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Authors: Christine Wicker

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I said I wished to let the past die. I meant the silly, selfish, foolish moments that float around in my head and can make me flush twenty years after they happened. But I didn't say that. I also wished to stop being afraid. I could have named all the ways I am afraid, but we didn't have all night. As I rose from my knees Shawn whispered, “So mote it be,” which is a witchy version of amen.

I sat next to a harmless-looking guy with short brown hair named Ken Glover, often called Ken the Quaker Mortician because he is one. That night he was alone. Usually he brought Myrna the Death Puppet, who is his license to be “a bit naughty,” so naughty that Shawn's invitation specifically excluded the puppet.

“She's like a little grim reaper,” Ken explained. “She channels for death.”

Ken is unfailingly polite, soft-voiced, considerate. He speaks slowly, precisely, without any inflection, a little like Hannibal Lecter, Shawn said. To me he sounded more like Mr. Rogers.
Myrna, in contrast, is rude, caustic, and mean-spirited. Her voice is high-pitched and whiny with a Brooklyn accent. Ken makes no attempt to disguise his mouth movements when it's Myrna's turn to talk, I was told. Myrna is part of Ken's comedy act, during which she does psychic readings for members of the audience.

“You've made death into a comedy routine?” I asked.

“Yes. That's what I've done.

“I told this one guy that he was going to be in a car accident. He was not wearing his seat belt, and he'd have a car wreck. I said, ‘You're going to bleed to death because your head is going to go through the windshield and your head will bob up and down until the glass cuts your carotid.'

“Then Myrna said, ‘But don't worry. It won't be your fault, and you won't be cited.'

“Once I told this woman, ‘You're going to live to be very, very old, and everyone you know will be dead and you won't know anyone.'

“And Myrna said, ‘But don't worry. You won't know who
you
are either.'

“And people laugh. They think they shouldn't but they do, and I love that. That's the place I like to bring them.”

“Why do you like to do this?” I asked.

“It's the only joke I can tell,” he answered.

Myrna's predictions about death have not come true as far as Ken knows. But she does bring up things from people's lives. Myrna told Shawn that he would die in a fire started by a candle left burning in a bathroom.

“But don't worry,” she told Shawn. “You won't burn to death. The smoke will kill you.”

Shawn's home did burn once. He wasn't in it, and no one was hurt, but that reality gives extra edge to the prediction. Ken told him what he always tells Myrna's victims, “That doesn't have to
happen.” If they're careful, they can avoid that fate, he says. They still have free will. And now they've been warned.

Ken has been thrown out of at least one party, and he's often told to leave Myrna at home. Jacqui hates the puppet, calls her a potato on a stick. Teisan stays as far from Ken as he can. “He gives me the willies,” he said.

Myrna scared me too. I didn't want to hear what she might tell me, but I had to meet her. I couldn't resist. It took a while to arrange, but a month later we met for lunch. Restaurants are my least favorite places to meet. They're too noisy, and it's hard to take notes while you eat. But people like them. This time I had already eaten so my hands would be free to take notes. I ordered iced tea. Ken ordered soup. Myrna was in her black carrying bag. Gently Ken pulled her out, smoothing her dress. We both looked at her.

Myrna has a carved mahogany head with hollow sockets for eyes and a slight smile in the void that is her mouth. Some people think she was carved out of casket mahogany, but that's not true. For hair, Myrna has one piece of rope with unraveling ends that wave wildly about her skull. Her clothes are made from a black shirt that Ken got off a guy he met on the dance floor. She carries a sickle, which she sometimes uses to sip drinks when at lunch.

Her head is large compared to her body, which is a stick underneath a robelike black dress. Not a bad-looking puppet. She could definitely star in a nightmare. No way would I have said anything bad about her hair or her big head. I looked at her for some time, but she didn't speak. Ken put her away.

We talked for the next two hours. Early on I asked a question he must have answered a million times. Why mortuary work? He said he'd taken a computer aptitude test that indicated he could be either an engineer or a funeral director.

“Funeral director seemed like it would impress people more, but later I found out that lots of people who take computer aptitude tests get funeral director.”

