Parker16 Butcher's Moon (18 page)

"Go ahead, Harold. Sit down."

Calesian sat sideways on the chaise longue, keeping both feet on the floor. He put the attach^ case on his lap, rested his forearms on the case. He tried to be as casual and unemotional as Lozini. "I guess you want to talk to me about something," he said.

Lozini was silent. He considered Calesian as though trying to decide whether or not to buy him. Calesian waited, keeping a blanket over his tension, and finally Lozini nodded slowly and turned his head to look out toward downtown. "None of those buildings were there when I first moved here," he said. "The tall ones."

"There've been a lot of changes," Calesian agreed.

Lozini nodded some more, still looking out away from the

terrace. Then he turned his head to gaze at Calesian again. "This building right here wasn't here," he said.

"Three years old," Calesian said. He knew because he was one of the original tenants.

"Sitting here," Lozini said, "waiting for you, I spent a lot of time thinking about the past. The way things used to be. The way I used to be."

"Well, everything changes, I guess." Calesian was listening hard, trying to think ahead of the conversation, waiting for Lozini to touch ground, get to the point.

"I'm about finished," Lozini said. "Hard to think about it that way, you know? I look in the mirror, I see an old man, I get surprised. Somebody tells me I forgot a thing I always knew, I can't figure out how it happened. Be like forgetting to put your pants on."

"You're still all right, Al," Calesian said. But he was thinking hard, trying to work it out, and he was wondering if Lozini was maybe saying that he was quitting. Was that it? He'd come here to turn in his resignation, to ask to be allowed to retire with no trouble. Believing that, beginning to feel less tense, Calesian said, "You're still fine, Al, you've got years in you."

"I'm past the bullshit, Harold," Lozini said. "I'm almost ready to quit, walk away from it." His lips curling, he added, "Go play shuffleboard."

Calesian watched him, intent on every word. "Almost?" he said.

"That's right, Harold." Lozini reached inside his jacket so „ slowly, moving so unemotionally, that Calesian couldn't believe he was actually reaching for a gun until the thing was out and aimed at Calesian's eyes.

Calesian's hands splayed out atop the attach^ case. He made no head or shoulder movements. He said, "Take it easy, Al."

"I'll go out," Lozini said, still calm, still casual, "but I'll go out my own way. I won't get shoved. I won't get conned and robbed like an old man."

"Al, I don't know what—"

"It's either Ernie or Dutch," Lozini said. "Can't be anybody else."

Calesian blinked, stunned at the names. But with the gun pointing at him, there was nothing to do but go on playing innocent. "Al, you're miles ahead of me," he said. "I just don't—"

"That's right, you son of a bitch," Lozini said, with even the insult said in a calm and measured way, "I
am
miles ahead of you, though you don't know it. And all I want from you is the name. It's either Ernie Dulare or Dutch Buenadella, and you're going to tell me which one it is."

"Al, if I had the first idea what—"

"I'll shoot your fucking kneecap off," Lozini said, his voice finally beginning to harden, to match the words he was saying. "And you can gimp your way to the discotheque with your teenage twats from now on."

"Al—"

"Don't deny it again," Lozini said. "You know me well enough, Harold. I can shoot pieces off you till sundown and you won't even get to pass out. One more lie and I start chopping."

Calesian's mouth was dry. His scalp was burning in the sunlight, all of his muscles were tense and jumping, and he felt he needed time to go away and relax and work out what was best to do here. But there wasn't any time, he had to do something now.

And he knew Lozini, he knew that cold look in the bastard's eyes, he knew that Lozini actually would start shooting very soon now. Not to kill, just to hurt and maim. He'd seen the remnants two or three times over the years of men who'd been treated that way; the shot-off parts had come to the morgue in a separate plastic bag. There'd been jokes about it, the spare parts in the plastic bag, but Calesian couldn't remember any of the jokes now. All he could remember was the plastic bag, with the bloody bites of flesh inside it.

"All right," he said. He licked his lips, and put his left hand on top of his head to shield it from the sun. "I'll level with you," he said. Then, still thinking hard, he stopped and licked his lips again.

"Go ahead," Lozini said. The gun was still pointing at him, not wavering; the bastard might be old, but he wasn't used up, not yet.

"It's, uh—" Calesian felt the hot breath of wrath on him, hotter than the midsummer heat. No matter what he said now, no matter what he did, wrath would come at him from some direction. "It's Ernie," he said. "Ernie Dulare."

