On the Blue Comet (3 page)

“What does that mean?”

“It means it’s owned by the First National Bank of Cairo. The president of the bank, Simon Pettishanks, came here in his big Bentley when you were at school. The bank will repossess the house by the end of the week.”

“But . . .” My mind raced in ridiculous circles.

“Aunt Carmen hasn’t got an extra dime for a cup of coffee,” he said. “There’s nothing for it, Oscar. We’re done.”

“But where will we live?”

“They say there’s work in California.”

“Will we take our layout there? All our trains?”

“Oscar,” he began, but he couldn’t finish.

“Yes, Dad?”

His face answered me before he opened his mouth to speak. “The trains will be sold along with the house.”

“What do you mean, sold?”

Dad winced as if I’d slapped him. “Oscar,” he said, “if I don’t have the extra cash from selling our trains, I’ll become a bum. It means I sneak onto a freight train at night when it’s on a siding and try not to get arrested by the railroad police. If I don’t get arrested, I sleep in the cattle car with the hobos and tramps and get my wallet and shoes stolen. Sell the trains and I can buy a respectable ticket on the Rock Island Line and shave my face with Barbasol.”

I didn’t like his “I.” I wanted to hear “we.”

Dad continued, his voice gravelly: “I guess the bank president’s son likes trains, Oscar. Pettishanks paid half price for ’em. It’ll buy me a ticket to California, Oscar, and a month’s money to live on while I try to find a job.”

I did not wait to hear that I would be parked with Aunt Carmen and Willa Sue. My dad held out his arm to haul me in against his side, but I yelled like a boy on fire. I ran upstairs and out into the night, slamming the screen door. Pell-mell I hurtled into the dark, as if the cool spruces of Lucifer Street could stop the burning. I had no doubt the wolf was watching me, red-eyed, from a broken window of the Lucifer Fireworks ruins.

Like a storm looming behind the farthest trees, Dad’s leaving waited in the wind before breaking over me. He wanted to work for John Deere, San Fernando Valley, but nobody knew what kind of work was to be had in California. Farming was different out there. Instead of alfalfa and wheat, they grew walnuts and oranges. “Out there” still overflowed with everything Californian, like Chinese food, palm trees, and Hollywood movie stars.

“Deere’s got two branch offices out there,” Dad said cheerfully. “I’ve just put in for a transfer.” You had to look on the sunny side, he assured me. But his voice had no sunniness in it.

It was always my impression that kids live in a fenced pasture, heavily guarded by grown-ups. We were not allowed out of the fence. We were told what was going to happen but seldom why. If we were told why, it almost never made sense. Not the kind of sense that makes sense when you are eleven.

September 1, 1931, Mr. Pettishanks and his deputy took the keys to our house and ownership of the trains.

I listened through a basement window to Mr. Pettishanks speaking to an assistant.

“Pack the trains and the equipment in cotton wool, Frank,” said Mr. Pettishanks to his deputy. “Get rid of this homemade layout. Get a couple of men to take it out and burn it. We need a clean basement to resell the house.”

I wanted to pummel Mr. Pettishanks with my fists. I wanted to poke him in the nose and pour sugar in the gas tank of his Bentley saloon. But I did none of these things. My dad found me on my sheetless bed an hour later.

“Time to go, Oscar,” he said. “Wash your face. You don’t want Willa Sue asking you embarrassing questions about why your eyes are red.”

Dad and I boarded the bus to Aunt Carmen’s house with our two suitcases of clothes and a case of Ham Stix.

“I’m going to hide the Ham Stix behind that water tank in Carmen’s basement,” said my dad. “It’ll be there for you, Oscar, when you can’t swallow another bite of sardine casserole.”

Dad wore his tie because he wanted to look sharp. The first leg of his trip was the 5:10 to Topeka.

“Don’t drag it out, Oscar,” said Aunt Carmen to my dad as he bent to say good-bye to me.

Dad squatted down. “I’ll write,” he whispered in my ear. “I’ll write lots of letters, and when I get a good job out there”— his eyes were all blurry —“you’ll come to me on the Golden State Limited. I’ll send you tickets, and I’ll meet you at the station in Los Angeles. I promise, Oscar.”

“I have something for you, Dad,” I whispered back.

“What?”

I had been holding it in my hand the whole time. Mr. Pettishanks had left it on the umbrella stand. Before he remembered where he left it, I had sneaked up and snatched it away, wrapping it in careful layers of toilet paper.

Dad unwrapped it. “Holy smokes, Oscar. It’s a Macanudo. A rich man’s panatela!” He held it to his heart. “I’ll keep it safe, and when I see you again, I’ll light it up!”

I waved him down the street, leaning as far out of the porch as I could, him walking backward, throwing kisses, and yelling, “The Golden State to Los Angeles, Oscar! Not long!” I held my fingers to my nose to smell the last of the Macanudo. I would never wash it away.

“Get busy with the kitchen chores, now, Oscar!” said Aunt Carmen when she found me still staring out from the front porch railing into the empty street.

“I never did see a grown-up man cry before,” remarked Willa Sue.

“Well, now you have,” I snapped at her. But evidently the sting in my voice clearly said,
“Shut up, birdbrain!”

“In this household, Oscar, we keep our fingers busy and our tongues polite,” said Aunt Carmen. “Please wash your hands and get the smell of that disgusting cigar off them!”

She had gotten out a pound of blisteringly white margarine and had it waiting for me unwrapped in a bowl the moment Dad turned the corner of Fremont Street. The margarine, a snowy brick of soft fat, came wrapped in a waxy paper bag cheerfully labeled
Butterine.
In the middle of the fat was a tiny red button. I had to work that little scarlet dye pellet into the rest of the white lard, gradually diluting the intense red color until it spread out and turned the whole lump a revolting yellow.

