Outrageous Fortune (23 page)

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Authors: Patricia Wentworth

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His pace admitted of thought, and he had plenty to think about. He had to think about the emeralds. How had they come to be where he had found them? As far as he knew, only two people now living knew of the secret hiding-place behind Ralph de Burgh's shield. Uncle James and Aunt Margaret had known, and Uncle James had told him with a good deal of humming and hawing and some heavy business on the lines of, “Family heirloom—family secret—future head of the family, my boy”; and, “It will all be yours some day.” He remembered saying, “I hope it won't—not for ages, I mean.” And Uncle James, a good deal embarrassed, pulling at his walrus moustache, and saying, “I hope not—I hope not—but you never can tell.” Well, that was eight years ago, and he had told Caroline to console her before he went away. And of course Caroline might have told anyone. No, she wouldn't—she had promised. Rubbish! A child's promise! She had probably told all her bosom friends. No—not Caroline. He felt ashamed of having had the thought. He could hear her funny deep voice now: “Jim, I faithfully promise.” No—Caroline wouldn't have told after that.

He frowned impatiently. Any number of people might know about the thing. But if they didn't—if only he and Caroline knew—then it was he who had put the emeralds there. It was a damned bad show. How could he have put the emeralds there? How had they got there if he hadn't put them there? And why had he been haunted by snatches of memory in which the emeralds and the five narrow windows of the Blue Room came and went?

An obstinate denial rose in him. He might have shot Elmer Van Berg, but he couldn't have taken the emeralds. He said that he might have shot Elmer. He began to turn that over. He wouldn't have gone to see Elmer with a gun on him—not in England. But if they had had a violent quarrel and Elmer had drawn on him, there might have been a struggle in which Elmer was shot. But in that case what had happened to the weapon? There wasn't anything about a weapon in the newspaper stories. He wondered if that was one of the things the police were lying low about..…

Well, say he and Elmer had quarrelled. What would they have quarrelled about? It would have to be something that made Elmer suddenly see red. Well then, it would have to be something about Susie. Susie liked to play him up and make him jealous. If Elmer was jealous, he'd be formidable—he'd be liable to forget where he was and pull a gun. But then Jim had a perfectly clear memory of drinking with Elmer. They weren't quarrelling then. He could see that one moment of their interview perfectly clearly—his own hand lifting his drink, and Elmer's hand under the light holding up the emeralds. He came to a puzzled obstinate certainty. He might have shot Elmer, though he couldn't think why. He couldn't have taken the emeralds and hidden them at Hale Place.

He crossed a stile, and came in sight of the lights of Hinton station. As he did so, the church clock of Hinton St Margaret chimed out the hour of twelve. If the train had not been altered, he had a quarter of an hour in hand, and a couple of hundred yards between him and the main road.

The field path ended in a gap with posts across it. Jim emerged, crossed the road, and began to walk down the incline which led to the station. It is a long incline. He had only just begun the descent, when it was borne in upon him that the time-table had certainly been altered. The clock had only just struck twelve, but the train was coming in. It might now be anything from the eleven-fifty-five to the twelve-five, but it couldn't any longer be the twelve-fifteen.

He started to run, and as he did so, something black began to bob up and down ahead of him. It was another man, also running, and presumably with the same object. Jim put on all the pace he could, gained a little, and then saw the black figure draw away. They would hold him at the wicket. If they held him, he'd be likely to miss the train. Would they hold him? No, he was through, with a hand thrust out as if he were showing a ticket. That was it—he'd come down by train, and he'd got his return ticket. He was across the platform and into one of the rear carriages as the train began to move. Jim flung himself against the wicket, and saw the red tail-light slide off into the dark. He had shot his bolt. That was the last train, and even if he felt like walking into Ledlington, which he didn't, it wouldn't be of the least use. The fellow would have had several hours in which to get off the map. He turned round and walked back up the incline.