Lozini sagged a little. The gun barrel dipped, Lozini's eyes seemed to lose the hard edge of their focus, the skin of his face got grayer, less healthy in the sunshine.

"It was bound to happen, Al," Calesian said. "And I had to go along with it, you can see that."

Lozini had nothing to say.

"In fact," Calesian said, "you know where I just was, I took a plane trip, I went to see a guy from Chicago. Ernie's clearing things with the big people ahead of time, letting them know there isn't going to be any trouble, no bloodshed, a simple quiet changeover."

Lozini, his voice and face duller than before, said, "What guy? What guy from Chicago?"

"Culligan."

Lozini nodded. "That's right," he said. "And he's got no objection?"

"Why should he?"

"Sure," Lozini said. Then he frowned. "Prove it's Ernie," he said.

Calesian tensed again. "What?"

"Call him. Come on, we'll go inside and you'll call him and I'll hear what he's got to say."

"Oh," Calesian said. "Sure, why not? You think maybe it's really Dutch, after all, and I'm covering, putting you off on Ernie? I'll call, you'll hear it for yourself." He started to take the attach^ case off his lap, then stopped and said, "Wait a minute, I'll do better than that. I've got a letter in here to Culligan from Ernie, you can read it yourself." He put the attach^ case on his lap again, clicked open the snaps, lifted the lid.

Lozini was frowning at him. "A letter—" Then he straightened up suddenly from the railing, pushing the gun out ahead of himself toward Calesian. "Get your hand out of—"

There wasn't any time to fit the silencer on> but up here that shouldn't matter. Calesian fired through the lid of the attach^ case, then had to lunge forward and grab a handful of Lozini's jacket to keep the old man from toppling over the railing after all. He lowered Lozini to the slate floor, plucked the gun from his dead fingers, tossed it over onto the chaise longue. His own gun and the attach^ case were on the floor where they'd fallen when he'd made his lunge forward, but for the moment he let them stay there.

He went into the apartment, hurrying through the living room and into the hall to the bedroom. The linen closet was next to the bathroom door, and inside it the plastic tablecloth for use on the terrace was right where it was supposed to be, on the top shelf. He carried it back to the terrace, spread it on the floor, rolled Lozini in it. The old man was shot in the chest, left side, heart—half good aiming and half good luck. There wasn't much blood, because he was dead and the heart wasn't pumping any out of the wound.

Calesian dragged the plastic-wrapped body into the living room, shut the terrace doors, and turned the thermostat down to fifty-five, the lowest possible setting. Then he went into the bathroom to rub some A&D ointment on his scalp to guard against sunburn, and while he was in there he got a sudden case of the shakes. He sat down on the toilet and gripped his knees and stared at the rose-colored wall, and trembled all over.

Lozini. Not some two-bit hood, not a dime-store cop, but Lozini himself.
I was always afraid of that bastard,
Calesian or federal people—and call Dutch Buenadella. But the first coming up into his mouth.

After a few minutes he calmed down and took two Alka- Seltzer and left the apartment to find a phone booth—because he couldn't be sure if his own phone was tapped or not, by state or federal people—and call Dutch Buenadella. But the first three times he dialed, the line was busy.

Twenty-five

Buenadella was on the phone with George Farrell, who had just called him, taking him away from lunch with his family. Buenadella was saying, "What the fuck did you give him
my
name for?"

"I didn't know what else to do. He was— He was making it very tough for me. He really wanted to know, do you follow me?"

The phone was a tough way to communicate. They had to tell each other things that they weren't telling the inevitable eavesdroppers. Farrell had begun the conversation by saying, "Do you know who this is?" and Buenadella had said, "Yes, you dipshit, and so does anybody else who's listened to all those fucking radio commercials you did." He'd talked that way because he'd been shocked into rage by the stupidity of Farrell making direct contact with him, two days before the election, they had managed to keep Farrell's skirts clean all the way through up till now, and he just couldn't believe the guy was stupid enough to blow it all at this late date, for any reason.

But since then the conversation had gone on, roundabout and vague but gradually getting the point across, and now Buenadella was shocked in a different way. Because that son of a bitch Parker had gone right through Farrell's security, separated him from his people like a sheepdog cutting out one lamb from the flock, scared the shit out of him somehow, and had gotten from him Buenadella's name as the guy behind the takeover. And that shouldn't have happened. Just as Farrell had kept himself clean and above suspicion on the mayoral side, Buenadella had held himself absolutely out of it when it came to unhorsing Al Lozini. And now this bastard from out of town, this Parker, had come in and opened everything up like an appendicitis case.