Ken believes that being a mortician protects him from dying too early or too painfully.

“Since I clean up after death, I've thought that death would give me a certain amount of favoritism.” Some morticians become overly cautious and fearful, and in that way Myrna helps him.

“Whenever I think of death, I'm not thinking of dying but of something that Myrna can say about it,” he told me. Without Myrna, he wouldn't be able to give prophecies. “If someone asks how they're going to die, all I get when Myrna's not with me is,
You're going to stop breathing. The same as everybody.
Myrna's my id,” he said. And maybe something more.

Ken built the original Myrna with his friend Richard. Ken first saw Richard across a bar. There was a certain smugness about him that Ken liked. “He was probably trying to look sexy.”

Ken said to a friend who knew Richard, “Introduce me.”

The friend said, “You don't want to meet him. His T cells are 17. He's dying.”

Ken said, “Introduce me.”

At the end of the evening Ken told Richard, “I'll call you.”

“Don't call me. I may be dead. Let's make plans.”

The next week Richard was in the hospital, but he didn't die. He lived a few more years, and they spent a lot of time together. Cutting humor was a big part of their friendship. “I hope you die,” Ken would sometimes snarl at Richard after particularly funny insults, and they would laugh. Richard's humor was a lot like Myrna's. It's love disguised as cattiness, Ken said. “It's a warning. Change or prepare to die.”

The last time he saw Richard was before Ken left on a trip to Spain.

“I had to walk out of the house and not look back because I didn't want to upset him or myself any more than I was,” said Ken. “It was very painful. I never saw him again, and that always left a tremendous hole in me.”

And how does being a Quaker fit with Myrna? Being a Quaker is about centering down, about being a voice for God's spirit, said Ken. So maybe there's a connection.

“You don't think Myrna is God speaking, do you?” I asked.

“No, I don't think that,” he said. But she might be Richard.

Myrna has never told Ken about his own death. “I've never asked, and she's never said,” he said. “I never will ask.”

At the end of lunch Ken picked up the bag that held Myrna and smiled at me.

“Myrna didn't get to tell you anything about your death, but that's okay,” he said. “And you know why? Sometimes you don't need to know. And the other thing is that sometimes you're not meant to die until it happens. There's no predestination. Sometimes you just live your life.”

“So you mean sometimes Myrna has nothing to say?”

“That's right.”

“Because she doesn't know?”

“That's right. You're probably not taking any risks.”

“Not if I can help it,” I said, a big understatement.

I left Ken still not understanding him or his audiences. Who would find such stories funny? And how could this man who seemed so kind get his yucks in such a crass way? How does a man spend Saturday night scaring the wits out of people and then go to a Quaker church on Sunday morning where all he does is sink into himself and listen for God?

He had assured me that he wasn't on medication and had never been. “Mental institutions?” I asked. No, he said.

I pondered Ken's story for weeks. I looked through my notes and thought about everything he'd told me. And finally I got it.

One story gave me the clue.

“I was at a party one time, and someone said, ‘Read for David over there, he's a jerk,' but they used more colorful language,” Ken said. “I happened to know David. He was a neighbor of a friend of mine, but David didn't know this. So I set about doing a reading that would really zing him. I asked, ‘Is there someone here drawn to know how they're fated?'”

Ken imitated David's gravelly feminized voice. “Yeah. I want to know. How am I going to die?''

“I see snow. It's two, three in the morning, and it's cold and crisp, and the snow is swirling around the street lamps, and when it falls it's very quiet, and you can almost hear the ice cracking. It's that beautiful hush. I see you on a little stone path.”

Ken explained to me, “He has a little stone path going to the street. I must have been aware of that because I'd been by his house.”

Then he resumed his story. “I see you walking out to the street. I hear a scraping noise. A scraping noise. It's a snowplow, and it's coming into a cul-de-sac.”

Then he did David's gravelly voice: “Oh, my God, I live in a cul-de-sac. Oh, my God.”

“The driver of the snowplow doesn't see you, and he runs into you and knocks you down. You can't get up.”