“Dad buys butter,” I said.

“That’s exactly why he has gone and lost your house to the bank, young man,” answered Aunt Carmen. “Butter, trains, and cigars. It put him in the poorhouse! You’ll find us much thriftier here!”

Nothing was the same after that.

When I came home from school, the supper casserole was all cooked. It sat on the stove in its green ovenproof baking dish. I was not allowed near the stove. “Boys cooking! That’ll be the day!” said Aunt Carmen.

I went to bed when my homework was done, my feet scrubbed, and my prayers said in front of Aunt Carmen. As her footsteps receded down the hall, I got the stash of Lionel tickets out of my wallet that I had kept back from the sale of the train sets to Mr. Pettishanks.

I switched the Lionel Line Golden State ticket to the top. Of course it wouldn’t so much as get me onto a streetcar, but I loved seeing the words printed in gold letters:

With the toy ticket in my hand, I could sleep.

Aunt Carmen made her living teaching piano and declamation at the wealthier people’s houses after school hours. She had a regular route with once-a-week visits to each family.

I begged Aunt Carmen to leave me home. “I need to do my homework,” I explained. She examined my latest report card. “You flunked arithmetic, Oscar,” she said.

“I have trouble with long division and fractions.”

“Well, that grade’s simply going to have to improve,” she said.

“If you let me stay home, I promise I will do my homework.
All
my homework. I will do better. Please, Aunt Carmen?” I asked.

Aunt Carmen didn’t like being pleaded with. On the other hand, she didn’t like me flunking out of arithmetic.

Willa Sue jumped up and down for attention. “We get key lime pie on Wednesdays at the Merriweathers’ house,” she said in a singsong voice, “and we almost always get a nice piece of chocolate cake from the Baxters’ cook on Fridays.” She twirled a coil of her hair in her fingers. “If Oscar comes along to lessons, Mama, maybe they won’t give out so much pie and cake. Maybe we’ll just get smaller slices, or maybe they’ll even switch to Saltines crackers.”

Aunt Carmen did not appear to share Willa Sue’s worries about Saltines crackers. She frowned at my report card one more time and declared, “You are a boy of eleven, Oscar,” in just the voice she’d have used if she were reading out the list of sick parishioners in church. “You will be responsible for at least a C-plus on your next report. You will watch the house. If I catch you reading a novel from the library or making any other kind of trouble, it’s not going to be a pretty picture for you.”

“Thank you, Aunt Carmen,” I answered.

“The world is full of tramps and hobos,” said Aunt Carmen. “They are desperate men who get off and on the trains. They wander around town in filthy clothing. They sleep in the alleyways and look for handouts wherever they can find them.”

“Yes, ma’m,” I said steadily.

“No one is allowed in the house. Do not talk to strangers. You may not use matches, waste electricity, or nibble on what is not yours to eat. Is that clear?”

“Yes, ma’am, and I can have the supper casserole nice and hot when you get home if you let me light the oven!”

Aunt Carmen looked at me curiously out of her true blue eyes. I guessed that few people offered to do anything for Aunt Carmen because she herself finished doing everything before anyone else could think of it.

All she said to my offer was, “We’ll see.” Aunt Carmen put on her hat and her white cotton gloves, and down the street she marched to the bus stop, Willa Sue in one hand and her bag of sheet music and
Famous Speeches of Famous Men
in the other.

Over her shoulder, Willa Sue burbled, “I’m bob-bob-bobbing like a red-red robin because it’s
Monday
! Monday is Betsy and Cyril Pettishanks day! They have cocoa with whipped cream! Sometimes marshmallows!”

“Pettishanks,” I growled under my breath. The Pettishankses were among Aunt Carmen’s piano and declamation clients. The Pettishanks boy was the one with my trains. Over the years, I had learned a few bad words on the playground at school. Now I strung them all together and said them out loud as soon as the bus had come and whisked Aunt Carmen and Willa Sue to River Heights, where the really big houses were.

I opened my book,
Arithmetic for the Modern Child,
and stared at the assignment. Fractions made me sleepy. I needed something to eat to keep me awake.

I padded carefully around Aunt Carmen’s kitchen and looked in the larder. She didn’t buy vanilla wafers or even cans of Vienna sausage the way I used to do at Rubin’s Market. She had a larder full of black-eyed peas and canned codfish cakes. The only answer was pancakes. Aunt Carmen might not notice that one egg, a cup of milk, a dab of margarine, and some flour was missing.

I ate my pancakes with molasses because Aunt Carmen did not spend money on syrup. For cooking, Aunt Carmen used Spry, pure fat in a can, but I could not even look at the Spry without gagging and used a sparing amount of Butterine instead.

My fifth-grade teacher, Mrs. Olderby, just loved problems. Before tackling thirteen seventy-fourths divided by two-thirds, then multiplied by seven-eighths, I washed up the pan and my plate so sparkling clean that no one would ever know what I had been up to. The smell of fresh pancakes would be lost in the smell of warming turnip and condensed milk casserole.

After the first week of pancakes and fractions, I struggled to a D instead of an F on one of Mrs. Olderby’s surprise quizzes. Watching Willa Sue and Aunt Carmen disappear on the number 17 bus and knowing my pancakes were ahead of me was as delicious as the hot pancakes themselves. I could not wait for this small adventure every afternoon. But then Mrs. Olderby suddenly jacked things up to decimals. Decimals in long division was a leap into the blackness of space.
Arithmetic for the Modern Child
contained the riddles of the Sphinx as far as I was concerned.

I looked at my homework: