Nebula Awards Showcase 2016 (28 page)

Sometimes Ma'am spoke so coldly of Brother that Easter couldn't
stand
it. Anxiously she said, “Is he hurt bad?”

“Well, not so bad he couldn't run and hide as good as always. But something took a mean swipe across the side of him, and them cuts weren't pretty to see.
Must of
been a bear. I can't see what else could of gave that dog, big as he is, such a hard time. The
barking
and
racket
, last night! You would of thought the Devil himself was out there in the yard! But, Easter, set down here. Your mama wants you to set down right here with me now for a minute.”

Folks took this tone, so gently taking your hand, only when about to deliver the worst news. Easter tried to brace herself. Just now, she'd seen everybody out on the green. So who could have died?

“I know you loved that mean old bird,” Ma'am said. “
Heaven
knows why. But the thing in the yard last night broke open the coop, and got in with the chickens. The funniest thing . . .” Ma'am shook her head in wonder. “It didn't touch
nah
bird except Sadie.” Ma'am hugged Easter to her side, eyes full of concern. “But, Easter—I'm sorry—it tore old Sadie to
pieces
.”

Easter broke free of Ma'am's grasp, stood up, blind for one instant of panic. Then she sat down again, feeling nothing. She felt only tired. “You done told me this, that, and the other thing”—Easter hung her head sleepily, speaking in a dull voice—”but why didn't you never say the one thing I
really
wanted to know?”

“And what's that, baby child?”

Easter looked up, smiled, and said in a brand new voice, “Who slept on the pull-out cot?”

Her mother hunched over as if socked in the belly. “What?” Ma'am whispered. “What did you just ask me?”

Easter moved over on the pew close enough to lay a kiss in her mother's cheek or lips. This smile tasted richer than cake, and this confidence, just as rich. “Was it Brother Freddie slept on the pull-out cot, Hazel Mae? Was it him?” Easter said, and brushed Ma'am's cheek with gentle fingertips. “Or was it you? Or was it
sometimes
him, and
sometimes
you?”

At that touch, Ma'am had reared back so violently she'd lost her seat—fallen to the floor into the narrow gap between pews.

Feeling almighty, Easter leaned over her mother struggling dazed on the ground, wedged in narrow space. “. . . 
ooOOoo
 . . .” Easter whistled in nasty speculation. “Now
here's
what I really want to know. Was it ever
nobody
on that pull-out cot, Hazel Mae? Just nobody atall
?”

Ma'am ignored her. She was reaching a hand down into the bosom of her dress, rooting around as if for a hidden dollarbill.

Easter extended middle and forefingers. She made a circle with thumb and index of the other hand, and then vigorously thrust the hoop up and down the upright fingers. “Two peckers and one cunt, Hazel Mae—did
that
ever happen?”

As soon as she saw the strands of old beads, though, yellow-brownish as ancient teeth, which Ma'am pulled up out of her dress, lifted off her neck, the wonderful sureness, this wonderful strength, left Easter. She'd have turned and fled in fact, but could hardly manage to scoot away on the pew, so feeble and stiff and cold her body felt. She spat out hot malice while she could, shouting.

“One, two, three, four!” Easter staggered up from the end of the pew as Ma'am gained her feet. “And we even tricked that clever Freddie of yours, too. Thinking he was
so
smart. Won't
never
do you any good swearing off the old Africa magic, Hazel Mae! Cause just you watch, we gon' get this last one too!
All of yours—
”

Ma'am slung the looped beads around Easter's neck, and falling to her knees she vomited up a vast supper with wrenching violence. When Easter opened her tightly clenched eyes, through blurry tears she saw, shiny and black in the middle of puddling pink mess, a snake thick as her own arm,
much
longer. She shrieked in terror, kicking backwards on the ground. Faster than anybody could run, the monstrous snake shot off down the aisle between the pews, and out into the gray brightness past the open church doors. Easter looked up and saw Ma'am standing just a few steps away. Her mother seemed more shaken than Easter had ever seen her. “Ma'am?” she said. “I'm scared. What's wrong? I don't feel good. What's this?” Easter began to lift off the strange beads looped so heavily round her neck.

At once Ma'am knelt on the ground beside her. “You just leave those right where they at,” she said. “Your great grand brought these over with him. Don't you
never
take 'em off. Not even to wash up.” Ma'am scooped hands under Easter's arms, helping her up to sit at the end of a pew. “Just wait here a minute. Let me go fill the wash bucket with water for this mess.
You
think on what all you got to tell me.” Ma'am went out and came back. With a wet rag, she got down on her knees by the reeking puddle. “Well, go on, girl. Tell me. All this about Sadie. It's something do with the old Africa magic, ain't it?”

The last angel supped at Easter's hand, half-cut-off, and then lit away. Finally the blood began to gush forth and she swooned.*

*Weird, son. Definitely some disturbing writing in this section. But overarching theme = a people bereft, no? Dispossessed even of cultural patrimony? Might consider then how to represent this in the narrative structure. Maybe just omit how Easter learns to trick the Devil into the chicken? Deny the reader that knowledge as Easter's been denied so much. If you do, leave a paragraph, or even just a sentence, literalizing the “Fragments of History.”
Terrible
title, by the way; reconsider.

