Party Girl: A Novel (3 page)

I stumble out of Jones an hour later, marveling at the fact that my ménage à trois partners had turned out to be so creepy and lame. You’re supposed to have a ménage à trois with, like, a member of the Red Hot Chili Peppers or Jane’s Addiction and your most outrageous girlfriend, not two dorky groomsmen from a wedding that took place at your mom’s house. Why am I always getting everything so horribly wrong?

Just as the valet guy hands me my keys, I hear a guy say, “Whoa—you’re not driving.” I look up and see Gus, this slightly pudgy party guy Stephanie sometimes hooks up with. He walks over to me with his friend and snaps the keys from my hand.

I grab my keys back, outraged. “Don’t be ridiculous,” I say. “I’m fine.” My words sound slurred, even to me, which is annoying. Then I drop the keys, which doesn’t help my case, but seeing as Gus is the biggest drunk I know, I don’t appreciate being judged by him right now.

“I live eight blocks away,” I say.

“Most accidents happen when people are within two blocks of where they live.” This comes not from Gus but from his friend, a dark-haired guy with a receding hairline and glasses. He holds out a hand. “Hey, I’m Adam. We met at that party in the hills last month.”

I shake his hand and nod but have no recollection of meeting him or, in fact, having been at a party in the hills last month. I’m fairly annoyed by his recitation of this fact we’ve all heard eight hundred times like he’s some driver’s ed teacher. His overall sobriety bugs me, too.

“Look, you guys, I appreciate your concern but I’ve got to get out of here.” I glance at the valet parker, who’s been standing here patiently the whole time. Though he doesn’t seem to speak English, the language of you’re-too-drunk-to-drive seems to be international. I lower my voice so that he can’t hear, despite his non-English speaking. “These two guys I had a ménage with last month when I was at a wedding at my mom’s house are inside, and I told them I had to go see a sick friend to get away from them. I really need to get out of here before they come out.”

Adam’s jaw drops slightly but Gus looks thoroughly nonplussed. Gus turns to the valet. “Her car’s staying,” he says. “She’ll come pick it up tomorrow.” Then he turns to Adam. “Can you take her home? I think my E just kicked in.”

“You can put it on any station you want,” Adam says as he quickly switches the radio from NPR to, essentially, static. “Although I must confess that I like this one, if only because it sounds so much like what’s already playing in my head.”

I laugh. Even though he’s the very definition of holier-than-thou, the guy seems kind of funny. I notice an asthma inhaler sitting in the cup holder, which makes me laugh again for some reason, and then I feel incredibly self-conscious about seeming like a cackling lush.

“Look, I’m really not that drunk.” As I say this, I’m looking up at the streetlights, which seem to be blindingly bright and a bit like the strobe lights we used to use for our dance shows in high school, and they make me dizzy.

Adam doesn’t say anything.
He looks like such a nice boy
, I think,
the kind my mom would meet and wonder why I didn’t like. He must think I’m an outrageous slut.
“I mean, the whole thing I was saying about the wedding and the ménage and all that—I wasn’t really serious.” I’m not sure why I care so much about what he thinks.

“Hey, I’m not judging.” He says it the way that my alleged female friends from high school used to say, “No offense but…” In other words, he probably was.

“So, what do you do?” I ask him conversationally, but I kind of know what the answer will be. All of Gus’s friends are aspirants of some kind or another—actors, writers, directors, producers, whatever. They tend to, in fact, claim those careers in conversation, even though their rent is paid either by overly indulgent parents or some miserable job waiting tables. After only about a year and a half in L.A., I was already over everyone and their extravagant Hollywood dreams. Don’t they realize how few people are actually successful in these careers and that you can’t claim a career until you’ve actually made money at it?

“I’m an actor.”

“Really?” I ask. “Been in anything?”

“I had a scene in a Chris Kattan movie,” he says, “but it was cut out.”

“Oh.” I sort of feel bad for him now.

“Right now I’m waiting tables at Norm’s.”

I feel worse.

“In West L.A.”

