Authors: Holly Thompson
I ask what year he is
and he says
middle school third
so he’s one ahead of me
but since he attends a combined
middle and high school
he doesn’t have to take
high school entrance exams
and study all this summer
I ask if he likes it there in Shimizu
and he shrugs
every day school, basketball
school, basketball
he says
I could be anywhere
then Kota asks about
my time in Kohama
so far
I start to tell him
little bits about
the district middle school
the
mikan
work
the projects with Koichi
but then I realize
he’s only half listening
I stop
wait
and he says
aren’t you here ’cause someone died?
I sit there stunned
so used to
no one
around me
talking about you
and then I have to stand
and turn
and face the cliff
and its eroded contours
because I am crying
Kota waits
and when I finally turn back
and walk over to where the sea
just barely laps the rocks
and lean down for a handful of water
to wash off my face
and sit down again
not far from him
he says he’s sorry
I shake my head
to mean
it’s okay
then he asks
was it a friend?
and I think
then weigh my words
and answer softly
adding the helping verb
hazu
tomodachi no hazu datta
she should have been
was supposed to have been
a friend
for a while
we just sit there
staring at the still water
then we head back
to the festival stalls
and Kota pays money
says
watch this
and with a circle of paper net
dips and slides and turns and catches
three goldfish
that he carefully drops into
a plastic bag
of water
and after he ties the string
shut
he holds them up
between us
and hands the
bag of flashing
darting orange
to me
T
hat evening we all go down
to the seawall
and watch
as Koichi with the other men
of the fire brigade
in
happi
coats and headbands
ignite the wood
for 108 fires
the number being symbolic
in Buddhism
for 108 things like
greed
pride
ignorance
egoism
jealousy
cruelty
deceit
rage
that must be overcome
to reach Nirvana
but since it’s the second night
of Obon I ask
are these
welcoming or
sending-off fires
after a moment
Baachan says
both
so I ask
but won’t that confuse the spirits?
and she says
they can come and go
as they please
with their free schedules
and I realize that Baachan
has actually attempted
a joke
108 fires
burn
blaze
spark
and snap
the flames leaping
and heating our feet
legs and hands
warming the faces
of villagers
perched and
illuminated
there on the seawall
above the pier
when the fires die
the fire brigade guys
sweep the ash
into the bay
and everyone jumps down
from the wall
and heads to the village hall lot
to sing
and dance
some of the dances
we’ve practiced
and compete
in a rock-paper-scissors contest
where I win …
a melon
and walking back to the house
cradling my melon
I wonder
if we could issue invitations
send word to spirits
from other lands and languages
to come midsummer
to this shore opposite Mount Fuji
and find the village
with the three needle-like rocks
that poke up by the river mouth
and locate the row of 108 fires along
a pier that juts out from this village
into Suruga Bay
if we could invite
distant spirits
to join in
the celebrations
here
and if I did
invite you, Ruth
well?
would you come?
T
he next morning
Uncle doesn’t let us sleep in
but hollers us
awake at six
when Yurie is getting ready
to go to work
which is way too early
for a holiday
we cram into two cars
and drive up into the hills
to do a ridge walk
along a path to the
nearest peak
from the parking lot
to the summit
is only an hour’s walk
but we hardly talk the whole way
everyone in a straggly line
groggy
and sweaty
and cranky
and hungry
but when we reach the summit
we can see the sea
east and west,
and to the north
Mount Fuji, one side
still morning rouge
and to the south
rolling on
nearly forever
the swishing
sasa
grass
and mountains
of this peninsula
Uncle sets out a plastic sheet
and Baachan and both aunts
set out a picnic breakfast
of rice balls
and pickles
and fried chicken
and fruit
and salad
and there is coffee
and tea
and canned
mikan
juice
and everyone
gradually
comes to life
and there
at nearly a thousand meters
above the sea and higher
than just about everything
I feel
I could practically wave
at you
later, back at the house
I help with laundry
and kitchen cleanup
and prepare more foods
to set out later
whenever people are hungry
feeling sorry for Yurie
having to work
and wanting to do what I can
to be sure she
doesn’t have to work more
when she gets home
then when it is still afternoon
when Uncle and
other uncle and
Kota have gone off
Baachan makes me bathe
and upstairs makes me
dress in kimono underclothes
and kneel on a cushion
while she does my hair
up
and back
and pinned too tight with ornaments
then Yurie
gets home from the pharmacy
sees my hair and
takes it down
and does it
up
and back
and pinned again with ornaments
but better
with hair spray
and gel
Baachan, Yurie and my aunts
then present me with
a
yukata
kimono
of morning glories
that Aunt has sewn
from fabric they bought
and an obi long as the room
that Baachan tugs, folds, bends
into a bow
tied tight around my waist
Baachan announcing to all
that she must add
extra towel stuffing
to straighten my figure and
compensate
for my extra-wide
oversized
butt
Yurie dresses in
yukata
, too
a single thin towel
enough
to straighten her
slim figure
downstairs
we find
Kota is waiting
now smiling
he, too, in a
yukata
men’s style
photos are snapped
indoors
outdoors
in all combinations of
cousins and aunts and uncles and Baachan
even one with me in the center
of everyone
holding my bowl of
darting orange
goldfish
then Kota, Yurie and I
step our feet into
geta
and shuffle out to the village hall parking lot
now strung with paper lanterns
now with music blaring
now full of the village and visitors
and Koichi and the fire brigade
then Aunt, Uncle
other aunt and uncle
and Baachan
and cousins I’ve met
cousins I’ve maybe met
neighbors I’ve seen
neighbors I’ve never seen
we all dance circles of
Bon dances
later I send pictures to
Mom, Dad and Emi
and Emi emails
you look so
Japanese!