NYPD Red 4

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Leopold Bassett flitted
across the room to where his brother, Maxwell, was quietly nursing a glass of wine.

“Max, I just heard from my spotter in the lobby,” Leo said in a giddy half whisper. “Lavinia is on her way up. Can you stop brooding for twenty minutes?”

“I'm not brooding. I was just enjoying this absolutely
exquisite
Sancerre and trying to calculate how much this latest junket of yours is costing us.”

“You can stop calculating,” Leo said, “because now that I know Lavinia is coming, it's worth every dime. She's the only one we really care about.”

“Then why did
we
pay fifteen thousand dollars for the Royal Suite at the Ritz-Carlton, and what are the rest of these freeloaders doing here besides pigging out on caviar and swilling champagne?”

“Max, I don't tell you how to design jewelry, so don't go lecturing me on how to plan a
soirée de publicité.
If Lavinia walked into an empty room, she'd walk right out. These people are cannon fodder. I papered the house.”

“For one lousy gossip columnist?”

“
Gossip?
Try
fashion guru.
People hang on every word this woman writes, every photo she prints. She's a tastemaker, a trendsetter.”

The door to the suite opened, and Lavinia Begbie entered.

“Well, well,” Max said. “Judging by the arched eyebrows and frozen forehead, it looks like the hot new trend is Botox jobs gone horribly wrong. Her face looks like she had a stroke.”

“I hate you,” Leo said, and hurried across the room to greet the new arrival and her entourage: a photographer, an assistant, and a West Highland white terrier that Lavinia was cradling in her arms.

She set the dog on the floor, air-kissed Leo, and headed straight for Max. “Maxwell Bassett—jeweler to the stars,” she said, shaking his hand. “A pleasure to finally meet you. You're quite the recluse.”

Max smiled. “Leo is a tough taskmaster. He keeps me locked up in my studio designing baubles for bold-faced names.”

“Locked up, indeed,” she said. “The last time I spoke to Leo you were somewhere in Namibia hunting white rhinoceros.”

“Please don't print that,” Max said, folding his hands angelically against his chest. “PETA hates me enough as it is.”

“Leo, be a dear and fetch me a double bourbon, neat,” Lavinia said.

“Done,” Leo said. “How about your dog? Can I get her a bowl of water?”

“Don't bother. Harlow loves cocktail parties. She'll wait until someone drops a bit of food, then she'll gobble it right up. I call them floor d'oeuvres.” She turned her attention to Max. “Let's talk.”

“It took months,” he said, launching into his canned presentation, “but I finally found twenty perfectly matched four-carat emeralds—”

“Please,” she interrupted. “Spare me. Your publicist emailed me all the details, and my photographer will get a shot of Elena Travers on her way to the red carpet. I'm here to talk about the rumors.”

“They're all true,” Max said. “Leo is gay. I told him you were onto him.”

“I've heard you're planning to get into bed with Precio Mundo,” she said.

“Precio? The big-box store? How could they possibly market a brand like Bassett? Mark the hundred-thousand-dollar bracelets down to eighty-nine thousand and put them in an endcap display?”

“Don't be coy, and don't sidestep the question. According to my sources, they want you to create a line of—”

“Ladies and gentlemen, may I have your attention, please.” Sonia Chen, Leo's publicist, stood outside the bedroom door. “I've met a lot of leading ladies, but none more stunning or more gracious than the young woman who will be walking down the red carpet tonight at the premiere of her latest film,
Eleanor of Aquitaine.
It is my honor to present Elena Travers.”

The actress stepped through the door wearing a strapless white Valentino gown that was perfectly set off by Max's latest masterpiece. The guests applauded, cameras clicked, and from the other side of the room Leo Bassett called out, “At long last—I have found the girl of my dreams.”

