Oil (filmed as There Will Be Blood) (8 page)

V

It was cool at the beach in summer, and back at Lobos River it was hot as the original fires; so the family was going to move. Dad wasted very little time on such a matter; he dropped in at a real estate agent's, and asked for the best furnished house in town, and drove out to an imitation palace on the ocean front, and looked it over, and went back to the office and signed a six months' lease for twenty-five hundred dollars. Outside, this house was plaster applied to chicken-wire, or something that looked like it; inside, it was shiny like the home of Mrs. Groarty, only it was imitation mahogany instead of imitation oak. There was a big entrance hall, and a drawing-room on one side, and on the other a dining-room, with elaborate up-to-date "built-in" features. To these the owner had added furniture regardless of expense or period: spindley-legged gilded French things, done in flowered silk; mid-century American black walnut, with roses and rosettes; black Chinese teak-wood, carved with dragons. There were statues of nude ladies, in highly polished marble, and also a marble clergyman in a frock coat and a string tie. Upstairs were six bed-rooms, each done in a different color by a lady from the best department-store in town. Some people might have found the place lacking in the elements of home, but Bunny never thought of such a thing—he had learned to be happy in a hotel room, with the use of the lobby. All his life that he could remember, home had been a place which you rented, or bought with the idea of holding it as a real estate speculation. As the Indians in the Hudson Bay country kill a moose in the winter-time, and move to the moose, so Dad started an oil-well, and moved to the well. First came Mr. Eaton, the tutor; he was used to getting a telephone-call, informing him where the carcase of the moose was to be found. He would pack his two suit-cases and his steamer-trunk, and take the train or the motor-bus to his pupil. He was a rather delicate young man, very retiring, with pale blue eyes, and pockets that bagged because he put books in them. He had been engaged with the express restriction that oil was to come before culture; in other words, he was to teach his pupil at such times as Dad was not doing it. Dad was not quite clear on the subject of book knowledge; at times he would say it was all "bunk," but at other times he would pay it a tribute of embarrassment. Yes, he was a "rough-neck," of course, and Bunny would have to know more than he; but at the same time he was jealous of that knowledge, troubled by fear it might be something he would disapprove of. He was right in this, for Mr. Eaton told Bunny quite shamelessly that there were things in the world more important than oil. Then came the family limousine, with grandmother and Aunt Emma, driven by Rudolph, who was a combination of chauffeur and gardener, and would put on a frock coat and be a butler at parties. Beside him on the front seat rode Sing, the Chinese cook, who was too precious to be trusted to motorbus or train. Nellie, the house-maid, could be more easily replaced, so she brought herself. A truck brought the trunks and miscellaneous belongings— Bunny's bicycle and Aunt Emma's hat-boxes, and grandmother's precious works of art. Old Mrs. Ross was seventy-five years of age, and her life had been that of a ranch-woman, in the days before automobiles and telephones and machinery. She had slaved in poverty, and raised a family, and seen one daughter die in child-birth, and a son of typhoid in the Spanish war, and another son as a drunkard; now "Jim" was all she had left, and he had made a fortune late in his life, and lifted her to leisure at the end of hers. You might have been a long time guessing what use she would make of it. Out of a clear sky she announced that she was going to be a painter! For sixty years, it appeared, she had cherished that dream, while washing dishes, and spanking babies, and drying apricots and muscat grapes. So now, wherever they lived, grandmother had a spare room for a "studio." A wandering artist had taught her the handling of crude and glaring colors. This artist had painted desert sunsets, and the mountains and rocky coasts of California; but old Mrs. Ross never painted anything she had ever seen. What she was interested in was gentility—parks, and lawns, and shady avenues with ladies in hoop-skirts, and gentlemen with wide-bottomed trousers. Her masterpiece was six feet by four, and always hung in the dining-room of the rented home; it showed in the background an extremely elegant two-story house, with two-storied porches having pillars on which you could see every curlicue. In front ran a circular drive, with a fountain in the middle, and water which was very plainly splashing. Around the drive rolled a victoria—or maybe it was a landau or a barouche—with a lady and a gentleman being driven by a Negro coachman. Behind the vehicle raced a little dog, and playing on the lawn were a boy, and a girl in wide skirts, having a hoop in her hand. Also there were iron deer on the lawn—you never got tired of looking at this picture, because you could always find something new in it; Dad would show it to visitors, and say: "Ma painted that, ain't she a wonder, for an old lady seventy-five?" Agents who had come with leasing propositions, or lawyers with papers to be gone over, or foremen coming for orders, would examine it carefully, and never disagreed with Dad's judgment. Aunt Emma was the widow of the son who had died a drunkard; and to her also prosperity had come late in life. Dad set no limits—the ladies charged anything they wanted, and even drew checks