Noctuary (14 page)

Nolon and Grissul glanced blankly at each other and then followed the artist up to a narrow door. Opening the door with a tiny key, Rignolo ushered his guests inside. It was a tight squeeze through the doorway.

"Now
this
place really is a closet," Grissul whispered to Nolon. "I don't think I can turn around."

"Then we'll just have to walk out of here backwards, as if there were something wrong with that."

The door slammed closed and for a moment there was no place on earth darker than that little room.

"Watch the walls," Rignolo called through the door.

"Walls?" someone whispered.

The first images to appear in the darkness were those crinkled wads of radiance Rignolo spoke of, except these were much larger, more numerous, and became more radiant than the others bound within their cramped little canvasses. And they emerged on all sides of the spectator, above and below as well, so that an irresistible conviction was instilled that the tiny gravelike room had expanded into a star-strewn corridor of night, the certainty created that one was suspended in space without practical means of remaining there. Reaching out for the solid walls, crouching on the floor, only brought confusion rather than relief from the sense of impossibility. The irregular daubs of brightness grew into great silver blotches, each of them ragged at its rim and glowing wildly. Then they stopped growing in the blackness, attaining some predesigned composition, and another kind of growing began: thin filaments of bluish light started sprouting in the spaces between those bulbous thistles of brilliance, running everywhere like cracks up and down a wall. And these threadlike, hairlike tendrils eventually spread across the blackness in an erratic fury of propagation, until all was webbed and stringy in the universal landscape. Then the webbing began to fray and grow shaggy, cosmic moss hanging in luminous clumps, beards. But the scene was not muddled, no more so, that is, than the most natural marsh or fen-like field. Finally, enormous stalks shot out of nowhere, quickly crisscrossed to form interesting and well-balanced patterns, and suddenly froze. They were a strange shade of green and wore burry crowns of a pinkish color, like prickly brains.

The scene, it appeared, was now complete. All the actual effects were displayed:
actual
because the one further effect now being produced was most likely an illusion. For it seemed that deep within the shredded tapestry of webs and hairs and stalks, something else had been woven, something buried beneath the marshy morass but slowly rising to the surface.

"Is that a face?" someone said.

"I can begin to see one too," said the other, "but I don't know if I want to see it. I don't think I can feel where I am now. Let's try not to look at those faces."

A series of cries from within the little room finally induced Rignolo to open the door, which sent Nolon and Grissul tumbling backwards into the artist's studio. They lay among the debris on the floor for some time. Rignolo swiftly secured the door, and then stood absolutely still beside it, his upturned eyes taking no interest in his visitors' predicament. As they regained their feet, a few things were quickly settled in low voices.

"Mr Nolon, I recognized the place that that room is supposed to be."

"I'm sure you did."

"And I'm also sure I know whose face it was that I saw tonight in that field."

"I think we should be going."

"What are you saying?" demanded Rignolo.

Nolon gestured toward a large clock high upon the wall and asked if that was the time.

"Always," replied Rignolo, "since I've never yet seen its hands move."

"Well, then, thank you for everything," said Nolon.

"We have to be
leaving,'
added Grissul.

"Just one moment," Rignolo shouted as they were making their way out. "I know where you're going now. Someone, I won't say who, told me what you found in that field. I've done it, haven't I? You can tell me all about it. No, it's not necessary. I've put myself into the scene at last. The abyss with a decor, the ultimate flight! In short - survival in the very maw of oblivion. Oh, perhaps there's still some work to be done. But I've made a good start, haven't I? I've got my foot in the door, my face looking in the window. Little by little, then... forever. True? No, don't say anything. Show me where it is, I need to go there. I have a right to go."

Having no idea what sort of behavior a refusal might inspire in the maniacal Rignolo, not to mention possible reprisals from unknown parts, Nolon and Grissul respected the artist's request.

* * *

Into a scene which makes no sound, three figures arrive. Their silhouettes move with distinct, cautious steps across an open field, progressing slowly, almost without noticeable motion. Around them, crisscrossing shafts of tall grasses are entirely motionless, their pointed tips sharply outlined in the moonlight. Above them, the moon is round and bright; but its brightness is
 of a dull sort, like the flat whiteness that appears in the spaces of complex designs embellishing the page of a book.

The three figures, one of which is much shorter than the other two, have stopped and are standing completely still before a particularly dense clump of oddly shaped stalks. Now one of the taller figures has raised his arm and is pointing toward this clump of stalks, while the shorter figure has taken a step in the direction indicated. The two tall figures are standing together as the short one has all but disappeared into the dark, dense overgrowth. Only a single shoe, its toe angled groundward, remains visible. Then nothing at all.