The crowd laughed, and Leo rushed toward Elena, his arms spread wide. “Darling,” he cooed, commanding the room, “you look ravish—”

As soon as his foot connected with the West Highland white terrier, Leo's body pitched forward. Harlow squealed, Leo shrieked, and hands reached out to break his fall. But nothing could stop his momentum until he crashed into a buffet table and landed on the rug, covered with sea bass ceviche.

A waiter helped him to his feet, and Sonia immediately materialized with a handful of napkins and began to brush the fish and salsa from his tuxedo. Leo waved her aside and stood center stage. “First rule of show business,” he said, playing to the crowd. “Never work with kids or dogs.”

Nervous laughter from the guests.

He smiled at Lavinia. “And how's little Harlow?”

“She's upset, but she'll be fine,” Lavinia said, cuddling the Westie in her arms. “Leo, I'm so sorry—”

He held up a hand and turned toward Elena. “My dear, I'm afraid you'll have to find another escort.”

“Oh, Leo,” Elena said, “nobody cares about a little cocktail sauce. Come on. We'll have fun.”

“For God's sake, Leo, go.” It was Max. “Nobody's going to be looking at you anyway.”

“No,” he said, lashing out at his brother. “Leo Bassett is not walking down the red carpet smelling like a fucking fish stick.”

He turned, stormed into the bedroom, and slammed the door.

Max stole a glance at Lavinia Begbie, wondering how she'd react to Leo's theatrics. But her face had been injected with so much wrinkle-numbing botulinum toxin that it was impossible to tell.

Ian Altman scanned
the people standing behind the velvet ropes at the Ziegfeld Theater, looking for someone to shoot, but there was nobody interesting.

In fact, there was practically nobody at all. The carbon arc searchlight beams that crisscrossed the sky were doing a piss-poor job of attracting a crowd to the premiere of Elena Travers's new movie.

That was the problem with having these red carpet events in New York, Altman thought. In L.A., the glitterati showed up. In New York, anything that blocks the sidewalk is just another freakin' inconvenience.

As if to prove his point, a man trying to skirt the police barrier crashed into him, practically knocking the camera out of his hands.

“Asshole,” the pedestrian yelled. “You people think you own the streets?”

Altman had been trained to avoid run-ins with the public. “Not
own,
sir,” he said. “I'm with the TV crew, and we do have a permit that allows us to—”

The unmistakable thunderclap of a gun blast cut through the air, and Altman instinctively swung his camera in the direction of the sound. In the same instant, a dozen officers from the best-trained urban police force in America kicked into full emergency response mode.

Guns were drawn, radios came alive, and orders were shouted. A second shot followed, and the cops fanned out—some heading west in pursuit of the shooter while the rest tried to herd the stampeding crowd in the other direction.

Bullets didn't scare Ian Altman. He'd done two tours in Afghanistan as a combat photographer with the air force. He dropped to one knee and pointed his camera toward the action.

Through the lens, he could see it coming. A white stretch Cadillac careened out of control down West 54th Street, sideswiped a cop car, ricocheted off an NYPD traffic van, and plowed head-on into the pair of eight-hundred-million candlepower searchlights that had been lighting up the night.

Xenon bulbs exploded, and a hail of sparks and glass showered down on the cameraman as he zoomed in on the driver's side window, where a body was slumped over the steering wheel.

The first wave of cops advanced on the limo, barking at the occupants to come out with their hands up.

Altman wheeled his camera around in time to catch a young man, his shirt covered in blood, stumble from the back door. Cops came at him from all sides screaming, “Down on the ground! Now, now, now!”

The man fell to his knees, threw his hands in the air, and screamed back, “She's been shot! Get an ambulance!”

A sergeant yelled a command, and two cops approached the limo, peered inside, and then holstered their guns. The female cop crawled into the backseat while her male partner ran around the vehicle and entered it from the opposite side.

They slowly eased Elena Travers out of the car and set her down under the marquee—a rag doll, the front of her white gown as red as the carpet beneath her. The female officer knelt down and gently cradled Elena's head.