And Parker wasn't even supposed to be alive any more. What the hell had happened to Abadandi? Surely he'd had a chance at Parker and the other one by now, so what was holding him back? Once he took Parker out, life would get a lot easier, but if Abadandi waited much longer, Parker would already have opened too many doors, spoiled too many setups, and it wouldn't make a hell of a lot of difference any more if he was alive or dead.

It crossed Buenadella's mind that Abadandi might have made his play and lost; but he didn't believe it. Abadandi was too good, too secure. The answer had to be that Parker and the other one were covering themselves too well and Abadandi hadn't had a good shot yet to take them out.

Well, it better happen soon. And in the meantime, there was this sudden mess to take care of. Buenadella said, "How long ago did you have your conversation?"

Farrell bumbled around, still too shook up to be brisk. "Uh—twenty-five—almost half an hour."

"Half an hour! What the fuck a you been doing?"

"Dutch, I had to, I had to calm everybody here. We had policemen being held at gunpoint here, Dutch, it wasn't something I could just brush off without an explanation. I said they represented some Middle Eastern sect, it was some sort of international political thing, and that I talked them out of holding me."

"You got people to buy that?"

"Reporters, policemen, everybody." A bit of pride touched Farrell's voice, and with it he grew calmer and more confident. "I am good at my profession, Dutch," he said. "I can talk to people."

Which was true. When Buenadella stopped to think about it, the fact that Farrell had made the people around him buy any kind of phony story at all was pretty damn good, and that he'd managed to get away to a telephone by himself within half an hour was even better. Grudgingly he said, "All right. You did what you could."

"Thanks, Dutch. And I wanted you to know as soon as possible."

"Too bad you couldn't have pulled your bullshit number on our friend instead."

"Dutch, you weren't there. Believe me, I didn't have—"

Any choice, he was going to say. Buenadella cut him off, saying, "All right, it's done. And he's got half-an-hour lead to get to me, so get off the phone and let me set things up."

"Right, Dutch. And I'm sorry, I just—"

Couldn't do anything else, he would have said that time. "I know," Buenadella said. "I know. Hang up." And he broke the connection.

Standing there holding the receiver in his left hand and depressing the cradle with his right, counting slowly to five to give the phone company a chance to break the connection so he could make another call, Buenadella frowned thoughtfully at the paintings on the opposite wall of his den* They were French, pastels, crooked streets in Montmartre, in Paris. Not prints, regular originals, he'd bought them in Paris seven years ago when he and Teresa had swung through there on their way back from the trip to Italy. It was funny how everybody in Italy had thought he was German and everybody in France had thought he was Italian, and here he was an American all the time.

Louis Buenadella was fifty-seven years old, a big-boned man who did a lot of eating and who spread two hundred seventy pounds over his six-foot-four-inch frame. His stomach and "behind and thighs were pretty thickly padded out with fat, but the rest of him was big and hard, all muscle and sinew. He had fair skin and nearly blond light brown hair, the heritage of a Piedmontese grandmother on his father's side. His hair seemed even paler in the close-cropped crew cut he'd favored for the last thirty years, ever since his Army days in the Second World War, and was mainly responsible for his nickname.

Buenadella was born and raised in Baltimore, and after the Army he went back there for a few years, soldiering in a different way, working for the people who ran the local rackets. He had some lucky breaks, was made a part of the action a few times, and saved his money. He knew he'd never be anything but a dependable minor hood in Baltimore, so in 1953 he'd moved to Tyler, armed with an introduction to Adolf Lozini and helped by the money he'd been saving up. Television had been hurting the movie business badly at that time, so he'd been able to buy up three local theaters on the cheap. He'd brought in sexploitation movies, was the first exhibitor in the Tyler area to switch over to that kind of film, and his three theaters had gone immediately and permanently into the black. He ingratiated himself with Lozini and the other local people who could be important to him, he became a part of their action, and when in 1960 it was decided to get into the paperback sex-novel boom Buenadella was the natural choice to organize the operation; first as a wholesaler, AM Distributors, Inc., distributing books from publishers in New York and Los Angeles, and later as a publisher, Good Knight Books, buying manuscripts for five hundred dollars, doing a print order of twenty thousand, selling fifteen thousand per title in the Tyler area and the rest in towns in a four-hundred-mile radius. AM Distributors handled Good Knight Books, and Buenadella's three sex-movie theaters sold paperbacks in the lobby.