Oh, dear God. I snap the radio to a random station and the song “Cecilia” starts blaring out of the speakers. I’ve always loved that song. Truthfully, the name Cecilia has always sounded enough like Amelia for me to sometimes convince myself that the song is about me. I start singing along with it, remembering the drinking game my quad mates and I used to play senior year in college, where we had to drink whenever a singer sang a woman’s name. “My Sharona,” “Come on, Eileen,” “Oh, Cecilia”—we were big into ’80s music for some reason.

“Oh, Amelia, I’m down on my knees, I’m begging you please to come home,” I sing. God, it feels good to let loose. Adam smiles uncomfortably but I don’t care about that or about the legions of people in karaoke bars who have accused me of being tone deaf. Singing this song is the first thing that’s felt okay this whole night, besides those lemon drops. I continue to sing for the rest of the car ride, imagining Mystery Perfect Man who seems to resemble Jude Law but who isn’t a famous movie star and never slept with the nanny or was married but is just begging me please to come home to him while he’s down on his—

“Amelia.” Adam is sort of shaking me awake. “Amelia.” I open my eyes.

“Whoa,” I say. “I was singing.”

“You were, but you were also kind of sleeping. It was, to be honest, strangely adorable.” Even though he’s grinning in a I’m-laughing-with-not-at-you kind of way, I’m so humiliated that I’d rather be under the car than in it. Adam clears his throat.

“This is where you live, right?” As my eyes focus on him, I notice that he looks quite anxious. “Are you okay?” he asks.

I smile brightly, defensively. “Never better.” I open the driver’s side door. “Thanks for the ride.”

“You’re welcome.”

I step out of the car and onto the sidewalk, almost tripping myself in my Miu Miu pumps as I add, “Even though it was completely unnecessary.” I make a mental note not to wear these shoes out at night anymore.

Adam smiles and starts the car. As I watch him drive away, I marvel at what an asshole I can be sometimes. Of course the ride was necessary. I was a wobbly, dizzy, drunken mess. I’m so focused on beating myself up over being such an asshole that it doesn’t occur to me to wonder how Adam even knew where I lived.

4

I’m in Brian’s office, griping about how I pitched something to New York that they ignored, but then came up with on their own two weeks later and assigned to someone else.

“I deserved that assignment,” I say. People always get on my case for complaining—my mom tells me that my first sentence was actually “It’s not fair”—but I’ve never been good at letting things go.

Brian looks both exasperated and slightly bemused. “Shut the door,” he says.

I get up, close the door, and sit down in his fold-out guest chair, moving a stack of still-wrapped CDs to the floor to make room.

“So, why don’t you tell me what’s really going on with you,” Brian says, smiling for the first time since I’ve come into his office.

Brian has taken this sort of paternal-mentor role with me since I first started, and while my relationship with him is far less complicated than the one I have with my real-life father, I’m never quite sure what Brian wants from me. Other writers tell me that I’m his favorite, but I also feel like he’s harder on me than he is on anyone else. Every time I come back from an interview, he peppers me with, “Did you ask them what time of day they were born? And what they excelled in when they were little? And their favorite color?” On and on until he stumbles upon something, usually quite early on in the questioning, that I’ve failed to ask, after which he proceeds to lecture me about how I have to remember to ask everything because I might not be able to get whoever it is on the phone again. But he also takes an inordinate interest in my personal life—something I invite. I’ve always been a somewhat compulsive confessionalist—known to confide my life’s most intimate details to perfect strangers—and Brian seems to like this about me. I tell Brian about most of what I get up to, but the stories sometimes have to be edited slightly. If my life is NC-17 or R, Brian gets the version that’s been specifically edited for in-flight entertainment.

“Been on any good dates lately?” he asks, absentmindedly sliding a Sheryl Crow CD into his computer dock. “Any new boys?”

“An actor,” I say, reflecting back on the previous weekend. I don’t mention that the actor is someone I met at an after-party and barely remember taking back to my place to make out.

“Really? Has he been in anything?” Brian looks captivated.

“A couple indies,” I say, suddenly realizing that I don’t, in fact, remember the guy’s name. Eric? Seth? Denny? Fuck.

“Think it will go anywhere?” Brian asks.

“Probably not,” I say. “The pen I’m holding is probably more intelligent and more stimulating.” I realize as I say it that the comment sounds sexual, and I’m embarrassed, more embarrassed than I’d be if I’d been talking to my real dad.

