Ophelia (37 page)
Authors: Lisa Klein
I've been thinking about that. Ophelia was such an obvious choice. So far no other character has grabbed me, like the Ancient Mariner grabbed Coleridge's narrator and said, "Hear my tale." But I am rereading some of the plays that interest me most. Right now I'm intrigued by
Twelfth Night
because I know a certain group of high school students who are acting out its complicated love relationships unawares! Who knows, I might combine characters or plots from more than one play and build my own Shakespeare-inspired novel. Or I might visit a different literary period altogether.
What joys and challenges did writing
Ophelia
bring?
As I said, writing dialogue was a challenge for me. But as my sense of the characters developed, their words came more naturally. Imitating Elizabethan language without falling into stilted syntax and flowery diction was also tricky. I kept rewriting to make the language plainer, while keeping it literary. I love doing the research for historical novels. I did lengthy word searches in my gigantic
Oxford English Dictionary,
in order to use words that were current in Shakespeare's time. I read sixteenth-century herbals and books about convent life. The writing process itself was exciting. When I would get stuck on a scene or write myself into a corner, I would go for a walk to clear my head, and sometimes the perfect piece of dialogue or a solution to a problem would pop into my head, and I would virtually run home to get it down. Sometimes it would take my story in an unexpected direction, and everything else would have to adjust.
This is your first novel. What was the publishing process like?
I shared a very early draft of
Ophelia
with my reading group and my dad, and the responses I got encouraged me to keep working at it. About a year later I felt it was finished, and another friend advised me to get an agent. I researched literary agents, wrote about thirty letters, and stacked up as many rejections. Finally an agent I had handpicked, full of hope, took an interest. She recommended changing an important plot element, and after I did so, she agreed to represent the manuscript. In just over a month she had offers from two publishers. Of course, I was stunned, then elated. I had expected it to take several months to get a reply. Even after
Ophelia
was accepted, it underwent several more revisions. Like I used to tell my students: no piece of writing is ever perfect. It can always be improved. But I feel tremendously lucky that
Ophelia
found a home so quickly, guided by a good agent and a dedicated editor.
What would you like your readers to come away with after reading
Ophelia?
I would tell my readers this: enjoy
Ophelia.
Then go and reread
Hamlet
with a fresh eye, or read it for the first time without being intimidated by Shakespeare. Read more of Shakespeare's works. His plays belong to all of us, and we don't want to miss what they have to say about the human condition that we all share.
How do you see the play
Hamlet
differently after writing this novel?
In the course of writing
Ophelia,
I studied the play so intently I noticed details I had missed in all my prior readings. For one thing, I realized how compressed the action is and how indefinite the passage of time, as I tried to fit my story into the framework of
Hamlet.
I admire the play tremendously. There is no other work of literature that can stand up to all the literary criticism, movies, books, poetry, and plays that have been created in response to it.
What do you think Shakespeare would think of your interpretation of his play and characters?
That question occurred to me frequently while I was writing. I would like to think that Shakespeare would approve of my Ophelia. After all, he freely adapted his sources when he wrote plays. And what Ophelia does is not out of the realm of possibility for an intelligent and resourceful young woman of Shakespeare's day. I would like to hear him say, " 'Tis a fine piece of work, a tragicomedy; would that I had thought of it myself!"
READING GROUP GUIDE
Questions for Discussion
1. Do you see any similarities within
Ophelia
to other famous love stories by Shakespeare or in current books and movies?
2. Ophelia grew up without a mother, so she is always looking for a strong connection with the women in her life. How do you think Ophelia's life might have been different if her mother had survived? Do you think she benefited in any way by growing up without a close mother figure?
3. If you were making a movie of
Ophelia,
whom would you cast in the roles of Ophelia, Hamlet, and Horatio? And how might you change the book version to make a better movie version?
4. How are the relationships between parents and children as portrayed in
Ophelia
different from how families interact today? What did you notice that you might see happen in your own life?
