. What had blinded him was an immense band of mist reflecting the morning sun.

Kit had never seen the mist river itself, though he bridged mist before this, two simple post-and-beam structures over narrow gorges closer to the capital. From his work in Atyar, he knew what was to be known. It was not water nor anything like. It formed somehow in the deep gorge of the great riverbed before him. It found its way some hundreds of miles north, upstream through a hundred narrowing mist creeks and streams before failing at last in shreds of drying foam that left bare patches of earth where they collected.

The mist stretched to the south as well, a deepening, thickening band that poured out at last from the river's mouth a thousand miles south, to form the mist ocean, which lay on the face of the salt-water ocean. Water had to follow the river's bed to run somewhere beneath or through the mist, but there was no way to prove this.

There was mist nowhere but this river and its streams and sea, but the mist split Empire in half.

After a moment, the pain in Kit's eyes grew less and he opened them again. The river was a quarter-mile across where they stood, a great gash of light between the levees. It seemed nearly featureless, blazing under the sun like a river of cream or of bleached silk, but as his eyes accustomed themselves, he saw the surface was not smooth but heaped and hollowed, and that it shifted slowly, almost indiscernibly, as he watched.

Rasali stepped forward and Kit started. “I'm sorry,” he said with a laugh. “How long have I been staring? It's just—I had no idea.”

“No one does,” Rasali said. Her eyes when he met them were amused.

The east and west levees were nearly identical, each treeless and scrub-covered, with a signal tower. The levee on their side ran down to a narrow bare bank half a dozen yards wide. There was a wooden dock and a boat ramp, a rough switchback leading down to them. Two large boats had been pulled onto the bank. Another, smaller dock was visible a hundred yards downstream, attended by a clutter of boats, sheds and indeterminate piles covered in tarps.

“Let's go down.” Rasali led the way, her words coming back to him over her shoulder. “The little ferry is Valo's.
Pearlfinder. The Tranquil Crossing
's mine.” Her voice warmed when she said the name. “Eighteen feet long, eight wide. Mostly pine, but a purpleheart keel and pearwood headpiece. You can't see it from here, but the hull's sheathed in blue-dyed fishskin. I can carry three horses or a ton and a half of cartage or fifteen passengers. Or various combinations. I once carried twenty-four hunting dogs and two handlers. Never again.”

Channeled by the levees, a steady light breeze eased down from the north. The air had a smell, not unpleasant but a little sour, wild. “How can you manage a boat like this alone? Are you that strong?”

“It's as big as I can handle,” she said. “but Valo helps sometimes for really unwieldy loads. You don't paddle through mist. I mostly just coax the
Crossing
to where I want it to go. Anyway, the bigger the boat, the more likely that the Big Ones will notice it—though if you
do
run into a fish, the smaller the boat, the easier it is to swamp. Here we are.”

They stood on the bank. The mist streams he had bridged had not prepared him for anything like this. Those were tidy little flows, more like fog collecting in hollows than this. From this angle, the river no longer seemed a smooth flow of creamy whiteness, nor even gently heaped clouds. The mist forced itself into hillocks and hollows, tight slopes perhaps twenty feet high that folded into one another. It had a surface but it was irregular, cracked in places and translucent in others. The boundary didn't seem as clearly defined as that between water and air.

“How can you move on this?” Kit said, fascinated. “Or even float?” The hillock immediately before them was flattening as he watched. Beyond it something like a vale stretched out for a few dozen yards before turning and becoming lost to his eyes.

“Well, I can't, not today,” Rasali said. She sat on the gunwale of her boat, one leg swinging, watching him. “I can't push the
Crossing
up those slopes or find a safe path unless I feel it. If I went today, I know—I
know
—” she tapped her belly—“that I would find myself stranded on a pinnacle or lost in a hole.
That's
why I can't take you today, Kit Meinem of Atyar.”

 

* * *

 

When Kit was a child, he had not been good with other people. He was small and easy to tease or ignore, and then he was sick for much of his seventh year and had to leave his crèche before the usual time, to convalesce in his mother's house. None of the children of the crèche came to visit him but he didn't mind that. He had books and puzzles, and whole quires of blank paper that his mother didn't mind him defacing.

The clock in the room in which he slept didn't work, so one day he used his penknife to take it apart. He arranged the wheels and cogs and springs in neat rows on the quilt in his room, by type and then by size; by materials; by weight; by shape. He liked holding the tiny pieces, thinking of how they might have been formed and how they worked together. The patterns they made were interesting but he knew the best pattern would be the working one, when they were all put back into their right places and the clock performed its task again. He had to think that the clock would be happier that way, too.

He tried to rebuild the clock before his mother came upstairs from her counting house at the end of the day, but when he had reassembled things, there remained a pile of unused parts and it still didn't work; so he shut the clock up and hoped she wouldn't notice that it wasn't ticking. Four days more of trying things during the day and concealing his failures at night, and on the fifth day the clock started again. One piece hadn't fit anywhere, a small brass cog. Kit still carried that cog in his pen case.

