I met a girl from Derrygarve
And the name, a lost potent musk,
Recalled the river’s long swerve,
A kingfisher’s blue bolt at dusk
And stepping stones like black molars
Sunk in the ford, the shifty glaze
Of the whirlpool, the Moyola
Pleasuring beneath alder trees.
And Derrygarve, I thought, was just:
Vanished music, twilit water –
A smooth libation of the past
Poured by this chance vestal daughter.
But now our river tongues must rise
From licking deep in native haunts
To flood, with vowelling embrace,
Demesnes staked out in consonants.
And Castledawson we’ll enlist
And Upperlands, each planted bawn –
Like bleaching-greens resumed by grass –
A vocable, as rath and bullaun.
IThigh-deep in sedge and marigolds
a neighbour laid his shadow
on the stream, vouching
‘It’s poor as Lazarus, that ground,’
and brushed away
among the shaken leafage.
I lay where his lea sloped
to meet our fallow,
nested on moss and rushes,
my ear swallowing
his fabulous, biblical dismissal,
that tongue of chosen people.
When he would stand like that
on the other side, white-haired,
swinging his blackthorn
at the marsh weeds,
he prophesied above our scraggy acres,
then turned away
towards his promised furrows
on the hill, a wake of pollen
drifting to our bank, next season’s tares.
IIFor days we would rehearse
each patriarchal dictum:
Lazarus, the Pharaoh, Solomon
and David and Goliath rolled
magnificently, like loads of hay
too big for our small lanes,
or faltered on a rut –
‘Your side of the house, I believe,
hardly rule by the book at all.’
His brain was a whitewashed kitchen
hung with texts, swept tidy
as the body o’ the kirk.
IIIThen sometimes when the rosary was dragging
mournfully on in the kitchen
we would hear his step round the gable
though not until after the litany
would the knock come to the door
and the casual whistle strike up
on the doorstep. ‘A right-looking night,’
he might say, ‘I was dandering by
and says I, I might as well call.’
But now I stand behind him
in the dark yard, in the moan of prayers.
He puts a hand in a pocket
or taps a little tune with the blackthorn
shyly, as if he were party to
lovemaking or a stranger’s weeping.
Should I slip away, I wonder,
or go up and touch his shoulder
and talk about the weather
or the price of grass-seed?
ISome day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.
In the flat country near by
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,
Naked except for
The cap, noose and girdle,
I will stand a long time.
Bridegroom to the goddess,
She tightened her tore on him
And opened her fen,
Those dark juices working
Him to a saint’s kept body,
Trove of the turfcutters’
Honeycombed workings.
Now his stained face
Reposes at Aarhus.
III could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate
The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,
Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.
IIISomething of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names
Tollund, Grabaulle, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.
Out there in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.
I am afraid.
Sound has stopped in the day
And the images reel over
And over. Why all those tears,
The wild grief on his face
Outside the taxi? The sap
Of mourning rises
In our waving guests.
You sing behind the tall cake
Like a deserted bride
Who persists, demented,
And goes through the ritual.
When I went to the gents
There was a skewered heart
And a legend of love. Let me
Sleep on your breast to the airport.
IWas it wind off the dumps
or something in heat
dogging us, the summer gone sour,
a fouled nest incubating somewhere?
Whose fault, I wondered, inquisitor
of the possessed air.
To realize suddenly,
whip off the mat
that was larval, moving –
and scald, scald, scald.
IIBushing the door, my arms full
of wild cherry and rhododendron,
I hear her small lost weeping
through the hall, that bells and hoarsens
on my name, my name.
Ο love, here is the blame.
The loosened flowers between us
gather in, compose
for a May altar of sorts.
These frank and falling blooms
soon taint to a sweet chrism.
Attend. Anoint the wound.
IIIΟ we tented our wound all right
under the homely sheet
and lay as if the cold flat of a blade
had winded us.
More and more I postulate
thick healings, like now
as you bend in the shower
water lives down the tilting stoups of your breasts.
IVWith a final
unmusical drive
long grains begin
to open and split
ahead and once more
we sap
the white, trodden
path to the heart.
VMy children weep out the hot foreign night.
We walk the floor, my foul mouth takes it out
On you and we lie stiff till dawn
Attends the pillow, and the maize, and vine
That holds its filling burden to the light.
Yesterday rocks sang when we tapped
Stalactites in the cave’s old, dripping dark –
Our love calls tiny as a tuning fork.
Fishermen at Ballyshannon
Netted an infant last night
Along with the salmon.
An illegitimate spawning,
A small one thrown back
To the waters. But I’m sure
As she stood in the shallows
Ducking him tenderly
Till the frozen knobs of her wrists
Were dead as the gravel,
He was a minnow with hooks
Tearing her open.
She waded in under
The sign of her cross.
He was hauled in with the fish.
Now limbo will be
A cold glitter of souls
Through some far briny zone.
Even Christ’s palms, unhealed,
Smart and cannot fish there.