5. Hamlet often behaves differently around Ophelia than with other groups of people. Do you ever see this sort of behavior in your life among friends?
6. Ophelia pretends to have lost her mind due to grief, but does she truly go insane? How does the description of her madness, be it real or imagined, compare to Hamlet's madness? How does Ophelia's friendship with Therese add another layer of possibility to what madness can be and how it can be interpreted?
7. Ophelia is forced to make a very difficult choice when she realizes that her life is in danger as long as she stays in Elsinore. Do you think she makes the right decision in risking so much to have a chance at freedom?
8. What do you think Queen Gertrude's motivations are for helping Ophelia to escape from Elsinore?
9. Ophelia's descriptions of St. Emilion's provide fascinating insight into the life of a religious order during the early 1600s. There were many reasons for becoming a nun in the seventeenth century, not all of them based on religious devotion. Many women joined convents when they were widowed or if they were unable to find a husband to support them. What are the options for women in these situations today?
10. Discuss how you feel about the book's ending. Were you surprised? What do you imagine would have happened if there were one more chapter? Do you think the ending should have been a tragedy, as in
Hamlet?
11. When Ophelia is a child and Hamlet fails to attend to the pansies she gives him, Horatio tells her, '"Do not waste your tears, little girl. . . . We boys are ever careless of flowers'" (page 15). Throughout the novel, Horatio is especially kind to and protective of Ophelia. How does his friendship impact the story? Do you see his actions differently following the conclusion?
12. If you could rewrite any character in literature, who would you reimagine? What would you change about his or her story?
From the Queen's Library:
The Mirror of the Sinful Soul
The Heptameron
by Queen Margaret of Navarre
The Art of Love
Metamorphoses
by Ovid
The Book of the Courtier
by Baldesar Castiglione
From Hamlet:
Anatomia
by Andreas Vesalius
From the Convent Library:
The Legend of Good Women
The Tale of Troilus and Criseyde
by Geoffrey Chaucer
The Consolation of Philosophy
by Boethius the Roman
LISA KLEIN,
a former professor of English, was always dissatisfied with interpretations of Ophelia, and she took it upon herself to breathe new life into her story. Lisa lives in Columbus, Ohio, with her husband and two sons. This is her first work of fiction.
A New York Public Library Book for the Teen Age
A Teenreads.com Best Book of the Year
"Teens need not be familiar with Shakespeare's original to enjoy this fresh take—with the added romance and a strong heroine at its center."
—Publishers Weekly
" [Readers] will be swept up by the vivid, atmospheric setting, the heart-pounding romance, the palpable torment, and Ophelia's fierce, earnest questions about how to love." —
Booklist
"Ophelia the character is playful and bold; her banter with Hamlet is witty, and often their repartee features wordplay and double entendre that would have made the Bard happy." —
Kirkus Reviews
"Klein creates a captivating story of a young woman entwined in an unconventional love, with secrets that could bring a royal kingdom to its knees.. .. A spellbinding tale of love, murder, and revenge." —
VOYA
"Sure to be popular with young women struggling with issues of honor, betrayal, and finding one's path." —
SLJ
"Lisa Klein has done an incredible job with
Ophelia.
She has taken one of Shakespeare's famous plays and written a tale that is a little more user friendly in today's world. . . . Add castles, adventure, romance, murder and fleeing for one's life, and you have an amazing story."
—Teenreads.com
"This book blew me away." —TeensReadToo.com, Gold Star Award
First published in Great Britain 2006
Copyright © 2006 by Lisa Klein
This electronic edition published 2010 by Bloomsbury Publishing Plc
The right of Lisa Klein to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988
All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
Bloomsbury Publishing Plc, 36 Soho Square, London W1D 3QY
A CIP catalogue record for this book is available from the British Library
ISBN 978 1 4088 2084 1
Visit
www.bloomsbury.com
to find out more about our authors and their books.
You will find extracts, authors interviews, author events and you can sign up for newsletters to be the first to hear about our latest releases and special offers.