Necro Files: Two Decades of Extreme Horror (26 page)

“Yes,” he said without hesitation. “But,
what
are you?”

She smiled with her eyes. Her ivory teeth ground cruelly.

“I’m your dream lover. Come to me, Tony. They designed me to be filled up by men. And it’s really been too long.”

He started towards her. She moved past him to the bed and laid down. He could see dots of scarlet and curdled cream on the bones that were her legs, and on her feet, tiny red lines that looked like unsheathed capillaries. She wiggled her toes and they clinked together invitingly. She spread her legs and he saw the heaven he’d thirsted for all week long. She
was
his dream lover. She was the girl from the porno vid. He could see it in the eyes now, in the perfect breasts, in the pinkness that glistened so invitingly. His crotch throbbed painfully while his head ached with fear and longing.

“Cum in me, Tony. Let me suck you down to make me whole.”

His pants were so loose now they slid to the floor with no unbuckling. He realized briefly that however he’d written off his previous indiscretions with this woman, this was, unalterably, adultery. He knew somewhere in his head that Loni would be back Tuesday, and he should put himself back together by then. And he knew he wouldn’t. Couldn’t. And he didn’t care.

He straddled her unfinished body and bypassed foreplay. She was visibly ready, and her hands now raked at his back as they had all week on his chest. He felt as though he were being diced and licked at the same time. Her tongue snaked out of her lipless mouth and teased and moistened his eyes, nose and neck. She bit him hard on the shoulder and then caressed his lips with her tongue. Her eyes sucked him into another world, her vagina was a utopian tunnel. He was making love like he never had before, bucking and pumping like a male hound on a bitch. Then she rolled atop him, the bones of her toes scratching at his calves, sounding like nails on hollow wood as they met the bones beneath his muscle. Yet he didn’t howl; he could feel nothing but her forcefed ecstasy. And she drove him on, harder and harder, the trails in his flesh burned and froze in alternate coursings. He could see them glow with power released. And when at last he answered her plea and came, he knew with fatalistic certainty that it would never stop.

She laughed as he came and came and the skin on her cheek grew thick and tan and her lips went from baby pink flesh to full pouting sex teases.

…
And he came
and felt her legs pressed upon his own growing, the red and white seeds of flesh drawing the essence of him to her, nursing, nourishing their growth.

…
And he came
and as her shinbones ceased clicking together he heard his own begin to clatter. He felt light, empty, but trapped in some sick, twisted compulsion as his hips smacked against hers of their own accord.

…
And he came
and she laughed and pressed her arms upon his chest. Her fingers were perfect and whole and she said in that husky girl voice, “take me again, stud,” and laughed when he did and she bent to kiss him and his tongue was caught in a vacuum; his cheeks sagged, receded. She lifted his arm in passion and he saw the white bones protruding from the unraveled skin of his fingers.

…
And
still
he came
and the night came and the morning too before she pushed his trembling bones away from her flesh.

She stood then, and stretched, a lithe cat of a woman. Running her fingers across supple, muscular skin, she drank in herself inch by inch in a shard of mirror across the room. Her body was whole, tan, California style—no lines. Her lips were shiny pink, an erotic complement to the nipples of her perfectly brown breasts. She flipped a strand of sand-blonde hair away from her face, ice-blue eyes flashing with abating lust, sweat drying on her forehead, lips pursed in humorous consideration. Gazing back at the bed, she saw the eyeballs in Tony’s meatless cranium staring back at her, still with a longing, and, she felt, appreciation of her new form. She’d best finish the job.

She sighed and bent over him, tongue lasciviously ready. When she rose the skull was sightless, the bones no longer vibrated on the floor. A long transparent tube of skin trailed between his femurs. She pulled it off with a rip and swallowed it. “Every last drop,” she murmured and licked her lips.

