Paris Nocturne

Paris Nocturne

English translations of works by Patrick Modiano

From Yale University Press

After the Circus

Paris Nocturne

Pedigree

Suspended Sentences

Also available or forthcoming

The Black Notebook

Catherine Certitude

Dora Bruder

Honeymoon

In the Café of Lost Youth

Lacombe Lucien

Missing Person

Out of the Dark

So You Don't Get Lost in the Neighborhood

The Occupation Trilogy (The Night Watch, Ring Roads, and La Place de l'Etoile)

Villa Triste

Young Once

Paris Nocturne

Patrick Modiano

Translated from the French by Phoebe Weston-Evans

The Margellos World Republic of Letters is dedicated to making literary works from around the globe available in English through translation. It brings to the English-speaking world the work of leading poets, novelists, essayists, philosophers, and playwrights from Europe, Latin America, Africa, Asia, and the Middle East to stimulate international discourse and creative exchange.

English translation copyright © Phoebe Weston-Evans 2015. Originally published as
Accident nocturne
. © Editions Gallimard, Paris, 2003. English edition first published 2015 in the United States by Yale University Press and in Australia by The Text Publishing Company. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers.

Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail
[email protected]
(U.S. office) or
[email protected]
(U.K. office).

Page design by W. H. Chong.
Cover design by Mary Valencia.
Printed in the United States of America.

Library of Congress Control Number: 2015942212
ISBN 978-0-300-21588-5 (pbk.: alk. paper)

A catalogue record for this book is available from the British Library.

This paper meets the requirements of
ANSI
/
NISO
Z39.48-1992 (Permanence of Paper).

10 9 8 7 6 5 4 3 2 1

For Douglas

LATE AT NIGHT, a long time ago, when I was about to turn twenty-one, I was crossing Place des Pyramides on my way to Place de la Concorde when a car appeared suddenly from out of the darkness. At first I thought it had just grazed me, then I felt a sharp pain from my ankle to my knee. I fell onto the pavement. But I managed to get up again. The car swerved and collided with one of the arcades surrounding the square in a shower of broken glass. The door opened and a woman stumbled out. A man who happened to be at the entrance of the hotel under the arcade ushered us into the lobby. We waited, the woman and I, on a red leather sofa while the man made a phone call from reception. She was cut along the hollow of her cheek, on her cheekbone and on her forehead, and the cuts were bleeding. A huge man with short brown hair came into the lobby and walked towards us.

Outside, they surrounded the car, which stood with its doors hanging open, and one of them took notes as if for a report. As we got into the police van, I realised that I was missing my left shoe. The woman and I were sitting side by side on the wooden bench. The huge brown-haired man sat on the bench opposite us. He was smoking and glanced at us coldly from time to time. Through the barred windows I could see that we were driving along Quai des Tuileries. I hadn't been given time to collect my shoe, and I thought about how it would stay there, all night, in the middle of the pavement. I could no longer tell whether I'd lost a shoe or an animal, the dog from my childhood that had been run over when I lived on the outskirts of Paris, Rue Docteur-Kurzenne. Everything was getting muddled in my mind. Perhaps I hit my head when I fell. I turned to the woman. I was surprised she was wearing a fur coat.

I remembered that it was winter. And the man opposite was wearing a coat, too, and I was wearing one of those old sheepskin jackets you find at flea markets. Her fur coat was certainly not one you would find at a flea market. A mink? A sable? She was smartly dressed and well groomed, which contrasted with the cuts on her face. On my jacket,
just above the pockets, I noticed spots of blood. I had a large graze on my left palm; the spots of blood on the fabric must have come from there. She held herself erect but with her head tilted to one side, as if staring at something on the floor. My shoeless foot, perhaps. She had shoulder-length hair and in the light of the lobby she seemed blonde.

The police van stopped at a red light on the quay, level with Saint-Germain-l'Auxerrois. The man continued to watch us in silence, one at a time, with his cold stare. I couldn't help but feel guilty of something.

We were still stopped at the lights. The café on the corner of the quay and Place Saint-Germain-l'Auxerrois, where I had often met my father, was still open. It was time to escape. Perhaps all we had to do was ask the guy on the bench to let us go. But I felt incapable of uttering a single word. He coughed, a chesty smoker's cough, and I was startled at the sound. Since the accident, a profound silence had settled around me, as if I had lost my hearing. We continued along the quay. As the police van headed over the bridge, I felt her hand squeeze my wrist. She smiled, as if she wanted to reassure me, but I wasn't frightened at all. It even seemed to me that we had been in each other's company before, at another time, and that she still had the same smile. Where
had I seen her? She reminded me of someone I had known a long time ago. The man opposite us had fallen asleep and his head had dropped onto his chest. She squeezed my wrist hard, and I was convinced that soon after, once we were out of the van, they would handcuff us to each other.

