Night & Demons (40 page)

“He stays close to hunt,” Ulf rumbled. Then he added, “The long bones by the fence; they were cracked.”

“Umm?”

“For marrow.”

Quivering, the priest began gathering broken-off trees, none of them over a few feet high. They had been twisted off near the ground, save for a few whose roots lay bare in wizened fists. The crisp scales cut Johann’s hands. He did not mind the pain. Under his breath he was praying that God would punish him, would torture him, but at least would save him free of this horrid demon that had snatched him away.

“Pile it there,” Ulf directed, his axehead nodding toward the stone lip of the barrow. The entrance was corbelled out of heavy stones, then covered over with dirt and sods. Like the beast fragments around it, the opening was dead and stinking. Biting his tongue, Johann dumped his pile of brush and scurried back.

“There’s light back down there,” he whispered.

“Fire?”

“No, look—it’s pale, it’s moonlight. There’s a hole in the roof of the tomb.”

“Light for me to kill by,” Ulf said with a stark grin. He looked over the low fireset, then knelt. His steel sparked into a nest of dry moss. When the tinder was properly alight, he touched a pitchy faggot to it. He dropped his end of the cord. The torchlight glinted from his face, white and coarse-pored where the tangles of hair and beard did not cover it. “Bless the fire, mass-priest,” the berserker ordered in a quiet, terrible voice.

Stiff-featured and unblinking, Johann crossed the brushwood and said, “In nomine Patris, et Filii, et Spiritus Sancti, Amen.”

“Don’t light it yet,” Ulf said. He handed Johann the torch. “It may be,” the berserker added, “that you think to run if you get the chance. There is no Hell so deep that I will not come for you from it.”

The priest nodded, white-lipped.

Ulf shrugged his shoulders to loosen his muscles and the bear hide that clothed them. Axe and shield rose and dipped like ships in a high sea.

“Ho! Troll! Barrow fouler! Corpse licker! Come and fight me, troll!”

There was no sound from the tomb.

Ulf’s eyes began to glaze. He slashed his axe twice across the empty air and shouted again, “Troll! I’ll spit on your corpse, I’ll lay with your dog mother. Come and fight me, troll, or I’ll wall you up like a rat with your filth!”

Johann stood frozen, oblivious even of the drop of pitch that sizzled on the web of his hand. The berserker bellowed again, wordlessly, gnashing at the rim of his shield so that the sound bubbled and boomed in the night.

And the tomb roared back to the challenge, a thunderous
BAR BAR BAR
even deeper than Ulf’s.

Berserk, the Northerner leaped the brush pile and ran down the tunnel, his axe thrust out in front of him to clear the stone arches.

The tunnel sloped for a dozen paces into a timber-vaulted chamber too broad to leap across. Moonlight spilled through a circular opening onto flags slimy with damp and liquescence. Ulf, maddened, chopped high at the light. The axe burred inanely beneath the timbers.

Swinging a pair of swords, the troll leapt at Ulf. It was the size of a bear, grizzled in the moonlight. Its eyes burned red.

“Hi!” shouted Ulf and blocked the first sword in a shower of sparks on his axehead. The second blade bit into the shield rim, shaving a hand’s length of copper and a curl of yellow linden from beneath it. Ulf thrust straight-armed, a blow that would have smashed like a battering ram had the troll not darted back. Both the combatants were shouting; their voices were dreadful in the circular chamber.

The troll jumped backward again. Ulf sprang toward him and only the song of the blades scissoring from either side warned him. The berserker threw himself down. The troll had leaped onto a rotting chest along the wall of the tomb and cut unexpectedly from above Ulf’s shield. The big man’s boots flew out from under him and he struck the floor on his back. His shield still covered his body.

The troll hurtled down splay-legged with a cry of triumph. Both bare feet slammed on Ulf’s shield. The troll was even heavier than Ulf. Shrieking, the berserker pistoned his shield arm upward. The monster flew off, smashing against the timbered ceiling and caroming down into another of the chests. The rotted wood exploded under the weight in a flash of shimmering gold. The berserker rolled to his feet and struck overarm in the same motion. His lunge carried the axehead too far, into the rock wall in a flower of blue sparks.