Well, he had lost the train. Had he gained anything? He had seen the man's back for a moment as he ran across the platform. The light was poor, and he certainly hadn't seen anything that he could be sure of recognizing—medium height—medium build—some sort of cap on the head—a suit, not an overcoat. That was all, except just for one thing, and that he couldn't have sworn to. He thought there was something odd about the man's right shoulder as he ran—his shoulder, or his sleeve. There was something that might be a shadow, or a stain, or a tear; and he remembered his own left-hand grip, that last wrench when the man bit him and pulled free, and the sound of tearing cloth.

He passed between the posts and took the path across the fields again. He was angry and fagged, he had a bump on his head, and a bitten wrist. He had had the emeralds in his grasp and had lost them. But gradually, as he walked, it came to him that the alteration in the local time-table which had turned the twelve-fifteen into the twelve-three or something of that sort had saved him from plunging into the devil of a mess. If he had come up with his burglar, what was he going to have done about it? Chasing him was all right, but what happened if you caught him? That was where the fun began. He sketched out some snappy dialogue as he walked:

“I charge this man with breaking into my house at Hazelbury West and committing an assault by biting me on the wrist.”

“What is the name of your house?”

“Hale Place.”

“What is your name?”

“James Randal.”

“Do you charge the prisoner with theft?”

“Yes—I charge him with the theft of the Van Berg emeralds.”

“And may we inquire what the Van Berg emeralds were doing in your possession, Mr Randal?”

After that the dialogue broke up in disorder, to the accompaniment of a heavy hand on his shoulder and a stolid voice informing him that he was under arrest for the murder of Elmer Van Berg, and that anything he said would be liable to be used in evidence against him. He began to feel a good deal of gratitude to the person responsible for the altered time-table.

That lasted for a bit, and then something else loomed up. Suppose the thief didn't know what he'd got. Suppose he just went blundering off with the emeralds to his usual fence. It was a hundred to one he'd be nabbed. And if he was nabbed, it was about ten thousand to one that he'd give the whole show away—he would be bound to if he didn't want to be charged with the murder, or the attempted murder, of Elmer Van Berg. He would save his neck by owning up to having burgled Hale Place.

The dialogue began again.

“And who does Hale Place belong to?”

“It belongs to me.”

“Now, Mr Randal—can you offer any explanation as to how these emeralds, the property of Mr Van Berg—or would it be the late Mr Van Berg—can you offer any explanation as to how these emeralds came to be concealed in your house?”

“No, I can't.”

“Evidence has been given that they were in a hiding-place the secret of which was known only to yourself. Do you deny this?”

“No, I don't.”

“I put it to you that you stole the emeralds and placed them in this receptacle.”

It was a nightmare—the deadliest, beastliest kind of nightmare; because it was all perfectly logical, possible, and probable. His mind began to sort out the facts and array its conclusions.

He couldn't go to the police, because, quite definitely, he couldn't afford to charge his burglar.

On the other hand—

He must do everything in his power to trace the man and get the emeralds away from him. If he didn't succeed in doing this, he would probably find himself in the dock for the theft of the emeralds and the murder of Elmer Van Berg.

He had no idea how he was going to trace the man. He had no clue to his identity except that of a torn coat sleeve. A torn coat may be changed or mended. Exit the torn coat.

The man had got into a train which went to Ledlington and didn't go any farther. Going to Ledlington doesn't necessarily mean staying in Ledlington. Still, it was some sort of a clue to the man's whereabouts.

A torn coat and a Ledlington train were all he had to go upon. They did not provide him with very much encouragement.

He came back to Hale Place dog-tired, missing Caroline by a bare five minutes. He had left the door wide open, and he found it closed. So Caroline had come. He thought she might be there still. He called her name. When there was no reply, he went forward into the kitchen and groped for and lit another of the candles she had brought him. He wanted to wash the blood from his face, and to bathe his bitten wrist.

