I didn’t know which was weirder. Having Hirohito see me in my pajamas or not having any chores to do. I tried to wash dishes and always offered to mop the floor, but for the fifth day in a row, Mrs. Woods said, “Go outside. Play.”
I felt like a watcher while Hirohito chased Vonetta and Fern around. I sat on the porch with my book in my lap, glad I’d brought it along. In between turning pages, I’d peek at Vonetta, Fern, and Hirohito playing Mother May I or freeze tag. He knew just how to escape their tags and keep the game going. I could see why Hirohito put up with Vonetta and Janice at the Center. Why he let Fern chase him and tag him “it” when she wasn’t fast enough to catch him. Hirohito had no brothers or sisters. He liked
being a brother to my sisters and me.
Grateful that Hirohito would soon tire his “sisters” out, I settled into my book on the porch. I could finish the chapter before it was time to come inside. I read my book, bright eyed, breathing heavily, and rooted for Rontu to win against the pack of wild dogs, his former brothers.
Get ’em, Rontu. Get ’em.
I didn’t hear the quiet. That the sounds of playing in the yard had stopped. I looked up, and they were all standing around me with Hirohito’s go-kart.
“Hey. Delphine.”
Vonetta and Fern giggled. Obviously they were a part of Hirohito’s plan to sneak up on me. He smiled, pleased to have caught me unaware.
“Want to try out my go-kart?”
I rolled my eyes and tried to appear older. Above playing kid games. “Me? On that thing?”
Vonetta and Fern started screaming that they wanted a ride.
He tapped my sneaker with one of his doggedy high-tops. “It’s fun. You’ll like it.”
Before this week I would have said, “How do you know what I’d like?” My goal to come off bored and older slipped right out from under me. Inside, I felt like I was being pulled onto the sixth-grade dance floor. I wanted to give him my hand and let him pull me up, but I felt too big. Tree limbed. Plain faced. I’d probably look silly
on that go-kart, just like I’d look silly matching steps with some boy in the multipurpose room at school.
I glanced down at that sawed-off piece of wood resting on top of a metal frame with skate wheels up front. Tricycle wheels in the back. A rope on one end, a carpet square on the other. I had never seen Hirohito sit on the carpet square. He always rode belly down, arms spread out, and hands gripping the T bar. It was a wonder he wasn’t all scarred up.
“Boy, you must be crazy.”
“Stop being chicken. You can steer it. Those legs’ll reach the turn bar easy. Just hold on to the rope and keep it steady.”
Vonetta and Delphine snickered at Hirohito’s carefree choice of words.
I couldn’t hit him for calling me a long-legged chicken after I had gobbled down his mother’s fish and rice. I said, “I am not getting on your street roller. No way.”
Instead of saying “Not on your street roller coaster” or “Yeah. No way, Jose,” my sisters’ voices failed to come to my rescue. Instead, Vonetta and Fern—mostly Vonetta—screamed and danced around us, pleading to take my turn on the go-kart.
Hirohito shook his head, sorely disappointed, like he was Papa. “I didn’t think you were scared, Delphine.”
“I am not scared of that thing.” My voice hit notes it was not known for reaching.
“Then come on.”
“No.”
“Chicken.”
“I am not.”
He offered the rope to me and patted the carpet seat. “Just a block. Not even a hill.”
I couldn’t let him think I was weak and scared. Girl pride and a lower voice said, “I’m not afraid of no hill.”
Before I knew it, we had become a merry parade. Me sitting on the go-kart, my feet on the bars, Hirohito behind me pushing, and Vonetta and Fern at the rear, parading up Magnolia Street. What a sight. I sat hunched over, holding on to the rope, my big sneakers on the turn bar. All I could do was wrap the rope tighter around my hands and pray.
How could I find my balance, let alone trust it? Surely balance was needed to ride on that rolling cart of danger. Where was my good common sense? The common sense that Big Ma always pointed out I was born with. I was mad at myself for letting this happen. Letting them push me into riding down some hill on this wooden, bumpy, hotrod roller. I could fall over on my butt. Scrape every inch of skin on my legs, arms, and hands. I could look a stupid, scraped-up, tangled-up mess, and on top of it all, scream like a fraidycat in front of my sisters.
I hugged the rope. My heart pounded through my ears, down in my toes.
None of that concerned anyone on the parade route.
Hirohito pushed happily. My sisters skipped, clapped, and sang. They might as well have been singing “Crash, Delphine. Crash.”
Then Hirohito stopped pushing. Now the tips of my fingers pounded. We were at the top. The very, very top of the hill.
Hirohito looked at me like this was all fine. Not like he was getting me back for being mean to him. My knees would knock if they weren’t frozen. I wanted to get up and walk away.
“Don’t worry. It’s safe,” he said. “My dad built it. It’s sturdy and has no splinters. He sanded it down for days. Good job, right?”
“Right,” I said.
“I helped him.” He turned the T part so it swiveled. “Real axle for the turns. It’s good for racing. But don’t worry,” he said again. “You just have to go straight. Keep it steady.” He nodded and smiled. “My dad’s great.”