“Am I going to die? Am I going to die?”

“No, I think you're going to be all right. He just knocked a lot of snow on you. It's just as well. That will keep you warm until you can get up. You're okay. You'll be able to get into the house in a little while.

“Oh no,” Ken continued, “I hear something coming. It's the snowplow. He's coming back, and, oh no, he's broken your legs. Now you can't get up.”

Ken's victim started saying, “Oh no. Oh no. I'm going to be plowed to death. I'm going to be plowed to death,” which was a double entendre because they were in a gay bar.

“And people are laughing,” Ken said. “It's sounding really crass at this point. He's having a hizzy.

“And then I said, ‘I see you in the house.'”

“Did I get in the house?” David screeched.

“No, it's earlier. You're on the phone. Did you call the city and make sure they come around twice? Why did you do that?”

“Yes, I did that.”

“Why did you do that?”

“I wanted to make sure there was a parking place for the Cadillac.”

Then David asked, “How can I avoid this?”

And Myrna replied in her Brooklyn nasal tones, “It's July. Buy rock salt while it's still cheap.”

The story was over. Ken didn't laugh. He never laughs, but he looked pleased in his deadpan way. I asked, “What happened to the guy?”

“He had a nervous breakdown, and he did a really bad thing. He hit his father and he had to move out. He had to move into the Y right down the street from me, and I had to avoid him every time I went out.”

“But he didn't die from a snowplow?”

“No. He moved into a place where he didn't have to have snow plowed. He didn't even need the rock salt.”

Ken hadn't spelled it out, but I'd always known that he was gay and his comedy was performed in gay clubs. One of his jobs was at an AIDS resource center doing prevention work. At the time we talked, Ken was thirty-two. During the worst of the AIDS crisis, when no medicine helped and people were dying by the thousands,
he had been a kid just coming into his own sexuality. Now he worked primarily in an AIDS outreach center. I looked back through my notes. They were full of terrible ways for people to die. But nobody died of AIDS. Nobody wasted away terribly, weakening with one horrible affliction after another.

There it was. Die violently. Die with great suspense. Die in weird ways that no one can foresee. Of course they would laugh until they couldn't sit up. It would be impossible not to, no matter how guilty you felt. Sitting in a dark bar, sex thick in the air. Take another drink. Anybody might raise his hand, volunteer to be the goat. It would all be so tense, so frightening, and such a huge hysterical relief. And who better to give you that release than Myrna, channel for Richard, the man who once sat across a bar looking so sexy, of whom it was said, “You don't want to meet him. His T cells are 17. He's dying.”

When I first met Ken and Myrna, I thought they were just out to terrify people for laughs. A lot of people saw him that way. Like Siva the Satanist and Tracy the Vampire, Ken hardly defended himself, thereby fitting into Siva's Great Martyrdom Cult well. Like some great scary prophet of Jehovah, Ken held up doom as a warning. It had seemed at first that Ken's allegiance was to fear and death, but that was the surface truth. The inside truth was that life or light or the good, whatever you want to name it, was calling Ken, and through Myrna, the potato on a stick, he was answering. Weirdly, yes, but it was an answer.

Here it was again—a paradox that I didn't have a name for. Maybe it was nothing but good intentions, startling me because they weren't clothed in the high-toned talk that usually accompanies noble motives. Outsiders wouldn't call good intentions and good magic the same thing, but old Crowley might. Remember his
definition of magic as “the science and art of causing change to occur in conformity with will.” Will. Intention. They seem close to the same thing. What Siva was doing, what Tracy represented, and what Ken hoped would happen when he used Myrna to warn party boys, it all seemed like good magic to me. I'd hoped for more, but this was good, and I was glad to find it.

Part Three
MIRACLES
AND WONDERS

Connect, only connect.