on Dad's account. So Aunt Emma went to the fanciest shops and got herself raiment, and went out to uphold the prestige of the Ross family in the town or city where they were staying. There were ladies' clubs, and Aunt Emma would attend their functions, and listen to impressive personalities who rose and said, "Madam Chairman," and read papers on the Feminine Element in Shakespeare's Plays, and the Therapeutic Value of Optimism, and What Shall We Do for Our Youth? Once every month the two ladies gave a tea-party, and Dad always managed to be "spudding in" a new well, or seeing to a difficult job of "cementing off" on that afternoon. Aunt Emma particularly patronized the drug-store counters where they sold cosmetics, and she knew by name the fashionable young ladies who presided there; also she knew the names of the latest products they handled, pronouncing these names in quite naive and shameless American—"Roodge finn dee Theeayter" and "Pooder der Reeze ah lah corbeel flurry"—which, it must be added, was the only way she could have got the sales-ladies to know what she meant. Her dressing-table was covered with rows of delicate little boxes and jars and bottles, containing paints and powders and perfumes and beauty clays and enamels, and she alone knew what else. One of Bunny's earliest memories was of Aunt Emma, perched on a chair, looking like an enlarged paro-keet in a harness. She was only half dressed, paying no attention to him, because he was so little; so he observed how she was laced and strapped up in armor—tight corsets and dress-shields and side-garters and tightly laced little boots. She sat, erect and serious, putting things on her cheeks and eye-brows, and dabbing herself with little puffs of pink and white powder; and at the same time telling Bunny about her husband, deceased many years ago. He had had many virtues, in spite of his one tragic weakness; he had had a kind heart, so sweet and generous—"yes, yes," said Aunt Emma, "he was a good little man; I wonder where he is now." And then, dab, dab, she was patting the tears away from her cheeks and making them pink again!

VI

Far down in the ground, underneath the Ross-Bankside No. 1, a great block of steel was turning round and round. The under surface of it had blunt steel teeth, like a nutmeg-grater; on top of it rested a couple of thousand feet of steel tubing, the "drill-stem," a weight of twenty tons pressing it down; so, as it turned, it ate into the solid rock, grinding it to powder. It worked in the midst of a river of thin mud, which was driven down through the center of the hollow tubing, and came up again between the outside of the tubing and the earth. The river of mud served three purposes: it kept the bit and the drill-stem from heating; it carried away the ground-up rock; and as it came up on the outside of the drill-stem, it was pressed against the walls of the hole, and made a plaster to keep the walls rigid, so that they did not press in upon the drill-stem. Up on the top of the ground was a "sump-hole," of mud and water, and a machine to keep up the mixture; there were "mud-hogs," snorting and puffing, which forced it down inside the stem under a pressure of 250 pounds to the square inch. Drilling was always a dirty business; you swam in pale grey mud until the well came in, and after that you slid in oil. Also it was an expensive business. To turn those twenty tons of steel tubing, getting heavier every day as they got longer—that took real power, you want to know. When the big steam engine started pulling on the chain, and the steel gears started their racket, Bunny would stand and listen, delighted. Some engine, that! Fifty horsepower, the cathead-man would say; and you would imagine fifty horses harnessed to an old-fashioned turn-table with a pole, such as our ancestors employed to draw up water from a well, or to run a primitive threshing-machine. Yes, it took money to drill an oil-well out here in California; it wasn't like the little short holes in the East, where you pounded your way down by lifting up your string of tools and letting them drop again. No siree, here you had to be prepared to go six or seven thousand feet, which meant from three hundred to three hundred and fifty joints of pipe; also casing, for you could not leave this hole very long without protection. There were strata of soft sand, with water running through, and when you got past these you would have to let down a cylinder of steel or wrought iron, like a great long stove pipe; joint after joint you would slide down, carefully rivetting them together, making a water-proof job; and when you had this casing all set in cement, you would start drilling with a smaller bit, say fourteen inches, leaving the upper casing resting firmly on a sort of shelf. So you would go, smaller and smaller, until, when you got to the oil-sands, your hole would have shrunk to five or six inches. If you were a careful man, like Dad, you would run each string of casing all the way up to the derrick-floor, so that in the upper part of the hole you would have four sets of casing, one inside the other. All day and all night the engine labored, and the great chain pulled, and the rotary-table went round and round, and the bit ate into the rock. You had to have two shifts of men, twelve hours each, and because living quarters were scarce in this sudden rush, they kept the same bed warm all the time. A crew had to be on the job every moment, to listen and to watch. The engine must have plenty of water and gas and oil; the pump must be working, and the mud-river circulating, and the mixing-machine splashing, and the drill making depth at the proper rate. There were