I doubted he meant to get all girly talking about his father. He caught himself and changed his voice.
“Ready, Delphine?”
I didn’t answer.
He said, “Use your sneakers to slow down, then stop. Just drag.” Then he lifted my foot and put it in the right position. The position that would turn the heels of my sneakers as doggedy as his. “Remember, you don’t have to steer. It’s a straight ride down. Just slide your sneaker like
this.” He moved my foot slightly sideways. It was a wonder he had soles at all.
He told me to hold on tight. Then he ordered Vonetta and Fern to come on as if he had taken my place as the oldest. Part of me didn’t like it one bit. The other part didn’t have time to think about that.
“Push!”
Vonetta and Fern screamed,
“Yay!
” and I looked up, mad, scared, thrilled.
I felt six hands on my back and the bumpy ground beneath me. With all that rumbling, my head spun with the sheer craziness of it all. Being pushed down the street. My sisters and Hirohito cheering and pushing and letting go and time not ticking but racing away.
It was too late. Too late to jump off while the go-kart rolled, its steel skate wheels hitting every bump and pebble on the sidewalk. I leaned left and right, trying to find my balance. Then forward. Left, right, and forward, my drawn-up knees helping to keep me steady.
There was a curve in the sidewalk. Not exactly straight, like Hirohito told me. To me it was winding, and dangerous like the Chinatown dragon. As the go-kart went faster, I felt the rumbling of the wheels hitting the concrete underneath me. I screamed. So loud I startled myself. I had never heard myself scream. Screamed from the top of my lungs, from the pit of my heart. Screamed like I was snaking and falling. Screamed and hiccupped and laughed
like my sisters. Like I was having the time of my life, flying down that glorious hill.
Vonetta, Fern, and Hirohito had run after me, but Hirohito had outrun my sisters and met me at the other end. When we were all together, Hirohito led the parade of him, Vonetta, and Fern, hooting and dancing around me.
Who would have thought twenty flyers could have brought more than a thousand people to the park? Talk about a grand Negro, well, a grand black spectacle. People simply came, filling up every inch of green in the park. Some even climbed oak trees and perched in branches for a good spot. Everywhere you turned there were college students in T-shirts, signing people up for sickle cell anemia testing and voter registration. Black Panthers from around the country, in sky blue T-shirts with pictures of black panthers on them, stood tall, patrolling the park. Policemen also stood tall, holding on to their wooden clubs.
And yet I wasn’t afraid. I was excited.
“You see,” Sister Mukumbu said, waving her bangled
arm like a wand over the hundreds of people, maybe a thousand.
I feel ashamed of the pride I take in ironing a crease extrasharp. Ironing a sharp crease is a job well done. Bringing people to this rally was magic that had you soaring above trees. It certainly was worth marching up to the no sayers. In my mind, all these people came to the rally because our summer camp helped to spread the word. The idea of radio announcements, the Black Panther newspaper, and word-of-mouth hadn’t entered my mind. If only Cecile could see what we’d done. And Pa and Big Ma.
They put the young people’s presentations on first, before all of the speeches and the musicians and the adult poets. Our play was awkward, with Sister Pat following us around with the microphone, but we continued on as if we’d rehearsed it that way. The first time Janice Ankton heard her voice boom out over all those loudspeakers, she jumped back. She soon overcame her amplified voice and proved a bigger ham than Vonetta on her showiest and crowiest days. Janice brandished her silver cap gun at us tired and scared runaway slaves more than Sister Pat’s script had called for. All I knew was the crowd liked it, and that was enough for “Harriet Tubman,” who proclaimed, “Either you want to be free or you want to be scared slaves!” She was supposed to have said, “I haven’t lost a passenger yet.” The crowd went crazy, and Janice soaked it up. Eunice kicked her sister the way I sometimes had to put Vonetta in her place. It worked.
Janice stopped waving her silver cap shooter at us and went on with the play as Sister Pat had written it.
After Harriet Tubman freed the slaves, Hirohito and the boys showed off their karate kicks and chops and jujitsu moves. Eunice, Janice, and Beatrice changed into their matching African print head wraps and dresses sewn by their mother.
I was certain Vonetta would be eaten up with jealousy after Janice’s loud dramatic performance was soon to be followed by her dancing in that cute matching outfit. Instead, Vonetta had been awfully quiet while we waited for our turn to go onstage. I feared the worst with Vonetta’s sunken mood. This had happened just before the Tip Top Tap disaster. A quiet Vonetta was a scared Vonetta. That meant I’d have to dance her part or, in this case, say her part if her eyes bugged out and her mouth didn’t open. Then afterward I’d have to “there, there” her for the next two weeks.
“Vonetta, you ready?”
She nodded.
If I didn’t make her talk, we were doomed. “What’s that, Vonetta?”
Another nod.
Now I was mad. Mad because this was the same Vonetta who had stubbornly wanted to sing “Dry Your Eyes” before all of these people. This was the same Vonetta who had recited “We Real Cool” until it drove Cecile to a cussing fit. This was Vonetta who had said, “We should do this poem.”