—
E. M. FORSTER

I
f I really wanted to know about hoodoo, I would need to talk with African American rootworkers, Cat told me. Hoodoo's combination of African magic and Christian ideas is an oral tradition handed down from generation to generation since slave days. It has a Catholic flavor in Louisiana and a Protestant flavor in other parts of the South. As blacks intermarried and mingled with Native Americans, it sometimes picked up elements of Indian magic. When they moved during the Great Migration, it sometimes picked up elements of magic practiced in the eastern and northern United States. Each hoodoo doc taught things his own way, and although there have been white people who practiced the magic, it belongs to African Americans in a way that it can never belong to anyone else. It's their heritage, running through their blood, showing up in their dreams, speaking to them in a voice they understand better than anyone else.

“You'll have to go into black neighborhoods,” Cat said.

“I can do that,” I said, miffed. I'm afraid of disease, afraid of death, afraid of bad magic, afraid of airplanes, afraid of terrorists, but I am not afraid of black people, and I was touchy about somebody thinking I might be. I was raised in the South, and I sound like it. Southerners who leave home sometimes face assumptions about who they are—conservative, prejudiced, reactionary, stupid. To be fair to Cat, I also look like a white woman from the suburbs, because I am one, and white women from the suburbs are often afraid of black people. But I am not. Not even white women from the suburbs are only what they appear to be.

Cat was reluctant to give me names of rootworkers. She said I could find them myself if I wanted, but I kept hanging around, and finally she suggested I call Dr. Christos Kioni. This was before
The Lucky Mojo Hoodoo Rootwork Hour
started, so I didn't know anything about Kioni yet. A former Pentecostal preacher who lived near Orlando, he was one of the best rootworkers she knew. Customers she referred to him were often so happy with the work that they called her to tell her so.

“He might talk to you,” she said.

I looked on the Web and quickly found his site, but Dr. Kioni's Web presentation was about how to have prosperity. It didn't mention hoodoo, and it seemed that I'd have to go through PayPal to talk to him. I didn't do it. I'd had enough of moneymakers in Salem.

Luckily I had also signed up for Cat's online hoodoo course, which was filled with people avid about magic. For a year I lurked, learning that a hoodoo wagon is a hearse and that if the spirits come in a dream offering food, don't eat it. I learned that to keep a hag from riding you during the night you need to put screens on the window or a sieve near the bed. Hags can't get to your bed until they have counted every hole, by which time it will be daylight. To
get rid of a hag forever, find the skin she abandoned before she began to fly and salt it. Cat likes to tell of the hag who returned to find her skin so shrunken she couldn't get back in. “Skinny, skinny, don't you know me?” she wailed.

I learned when burning candles for magic to watch the flame. If it goes out or burns dirty, that's bad. The buzzard is a sacred bird, and a line dance called the buzzard dance has great power. Brushing a buzzard wing over somebody will remove a jinx. The original Dr. Buzzard out of Beaufort, South Carolina, the most famous and powerful of all the hoodoo conjurers, was a white man, according to Cat. Lots of Dr. Buzzards have sprung up since. Legend says that when one of the most powerful African American Dr. Buzzards from St. Helena Island died, his bones were buried in an unmarked grave because so many conjure docs wanted the bones' power that they never would have been allowed to rest easy.

Dr. Kioni was in our class, but he wasn't online much. One day, however, he answered a question from a new rootworker about how to deal with clients. At the end of the message he signed off by writing, “I wish for you all that I wish for myself.” A man with a spirit that large might be worth meeting.

So I e-mailed him. He sent me his phone number. I called. We talked. The next day Expedia sent me a message. I could fly straight to Orlando for $135. It seemed like a sign.

 

O
ver the years a number of women had volunteered to come to Kioni's suburban Florida home to get to know him better. Unlike the others, whom he hadn't allowed to visit, I kept all my clothes on. He had thrown the photos away, but a lot of women have sent him pictures showing parts of themselves they'd be better off keeping private.

“Some of these women are really bold,” his wife, Marilyn, told me. “You wouldn't believe it.”

I probably wouldn't.

Dr. Kioni, a tall, well-built man, shaved bald with a goatee, was dressed in an embroidered Mexican shirt and dark pants when he came out to greet me the first day of my visit. He spread his arms wide and said, “Welcome.” As well he might. Kioni had done rootwork two years before to bring a storyteller into his life. And there I was, sitting in his driveway with a notebook in one hand and a tape recorder in the other, believing myself to be the captain and sole director of my own destiny. He never doubted that I would arrive.