She pulled on his jeans, cinching the belt to its furthest hole. It left her thighs baggy and ill-defined, but it would do for now. She fastened one button of the short-sleeved blue cotton shirt, and tied the rest across her belly, leaving her midriff and much of her chest exposed. She pulled at the uncomfortable weight on her behind and came up with his wallet. Thumbing through $20s and $10s, her white canines flashed hungrily. Good. She didn’t relish hanging around this dump any longer. As she went to flip the wallet closed, a snapshot of a woman caught her eye. She was raven-haired, dark-eyed, with high cheekbones and an intense look of vibrance in her mouth. The woman was
hot.
Just looking at the photo made her mouth dry, and even after its recent use, her groin ached with desire.
Probably his wife,
she speculated, checking his license to find an address. She
knew
where this house was, she realized, as Tony’s cannibalized cells merged and shared their knowledge with her own. It had taken her too long to find a host after the Gentech engineer had abandoned her here to wither away. She laughed, thinking of his reward if she could track him down. Sex goddesses were hard to find—or make! And she intended to feed regularly to keep her full goddess form from now on. Maybe he could be one of her snacks.

Kicking the sated bones under the moldering bed, she wondered, in the meantime, if Tony’s wife liked blondes. Opening the door to step with anticipation into daylight, she resolved to find out.

“Blind in the House of the Headsman” first appeared in
Brainbox 2: Son of Brainbox
, edited by Steve Eller, 2001.

‡

Mehitobel Wilson has been publishing horror fiction since 1998. She is a Bram Stoker Award nominee, and many of her stories have been granted Honorable Mentions in the
Year’s Best Fantasy and Horror
series. Recent stories appear in
Morbid Curiosity Cures the Blues, Zombies: Encounters with the Hungry Dead, Sins of the Sirens, Damned: An Anthology of the Lost
, and
Dead But Dreaming: New Excursions in the Lovecraftian Universe
, and selected stories have been collected in
Dangerous Red
. If you can’t pronounce her name, call her “Bel.”

May was inside the wall, and her eyes were open. Better on her back than on her knees; the shards of paneling would cut her throat, and her bruised knees couldn’t take her own weight anymore, much less his.

Maybe, baby, Maybe
, she heard, his name for her.

Maybe, baby
. She blinked and stared at the clean studs, still fragrant, packed with nubby gray insulation that puffed lint into her eyes with each
Maybe
thrust. The back of the paneling was satiny and printed with blue letters, the closest ones clear, the rest shadowed. The few she could read ran through her head, AST, and she tongued her palate, chanting the letters silently.

Maybe
. Maybe he had punched through her face instead, and her brain’s best guess at peace was this space inside the wall. Maybe she was vibrating on the verge of death, the stabbing at her nape the last sparks of her spinal conduit. When death came, she would no longer remember him looming redfaced over her as she crabbed back onto the pillows, pressing her head against the wall, pulling his fist back and slamming it beside her face, catching one of her curls and tearing it from her skull as he punched through the paneling.
Maybe, baby
, maybe he hadn’t gnawed her jawbone, steered her bloodied skull into the hole with a sustained bruise of a kiss, bitten her trachea and pressed her chin back with his hardboned face, shoved her head through, let the hole’s edges score her forehead, her neck.

Maybe, baby
, gusted the breath that powered his bloodstreaked cock, and she knew she was only in the wall.

May felt the cool glass of his ashtray settle on her sternum and knew this would take a long time. Her headless body lay before him. He would smoke an extra few cigarettes, she knew, and savor this. Her body was outside the wall. It was his.

AST AST AST ticked against the backs of her teeth, matching the rhythm. She felt the soft and dusty press, withdraw, press of insulation on her crown.

Her head was her own.

He owned the rest. In surgery, a wall of blue fabric had blocked her view of her own opened flesh. Sacs of saline were tucked beneath her pectoral muscles. He had used her vagina so thoroughly that it was as stretched as that of a mother thrice over. Dildos, fists, implements inspired by those he’d seen used in black-market Japanese films. He paid for her cunt to be tightened. Skin cultured in sheets from the cells of discarded foreskins, skin meant to reconstruct the features of burn victims, was trimmed into a new hymen and sewn to bridge her bruised soft walls. Nipped and tucked to be ripped and fucked. Again. All that lay on the far side of the sheet, and May, conscious, examined the warp and weft of the fabric, memorized the blue, called it cornflower, and felt none of the things they were doing to
his
body.