—
Dad

People presently dwelling in the path of hurricanes, those who lack the recourse of flight, hunker behind fortified windows and hope that this one too shall pass them lightly over. So, for centuries, were the options of the blacks vis-à-vis white rage. Either flee, or pray that the worst might strike elsewhere: once roused, such terror and rapine as whites could wreak would not otherwise be checked. But of course those living in the storm zones know that the big one always does hit sooner or later. And much worse for the blacks of that era, one bad element or many bad influences—“the Devil,” as it were—might attract to an individual, a family, or even an entire town, the landfall of a veritable hurricane.

White Devils/Black Devils
, Luisa Valéria da Silva y Rodríguez

1877 August 24

There came to the ears of mother and daughter a great noise from out on the green, the people calling one to another in surprise, and then with many horses' hooves and crack upon crack of rifles, the thunder spoke, surely as the thunder had spoken before at Gettysburg or Shiloh. Calls of shock and wonder became now cries of terror and dying. They could hear those alive and afoot run away, and hear the horsemen who pursued them, with many smaller cracks of pistols.
There!
shouted white men to each other,
That one there running!
Some only made grunts of effort, as when a woodsman embeds his axe head and heaves it out of the wood again—such grunts. Phrases or wordless sound, the whiteness could be heard in the voices, essential and unmistakable.

Easter couldn't understand this noise at first, except that she should be afraid. It seemed that from the thunder's first rumble Ma'am grasped the whole of it, as if she had lived through precisely this before and perhaps many times. Clapping a hand over Easter's mouth, Ma'am said, “Hush,” and got them both up and climbing over the pews from this one to the one behind, keeping always out-of-view of the doors. At the back of the church, to the right of the doors, was a closet where men stored the cut wood burned by the stove in winter. In dimness—that closet,
very
tight—they pressed themselves opposite the wall stacked with quartered logs, and squeezed back into the furthest corner. There, with speed and strength, Ma'am unstacked wood, palmed the top of Easter's head, and pressed her down to crouching in the dusty dark. Ma'am put the wood back again until Easter herself didn't know where she was. “You don't
move
from here,” Ma'am said. “Don't come at nobody's call but mine.” Easter was beyond thought by then, weeping silently since Ma'am had hissed, “
Shut your mouth!
” and shaken her once hard.

Easter nudged aside a log and clutched at the hem of her mother's skirt, but Ma'am pulled free and left her. From the first shot, not a single moment followed free of wails of desperation, or the shriller screams of those shot and bayoneted.

Footfalls, outside—some child running past the church, crying with terror. Easter heard a white man shout,
There go one!
and heard horse's hooves in heavy pursuit down the dirt of the Drive. She learned the noises peculiar to a horseman running down a child. Foreshortened last scream, pop of bones, pulped flesh, laughter from on high. To hear something clearly enough, if it was bad enough, was the same as seeing. Easter bit at her own arm as if that could blunt vision and hearing.

Hey there, baby child,
whispered a familiar voice.
Won't you come out from there? I got something real nice for you just outside.
No longer the voice of the kindly spoken Johnny Reb, this was a serpentine lisp—and yet she knew them for one and the same and the Devil.
Yeah, come on out, Easter. Come see what all special I got for you.
Jump up flailing, run away screaming—Easter could think of nothing else, and the last strands of her tolerance and good sense began to fray and snap. That voice went on whispering and Easter choked on sobs, biting at her forearm.

Some girl screamed nearby. It could have been
any
girl in Rosetree, screaming, but the whisperer snickered,
Soubrette. I got her!

Easter lunged up, and striking aside logs, she fought her way senselessly with scraped knuckles and stubbed toes from the closet, on out of the church into gray daylight.

If when the show has come and gone, not only paper refuse and cast-off food but the whole happy crowd, shot dead, remained behind and littered the grass, then Rosetree's green looked like some fairground, the day after.

Through the bushes next door to the church Easter saw Mr. Henry, woken tardily from a nap, thump with his cane out onto the porch, and from the far side of the house a white man walking shot him dead. Making not even a moan old Mr. Henry toppled over and his walking stick rolled to porch's edge and off into roses. About eight o'clock on the Drive, flames had engulfed the general store so it seemed a giant face of fire, the upstairs windows two dark eyes, and downstairs someone ran out of the flaming mouth. That shadow in the brightness had been Mrs. Toussaint, so slim and short in just such skirts, withering now under a fiery scourge that leapt around her, then up from her when she fell down burning. The Toussaints kept no animals in the lot beside the general store and it was all grown up with tall grass and wildflowers over there. Up from those weeds, a noise of hellish suffering poured from the ground, where some young woman lay unseen and screamed while one white man with dropped pants and white ass out stood afoot in the weeds and laughed, and some other, unseen on the ground, grunted piggishly in between shouted curses. People lay everywhere bloodied and fallen, so many dead, but Easter saw her father somehow alive out on the town green, right in the midst of the bodies just kneeling there in the grass, his head cocked to one side, chin down, as if puzzling over some problem. She ran to him calling
Pa Pa Pa
but up close she saw a red dribble down his face from the forehead where there was a deep ugly hole. Though they were sad and open his eyes slept no they were dead. To cry hard enough knocks a body down, and harder still needs both hands flat to the earth to get the grief out.