“I did the work right back there,” he said two days later, nodding toward his backyard, where I could see a frost-damaged banana tree and palm trees. “I asked for someone to come here and tell my story.”

The only clue that Kioni's white stucco house contains anything mysterious is an eight-sided mirror over the front door. It's easy to overlook. “That's a bagwa,” he told me. “It's to deflect energy.” Like many magical people, Kioni combines a number of different systems. The bagwa is feng shui.

A row of devil's shoestrings is buried next to the walk leading to his door. That's hoodoo, but no one would know they were there unless Kioni told them. Devil's shoestrings are a powerful root, and Kioni's are meant to keep ill-meaning people away. If anyone particularly unpleasant does get through his door, Kioni might ensure he doesn't return by sprinkling salt along the doorsill after he has left, sweeping it out toward the street, and then placing the broom upside down at the doorway. His magic has worked against a pesky cable television employee and against a young woman whose attire suggested she might be a little too racy for his youngest son. Neither has crossed his threshold since.

“What would happen if someone came here who had ill will toward you?” I asked.

“They wouldn't be able to get in,” he said. I wondered if he had watched closely as I approached the door that first time, speculating on whether I would be stopped, and if he would have shut the door against me if I'd stumbled.

One of the first stories he told me was about the evening Mary the Holy Mother of God appeared in the left-hand corner of his bedroom. It was dark but not late. He was in bed but not asleep. The other side of the bed was empty because earlier in the evening Kioni and Marilyn had argued. She was watching a sports program in the den and planned to sleep on the couch, as she sometimes did.

He was lying in their bed feeling sorry for himself and for his wife because of things he had said. He'd let his meanness come out, and it wasn't the first time. Now his back hurt. His head ached. His legs twitched. He felt all the old scars rising, some on his body, many in his mind. They were thirty, forty years old and it didn't matter. The ones on his feet, his ankles, the long gash up his shin, the crescent on his left hip were like puckered snakes slithering against the chocolate of his skin.

In his mind he heard a familiar hiss.

You ain't never going to be nothing. Crippled little bastard. You lucky somebody took you in. Nobody want you.
Those words had been said to him too many times to remember. He had tears in his eyes so that when the Blessed Virgin first appeared he had to squint through them to make her out.

“Why do women always leave me?” he was crying when she appeared. “Every woman I've ever loved has left me.”

If the Mother of God was in the business of bringing healing and motherly love, as she often seems to be, she'd picked the right bedroom. Kioni's unmarried mother had abandoned him in the
hospital when he was three months old and sick with polio. After the first of many operations, a second cousin named Pearlie Mae came for him. Legally blind, she wore dark glasses so that he never was able to look into her eyes. She took him to the boardinghouse she operated. As he grew he learned to mop and wax, to dust and change beds. The boardinghouse was over a bar, and prostitutes often rented the rooms for an hour or two. Kioni, who was called Ken then, would clank up the stairs in his leg braces, bringing them soap, towels, and a basin of water. After they left, he would throw the water out. If he displeased her, Pearlie Mae punished him in ways that he hasn't gotten over yet.

Many operations followed that first one. Kioni can't remember anyone visiting him in the hospital. Nurses and doctors wore masks, afraid of contagion. No one touched him tenderly. At twelve, he refused to have another operation. The only picture he has of himself as a child is from that year. It sits on the television in his den. His cheeks are round and smooth, but a line of mustache makes him look older than twelve. He is scowling.

When Kioni was sixteen, he teamed up with the popular boys at school and began robbing convenience stores. He held the shotgun while the other boys got the money. The gun was empty. At first, they didn't have money for shells; later, when everyone in town was talking about the robberies, they didn't have the nerve to buy them.

