Orlando (16 page)

But Orlando, all the same, went on thinking. He had indeed much to think of. For when he tore the parchment across, he tore, in one rending, the scrolloping,
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emblazoned scroll which he had made out in his own favour in the solitude of his room appointing himself, as the King appoints Ambassadors, the first poet of his race, the first writer of his age, conferring eternal immortality upon his soul and granting his body a grave among laurels and the intangible banners of a people’s reverence perpetually. Eloquent as this all was, he now tore it up and threw it in the dust-bin. ‘Fame’, he said, ‘is like’ (and since there was no Nick Greene to stop him, he went on to revel in images of which we will choose only one or two of the quietest) ‘a braided coat which hampers the limbs; a jacket of silver which curbs the heart; a painted shield which covers a scarecrow,’ etc. etc. The
pith of his phrases was that while fame impedes and constricts, obscurity wraps about a man like a mist; obscurity is dark, ample, and free; obscurity lets the mind take its way unimpeded. Over the obscure man is poured the merciful suffusion of darkness. None knows where he goes or comes. He may seek the truth and speak it; he alone is free; he alone is truthful; he alone is at peace. And so he sank into a quiet mood, under the oak tree, the hardness of whose roots, exposed above the ground, seemed to him rather comfortable than otherwise.

Sunk for a long time in profound thoughts as to the value of obscurity, and the delight of having no name, but being like a wave which returns to the deep body of the sea; thinking how obscurity rids the mind of the irk of envy and spite; how it sets running in the veins the free waters of generosity and magnanimity; and allows giving and taking without thanks offered or praise given; which must have been the way of all great poets, he supposed (though his knowledge of Greek was not enough to bear him out), for, he thought, Shakespeare must have written like that, and the church builders built like that, anonymously, needing no thanking or naming, but only their work in the daytime and a little ale perhaps at night — ‘What an admirable life this is,’ he thought, stretching his limbs out under the oak tree. ‘And why not enjoy it this very moment?’ The thought struck him like a bullet. Ambition dropped like a plummet. Rid of the heart-burn of rejected love, and of vanity rebuked, and all the other stings and pricks which the nettle-bed of life had burnt upon him when ambitious of fame, but could no longer inflict upon one careless of glory, he opened his eyes, which had been wide open all the time, but had seen only thoughts, and saw, lying in the hollow beneath him, his house.

There it lay in the early sunshine of spring.
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It looked a town rather than a house, but a town built, not hither and thither, as this man wished or that, but circumspectly, by a single architect with one idea in his head. Courts and buildings, grey, red, plum colour, lay orderly and symmetrical; the courts were some of them oblong and some square; in this was a fountain; in that a
statue; the buildings were some of them low, some pointed; here was a chapel, there a belfry; spaces of the greenest grass lay in between and clumps of cedar trees and beds of bright flowers; all were clasped — yet so well set out was it that it seemed that every part had room to spread itself fittingly — by the roll of a massive wall; while smoke from innumerable chimneys curled perpetually into the air. This vast, yet ordered building, which could house a thousand men and perhaps two thousand horses, was built, Orlando thought, by workmen whose names are unknown. Here have lived, for more centuries than I can count, the obscure generations of my own obscure family. Not one of these Richards, Johns, Annes, Elizabeths has left a token of himself behind him, yet all, working together with their spades and their needles, their love-making and their child-bearing, have left this.

Never had the house looked more noble and humane.