The two remaining figures continue to stand in their places, making no gestures, their hands in the pockets of their long overcoats. They are staring into the blackness where the other one has disappeared. Around them, crisscrossing shafts of tall grasses; above them, the moon is round and bright.

Now the two figures have turned themselves away from the place where the other one disappeared. They are each slightly bent over and are holding their hands over their ears, as though to deafen themselves to something they could not bear. Then, slowly, almost without noticeable motion, they move out of the scene.

The field is empty once again. And now everything awakes with movement and sound.

* * *

After their adventure, Nolon and Grissul returned to the same table in that place they had met earlier that evening. But where they had left a bare table-top behind them, not considering the candleflame within its unshapely green bubble, there were at the moment two shallow glasses set out, along with a tall, if somewhat thin bottle placed between them. They looked at the bottle, the glasses, and each other methodically, as if they did not want to rush into anything.

"Is there still, you know, someone in the window across the street?" Grissul asked.

"Do you think I should look?" Nolon asked back.

Grissul stared at the table, allowing moments to accumulate, then said, "I don't care, Mr Nolon, I have to say that what happened tonight was very unpleasant."

"Something like that would have happened sooner or later," Nolon replied. "He was too much the dreamer, let's be honest. Nothing he said made any sense to speak of, and he was always saying more than he should. Who knows
who
heard what."

"I've never heard screaming like that."

"It's over," said Nolon quietly.

"But what could have happened to him?" asked Grissul, gripping the shallow glass before him, apparently without awareness of the move.

"Only he could know that for certain," answered Nolon, who mirrored Grissul's move and seemingly with the same absence of conscious intent.

"And why did he scream that way, why did he say it was all a trick, a mockery of his dreams, that 'filthy thing in the earth'? Why did he scream not to be 'buried forever in that strange, horrible mask'?"

"Maybe he became confused," said Nolon. Nervously, he began pouring from the thin bottle into each of their glasses.

"And then he cried out for someone to kill him. But that's not what he wanted at all, just the opposite. He was afraid to you-know-what. So why would he — "

"Do I really have to explain it all, Mr Grissul?"

"I suppose not," Grissul said very softly, looking ashamed. "He was trying to get away, to get away with something."

"That's right," said Nolon just as softly, looking around. "Because he wanted to escape from here without having to you-know-what. How would that look?"

"Set an example."

"Exactly. Now let's just take advantage of the situation and drink our drinks before moving on."

"I'm not sure I want to," said Grissul.

"I'm not sure we have any say in the matter," replied Nolon.

"Yes, but — "

"Shhh. Tonight's our night."

Across the street a shadow fidgeted in the frame of a lighted window. An evening breeze moved through the little park, and the green glow of a candleflame flickered upon two silent faces.

The blackness above was deep and unbroken. Rising toward it was a tower with a single opening which framed a pale, quivering light. The narrow aperture was fixed high within the darkness and was engulfed by its dense and voiceless unity. Below the tower was a scattering of other structures, while other lights emerged here and there in the lower darkness. One of these was a lamp set into a wall at the border of a fractured street. The lamp spread its glow upon the gray wall and upon two figures who stood motionless before it. No color in their tight, unblemished faces, no sign of breath under the dark covering of their forms: simple beings with long fingers and empty eyes. Yet their gaze was clearly focused on a building across that vacant street, rigidly directed toward a certain window there. Every so often someone would peer out along the very edge of that window, though he never looked for more than a moment before retreating out of sight. And he occupied a room where everything seemed to tremble with shadows.

The shadows moved slowly, obscuring so many of the objects within the room and appearing to change the outlines of the simplest furnishings. The room itself became altered in its dimensions. Over the course of slow transformations it pushed outward into a great abyss and squeezed inward to create a maze of strange black turnings. Every shape was imposing itself on another shape, breeding a chaos of overlapping patterns.

The occupant of the room remained on his guard in these surroundings. Now he saw something hiding inside a shadow moving along the woodwork by the window, using the shadow as a mask. He nudged his foot against the wall, which felt as if it softly gave way to his touch. But there was nothing in the shadow, or nothing any longer. And when he reached out slowly and pulled the dangling cord of a light, it was not illumination that filled the room but a voice.

"Mister Ha-ha!" it shrieked, echoing into many voices around him.

"Ha-ha," repeated a similar voice.

With lethargic caution he slid toward the window and peeked around the casement. He could not imagine that those keen and jagged voices belonged to the two figures across the street. He had never seen them open their mouths when they called out to him with some improvised name. They only stood firm and watchful by the high rough wall. He looked away.

"Mister Tick-tock!"

"Tick-tock, tick-tock."