Two years later, he had undone all the work he’d bought between her legs, and had cultivated new tastes. Soon she would be on the table again, the saline sacs would be dragged from the muscles that had scarred around them, the natural tissue of her breasts would be scooped free and dropped into a Biohazard vat, and crescents of skin would be cut away, leaving her with the flat and aching chest of an adolescent. He’d tighten her again, of course, and he’d pay for electrolysis, leaving her mons bald as a child’s.

For now, nothing beyond the wood was hers. May read the cornflower letters branded on the pressboard. She didn’t feel it when he pulled his cock from her, didn’t hear the foil tear or the latex snap, didn’t hear the
tink
of his class ring against the bottle of Tabasco sauce, didn’t feel the nuclear conflagration when his cock seared into her again. She ticked AST, still, against her teeth.

She let him have the body and the head knew nothing of it. May, behind the wall, thought of guillotines, of revolt and freedom. She tasted fiberglass on her smile.

Then she felt hands on her jaw, hands wet with blood and pepper sauce and viscid semen, and they fell to her throat and slipped firm behind her neck, fanned fingers open to cradle her skull and draw her forth from the wall. She made a small sound, disappointed, as she came forth into the world again.

Maybe, my beautiful little thing
, she heard. She clenched her eyelids and felt sharp crusts of insulation clotted between them. The pillow was soft against the highest knobs of her spine when he lay her down. She knew she would bleed on the sham and that he would be angry later.

But for now, May was a good lay, a beautiful little thing. She felt him stroke her hair and tried not to wince as red pepper burned the cuts bristling with splinters across her forehead. She felt pressure from beneath her shoulders; he was pulling the bedspread up, cradling her. He wrapped the flannel around her and lifted her into his arms, held her head against his shoulder. Her eyes were closed, still. She swayed in his grip and he shifted her to one arm as he used the other to run the shower. She felt the air around her grow heavy with humidity.

He let her down and purred at her, helped her step blindly over the side of the porcelain tub and into the running shower. When the water hit her flesh she flinched before realizing that it was good, not the scalding rain into which he often cast her. He gently thumbed the insulation from her eyes. He was so very kind sometimes, like now, with the good water. He loved her so.

She opened her eyes and saw herself as he did.

May, outside the wall, saw nothing at all.

“An Experiment in Human Nature” first appeared in
The Rare Anthology
, edited by Brian Knight, 2001, Disc-Us Books.

‡

Monica J. O’Rourke has published more than seventy-five short stories in magazines such as
Postscripts, Nasty Piece of Work, Fangoria, Flesh & Blood, Nemonymous
, and
Brutarian
, and anthologies such as
The Mammoth Book of the Kama Sutra, The Best of Horrorfind, Strangewood Tales
, and
Darkness Rising
. She is the author of
Poisoning Eros
I and II, written with Wrath James White,
Suffer the Flesh
, and the collection
Experiments in Human Nature
. She lives in upstate New York. Visit her at www.facebook.com/MonicaJORourke.

† † †

This story was inspired by Clive Barker’s “Dread,” though you would be hard-pressed to actually find any similarities. It also began my foray into writing hardcore (or splatterpunk) fiction and led to my collaboration with Wrath James White, Poisoning Eros parts I and II.

Ernest brushed the hair from his forehead with his fingertips and leaned against the wall, clumsily setting his glass upon the mantle.

Young men playing dress-up, sporting Ralph Lauren, knockoff rich man wannabees enjoying Ernest’s parents’ good food and good smokes and good single malt, crashing in the Tudor-esque McMansion that felt somehow misplaced among the Hampton elite. Animal heads suspended from the walls gazed at them with dead eyes. A billiards table sat unused in the corner.

“Okay,” Ernest said. “I promised you something interesting, right? Now we see if you two have the jewels to go through with it.” Caleb uncrossed his spider legs and leaned forward. He set his cigar (the smoke was choking him anyway) in the oversized freestanding ashtray and rose to his full height. Stretching his arms overhead, his fingertips fell inches short of the eight-foot ceiling.

“This should be good,” he said, cracking a smile.

Ernest smirked. “It wasn’t easy, but I think it’s worth it. Or will be, in the end. It’s brilliant.”