Read Once Upon a River Online

Authors: Bonnie Jo Campbell

Tags: #Fiction, #General, #Literary, #Death, #Voyages And Travels, #Survival, #Coming of Age, #Teenage girls, #Bildungsromans, #Fathers, #Survival Skills, #Fathers - Death, #River Life

Once Upon a River

BOOK: Once Upon a River
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• ALSO BY BONNIE JO CAMPBELL •

American Salvage

Q Road

Women & Other Animals

Love Letters to Sons of Bitches

Our Working Lives
(edited with Larry Smith)

W. W. NORTON

&

COMPANY

New York · London

ONCE UPON A RIVER

A NOVEL


BONNIE JO CAMPBELL

Copyright © 2011 by Bonnie Jo Campbell

All rights reserved

Printed in the United States of America

First Edition

For information about permission to reproduce selections from this book,

write to Permissions, W. W. Norton & Company, Inc.,

500 Fifth Avenue, New York, NY 10110

For information about special discounts for bulk purchases, please contact

W. W. Norton Special Sales at [email protected] or 800-233-4830

Map by Adrian Kitzinger

Manufacturing by Courier Westford

Book design by Judith Stagnitto Abbate / Abbate Design

Production manager: Devon Zahn

Ebook conversion by Erin Campbell, TIPS Technical Publishing, Inc.

Library of Congress Cataloging-in-Publication Data

Campbell, Bonnie Jo, 1962–

Once upon a river : a novel / Bonnie Jo Campbell. — 1st ed.

p. cm.

ISBN 978-0-393-07989-0 (hardcover)

1. Teenage girls—Fiction. 2. Fathers—Death—Fiction. 3. River life—Fiction.
4. Survival skills—Fiction. 5. Voyages and travels—Fiction. I. Title.

PS3553.A43956O63 2011

813’.54—dc22

2011001499

W. W. Norton & Company, Inc.

500 Fifth Avenue, New York, N.Y. 10110

www.wwnorton.com

W. W. Norton & Company Ltd.

Castle House, 75/76 Wells Street, London W1T 3QT

1234567890

To All the Children Raised by Wolves

Contents

Begin Reading

My home is on the water, I don’t like no land at all.
Home is on the water, I don’t like no land at all.
My home is on the water, I don’t want no land at all.
I’d rather be dead than stay here and be your dog.
—“See See Rider,” Traditional

PART

I

• Chapter One •

The Stark River flowed around the oxbow at Murrayville the way blood flowed through Margo Crane’s heart. She rowed upstream to see wood ducks, canvasbacks, and ospreys and to search for tiger salamanders in the ferns. She drifted downstream to find painted turtles sunning on fallen trees and to count the herons in the heronry beside the Murrayville cemetery. She tied up her boat and followed shallow feeder streams to collect crayfish, watercress, and tiny wild strawberries. Her feet were toughened against sharp stones and broken glass. When Margo swam, she swallowed minnows alive and felt the Stark River move inside her.

She waded through serpentine tree roots to grab hold of water snakes and let the river clean the wounds from the nonvenomous bites. She sometimes tricked a snapping turtle into clamping its jaws down hard on a branch so she could carry it home to Grandpa Murray. He boiled the meat to make soup and told the children that eating snapping turtle was like eating dinosaur. Margo was the only one the old man would take along when he fished or checked his animal traps because she could sit without speaking for hours in the prow of
The River Rose
, his small teak boat
.
Margo learned that when she was tempted to speak or cry out, she should, instead, be still and watch and listen. The old man called her Sprite
or River Nymph
.
Her cousins called her Nympho, though not usually within the old man’s hearing.

Margo, named Margaret Louise, and her cousins knew the muddy water and the brisk current, knew the sand and silt between their toes, scooped it into plastic cottage cheese tubs and sherbet buckets and dribbled it through their fingers to build sagging stalagmites and soggy castles. They hollowed out the riverbanks, cut through soil and roots to create collapsing caves and tunnels. If any kid stood too long in a soft spot and sank above his knees, he just had to holler, and somebody pulled him free. They spent summers naked or nearly naked, harvesting night crawlers from the mossy woods and frogs’ eggs from goo in underwater snags. They built rafts from driftwood and baling twine. They learned to read upon the surface of the water evidence of distress below. Once, when Margo was eight and her favorite cousin, Junior, was nine, they rescued an uncle who’d fallen in drunk.

They all fished the snags at the edges of the river for bluegills, sunfish, and rock bass, though they avoided the area just downstream of the Murray Metal Fabricating plant, where a drainpipe released a mixture of wastewater, machine oil, and solvents into the river—some of the fish there had strange tumors, bubbled flesh around their lips, a fraying at their gills. On certain windy days, the clay-colored smoke from the shop wafted along the river, reached them on their screen porches, and even when they closed their windows, the smoke entered their houses through floorboards and the gaps around their doors.

The Murrays were a stubborn tribe, and Bernard Crane was no less stubborn for being born the bastard son of Dorothy Crane and Old Man Murray during his bout of infidelity, forgiven in time by a wife who, despite (or perhaps because of) her forgiving nature, died young. The old man begged Dorothy Crane to give their child his last name, but she put on the birth certificate
father unknown
. Some said Dorothy was part Indian and that was why Bernard was so small, and others said that she had begrudged her baby sufficient milk at her breast because the old man would not leave his lawful wife, while others, including Cal Murray, denied that Bernard was in any way a Murray. Years later, however, when Bernard Crane, whom everyone called simply Crane, and his wife, Luanne, gave birth to a beautiful green-eyed daughter, a spell of reconciliation was cast across the river, and all the Murrays claimed Margo. The girl’s mother even enjoyed the favor of the other women for a while. More often, they referred to Luanne as a “free spirit.” They did not mean it as a compliment.

When the weather allowed, Margo and her cousins swam all day long. Even when drought made the river shallow enough to walk across, they swam to the big Murray farmhouse on the north bank, where Aunt Joanna was hanging laundry or baking bread and where Uncle Cal might let them shoot skeet with shotguns or plink targets with .22 rifles. Swam straight across to the heavily shaded Crane house, where Luanne was often lying flat in a reclining chair at the end of the floating dock in the only sun on the place, wearing an unfastened bikini. Luanne lay browning like one of Joanna’s loaves of bread, lifting her head and opening her eyes only to drink the watered-down white wine she kept in a mason jar full of melting ice. Her scent of cocoa butter drifted out onto the water, and the boys could not take their eyes off her.

BOOK: Once Upon a River
10.49Mb size Format: txt, pdf, ePub
ads

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