innumerable things that might go wrong, and some of them cost money, and some of them cost more money. Dad was liable to be waked up at any hour of the night, and he would give orders over the telephone, or perhaps he would slip into his clothes and drive out to the field. And next morning, at breakfast, he would tell Bunny about it; that fellow Dan Rossiger, the night-foreman, he sure was one balky mule; he just wouldn't make any time, and when you kicked, he said, "All right, if you want a 'twist-off'." And Dad had said, "Twist-off or no 'twist-off,' I want you to make time." And so, sure enough, there was a "twist-off," right away! Dad vowed that Dan had done it on purpose; there were fellows mean enough for that—and, of course, all they had to do was to speed up the engine. Anyhow, there was your "twist-off"; which meant that you had to lift out every inch of your two thousand feet of pipe. You pulled it up, and unscrewed it, four joints at a time—"breaking out," the men called that operation; each four joints, a "stand," were stood up in the derrick, and the weary work went on. You couldn't tell where the break was, until you got to it; then you screwed off the broken piece, and threw it away, and went to your real job, "fishing" for the remainder of your drill-stem, down in the hole. For this job you had a device called an "overshot," which you let down with a cable; it was big and heavy, and went over the pipe, and caught on a joint when you pulled it up—something like an ice-man's tongs. But maybe you got it over, and maybe you didn't; you spent a lot of time jiggling it up and down—until at last she caught fast, and up came the rest of your stem! Then you unscrewed the broken piece, and put in a sound piece, and let it all back into the hole, one stand at a time, until you were ready to start again. But this time you went at the rate Dan Rossiger considered safe, and you didn't nag at him for any more "twist-offs!" Meantime Dad would be spending the day at his little office down in the business part of the town. There he had a stenographer and a bookkeeper, and all the records of his various wells. There came people who wanted to offer him new leases, and hustling young salesmen to show him a wonderful new device in the way of an "underreamer," or to persuade him that wrought casing lasts longer than cast steel, or to explain the model of a new bit, that was making marvelous records in the Palomar field. Dad would see them all, for they might "have something," you never could be sure. But woe to the young man who hadn't got his figures just right; for Dad had copies of the "logs" of every one of his wells, and he would pull out the book, and show the embarrassed young man exactly what he had done over at Lobos River with a Stubbs Fishtail number seven. Then the postman would come, bringing reports from all the wells; and Dad would dictate letters and telegrams. Or perhaps the 'phone would ring—long distance calling Mr. Ross; and Dad would come home to lunch fuming—that fellow Impey over at Antelope had gone and broke his leg, letting a pipe fall on him: that chap with the black moustache, you remember? Bunny said yes, he remembered; the one Dad had bawled out. "I fired him," said Dad; "and then I got sorry for his wife and children, and took him back. I found that fellow down on his knees, with his head stuck between the chain and the bull-wheel—and he knew we had no bleeder-valve on that engine! Jist tryin' to get out a piece of rope, he said—and his fingers jammed up in there! What's the use a-tryin' to do anything for people that ain't got sense enough to take care of their own fingers, to say nothing of their heads? By golly, I don't see how they ever live long enough to grow black moustaches on their faces!" So Dad would fuss—his favorite theme, the shiftlessness of the working-class whom he had to employ. Of course he had a purpose; drilling is a dangerous business at best, and Bunny must know what he was doing when he went poking about under a derrick. There came a telegram from Lobos River; Number Two was stuck. First, they had lost a set of tools, and then, while they were stringing up for the fishing job, a "rough-neck" had dropped a steel crowbar into the hole! They were down four thousand feet, and "fishing" is costly sport at that depth! Seemed like there was a jinx in that hole; they had "jammed" three times, and they were six weeks behind their schedule. Dad fretted, and he would call up the well every couple of hours all day, but nothing doing; they tried this device and that, and Dad 'phoned them to try something else, but in vain. The hole caved in on them, and they had to clean out and fish ahead, run after run. They had caught the tools and jarred them out, but the crowbar was still down there, wedged fast. The third evening Dad said he guessed he'd have to run over to Lobos River; it was time to set a new casing anyhow, and he liked to oversee those cement fellows. Bunny jumped up, crying, "Take me, Dad!" And Dad said, "Sure thing!" Grandmother made her usual remark about Bunny's education going to pot; and Dad made his usual answer, that Bunny would have all his life to learn about poetry and history—now he was going to learn about oil, while he had his father to teach him. Aunt Emma tried to get Mr. Eaton to say something in defense of poetry and history, but the tutor kept a discreet silence—he knew who held the purse-strings in that family! Bunny understood that Mr. Eaton didn't mind about it; he was preparing a thesis that was to get him a master's degree, and he used his spare time quite contentedly, counting the feminine endings in certain of the pre-Elizabethan dramatists.