He took another step, an intensely sluggish effort, and stood centered in the window frame. Now they would see him, now they would know. But the ones who had been so patient in their vigil had abandoned the scene. And shadows merged with fading echoes in the room.

Then there were new echoes for him to hear. Yet they did not lack definition or intent, as did so many of the sounds produced by the large building that contained him: a dull drawn-out crash or a brief crackling might come from anywhere without giving up its origin or identity. But these new sounds, these particular echoes, did not seek anonymity. And there was a focus, a center upon which they converged. Footsteps, the creak of a closing window or a slowly opening door, a fumbling among the objects of another room, all these noises spoke a strange language among the surrounding shadows and joined with them in a greater scheme.

He began moving from room to room in a laborious expedition and became a fugitive in a realm of twisted suppositions. A window might allow some glaze of illumination, a glassy luminescence, but he was often confused by certain deviations in the design of these rooms. Forced to turn an unseen corner, he was faced with a small door, and around its edges some thin lines of light alternately appeared and disappeared in the darkness. He opened the door. On the other side was a long low corridor with a row of small lamps that together blinked on and off along either wall. He stood and stared. For it seemed that something came into being during the intervals of darkness in the corridor, a swarm of obscure shapes that were but imperfectly dispersed by the returning light, gnarled specters that somehow belonged to the very walls and reached out with their shapeless limbs. He crouched and then crossed his arms upon his chest, so that his body would not touch anything which need not be touched. When the light next filled the corridor he ran across the floor and felt himself being thrust forward, strangely propelled by a power which was not his own and which he could not control. A railing caught him before he plunged down a stairwell reaching into the blackness below.

Yet these flights of stairs, which from above described a perfect vertical shaft, soon began to wander. They led him into unfamiliar regions of the building without offering a means of escape, only of retreat. And when he paused a moment to survey the dark and doorless world around him, he heard the echoing voices.

"Mister Fizzle," they shouted at him in unison.

He proceeded to descend the stairway and resigned himself to whatever destination it would lead him, always moving with that irresistible rapidity which had possessed his body and confused his thoughts. The echoes of other footsteps were now in pursuit. They appeared to catch up to him as small and barely visible objects, soft and irregular spheres that tumbled past him on the stairs and then faded before his eyes. Soon the others would be able to see him, soon they would reach him.

At last there came an end to the prodigious stairs, and he arrived at the abysmal fundament of the building. The ground upon which he now stood seemed to be of raw clay, cold and tallowy. Ahead of him was a crude passage, nearly a tunnel, which dripped with something that gave off a grayish glow. And there were other passages and also doors within the damp walls. It seemed he had no choice but to hide within one of these rooms. For upon that slippery ground he could no longer move with the same speed that had brought him there.

He turned down one passageway after another. By then the others were with him in those dim catacombs. It was time to take refuge behind one of the doors, each of which perfectly withheld the secret of whatever lay behind it.

The room in which he closed himself was lit by a dimmer light than that of the passages outside. It was an oily and erratic illumination which seemed to emerge from thick pools and patches of corruption that mottled the greasy clay of the floor. An atmosphere of filth and decay occupied the room, a rank presence that was the soul of slaughter. Indefinite in its dimensions, the chamber seemed to be a place of disposal for a kind of fleshy refuse. He was about to seek a more tolerable sanctuary when two figures stepped out of some dark recess within the room.

"Mister Thump," one of them said without the slightest movement of his thin mouth. So it was not they who spoke, but something else which spoke through them, something which practiced a strange ventriloquism.

When he turned to try and escape through the door, he found that it was stuck, jammed within its frame by shadows clogging its edges, oozing out like black suet.

"Thump, thump, thump," whispered the voices approaching him.

* * *

An interval of oblivion passed, and it was an entirely different room in which he awoke. This was a small, bare cubicle lit only by a peculiar radiance which shone through a narrow slot in the large, locked door. There were no windows in the room. The floor felt gritty and vaguely shifting, as if he were being supported by very loose sand. He lay against a wall in darkness, with only his thin legs projecting into the strip of light cast upon the floor.

A voice was whispering to him from somewhere. Slowly the words gained force, yet somehow they remained an abstract sound which merely flirted with messages, never really cohering. The voice seemed to be reaching him through the wall, for he was alone in that room. And still the tones were emphatic, even piercing, as if unaffected by the dulling interference of a barrier.