And as usual, I would have to go out there and finish the mess Vonetta started.
“Vonetta, don’t make me kick you.”
“Better not,” she said. Good. At least her mouth opened and two words came out. “And I’m ready, for your information.”
“I’m ready,” Fern piped up. “I’m ready like Freddy. I’m ready and steady. I know a boy in my class named Eddie. Eddie Larson, but Larson doesn’t go with ready and steady.” Then she barked.
“Arf. Arf.”
Vonetta and I looked at each other, then at Fern. Vonetta, said, “Fern, what are you talking about?”
Fern smiled and sang, “I sa-aw something.” Then she clapped it out like we were still on the East Bay bus.
The karate boys had run off the platform while the crowd still cheered. I hadn’t been paying attention because I was worried about Vonetta. But when Hirohito ran over, I said, “That was really neat.”
Sister Pat pushed us to the stage and we marched out before all those people. Vonetta was supposed to introduce us and say the name of our poem and that our mother wrote it. But I could see her eyes growing big and her face ashen. I whispered the two things I knew would get her going. I said, “Hirohito’s watching. And Janice hopes you trip.”
Vonetta’s face ripened to a peach. She grabbed the microphone pole like Diana Ross, stepped out in front of us—her Supremes—then cleared her throat. “‘I Birthed a
Black Nation,’ by our mother, Nzila, the black poet. All the power to all the people.”
The crowd roared and waved their fists. Maybe they carried on because she was a little girl making big sounds. Maybe they cheered for Nzila, who was now a known political prisoner. To Vonetta, they cheered for her, and she was set to show and crow.
Vonetta:
“I birthed a
black
nation.
From my womb
black
creation
spilled forth
to be
stolen
shackled
dispersed.”
Me:
“I dispatched
black
warriors
raged against unjust barriers
to find the
black
and strong had fallen
divided
deceived
overcome.”
Fern:
“
Black
oceans separate us
tortured cries
songs
of
black
greatness
Still echo in my canal.”
Vonetta, Fern, and me:
“Hear the reverberation
of a stolen
black
nation
forever lost
to foreign shores
where thieves do not atone
and Mother Africa cannot be consoled.”
All that was missing was Cecile to see and hear us recite her poem. I’m sure she wouldn’t have appreciated Vonetta sprinkling “black” into her poem like pepper, but the crowd loved it, and we went along, following Vonetta’s lead, throwing in the word
black
as she had. Following each other was easy. We’d been doing it for as long as we could all talk. Saying Cecile’s words, one after another, felt like we were bringing her into our conversation instead of turning our voices on her, like we had.
When we finished, we were supposed to exit the platform—me first, Vonetta second, and Fern last. We’d walked off the stage and over to the wing. That was what I was
certain we’d done. Then I turned and saw Fern still standing in the center of the stage. I went to get her, but Sister Pat was already walking out.
Fern wouldn’t leave. She said something to Sister Pat, who nodded and adjusted the microphone down to Fern’s mouth. Then she left Fern alone onstage.
The crowd quieted and waited, but Fern stood without saying a word. Again I went to get little Fern, but Sister Mukumbu grabbed my shoulder. “Wait, Delphine. Let her.”
Sister Mukumbu had no idea how hard it was for me to watch my baby sister stand alone before all of those people. They could laugh at her, shout at her to get off the stage, or boo her into tears. But Fern balled her fists, banged them at her side, and then she spoke.
“My mother calls me Little Girl, but this is a poem by Fern Gaither, not Little Girl. This is a poem for Crazy Kelvin. It’s called ‘A Pat on the Back for a Good Puppy.’” She cleared her throat.
“Crazy Kelvin says ‘Off the pig.’
Crazy Kelvin slaps everyone five.
The policeman pats Crazy Kelvin on the back.
The policeman says, ‘Good puppy.’
Crazy Kelvin says,
‘Arf. Arf.
Arf, arf, arf, arf.’
Because I saw the policeman pat your back,
Crazy Kelvin.
Surely did.”
Two things happened just then. Really, three things.
First, the crowd went wild for Fern Gaither. Janice Ankton folded her arms and told Eunice she didn’t want to go onstage and dance after Fern had grabbed up all the applause.
Second, Crazy Kelvin backed away. I think he was searching for the best way to get out of the park, but he was surrounded by Black Panthers. They knew what Fern had said, even though it took Vonetta and me a little longer to really understand what Fern had said and seen. And what it meant. Luckily for Crazy Kelvin, there were enough policemen to step in and get him out of the park.
It’s funny about Crazy Kelvin. If he hadn’t gone on and on about “racist pigs,” Fern would have never asked herself, “What’s wrong with this picture?” I’m sure it had more to do with Miss Patty Cake and him telling her who she could love. I’m sure it had more to do with him telling her who she was. Fern had Crazy Kelvin in her sights, and she got him with his own words: “What’s wrong with this picture?”
There was a third thing that happened just then, only I didn’t know it at the time. Cecile told it to me in a letter a month later. And that thing, the third thing was, a poet had been born.
It wasn’t Longfellow
, Cecile had written,
but it was a running start
.