Orson Welles: Hello Americans (90 page)

Agar, Herbert,
The Unquiet Years
. Rupert Hart-Davies, 1957.

Ambler, Eric,
Journey into Fear
. Hodder & Stoughton, 1940.

Anderegg, Michael,
Orson Welles, Shakespeare and Popular Culture
. Columbia University Press, 1999.

Barnouw, Eric,
The Golden Web
. Oxford University Press, 1968.

Bazin, André, trans. Jonathan Rosenbaum,
Orson Welles: A Critical View
, Elm Tree Books, 1978.

Behlmer, Rudy (ed.),
Memo from David O. Selznick
. Samuel French, 1999.

Bogdanovich, Peter, & Welles, Orson,
This is Orson Welles
. Harper-Collins, 1992.

Brady, Frank,
Citizen Welles
, Charles Scribner’s Sons, 1989.

Brecht, Bertolt, ed. John Willett,
Journals 1934–1955
. Methuen, 1993.

Brogan, Hugh,
Penguin History of the United States
. Penguin, 1986.

Carringer, Robert,
The Magnificent Ambersons:
A Reconstruction
. University of California Press, 1993.

Castle, William,
Step Right Up!
Putnam, 1976.

Collier, Peter, & Horowitz, David,
The Rockefellers
. Holt, Rinehart & Winston, 1976.

Cooper, Stephen,
Full of Life: John Fante
. North Point Press, 2000.

Culver, John C., & Hyde, John,
American Dreamer
. W.W. Norton, 2000.

Denning, Michael,
The Cultural Front
. Verso, 1997.

Cover Stories
. Routledge,
Kegan & Paul, 1987.

Eels, George,
The Life That Late He Led
. 1967.

Ekirch, Arthur, Jr,
Ideologies and Utopias
. Quadrangle Books, 1969.

Ellington, Duke,
Music is my Mistress
. W.H. Allen, 1973.

French, Philip,
The Movie Moguls
. Weidenfeld & Nicolson, 1969.

Harrington, Oliver,
Why I Left America and Other Essays
. University of Mississippi Press 1994.

Higham, Charles,
The Films of Orson Welles
. University of California Press, 1970.

Orson Welles: The Rise and Fall of an American Genius
. St Martin’s Press, 1985.

Sources of Light
. Indiana University Press, 1970.

Hodel, Steven,
Black Dahlia Avenger
. Arcade Publishing, 2003.

Hoogstraten, Nicholas van,
Lost Broadway Theatres
. Princeton Architectural Press, 1991.

Hughes, Langston,
Fight for Freedom: The Story of the NAACP
. Berkeley Publishing
Corporation, 1962.

Hurst, Richard Maurice,
Republic Studios
. Scarecrow Press, 1979.

Jewell, Richard B., & Harbin, Vernon,
The RKO Story
. Arlington House, 1982.

Kahn, Gordon,
Hollywood on Trial
. Boni & Gaer, 1948.

Lasky, Betty,
RKO: The Biggest Little Major of Them All
. Prentice-Hall, 1984.

Latham, Earl,
The Communist Controversy in Washington
. Harvard University Press, 1966.

Leaming, Barbara,
Orson Welles: A Biography
. Viking, 1985.

If This was Happiness: Rita Hayworth
. Viking, 1989.

Leiter, Sam,
Encyclopaedia of the New York Stage, 1940–1950
. Greenwood Press, 1992.

Lyon, James K.,
Bertolt Brecht in America
. Princeton University Press, 1980.

May, Larry,
The Big Tomorrow
. University of Chicago Press, 2000.

Naremore, James,
The Magic World of Orson Welles
. Revised edn, Southern
Methodist University Press, 1989.

More Than Night
. University of California Press, 1998.

Noble, Peter,
The Fabulous Orson Welles
. Hutchinson, 1956.

Pacios, Mary,
Childhood Shadows
. 1st Books Library, 1999.

Raeburn, Ben (ed.),
Treasury for the Free World
. Arco, 1945.

Rivas, Darlene,
Missionary Capitalist
. University of North Carolina Press, 2002.

Sherwood King, R.,
If I Die Before I Wake
. Simon & Schuster, 1938.

Smith, Stephen,
A Heart at Fire’s Center
. University of California Press, 1991.

Straight, Michael,
After Long Silence
. W. W. Norton 1983.

Suskin, Steven,
Opening Night on Broadway
. Schirmer, 1990.

Show Tunes, New York
. Dodd, Mead & Company, 1986.

Swanberg, W. A.,
Luce and his Empire
. Scribner’s, 1972.

Tarkington, Booth,
The Magnificent Ambersons
. Doubleday, Page
& Company, 1918.

Thomson, David,
Showman: The Life and Times of David O. Selznick
. Alfred A. Knopf, 1993.

Tynan, Kenneth,
He That Plays the King
. Longman, Green & Co., 1950.

Wood, Bret,
Orson Welles: A Bio-Bibliography
. Greenwood Press, 1990.

Woodress, James,
Booth Tarkington: Gentleman from Indiana
. Lippincott, 1955.

Yarbrough, Tinsley E.,
A Passion for Justice
. Oxford University Press,
1987.

Benamou, Catherine, ‘It’s All True as Document/Event’,
Persistence of Vision
, Number 7. Film Faculty of University of New York, 1989.

Kamp, David, ‘Magnificent Obsession’.
Vanity Fair
, January 2002

Kulinak, Katherine, ‘Text of Music:
The Magnificent Ambersons’. Cinema Journal
, Summer 1988.

Margetson, Arthur, ‘Orson Welles and I’ (unpublished)

Ryan, Susan, ‘Context for an
Unfinished Text’,
Persistence of Vision
, Number 7. Film Faculty of University of New York, 1989.

Stam, Robert, ‘Orson Welles, Brazil and the Power of Blackness’,
Persistence of Vision
, Number 7. Film Faculty of University of New York, 1989.

Thomas, François, ‘Orson Welles’ Turn from Live Recording to Post-Synchronization: A Technical and Aesthetic Evolution’, in Philip Brody (ed.),
Cinesonic:
Cinema and the Sound of Music
. Australian Film, Television and Radio School, North Ryde, 2000. ‘Mésaventures d’un Bande Sonore’.
Positif
,