Orson Welles: Hello Americans (90 page)

BOOK: Orson Welles: Hello Americans
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The
author and publishers are grateful for permission to reprint the following: excerpt from ‘Airborne Symphony’, words and music by Marc Blitzstein © 1946 Chappell & Co. Inc. Administered by Warner/Chappell Music Ltd, London w6 8
BS
. Reproduced by permission; excerpt from ‘Wherever They Fly the Flag of Old England’, words and music by Cole Porter © 1946 (renewed) Chappell & Co. Inc. Administered by
Warner/Chappell Music Ltd, London w6 8
BS
. Reproduced by permission; excerpt from ‘The Blinding of Isaac Woodard’ by Woody Guthrie © Copyright 1965 (renewed) by Woody Guthrie Publications, Inc. All rights reserved. Used by permission.

Bibliography

Books

Agar, Herbert,
The Unquiet Years
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Ambler, Eric,
Journey into Fear
. Hodder & Stoughton, 1940.

Anderegg, Michael,
Orson Welles, Shakespeare and Popular Culture
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Barnouw, Eric,
The Golden Web
. Oxford University Press, 1968.

Bazin, André, trans. Jonathan Rosenbaum,
Orson Welles: A Critical View
, Elm Tree Books, 1978.

Behlmer, Rudy (ed.),
Memo from David O. Selznick
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Bogdanovich, Peter, & Welles, Orson,
This is Orson Welles
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Brady, Frank,
Citizen Welles
, Charles Scribner’s Sons, 1989.

Brecht, Bertolt, ed. John Willett,
Journals 1934–1955
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Brogan, Hugh,
Penguin History of the United States
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Carringer, Robert,
The Magnificent Ambersons:
A Reconstruction
. University of California Press, 1993.

Castle, William,
Step Right Up!
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Collier, Peter, & Horowitz, David,
The Rockefellers
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Cooper, Stephen,
Full of Life: John Fante
. North Point Press, 2000.

Culver, John C., & Hyde, John,
American Dreamer
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Denning, Michael,
The Cultural Front
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Cover Stories
. Routledge,
Kegan & Paul, 1987.

Eels, George,
The Life That Late He Led
. 1967.

Ekirch, Arthur, Jr,
Ideologies and Utopias
. Quadrangle Books, 1969.

Ellington, Duke,
Music is my Mistress
. W.H. Allen, 1973.

French, Philip,
The Movie Moguls
. Weidenfeld & Nicolson, 1969.

Harrington, Oliver,
Why I Left America and Other Essays
. University of Mississippi Press 1994.

Higham, Charles,
The Films of Orson Welles
. University of California Press, 1970.

Orson Welles: The Rise and Fall of an American Genius
. St Martin’s Press, 1985.

Sources of Light
. Indiana University Press, 1970.

Hodel, Steven,
Black Dahlia Avenger
. Arcade Publishing, 2003.

Hoogstraten, Nicholas van,
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Hurst, Richard Maurice,
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The RKO Story
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Kahn, Gordon,
Hollywood on Trial
. Boni & Gaer, 1948.

Lasky, Betty,
RKO: The Biggest Little Major of Them All
. Prentice-Hall, 1984.

Latham, Earl,
The Communist Controversy in Washington
. Harvard University Press, 1966.

Leaming, Barbara,
Orson Welles: A Biography
. Viking, 1985.

If This was Happiness: Rita Hayworth
. Viking, 1989.

Leiter, Sam,
Encyclopaedia of the New York Stage, 1940–1950
. Greenwood Press, 1992.

Lyon, James K.,
Bertolt Brecht in America
. Princeton University Press, 1980.

May, Larry,
The Big Tomorrow
. University of Chicago Press, 2000.

Naremore, James,
The Magic World of Orson Welles
. Revised edn, Southern
Methodist University Press, 1989.

More Than Night
. University of California Press, 1998.

Noble, Peter,
The Fabulous Orson Welles
. Hutchinson, 1956.

Pacios, Mary,
Childhood Shadows
. 1st Books Library, 1999.

Raeburn, Ben (ed.),
Treasury for the Free World
. Arco, 1945.

Rivas, Darlene,
Missionary Capitalist
. University of North Carolina Press, 2002.

Sherwood King, R.,
If I Die Before I Wake
. Simon & Schuster, 1938.

Smith, Stephen,
A Heart at Fire’s Center
. University of California Press, 1991.

Straight, Michael,
After Long Silence
. W. W. Norton 1983.

Suskin, Steven,
Opening Night on Broadway
. Schirmer, 1990.

Show Tunes, New York
. Dodd, Mead & Company, 1986.

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Luce and his Empire
. Scribner’s, 1972.

Tarkington, Booth,
The Magnificent Ambersons
. Doubleday, Page
& Company, 1918.

Thomson, David,
Showman: The Life and Times of David O. Selznick
. Alfred A. Knopf, 1993.

Tynan, Kenneth,
He That Plays the King
. Longman, Green & Co., 1950.

Wood, Bret,
Orson Welles: A Bio-Bibliography
. Greenwood Press, 1990.

Woodress, James,
Booth Tarkington: Gentleman from Indiana
. Lippincott, 1955.

Yarbrough, Tinsley E.,
A Passion for Justice
. Oxford University Press,
1987.

Articles

Benamou, Catherine, ‘It’s All True as Document/Event’,
Persistence of Vision
, Number 7. Film Faculty of University of New York, 1989.

Kamp, David, ‘Magnificent Obsession’.
Vanity Fair
, January 2002

Kulinak, Katherine, ‘Text of Music:
The Magnificent Ambersons’. Cinema Journal
, Summer 1988.

Margetson, Arthur, ‘Orson Welles and I’ (unpublished)

Ryan, Susan, ‘Context for an
Unfinished Text’,
Persistence of Vision
, Number 7. Film Faculty of University of New York, 1989.

Stam, Robert, ‘Orson Welles, Brazil and the Power of Blackness’,
Persistence of Vision
, Number 7. Film Faculty of University of New York, 1989.

Thomas, François, ‘Orson Welles’ Turn from Live Recording to Post-Synchronization: A Technical and Aesthetic Evolution’, in Philip Brody (ed.),
Cinesonic:
Cinema and the Sound of Music
. Australian Film, Television and Radio School, North Ryde, 2000. ‘Mésaventures d’un Bande Sonore’.
Positif
,

Interviews

Tynan, Kathleen. Unpublished.

‘Les mésaventures d’une bande sonore: les deux
Macbeth
d’Orson Welles’,
Cinémathèque
, Number 6, Autumn 1994. Interview with Jeanette Nolan,
Positif
, Number 449–450, July/August 1998.

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be
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Version 1.0
Epub ISBN 9781446484555
www.randomhouse.co.uk
Published by Vintage 2007
2 4 6 8 10 9 7 5 3 1
Copyright © Simon Callow, 2006
Simon Callow has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work
This book is
sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser
Use of the works of and rights pertaining to Orson Welles
have been granted through a special licence from his daughter, Beatrice Welles. All rights reserved. Beatrice Welles, c/o Thomas A. White, 8671 Wilshire Boulevard, Suite 718, Beverley Hills, California 90211-2915, USA. Tel (310) 657-9831; Fax (310) 657-6455
First published in Great Britain in 2006 by Jonathan Cape
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A CIP catalogue record for this book is available from the British Library
ISBN 9780099462613

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