After the bridge, the van went through an entrance-way and stopped in the courtyard of the Hôtel-Dieu casualty department. We sat in the waiting room, still accompanied by the man. I was beginning to wonder exactly what his job was. A policeman in charge of keeping an eye on us? But why? I wanted to ask him, but I already knew he wouldn't be able to hear me. I had
LOST MY VOICE
. The three words came into my mind in the stark light of the waiting room. The woman and I were sitting on a bench opposite the reception desk. The man went to talk to one of the women there. I was sitting very close to her; I could feel her shoulder against mine. He sat back down in the same place on the edge of the bench, along from us. A red-haired man, barefoot, dressed in a leather jacket and pyjama trousers, paced up and down the waiting room, shouting across at the women at reception. He complained that they weren't paying him any attention. He kept walking in front of us, trying to catch my eye. But I kept my eyes averted because I was afraid he would talk
to me. One of the women from reception went over to him and gently guided him towards the exit. He came back into the waiting room, but this time he launched into a tirade of complaints, like a howling dog.

From time to time, a man or a woman escorted by officers would cross the room quickly and disappear into the corridor opposite us. I wondered where the corridor led to, and if, when our turn came, we would be steered down there, too. Two women crossed the waiting room, surrounded by several police officers. I could tell that they had just come out of a police van, perhaps the same as the one that dropped us off. They were wearing fur coats, just as elegant as the one worn by the woman sitting next to me, and, like her, they were smartly turned out. No cuts on their faces. But each handcuffed at the wrists.

The huge brown-haired man motioned for us to get up and took us to the end of the room. Walking with one shoe was uncomfortable and I wondered if it wouldn't be better to take it off. I felt quite a sharp pain in the ankle of the foot without a shoe.

A nurse led us into a small room with two camp beds. We lay down. A young man came in. He wore a white coat and had a jawline beard. He checked his papers and asked
the woman her name. She replied: Jacqueline Beausergent. He asked me for my name, too. He examined my shoeless foot, then my leg, lifting my trousers up to the knee. The nurse helped her out of her coat and cleaned the cuts on her face with cotton wool. Then they switched on a night-light, and left us. The door was wide open and, in the light of the corridor, our man paced up and down. He appeared in the doorway with the regularity of a metronome. She was lying there next to me, her fur coat pulled over her like a blanket. There wouldn't have been room for a bedside table between the two beds. She reached her hand out and squeezed my wrist. I thought of the handcuffs that the two women were wearing earlier and again said to myself that they would end up putting them on us, too.

Out in the corridor, he stopped pacing. He was talking quietly with the nurse. She came into the room, followed by the young man with the jawline beard. They turned on the light and stood at the head of my bed. I turned to the woman and she shrugged under the fur coat, as if to tell me there was nothing we could do, we were trapped, the time to escape had passed. The huge brown-haired man stood motionless in the doorway, his legs slightly apart, his arms folded. He didn't take his eyes off us. He must have been
preparing to stop us in case we tried to escape. She smiled at me again, with that same wry smile she had in the police van earlier. I don't know why, but this smile made me uneasy. The fellow with the jawline beard and white coat leaned over me and, with the nurse's help, put a kind of big black muzzle over my mouth and nose. I smelled the ether before losing consciousness.

*

From time to time, I tried to open my eyes, but I kept falling into a half-sleep. Then I had a dim memory of the accident and wanted to turn over and see if she was still there in the other bed. But I didn't have the strength to make the slightest movement—the stillness put me at ease. I remembered the big black muzzle, too. It must have been the ether that put me in this state. I lay still and let myself drift along in the river's current. Her face came to me with total precision, like a large identikit photograph: the even arches of her eyebrows, clear eyes, blonde hair, the cuts on her forehead, cheekbones and the hollow of her cheek. In my half-sleep the huge brown-haired man held up the photo, asking me if I ‘knew this person'. I was astonished to hear him speak.
He kept repeating the question with the metallic voice of a talking clock. I studied the face until I thought, yes, I know this person. Or perhaps I had met someone who looked very similar. I could no longer feel the pain in my left foot. That evening I was wearing my old moccasins with crepe rubber soles and stiff leather, which I had cut with scissors because they were too tight and hurt my ankles. I thought about that shoe I had lost, the forgotten shoe left in the middle of the pavement. The shock of the accident brought back the memory of the dog that had been run over long ago, and I could see the sloping avenue in front of the house. The dog used to escape and go to the vacant lot at the end of the avenue. I was afraid that he might get lost, so I kept an eye out for him from my bedroom window. It was often evening when he came walking slowly back up the avenue. Why had this woman become associated with a house where I had spent part of my childhood?

Again, I heard him ask me the same question, ‘Do you know this person?' His voice became softer and softer until it was a whisper, as if he was speaking right up against my ear. I stayed still and let myself be carried along by the river, perhaps the same river where we used to walk with the dog. Faces gradually appeared in front of me, and I compared
them with the identikit photograph. Of course, that was it: she had a room on the first floor of the house, the last room at the end of the corridor. The same smile, the same blonde hair but worn longer. She had a scar across her left cheekbone, and I suddenly understood why I had thought I recognised her in the police van. The cuts on her face must have reminded me of the scar, only I hadn't realised it then.