The actress tried to speak, but all that came out was a pained whimper. The cop leaned in close, and Altman moved in tight enough to read her lips.
“It's going to be okay. It's going to be okay.”

It wouldn't.

Ian Altman's pulse was racing, but his hands were steady as he framed the tableau in his viewfinder. The actress and the cop, their eyes locked in an unfathomable bond. And then Elena took one last breath, and the light in her eyes went out.

Altman had captured death on video before, but it had always been surrounded by the horrors of war. This was almost peaceful, but at the same time so much more gut-wrenching.

Out of respect, he began to widen his lens, pulling back until he could compose his final shot, one that was going out on the air live, and would eventually go viral and be seen by hundreds of millions of people around the world: Elena Travers, flawlessly beautiful, even in death, except for the deep gouges on her skin where Maxwell Bassett's one-of-a-kind, eight-million-dollar masterpiece had been ripped from her chest.

Nothing attracts a
crowd like a dead celebrity.

By the time Kylie and I arrived at the crime scene, a wave of humanity had descended on the Ziegfeld Theater, bearing candles, flowers, stuffed animals, and, of course, pictures of the late Elena Travers.

The
Daily News
would sum it up with one word in their morning edition.

“Zach! Zach Jordan!”

I looked up and saw Stavros Kellepouris walking toward us. Sergeant Kellepouris was old-school, tough on his officers and even tougher on himself, which is why cops who work for him either respect him, hate his guts, or both.

“Zach, I knew they'd kick this one up to Red,” he said, shaking my hand. He turned to Kylie. “And you must be Detective MacDonald.”

“Kylie. Good to finally meet you, Sergeant. And for the record, it didn't get kicked up. It came down from on high. What have you got so far?”

“A dead movie star, a limo driver in the OR with a bullet in his back, two perps in the wind, and a video which won't give you much to go on.”

“You're right,” she said. “We've seen it.”

“The whole damn city has seen it,” Kellepouris said. “There were maybe fifty, sixty people here when they thought she was showing up alive. But stretch her out in a pool of blood on the sidewalk, and an army of vultures shows up with their camera phones hoping to capture a piece of Hollywood history.”

“Give us a rundown of what went down before the shots were fired,” I said.

“Quiet night, just the usual paparazzi you have to wrangle and keep behind the ropes, but it was no problem. I had more cops than I needed.”

“Why's that?”

“It's all part of the Hollywood bullshit game. Travers was wearing this zillion-dollar necklace, and somebody in PR thought it would look better with twelve cops to guard her instead of four. The studio pays the city for the security, so they can hire as many as they want. We were all just props in blue uniforms, until the shit hit the fan.”

“Tell us about the man who was in the car with her.”

“Craig Jeffers. He's her personal trainer, but from what he told me, they had another kind of personal relationship going on that they kept under wraps.”

“What can you tell us that we didn't see on the video?”

“It looks like it started out as a simple snatch-and-grab. Two mooks with guns stopped the limo. I don't think they had any intention of hurting anyone. They just wanted to heist some bling.”

“What went wrong?”

“It was Jeffers. He's a bodybuilder—macho to the core. He decided to go all Jason Statham and wrestle the gun away from one of the perps. It didn't work out the way he planned.”

Kylie shook her head. “Men are such assholes,” she said.

Kellepouris grinned at me. “You got lucky, Zach. I like this one. She sounds a lot like my wife.”

“Anything else?” I said.

“I got stripes, Zach, no shield, so I didn't dig very deep. Also, Jeffers seemed too devastated to handle a lot of questions. What he did was beyond dumb, but you've got to feel sorry for him. That poor bastard will have Elena Travers's blood on his hands for the rest of his life.”

“That's what I like about you, Stavros,” I said. “You never hold back on your opinions.”

“I hate to disappoint you, Detective, but that's not my opinion. Those are Craig Jeffers's words, not mine.”