At the scullery sink he let the tap run and put his head under it. Then he took a look at his wrist. It was a good deal bruised, but the skin was only broken in one place. As he held it under the tap and the smear of blood ran off, he gave a start and caught up the candle in his other hand. The mark of the bite showed plain on both sides of the wrist. On the under side were six indentations, all close together. But on the top of the wrist there were only four—two on one side and two on the the other, and a widish gap between.

Here at last was a real clue. The man who had bitten him had lost the two front teeth in the middle of his upper jaw.

XXVII

If you cannot go back or go forward, you must just make the best of it and go whatever way you can.

Jim walked back across the fields in the early hours of the morning and took the milk train into Ledlington. It used to leave Hinton at six-thirty. He discovered that it now left at six-thirty-one. It reached Ledlington at ten minutes to seven, which is a cold, uncomfortable hour to arrive anywhere, but especially when you have no fixed destination and very little money.

He had a cup of tea and a sandwich, and put in time in the waiting-room until he could buy a paper. He chose one of the more dramatic dailies, and was immediately confronted by a large picture of Packham Hall and a photograph, described as unique, of Susie Van Berg with the emeralds all across the front of her dress. It wasn't a very good photograph of Susie, but it was a speaking likeness of the emeralds. Jim wondered whether the burglar would see it, and what he would do if he did see it. If he had a grain of sense, he'd chuck the chain away into the nearest ditch and make himself scarce. That was assuming that he didn't already know what he had got. But didn't he?
Didn't he?
What had brought him to Hale Place
twice?
Would he have come back a second time, and come back to a room which appeared to contain nothing stealable if he hadn't got wind of the emeralds? It was taking a risk to come back. There must have been a strong motive. The emeralds would provide the motive. A room containing nothing but panelling, two china candlesticks, and an immovable four-post bed frankly would not. It became most urgently necessary to find the burglar.

Jim had a pleasant picture of himself asking the forty thousand odd adult inhabitants of Ledlington to show him their front teeth. There didn't seem to be any other way of identifying the burglar.

He read all that his paper had to say about the Van Berg case. There was a lot of it, but it didn't amount to anything at all. He gathered that Elmer was about the same, that Susie was refusing to be interviewed—the journalistic euphemism for this is, “absolutely prostrated”—and that the police were sitting tight. He thought that he would go and have another look at the back numbers as soon as the free library opened. There were several points on which he felt he could do with a little more information.

He left the station at half past eight and walked in the direction of the library. It would not be open until nine o'clock, so he walked down the High Street, through Poulter's Row, and round the Market Square.

The library is upon the east side of the square. It was presented to Ledlington by the late Sir Albert Dawnish in recognition of the fact that it was in Ledlington that the first of Dawnish's Quick Cash Stores had had its birth. Sir Albert himself, three times life size, stands in the middle of the square attired in the strange garments peculiar to statuary. There are the trousers that would break any man's leg, the negligent tie, the flapping collar, and the cloak. It was a very expensive statue. Ledlington regards it with pride.

Jim was passing the statue a second time, when a girl who had just come down Market Street with a basket on her arm stopped short not a yard away and said “Oh!” in a tone of so much surprise that his attention was arrested. A moment before, he had not known that there was a girl there, but when she said “Oh!” he saw Min Williams staring at him and recognized her at once. She had on a blue serge coat and skirt and a very neat little dark blue hat which threw up the gold of her hair and the blue of her eyes.

She said “Oh!” again, and her cheeks turned bright pink. It was an embarrassing encounter. There was nothing for it but to make it as ordinary as possible.

He said good morning, asked her why she was out so early, and was about to pass on, when she stopped him.

“Are you in a hurry?” It was said timidly, hesitatingly. Her colour came and went. Only a very hard-hearted person could have admitted to being in a hurry.

Jim said, “Not at all.”

“Then if we could just walk round the square—”

They began to walk. He wondered what she wanted to say to him. Apparently nothing, for she remained perfectly silent. When they reached the colonnade which embellishes the west side of the square, however, she turned to him with a look of embarrassed appeal.

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