Brian looks even more uncomfortable than me. “I should get back to work,” he says, and I scoot out the door, altogether forgetting that I’d come in there to talk to him about work.

Later, I’m sitting at my cubicle regretting those extra two shots of Absolut that Stephanie and I did at Hyde last night when my phone rings.

“Please be someone good,” I whisper to the phone, actually believing this will help determine who’s calling. When I was little and really into having pen pals, I’d go with my mom to check the mailbox and actually believe that if I wished hard enough, I could control what would be in there.

“Amelia Stone,” I say into the receiver, sounding far more efficient than I feel. I used to answer the phone with, “This is Amelia” until I noticed that Stephanie always used her first and last name as a greeting. I decided that’s what people who want to get ahead do and have copied it ever since.

“Hey, it’s me,” a male voice says.

I know exactly who it is but absolutely hate it when guys start phone conversations this way—unless, of course, it’s a guy I’m sleeping with, but somehow those guys never seem to do it. “Who is this?” I ask coldly.

“It’s me—Chris. How are you?”

Why Chris has taken to calling me regularly I cannot imagine. I’m not sure which surprises me more—the fact that he continues to call me when I’m nothing but rude in response, or the fact that he actually is trying to make
a girl he met through a ménage
into his girlfriend.

“What do you want?” I want to ask but I’m too chickenshit so instead I settle on, “What’s up?” in an I-couldn’t-care-less tone.

“Not that much. Just the end of another long, busy week. My boss has been, like, a complete nightmare. Claiming I’m not giving him messages because some agent didn’t call him back and he’s completely paranoid. He can’t accept the fact that his ideas just aren’t…”

Chris continues to drone on ad infinitum. Does he honestly think I give a fuck about what he’s saying? More important, does he really think this kind of rap is the way to woo a girl?

“Look, things are really crazy here right now,” I say to get him to shut up. Even though it couldn’t be further from the truth, it’s my permanent excuse, my go-to line whenever I want to get off the phone—which means, essentially, that Chris must believe my workplace is balls-to-the-walls craziness at all times.

“Oh, of course,” Chris says, sounding apologetic. “I was just wondering if you wanted to come with me to a Rob Thomas concert on Thursday?”

Think fast. “Thursday? Oh, yeah, that’s the night I have to work late.”

“The tickets are free—I got them through work.” He’s clearly not going to make this easy for me.

“That’s great, but I think things are going to be pretty crazy around here for a while.”

“But what about dinner? I mean, you have to eat, right?”

What can I say to this? And why can’t I bring myself to ask him to leave me alone because he reminds me too much of how out of control I can be, and inform him that I wouldn’t hook up with him again even if I was on a hundred hits of Ecstasy?

“Look, I have to go,” I say, and I hear him trying to say something in response but I cut him off. “I’ll talk to you soon.”

I slam the phone down, wondering why I always seem to attract guys who are gluttons for punishment.

5

“Can we please concoct some reason we have to move in here?” Stephanie asks as we gaze out at the Pacific Ocean on a clear, perfect night.

We’re in the backyard of this completely grandiose $20 million Malibu mansion where Gus is staying for the time being. Words cannot describe how ostentatious this place is—there are about twelve bedrooms, a sauna, a freaking room for “wrapping presents,” no joke—and it’s right on the PCH. But it seems even more enormous than it actually is because of the fact that it has no furniture.

“Anthony’s parents were busted for embezzling,” Gus had explained as he showed us the infinity pool, which spills into a Jacuzzi big enough to fit a football team. “Honestly, I don’t know the entire story, but as far as I understand it, they went bankrupt, the bank took their furniture, and they’re planning to unload this to the highest bidder. Anthony was supposed to be showing the place but the whole thing bummed him out so much, he took off for New York.”

“So you’re house-sitting?” I’d asked him, inhaling on my cigarette. Gus is always lucking into the plushest situations. I swear, the people who live the best in Hollywood are the nonworking grifters, since they’re usually attractive enough to convince horny producers to loan them their Range Rovers or charming and calculating enough to befriend a guy whose parents need someone to show their $20 million Malibu spread. The worker bees, those watching their youth drift away as they do coverage, place calls, and write “Where Are They Now” stories on Doc from
The Love Boat
, are the ones who seem to live the grifter lifestyle.