His criminal career ended within a few weeks when the other boys panicked and ran for the car one night. He couldn't keep up. They circled back to get him, but not before the shopkeeper saw that he had a limp. Only two black teenage boys in Rockledge, Florida, had a limp. The other boy had an alibi. The city's sole African American policeman visited Kioni not long after that to
suggest that he could testify against the other boys and go free or he could go to jail alone. He agreed to testify. Before the trial came up, Pearlie Mae sent him to California. He never believed that she forgave him.

“Why, why do the women I love always leave me?” he was busily imploring when he noticed that a portal seemed to be opening above him. Light came through like a sunbeam through clouds, and in the middle of the light was the face and torso of the Blessed Virgin. Pentecostalism is not a branch of Christianity in which visions of Mary figure prominently, or at all in fact. But Kioni knew who she was. Anybody would.

She was looking at him tenderly. “I've never left you,” she said with exactly the tone he yearned to hear from a woman. He'd never realized that the Queen of Heaven was tracking him, but it would have been rude to say that.

She smiled again and said, “Do you remember when you were in the hospital and a woman came during the night? She was dressed in white like the nurses. She took you out of bed and held you in her arms. She sat in a rocking chair and rocked you.”

It was a memory that Kioni had forgotten until that moment. And then, yes, he did remember.

“That was me,” the apparition said. “I was always there with you.”

Kioni then asked her the question that he had never been able to ask his mother, who had died.

“Why did my mother leave me?”

“Your mother loved you. She always loved you, and she loves you still. She's here with me now, and she wants me to tell you that she loves you.”

For Kioni, a middle-aged man with five children and a couple of grandchildren, those words fell like cool water on a fresh burn.

“Look into my heart,” the Holy Mother said. When he did, the front of her garment opened and he could see her heart, plump and red, just as it is in Sacred Heart paintings. The heart was suffused with a dazzling white light that Kioni looked into. It filled his vision and wrapped around him until he was inside it and finally part of it.

And he felt wonderful—healed and happy and at peace.

 

I
don't know if Mother Mary comes in the night to many people who are alone and in sorrow. I'm willing to bet that if she does, most of them wouldn't tell it. She's never come to me.

But something has. Once.

I was lying in bed with my dog, Pogo, next to me. My husband was working in his study down the hall. I was thinking about how there isn't any God. I wasn't in a particular dither over it. On this night, believing in God seemed preposterous, and so I was turning the ridiculousness of it over in my mind when something came into the room. I couldn't see anything, but I could feel it. It was a presence standing to the left side of my bed about where my shin was. The presence was about my height, maybe a little taller, and as wide as an average person, not so big as to be scary. In my mind I heard the words,
If there's no God, what am I? What is it that just came into this room?

I didn't answer. Something was there, and I didn't want to disrespect whatever it was, but I couldn't bring myself to answer, so I looked at the spot and said, “Ummph.”

About a year later I told a friend about the visitation. She asked, “What was it?”

Her question caught me off guard. It seemed obvious and strange to have to say it. But she had me cornered, so I did.

“It was Jesus,” I said. The name felt funny in my mouth, so I emphasized the first syllable the way evangelical preachers do.
JEE-
sus. I had considered saying, “God,” but that was too much of a reach.

My friend laughed and asked, “So what did you do?”

“I went to sleep.”

That's what almost anybody would do, I believe. There's a scientific name for what happened to Kioni and me. It's called a hypnopompic vision, which means a vision that occurs between waking and sleep. Such visions aren't anything real, just a little glip in imagination. Ask the scientists, they'll tell you. They'll advise you to forget about it, just what they would have said to Florence Nightingale, who went to the Crimea and revolutionized nursing after she heard the voice of God calling her to take up his work. They'd have told Walt Whitman to forget about whatever numinous experience it was that changed him from an unheralded reporter to a man so inspired that he became one of America's best-loved poets. They'd have told René Descartes to stop his ears when the Spirit of Truth told him that mathematics is the key to unlocking the secrets of nature. They'd have advised Saul of Tarsus to keep right on pitching Christians to the lions. They'd have told Joan of Arc that she was nuts to think a girl could lead France's armies to victory. They'd have counseled Edison to ditch the idea that his hard work was supported by a universe that could be counted on to feed him one solution after another.

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