The troll was up. The two killers eyed each other, edging sideways in the dimness. Ulf’s right arm was numb to the shoulder. He did not realize it. The shaggy monster leaped with another double flashing and the axe moved too slowly to counter. Both edges spat chunks of linden as they withdrew. Ulf frowned, backed a step. His boot trod on a ewer that spun away from him. As he cried out, the troll grinned and hacked again like Death the Reaper. The shield-orb flattened as the top third of it split away. Ulf snarled and chopped at the troll’s knees. It leaped above the steel and cut left-handed, its blade nocking the shaft an inch from Ulf’s hand.

The berserker flung the useless remainder of his shield in the troll’s face and ran. Johann’s torch was an orange pulse in the triangular opening. Behind Ulf, a swordedge went
sring!
as it danced on the corbels. Ulf jumped the brush and whirled. “Now!” he cried to the priest, and Johann hurled his torch into the resin-jeweled wood.

The needles crackled up in the troll’s face like a net of orange silk. The flames bellied out at the creature’s rush but licked back caressingly over its mats of hair. The troll’s swords cut at the fire. A shower of coals spit and crackled and made the beast howl.

“Burn, dog-spew!” Ulf shouted. “Burn, fish-guts!”

The troll’s blades rang together, once and again. For a moment it stood, a hillock of stained gray, as broad as the tunnel arches. Then it strode forward into the white heart of the blaze. The fire bloomed up, its roar leaping over the troll’s shriek of agony. Ulf stepped forward. He held his axe with both hands. The flames sucked down from the motionless troll, and as they did the shimmering arc of the axehead chopped into the beast’s collarbone. One sword dropped and the left arm slumped loose.

The berserker’s axe was buried to the helve in the troll’s shoulder. The faggots were scattered, but the troll’s hair was burning all over its body. Ulf pulled at his axe. The troll staggered, moaning. Its remaining sword pointed down at the ground. Ulf yanked again at his weapon and it slurped free. A thick velvet curtain of blood followed it. Ulf raised his dripping axe for another blow, but the troll tilted toward the withdrawn weapon, leaning forward, a smoldering rock. The body hit the ground, then flopped so that it lay on its back. The right arm was flung out at an angle.

“It was a man,” Johann was whispering. He caught up a brand and held it close to the troll’s face. “Look, look!” he demanded excitedly. “It’s just an old man in bearskin. Just a man.”

Ulf sagged over his axe as if it were a stake impaling him. His frame shuddered as he dragged air into it. Neither of the troll’s swords had touched him, but reaction had left him weak as one death-wounded. “Go in,” he wheezed. “Get a torch and lead me in.”

“But . . . why—” the priest said in sudden fear. His eyes met the berserker’s and he swallowed back the rest of his protest. The torch threw highlights on the walls and flags as he trotted down the tunnel. Ulf’s boots were ominous behind him.

The central chamber was austerely simple and furnished only with the six chests lining the back of it. There was no corpse, nor even a slab for one. The floor was gelatinous with decades’ accumulation of foulness. The skidding tracks left by the recent combat marked paving long undisturbed. Only from the entrance to the chests was a path, black against the slime of decay, worn. It was toward the broken container and the objects which had spilled from it that the priest’s eyes arrowed.

“Gold,” he murmured. Then, “Gold! There must—the others—in God’s name, there are five more and perhaps all of them—”

“Gold,” Ulf grated terribly.

Johann ran to the nearest chest and opened it one-handed. The lid sagged wetly, but frequent use had kept it from swelling tight to the side panels. “Look at this crucifix!” the priest marveled. “And the torque, it must weigh pounds. And Lord in heaven, this—”

“Gold,” the berserker repeated.

Johann saw the axe as it started to swing. He was turning with a chalice ornamented in enamel and pink gold. It hung in the air as he darted for safety. His scream and the dull belling of the cup as the axe divided it were simultaneous, but the priest was clear and Ulf was off balance. The berserker backhanded with force enough to drive the peen of his axehead through a sapling. His strength was too great for his footing. His feet skidded, and this time his head rang on the wall of the tomb.

Groggy, the huge berserker staggered upright. The priest was a scurrying blur against the tunnel entrance. “Priest!” Ulf shouted at the suddenly empty moonlight. He thudded up the flags of the tunnel. “Priest!” he shouted again.

The clearing was empty except for the corpse. Nearby, Ulf heard his roan whicker. He started for it, then paused. The priest—he could still be hiding in the darkness. While Ulf searched for him, he could be rifling the barrow, carrying off the gold behind his back. “Gold,” Ulf said again. No one must take his gold. No one ever must find it unguarded.

