News of a Kidnapping (36 page)

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Authors: Gabriel García Márquez,Edith Grossman

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GABRIEL GARCÍA MÁRQUEZ

OF LOVE AND OTHER DEMONS

‘Superb and intensely readable’
Time Out

‘An ash-gray dog with a white blaze on its forehead burst onto the rough terrain of the market on the first Sunday of December …’

When a witch doctor appears on the doorstep of the Marquis de Casalduero
prophesizing a plague of rabies in their Colombian seaport, he dismisses her claims – until, that is, he hears that his young daughter, Sierva María, was one of four people bitten by a rabid dog, and the only one to survive.

Sierva María appears completely unscathed – but as rumours of the plague spread, the Marquis and his wife wonder at her continuing good health. In a town consumed by superstition,
it’s not long before they, and everyone else, put her survival down to a demonic possession and begin to see her supernatural powers as the cause of the town’s woes. Only the young priest charged with exorcising the evil spirit recognizes the girl’s sanity, but can he convince the town that it’s not her that needs healing?

‘Brilliantly moving. A tour de force’ A.S. Byatt

‘A compassionate, witty
and unforgettable masterpiece’
Daily Telegraph

‘At once nostalgic and satiric, a resplendent fable’
Sunday Times

www.penguin.com

GABRIEL GARCÍA MÁRQUEZ

ONE HUNDRED YEARS OF SOLITUDE

‘The greatest novel in any language of the last 50 years. Márquez writes in this lyrical, magical language that no-one else can do’ Salman Rushdie

‘Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember
that distant afternoon when his father took him to discover ice …’

Pipes and kettledrums herald the arrival of gypsies on their annual visit to Macondo, the newly founded village where José Arcadio Buendía and his strong-willed wife, Úrsula, have started their new life. As the mysterious Melquíades excites Aureliano Buendía’s father with new inventions and tales of adventure, neither can know
the significance of the indecipherable manuscript that the old gypsy passes into their hands.

Through plagues of insomnia, civil war, hauntings and vendettas, the many tribulations of the Buendía household push memories of the manuscript aside. Few remember its existence and only one will discover the hidden message that it holds…

‘Should be required reading for the entire human race’
New York
Times

‘No lover of fiction can fail to respond to the grace of Márquez’s writing’
Sunday Telegraph

‘It’s the most magical book I have ever read. I think Márquez has influenced the world’ Carolina Herrera

www.penguin.com

GABRIEL GARCÍA MÁRQUEZ

STRANGE PILGRIMS

‘Filled with greedy joys, with small pleasures, polished like apples against a sleeve’
Observer

‘The first thing Señora Prudencia Linero noticed when she reached the port of Naples was that it had the same smell as the port of Riohacha …’

Their distant,
nostalgic memories of home, their sense of anonymity in a foreign land, the terrifying pang of vulnerability they feel as they step over the threshold into an alien world …

Márquez’s strange pilgrims – the ageing prostitute preparing for death by teaching her dog to weep at her grave, the panicked husband scared for the life of his injured wife, the old man who allows his mind to wander on a
long-haul flight from Paris – experience with all his humour, warmth and colour, what it is to be a Latin American adrift in Europe or, indeed, any outsider living far from home.

‘Celebratory and full of strange relish at life’s oddness. The stories draw their strength from Márquez’s generous feel for character, good and bad, boorish and innocent’ William Boyd

‘The most important writer of fiction
in any language’ Bill Clinton

‘Often touching, often funny, always unexpected, the experience is as enriching as travel itself’
New Statesman

www.penguin.com

GABRIEL GARCÍA MÁRQUEZ

THE AUTUMN OF THE PATRIARCH

‘It asks to be read more than twice, and the rewards are dazzling’
Observer

‘Over the weekend the vultures got into the presidential palace by pecking through the screens on the balcony windows and the flapping of their wings stirred up
the stagnant time inside …’

As the citizens of an unnamed Caribbean nation creep through dusty corridors in search of their tyrannical leader, they cannot comprehend that the frail and withered man laying dead on the floor can be the self-styled General of the Universe. Their egocentric, maniacally violent leader, known for serving up traitors to dinner guests and drowning young children at sea,
can surely not die the humiliating death of a mere mortal?

Tracing the demands of a man whose egocentric excesses mask the loneliness of isolation and whose lies have become so ingrained that they are indistinguishable from truth, Márquez has created a fantastical portrait of despotism that rings with an air of reality.

‘Delights with its quirky humanity and black humour and impresses by its
total originality’
Vogue

‘Captures perfectly the moral squalor and political paralysis that enshrouds a society awaiting the death of a long-term dictator’
Guardian

‘Márquez writes in this lyrical, magical language that no-one else can do’ Salman Rushdie

www.penguin.com

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