Why, then, had he wished to raise himself above them? For it seemed vain and arrogant in the extreme to try to better that anonymous work of creation; the labours of those vanished hands. Better was it to go unknown and leave behind you an arch, a potting shed, a wall where peaches ripen, than to burn like a meteor and leave no dust. For after all, he said, kindling as he looked at the great house on the greensward below, the unknown lords and ladies who lived there never forgot to set aside something for those who come after; for the roof that will leak; for the tree that will fall. There was always a warm corner for the old shepherd in the kitchen; always food for the hungry; always their goblets were polished, though they lay sick; and their windows were lit though they lay dying. Lords though they were, they were content to go down into obscurity with the molecatcher and the stone-mason. Obscure noblemen, forgotten builders — thus he apostrophised them with a warmth that entirely gainsaid such critics as called him cold, indifferent, slothful (the truth being that a quality often lies just on the other side of the wall from where we seek it) — thus he apostrophised his house and race in terms of the most moving eloquence; but when it
came to the peroration — and what is eloquence that lacks a peroration? — he fumbled. He would have liked to have ended with a flourish to the effect that he would follow in their foot-steps and add another stone to their building. Since, however, the building already covered nine acres, to add even a single stone seemed superfluous. Could one mention furniture in a peroration? Could one speak of chairs and tables and mats to lie beside people’s beds? For whatever the peroration wanted, that was what the house stood in need of. Leaving his speech unfinished for the moment, he strode down hill again resolved henceforward to devote himself to the furnishing of the mansion. The news — that she was to attend him instantly — brought tears to the eyes of good old Mrs. Grimsditch, now grown somewhat old. Together they perambulated the house.

The towel horse in the King’s bedroom (‘and that was King Jamie, my Lord,’
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she said, hinting that it was many a day since a King had slept under their roof; but the odious Parliament days were over and there was now a Crown in England again) lacked a leg; there were no stands to the ewers in the little closet leading into the waiting room of the Duchess’s page; Mr. Greene had made a stain on the carpet with his nasty pipe smoking, which she and Judy, for all their scrubbing, had never been able to wash out. Indeed, when Orlando came to reckon up the matter of furnishing with rosewood chairs and cedar-wood cabinets, with silver basins, china bowls, and Persian carpets, every one of the three hundred and sixty-five bedrooms
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which the house contained, he saw that it would be no light one; and if some thousands of pounds of his estate remained over, these would do little more than hang a few galleries with tapestry, set the dining hall with fine, carved chairs and provide mirrors of solid silver and chairs of the same metal (for which he had an inordinate passion) for the furnishing of the royal bed-chambers.

He now set to work in earnest, as we can prove beyond a doubt if we look at his ledgers. Let us glance at an inventory of what he bought at this time, with the expenses totted up in the margin — but these we omit.

’To fifty pairs of Spanish blankets, ditto curtains of crimson and white taffeta; the valence to them of white satin embroidered with crimson and white silk…

’To seventy yellow satin chairs and sixty stools, suitable with their buckram covers to them all… sankuarsankuarsan kuarsankua rsankuarsa nkuarsank uarsankuar sankuar sankuarsa nkuarsankuar sankuarsankuars ankuarsa nkuar sankua rsankua rsankuar sankuarsank uarsankuar sankuarsanku arsankuar sankuarsankuarsankuarsankuar sankuarsankuarsankuar sankuarsankuar sankuar

’To sixty-seven walnut tree tables…

’To seventeen dozen boxes containing each dozen five dozen of Venice glasses…

’To one hundred and two mats, each thirty yards long…

’To ninety-seven cushions of crimson damask laid with silver parchment lace and footstools of cloth of tissue and chairs suitable…

‘To fifty branches for a dozen lights apiece…’

Already — it is an effect lists have upon us — we are beginning to yawn. But if we stop, it is only that the catalogue is tedious, not that it is finished. There are ninety-nine pages more of it and the total sum disbursed ran into many thousands — that is to say millions of our money. And if his day was spent like this, at night again, Lord Orlando might be found reckoning out what it would cost to level a million molehills, if the men were paid tenpence an hour; and again, how many hundredweight of nails at 5½d. a gill were needed to repair the fence round the park, which was fifteen miles in circumference. And so on and so on.

The tale, we say, is tedious, for one cupboard is much like another, and one molehill not much different from a million. Some pleasant journeys it cost him; and some fine adventures. As, for instance, when he set a whole city of blind women near Bruges to stitch hangings for a silver canopied bed; and the story of his adventure with a Moor in Venice of whom he bought (but only at the sword’s point) his lacquered cabinet, might, in other hands, prove worth the telling. Nor did the work lack variety; for here would come, drawn by teams from Sussex, great trees, to be sawn across and laid along the gallery for flooring;
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and then a chest from Persia, stuffed with wool and sawdust, from which, at last, he would take a single plate, or one topaz ring.