“I’ll kill you!” he screamed into the night. “I’ll kill you all!”

He turned back to his barrow. At the entrance, still smoking, waited the body of what had been the troll.

THAN CURSE THE
DARKNESS

I’m an HPL fan and started my career writing for Arkham House, the publisher founded to preserve Lovecraft’s stories in book form, but “Than Curse the Darkness” is my only Cthulhu Mythos story. (“Denkirch” is Lovecraftian, but its model was HPL’S early—pre-Mythos—story “Polaris.”) Ramsey Campbell, the unwitting spur to me writing my first story for publication, commissioned this one for an anthology he was editing for Arkham House, “
New Tales of the Cthulhu Mythos.”

Something that’d always puzzled me about the Mythos is why the Great Old Ones had human minions, since it was explicitly stated that if the Great Old Ones returned to Earth they would blast away all present life. Why would humans serve something that in human terms was absolute evil?

Writing a story is a very good way to focus logically on a question. I found an answer that satisfied me in human history. I set my story in the Congo Free State while it was still the personal possession of King Leopold II, but I could have picked any number of times or places. (Knowledge of history isn’t an altogether cheerful accomplishment.) Things got a little better in the Congo after Leopold defaulted on a loan and the Belgian government took over the running of the colony, but only a little better.

At about the time this story was set, my friend Manly Wade Wellman was born in Portuguese West Africa (now Angola), just south of the Congo. (His parents were medical missionaries.) Manly retained a deep interest in Africa all his life, and his library contained many volumes about the continent.

Histories looking back at a period can explain what happened at a time and place, but contemporary works do something even more valuable (at least for a fiction writer): they explain what people at the time thought was happening. For the story’s background I used books from Manly’s library like
Actual Africa—The Coming Continent,
as well the works of missionaries protesting Belgian atrocities and modern overviews of the “development” of the Congo Basin.

Does that sound like a lot of research for a fantasy story? Well, maybe, but it’s a habit I’ve kept throughout my career. I think it’s stood me in good stead.

One writing difficulty I had with the story was in deciding on the viewpoint character. I wrote about half the piece, stopped, and threw out the whole business to start again with a female scholar instead of a male adventurer as my main protagonist. Things fell into place then.

The title, by the way, is from the motto of The Christophers, a religious society: It is better to light one candle than to curse the darkness.

What with the research, the rewriting, and the fact that I was working a full-time job as Assistant Town Attorney for Chapel Hill at the time, “Than Curse the Darkness” took me five months to complete. This had an unexpected but very beneficial side-effect.

One night shortly after I’d sent the story to Ramsey, the phone rang. By “night,” I mean my wife and I were asleep. The caller introduced himself as Roger Elwood (whom I knew of as an indefatigable SF/fantasy/horror anthologist but had never met or dealt with). He told me that he was now editing a line of novels, and he’d been given my name. Would I like to write novels?

I was absolutely dumbfounded. At the time I’d only sold about ten stories and not all those had appeared in print. I blurted that I appreciated his call, but I couldn’t possibly write a novel: I’d just taken five months to write a novelette. Mr. Elwood said he regretted that, because he was prepared to offer me a two-book contract right now on the phone, if I could turn the first one in six months. I repeated my refusal, and he went elsewhere.

That’s how I avoided the Laser Books debacle, which blighted (and in some cases destroyed) the careers of so many of those who took similar offers.

I think I’d have refused the offer under any circumstances, but my recent struggle to do a good job on “Than Curse the Darkness” armored me against the thought of “easy money.” Writing isn’t easy if you care about the result. Laser Books taught a lot of people not to care about their work. If there’s a worse lesson to learn early in your career, I don’t know what it is.

I had to wait several more years to sell a novel. I don’t regret that delay.

* * *

“What of unknown Africa?” —H. P. Lovecraft

T
he trees of the rain forest lowered huge and black above the village, dwarfing it and the group of men in its center. The man being tied to the whipping post there was gray-skinned and underfed, panting with his struggles but no match for the pair of burly Forest Guards who held him. Ten more Guards, Baenga cannibals from far to the west near the mouth of the Congo, stood by with spears or Albini rifles. They joked and chattered and watched the huts hoping the villagers would burst out to try to free their fellow. Then killing would be all right . . . .