"Listen," the voice said. "Are you listening now? I am also a prisoner, but it is not the same for me. Things have changed in this place. I know that you wonder about those ones who brought you here, and about other things. Are you listening? Someone made them, you know.
He
is the one who made them, he could do such things. And he did something else, something that he is still doing. For he could never truly perish. Things have changed since he came to this place. He came here with strange dreams, and things began to change. He hid himself here and practiced his dreams. Bones and shadows, are you listening? Pale bones and black shadows. And now he is gone but he is not gone. I know my voice is not the same, if you are listening. It is only an echo now. I have heard so many voices, and how could I not become their echo? The echo of dreams, dreams of bones and shadows together. Do you know the shadows I mean? They draw you toward them, they take you into their blackness. But that is where you would go. Something in the very bones reaches out to the shadows and their blackness. He dreamed about this, and he practiced this dream. The bones themselves are only pale shadows, the dust of shadows. Where they are gathered, so are shadows gathered there. And they are dreamed together. These dreams have not gone from this place. Everything is the subject of shadows, everything serves them and their blackness. The bones are silent because the shadows have taken their voices. He dreamed about this. Now we are all servants of shadows, and they have taken voices from the bones to join with their blackness. The shadows have taken these voices now. And they are using them, listen to my words. Things have changed but everything continues as he dreamed it would be. Everything continues but is not the same. And are you..."

But the words were interrupted when the door groaned and swung slowly toward him, flooding his cell with a confusing radiance. In the open doorway were two figures which stood lean and dark and without features against the flaring incandescence. Yet they were not hindered by the brilliance and moved toward him with a mechanical efficiency. They positioned themselves on either side of his slouching form, then lifted him easily off the floor. He struggled awkwardly, at last gripping one of their pale hands and pulling on it. The skin slipped back from the wrist and bunched up like a glove; underneath was revealed a kind of stuffing composed of pale chips and slivers that cohered within a thick black paste.

They brought him out into the narrow circular corridor, where the brightness of a multitude of hanging lamps eliminated any suggestion of shadows. He noticed, as he hung in the grasp of the two servants, that the neighboring cell had its door wide open and was without an occupant. But when they began to proceed down the corridor there appeared to be something that moved upon the wall of that vacant cell, evading the light. They passed other cells, all of whose doors were open and all of which betrayed a stirring along the walls within that told him they were not wholly unoccupied.

His wordless escorts now pushed him through a peaked doorway cut into the gray inner wall of the corridor. On the other side was a stone stairway which twisted through the heart of the prison. He climbed the stairs slowly and stiffly with long-fingered hands guiding him. And now shadows appeared upon the bending wall, joining themselves into an unshapely creature, a chimerical guide that knew its way and led him to a place high above. There was no variation in the light around him, yet a sense of gradual darkening imposed itself on him with every ascending step. Now he was approaching some vast and massive source of the obscure, a great nexus of shadows, a birthplace and perhaps also a graveyard where things without substance waited, a realm of first and final dreams.

The stairs ended as they emerged through the floor at the center of a great room. And here a new species of illumination - a pale and grainy phosphorescence - could be seen spreading throughout the open space around them. This strange light appeared to emanate from several transparent vessels which were shaped like urns and had been randomly positioned upon the floor or atop objects various in size. Each of these containers seemed to be filled with a colorless, powdery substance from which a cold and gritty glow was sent forth. But this glow, this scintillating gloss, did not reveal the surfaces of the room as much as it coated them with another surface, transfiguring what lay beneath.

For in that troubled glare everything lost the density and presence it might have possessed. Wide and lofty cabinets seemed to waver, barely settled upon the uneven floor. The straight lines of tall shelves took on a slight tilt and threatened to disgorge the countless books so tenuously supported there. So many books were already scattered across the floor, their pages torn out and gathered in ragged heaps that might take themselves into the air at any moment. Located in a far section of the chamber was an armory of curious devices mounted upon the wall or suspended by wires, devices which could have been hallucinations, phantoms through which one's hand would pass on attempting to use them as they were designed to be used. And they seemed to have been designed for projects that involved rending and ripping, flaying and grinding. Yet all of these instruments apparently had lain idle for ages, displaying a corrosion which further removed them from their former substance and placed them in a category of phantasmal curiosities. Even the long low table about which these atrocious implements were congregated was dissolving with neglect.

Nevertheless, he was forced by his guardians to lie upon this coarse slab and be fettered by straps so decayed that he could easily tear them off. But the stern auxiliaries did not seem to be aware of the true condition of things: they continued to perform routine tasks that once may have had a purpose before being eclipsed by changes unknown to them.

Through the brittle haze of that room he watched his keepers as they went about some dutiful business, picking up obscure debris lying about the table, remnants of an undertaking long abandoned, or one no longer practiced in the same manner. This material they deposited in a large chest and locked it within. Then, with the studied automatism of pallbearers, they lifted the chest by its handles and carried it away, descending the stairs at the center of the room, their heavy feet scuffing the steps of that great prison tower. And echoes diminished in the depths below.