At length, however, there was no room in the galleries for another table; no room on the tables for another cabinet; no room in the cabinet for another rose-bowl; no room in the bowl for another handful of pot-pourri; there was no room for anything anywhere; in short the house was furnished. In the garden snowdrops, crocuses, hyacinths, magnolias, roses, lilies, asters, the dahlia in all its varieties, pear trees and apple trees and cherry trees and mulberry trees, with an enormous quantity of rare and flowering shrubs, of trees evergreen and perennial, grew so thick on each other’s roots that there was no plot of earth without its bloom, and no stretch of sward without its shade. In addition, he had imported wild fowl with gay plumage; and two Malay bears, the surliness of whose manners concealed, he was certain, trusty hearts.

All now was ready; and when it was evening and the innumerable silver sconces were lit and the light airs which for ever moved about the galleries stirred the blue and green arras, so that it looked as if the huntsmen were riding and Daphne flying; when the silver shone and lacquer glowed and wood kindled; when the carved chairs held their arms out and dolphins swam upon the walls with mermaids on their backs;
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when all this and much more than all this was complete and to his liking, Orlando walked through the house with his elk-hounds following and felt content. He had matter now, he thought, to fill out his peroration. Perhaps it would be well to begin the speech all over again. Yet, as he paraded the galleries he felt that still something was lacking. Chairs and tables, however richly gilt and carved, sofas, resting on lions’ paws with swans’ necks curving under them, beds even of the softest swansdown are not by themselves enough. People sitting in them, people lying in them improve them amazingly. Accordingly Orlando now began a series of very splendid entertainments to the nobility and gentry of the neighbourhood. The three hundred and sixty-five bedrooms were full for a month at a time. Guests jostled each other on the fifty-two staircases. Three hundred servants bustled about the pantries. Banquets took place almost nightly. Thus, in a very few
years, Orlando had worn the nap off his velvet, and spent the half of his fortune; but he had earned the good opinion of his neighbours, held a score of offices in the county, and was annually presented with perhaps a dozen volumes dedicated to his Lordship in rather fulsome terms by grateful poets. For though he was careful not to consort with writers at that time and kept himself always aloof from ladies of foreign blood, still, he was excessively generous both to women and to poets, and both adored him.

But when the feasting was at its height and his guests were at their revels, he was apt to take himself off to his private room alone. There when the door was shut, and he was certain of privacy, he would have out an old writing book, stitched together with silk stolen from his mother’s workbox, and labelled in a round schoolboy hand,
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‘The Oak Tree, A Poem’. In this he would write till midnight chimed and long after. But as he scratched out as many lines as he wrote in, the sum of them was often, at the end of the year, rather less than at the beginning, and it looked as if in the process of writing the poem would be completely unwritten. For it is for the historian of letters to remark that he had changed his style amazingly. His floridity was chastened; his abundance curbed; the age of prose was congealing those warm fountains. The very landscape outside was less stuck about with garlands and the briars themselves were less thorned and intricate. Perhaps the senses were a little duller and honey and cream less seductive to the palate. Also that the streets were better drained and the houses better lit had its effect upon the style, it cannot be doubted.

One day he was adding a line or two with enormous labour to ‘The Oak Tree, A Poem’, when a shadow crossed the tail of his eye. It was no shadow, he soon saw, but the figure of a very tall lady in riding hood and mantle crossing the quadrangle on which his room looked out. As this was the most private of the courts, and the lady was a stranger to him, Orlando marvelled how she had got there. Three days later the same apparition appeared again; and on Wednesday noon appeared once more.
This time, Orlando was determined to follow her, nor apparently was she afraid to be found, for she slackened her steps as he came up and looked him full in the face. Any other woman thus caught in a Lord’s private grounds would have been afraid; any other woman with that face, headdress, and aspect would have thrown her mantilla across her shoulders to hide it. For this lady resembled nothing so much as a hare; a hare startled, but obdurate; a hare whose timidity is overcome by an immense and foolish audacity; a hare that sits upright and glowers at its pursuer with great, bulging eyes; with ears erect but quivering, with nose pointed, but twitching. This hare, moreover, was six feet high and wore a headdress into the bargain of some antiquated kind which made her look still taller. Thus confronted, she stared at Orlando with a stare in which timidity and audacity were most strangely combined.