 

* * *

 

Late that afternoon, Kit returned to the river's edge. It was hotter and the mud had dried to cracked dust. The air smelled like old rags left too long in a pail. He saw no one at the ferry dock, but at the fisher's dock upstream people were gathering, a score or more of men and women with children running about.

The clutter looked even more disorganized as he approached. The fishing boats were fat coracles fashioned of leather stretched on frames, all tipped bottom up to the sun and looking like giant warts. The mist had dropped so that he could see a band of exposed rock below the bank. He could see the dock's pilings clearly. They were not vertical but had been set at an angle to make a cantilevered deck braced into the stone underlying the bank. The wooden pilings had been sheathed in metal.

He approached a silver-haired woman doing something with a treble hook as long as her hand. “What are you catching with that?” he said.

Her forehead was wrinkled when she looked up, but she smiled when she saw him. “Oh, you're a stranger. From Atyar, dressed like that. Am I right? We catch fish—” Still holding the hook, she extended her arms as far as they would stretch. “Bigger than that, some of them. Looks like more storms, so they're going to be biting tonight. I'm Meg Threehooks. Of Nearside, obviously.”

“Kit Meinem of Atyar. I take it you can't find a bottom?” He pointed to the pilings.

Meg Threehooks followed his glance. “It's there somewhere, but it's a long way down and we can't sink pilings because the mist dissolves the wood. Oh, and fish eat it. Same thing with our ropes, the boats, us—anything but metal and rock, really.” She knotted a line around the hook's eye. The cord was dark and didn't look heavy enough for anything Kit could imagine catching on hooks that size.

“What are these made of, then?” He squatted to look at the framing under one of the coracles.

“Careful, that one's mine,” Meg said. “The hides—well, and all the ropes—are fishskin. Mist fish, not water-fish. Tanning takes off some of the slime so they don't last forever either, not if they're afloat.” She made a face. “We have a saying: foul as fish-slime. That's pretty nasty, you'll see.”

“I need to get to Farside,” Kit said. “Could I hire you to carry me across?”

“In my boat?” She snorted. “No, fishers stay close to shore. Go see Rasali Ferry. Or Valo.”

“I saw her,” he said ruefully.

“Thought so. You must be the new architect—city folk are always so impatient. You're so eager to be dinner for a Big One? If Rasali doesn't want to go then don't go, stands to reason.”

Kit was footsore and frustrated by the time he returned to The Fish. His trunks were already upstairs, in a small cheerful room overwhelmed by a table that nearly filled it, with a stiflingly hot cupboard bed. When Kit spoke to the woman he'd talked to earlier, Brana Keep, the owner of The Fish (its real name turned out to be The Big One's Delight) laughed. “Rasali's as hard to shift as bedrock,” she said. “And truly, you would not be comfortable at The Hart.”

 

* * *

 

By the next morning, when Kit came downstairs to break his fast on flatbread and pepper-rubbed water-fish, everyone appeared to know everything about him, especially his task. He had wondered whether there would be resistance to the project, but if there had been any it was gone now. There were a few complaints, mostly about slow payments—a universal issue for public works—but none at all about the labor or organization. Most in the taproom seemed not to mind the bridge, and the feeling everywhere he went in town was optimistic. He'd run into more resistance elsewhere, building smaller bridges.

“Well, why should we be concerned?” Brana Keep said to Kit. “You're bringing in people to work, yes? So we'll be selling room and board and clothes and beer to them. And you'll be hiring some of us and everyone will do well while you're building this bridge of yours. I plan to be wading ankle-deep through gold by the time this is done.”

“And after,” Kit said, “when the bridge is complete—think of it, the first real link between the east and west sides of Empire. The only place for three thousand miles where people and trade can cross the mist easily, safely, whenever they wish. You'll be the heart of Empire in ten years. Five.” He laughed a little, embarrassed by the passion that shook his voice.

“Yes, well,” Brana Keep said in the easy way of a woman who makes her living by not antagonizing customers, “we'll make that harness when the colt is born.”

For the next six days, Kit explored the town and surrounding countryside.

He met the masons, a brother and sister that Teniant had selected before her death to oversee the pillar and anchorage construction on Nearside. They were quiet but competent and Kit was comfortable not replacing them.

Kit also spoke with the Nearside ropemakers, and performed tests on their fishskin ropes and cables, which turned out even stronger than he had hoped, with excellent resistance to rot and to catastrophic and slow failure. The makers told him that the rope stretched for its first two years in use, which made it ineligible to replace the immense chains that would bear the bridge's weight; but it could replace the thousands of vertical suspender chains that that would support the roadbed with a great saving in weight.

He spent much of his time watching the mist. It changed character unpredictably: a smooth rippled flow, hours later a badland of shredding foam, still later a field of steep dunes that joined and shifted as he watched. The river generally dropped in its bed each day under the sun and rose after dark, though it wasn't consistent.

BOOK: Nebula Awards Showcase 2013
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